Réminiscence archéologique de l'"Angélus" de Millet (Archaeological Reminiscence of Millet's Angelus)

© Salvador Dalí, Fundació Gala-Salvador Dalí, Figueres, 2007 USA: © Salvador Dalí Museum Inc., St. Petersburg, FL, 2007

Cat. no. P 400

Réminiscence archéologique de l'"Angélus" de Millet (Archaeological Reminiscence of Millet's Angelus)

Description

Date:
c. 1934
Technique:
Oil on wood panel
Dimensions:
31.75 x 39.4 cm
Signature:
Unsigned and undated
Location:
The Dali Museum, St. Petersburg (Florida)

Provenance

  1. Julien Green, Paris
  2. John E. Abbott
  3. Julien Levy Gallery, New York
  4. E. and A. Reynolds Morse, Cleveland (Ohio)

Observations

This painting is entitled "Réminiscence archéologique de l´"Angéuls de Millet" for we believe it corresponds to the work Dalí presented at the exhibition held at the Jacques Bonjean Gallery, Paris from June 20th to July 13th 1934, number 28. For this reason, the first owner would be François Spitzer. Although this painting is considered from 1935, the iconographic elements correspond to the ones in paintings from 1934. For this reason the artwork has been moved to the 1934 period.

Exhibitions

  1. 1934, Paris, Jacques Bonjean, Exposition Dali, 20/06/1934 - 13/07/1934, cat. no. 28
  2. 1934, New York, Julien Levy Gallery, Dali, 21/11/1934 - 10/12/1934, cat. no. 9
  3. 1946, Boston, The Institute of Modern Art, Four Spaniards : Dali, Gris, Miro, Picasso, 24/01/1946 - 03/03/1946, cat. no. 6
  4. 1947, Cleveland, Ohio, The Cleveland Museum of Art, Salvador Dalí, an exhibition, 08/10/1947 - 09/11/1947, cat. no. 10
  5. 1965, New York, Gallery of Modern Art, Salvador Dalí, 1910-1965, 18/12/1965 - 28/02/1966, cat. no. 55
  6. 1996, Barcelona, La Pedrera, Dalí. Arquitectura, 19/06/1996 - 25/08/1996, cat. no. 13
  7. 1998, Liverpool, Tate Gallery Liverpool, Salvador Dalí: a mythology, 21/10/1998 - 31/01/1999, cat. no. 26
  8. 1999, Fukuoka, Fukuoka Asian Art Museum, Dali exhibition 1999, 28/08/1999 - 24/10/1999, cat. no. 26
  9. 2004, Barcelona, CaixaForum, Dalí. Cultura de masses, 05/02/2004 - 23/05/2004, cat. no. 73
  10. 2006, Tokio, Ueno Royal Museum, Salvador Dali centennial retrospective, 23/09/2006 - 04/01/2007, cat. no. 21
  11. 2009, Melbourne, National Gallery of Victoria, Salvador Dalí : liquid desire, 13/06/2009 - 04/10/2009, no reference

Bibliