{"id":5234,"date":"2016-09-29T00:00:00","date_gmt":"2016-09-28T22:00:00","guid":{"rendered":"https:\/\/www.salvador-dali.org\/noticia\/el-dali-classic-a-pisa\/"},"modified":"2016-09-29T00:00:00","modified_gmt":"2016-09-28T22:00:00","slug":"el-dali-classic-a-pisa","status":"publish","type":"noticia","link":"https:\/\/www.salvador-dali.org\/ca\/fundacio-dali\/noticia\/el-dali-classic-a-pisa\/","title":{"rendered":"El Dal\u00ed cl\u00e0ssic a Pisa"},"content":{"rendered":"

Aquest migdia s’ha presentat a La Real Academia de Espa\u00f1a a Roma l’exposici\u00f3 temporal Dal\u00ed. Il sogno del classico <\/em>que es podr\u00e0 veure de l’1 d’octubre al 5 de febrer de 2017 al Palazzo Blu de Pisa.<\/em><\/p>\n

Est\u00e0 dedicada a la influ\u00e8ncia del classicisme itali\u00e0 a l’obra de Dal\u00ed. La mostra est\u00e0 comissariada per Montse Aguer, directora dels Museus Dal\u00ed, i Thomas Clement Salomon, coordinador cient\u00edfic de Mondo Mostre, entitat organitzadora.<\/p>\n

Contingut de l’exposici\u00f3 Dal\u00ed. Il sogno del Classico<\/em><\/strong><\/p>\n

La mostra posa \u00e8mfasi en la import\u00e0ncia d’It\u00e0lia (que Dal\u00ed i Gala van visitar en diverses ocasions) i del Renaixement en l’obra de Salvador Dal\u00ed. Inclou 149 obres que abracen des de 1945 fins a 1982: 145 provinents de la Fundaci\u00f3 Dal\u00ed, 3 de The Salvador Dal\u00ed Museum de Saint Petersburg (Florida) i 1 dels Museus Vaticans. S\u00f3n 22 pintures, 100 estampes de la s\u00e8rie La Divina Com\u00e8dia<\/em> i 27 il\u00b7lustracions per a L’Autobiografia de Benvenuto Cellini.<\/em><\/p>\n

El nucli central parteix d’una selecci\u00f3 d’olis molt poc coneguts, quatre dels quals s\u00f3n in\u00e8dits: S\/T. Segons “Nen ajupit” de Miquel \u00c0ngel, S\/T. Mois\u00e8s segons “El sepulcre de Juli II” de Miquel \u00c0ngel, S\/T. Crist segons “La Pietat Palestrina” de Miquel \u00c0ngel, <\/em>i S\/T. Giuliano de M\u00e9dici segons “El sepulcre de Giuliano de M\u00e9dici” de Miquel \u00c0ngel. <\/em>Figuren en les seves darreres creacions de la d\u00e8cada dels 80, en que l’artista reinterpreta en clau daliniana les obres mestres de Miquel \u00c0ngel. Presentades com a conjunt estil\u00edstic i tem\u00e0tic per primera vegada, aquestes obres ens permeten indagar en la t\u00e8cnica i el coneixement del Dal\u00ed d’aquest moment, i reflectir com les seves inquietuds se segueixen traduint en expressi\u00f3 art\u00edstica. Aix\u00f2 ens endinsa en l’\u00faltima etapa del pintor, fins avui for\u00e7a desconeguda, per\u00f2 que manifesta un ideari dalini\u00e0 molt particular, mitjan\u00e7at una expressivitat que persegueix la persist\u00e8ncia del proc\u00e9s creatiu i la recerca de la immortalitat. A trav\u00e9s de la reelaboraci\u00f3 de les obres de Miquel \u00c0ngel, Dal\u00ed d’una banda treballa des del respecte absolut per la tradici\u00f3 i el passat i, d’una altra banda, adverteix de la necessitat de superar-los a trav\u00e9s d’una innovaci\u00f3 constant sempre dirigida cap a la contemporane\u00eftat.<\/p>\n

Des de la seva expulsi\u00f3 del grup surrealista, a l’inici de la d\u00e8cada dels 40, el pintor catal\u00e0 abandera una nova postura classicista i de defensa del Renaixement. Els interessos intel\u00b7lectuals de Dal\u00ed continuen expandint-se a la manera d’un humanista renaixentista. Dal\u00ed es considera el precursor d’una nova fase renaixentista. \u00c9s en aquest context en el qual s’elaboren les il\u00b7lustracions per a L’Autobiografia de Benvenuto Cellini<\/em>, un dels artistes m\u00e9s influents del Renaixement florent\u00ed que li fascina per ser un home rebel i controvertit, i les il\u00b7lustracions per a La Divina Com\u00e8dia <\/em>de Dante Alighieri.<\/p>\n

En l’exposici\u00f3 es podran veure tamb\u00e9 uns olis de The Salvador Dal\u00ed Museum de Saint Petersburg i una pintura dels Museus Vaticans. S\u00f3n obres executades per Dal\u00ed als anys 50 i 60 com exemples de la nova etapa m\u00edstica de l’artista en qu\u00e8 les tem\u00e0tiques religioses es fonen amb la inspiraci\u00f3 dels grans mestres del passat.<\/p>\n

Dal\u00ed i Miquel \u00c0ngel<\/strong><\/p>\n

El conjunt de llen\u00e7os inspirats en les creacions de Miquel \u00c0ngel corresponen a l’\u00faltima \u00e8poca del Dal\u00ed pintor. S\u00f3n obres creades al llarg de 1982, poc abans i poc despr\u00e9s de la mort de la seva esposa i musa Gala, esdevinguda al juny del mateix any. La majoria pertanyen a la Fundaci\u00f3 Dal\u00ed. Aix\u00f2 ens permet portar a terme un estudi significatiu sobre el proc\u00e9s creatiu i t\u00e8cnic del pintor en aquesta darrera etapa. Durant els \u00faltims anys, Dal\u00ed, una vegada m\u00e9s, es reinventa estil\u00edsticament.<\/p>\n

Repr\u00e8n les figures de Miquel \u00c0ngel i les reinterpreta: les separa de l’entorn iconogr\u00e0fic original del seu creador, i les representa soles, atorgant-los for\u00e7a pr\u00f2pia. Dal\u00ed presta de les escultures i pintures de Miquel \u00c0ngel la tensi\u00f3 dels cossos tit\u00e0nics de gran for\u00e7a muscular i d’estructura colossal.<\/p>\n

Repr\u00e8n les figures de Miquel \u00c0ngel i les reinterpreta: les separa de l’entorn iconogr\u00e0fic original del seu creador, i les representa soles, atorgant-los for\u00e7a pr\u00f2pia. Dal\u00ed presta de les escultures i pintures de Miquel \u00c0ngel la tensi\u00f3 dels cossos tit\u00e0nics de gran for\u00e7a muscular i d’estructura colossal.<\/p>\n

Amb aquestes obres, el pintor ens convida a fer un viatge irrepetible, a la recerca del seu propi jo, el seu ADN filos\u00f2fic, art\u00edstic i humanista.<\/p>\n

L’estudi sobre els procediments t\u00e8cnics i el m\u00e8tode de treball de l’artista corrobora que l’execuci\u00f3 d’aquest conjunt de pintures va ser r\u00e0pida. En poc m\u00e9s d’un any, Dal\u00ed va pintar aproximadament 25 obres de tem\u00e0tica inspirada en Miquel \u00c0ngel, a m\u00e9s d’unes altres 13 sobre Vel\u00e1zquez. \u00c9s molt interessant la reflexi\u00f3 d’Antoni Pitxot, primer director del Teatre-Museu Dal\u00ed, sobre aquest moment vital i creatiu de Dal\u00ed: “\u00c9s pura expressi\u00f3, pura comunicaci\u00f3”.<\/p>\n

La Divina Com\u00e8dia<\/em><\/strong><\/p>\n

Aquesta s\u00e8rie va ser un enc\u00e0rrec de l’Istituto Poligrafico de l’Estat Itali\u00e0 en vistes a la commemoraci\u00f3 dels set-cents anys del naixement de Dante. Dal\u00ed va comen\u00e7ar a treballar a Cadaqu\u00e9s durant l’estiu de 1950, i dos anys m\u00e9s tard va acabar les 102 il\u00b7lustracions, utilitzant una barreja de t\u00e8cniques, principalment aquarel\u00b7la, guaix i tinta sanguina sobre paper en un format foli. Finalment, cent il\u00b7lustracions van ser reprodu\u00efdes entre 1959 i 1963 mitjan\u00e7ant un proc\u00e9s de fotogravat en relleu de trama xilogr\u00e0fica. Aquestes estampes es poden veure a l’exposici\u00f3 dividides en els tres c\u00e0ntics: Infern, Purgatori i Parad\u00eds.<\/p>\n

L’Autobiografia de Benvenuto Cellini<\/p>\n

Al 1945, Dal\u00ed rep l’enc\u00e0rrec de l’editor de Doubleday & Company per portar a terme les il\u00b7lustracions d’una nova edici\u00f3 anglesa de The Autobiography of Benvenuto Cellini. La t\u00e8cnica d’aquestes il\u00b7lustracions \u00e9s aquarel\u00b7la i tinta xinesa sobre paper. L’artista escull amb tota llibertat els moments de la narraci\u00f3 de Cellini que li permeten desenvolupar al m\u00e0xim la seva capacitat creativa i la seva fantasia. L’artista mostra una gran admiraci\u00f3 per Cellini i per la seva habilitat en m\u00faltiples sectors art\u00edstics. Cellini, que havia estat escultor, orfebre i escriptor, encarna l’artista multidisciplinari al qual Dal\u00ed aspira. Aquesta s\u00e8rie \u00e9s tan apreciada per Dal\u00ed que la guardar\u00e0 tota la seva vida. \u00c9s per aquest motiu que la Fundaci\u00f3 Dal\u00ed conserva en l’actualitat els originals com part de la seva col\u00b7lecci\u00f3. Una selecci\u00f3 de 27 il\u00b7lustracions es pot veure en aquesta exposici\u00f3.<\/p>\n

Cat\u00e0leg<\/strong><\/p>\n

El cat\u00e0leg, editat en itali\u00e0 per SKIRA, inclou textos de Montse Aguer, directora dels Museus Dal\u00ed, Lucia Moni i Carme Ruiz, del Centre d’Estudis Dalinians, Irene Civil i Juliette Murphy del Departament de Conservaci\u00f3 i Restauraci\u00f3 de la Fundaci\u00f3 Dal\u00ed, i Thomas Clement Salomon, coordinador cient\u00edfic de Mondo Mostre. Els escrits ofereixen noves perspectives sobre la influ\u00e8ncia del classicisme en l’artista al llarg de la seva vida. A m\u00e9s, estan acompanyats per nombroses imatges in\u00e8dites que corresponen al material preparatori i a fotografies de l’artista.<\/p>\n","protected":false},"excerpt":{"rendered":"

Aquest migdia s’ha presentat a La Real Academia de Espa\u00f1a a Roma l’exposici\u00f3 temporal Dal\u00ed. Il sogno del classico que es podr\u00e0 veure de l’1 d’octubre al 5 de febrer de 2017 al Palazzo Blu de Pisa. Est\u00e0 dedicada a la influ\u00e8ncia del classicisme itali\u00e0 a l’obra de Dal\u00ed. La mostra est\u00e0 comissariada per Montse […]<\/p>\n","protected":false},"featured_media":5238,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":""},"categoria-actualitat":[78,79],"class_list":["post-5234","noticia","type-noticia","status-publish","format-standard","has-post-thumbnail","hentry","categoria-actualitat-exposicions","categoria-actualitat-fundacio-gala-salvador-dali"],"acf":[],"yoast_head":"\nEl Dal\u00ed cl\u00e0ssic a Pisa - Fundaci\u00f3 Gala - Salvador Dal\u00ed<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.salvador-dali.org\/ca\/fundacio-dali\/noticia\/el-dali-classic-a-pisa\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"El Dal\u00ed cl\u00e0ssic a Pisa - Fundaci\u00f3 Gala - Salvador Dal\u00ed\" \/>\n<meta property=\"og:description\" content=\"Aquest migdia s’ha presentat a La Real Academia de Espa\u00f1a a Roma l’exposici\u00f3 temporal Dal\u00ed. Il sogno del classico que es podr\u00e0 veure de l’1 d’octubre al 5 de febrer de 2017 al Palazzo Blu de Pisa. Est\u00e0 dedicada a la influ\u00e8ncia del classicisme itali\u00e0 a l’obra de Dal\u00ed. 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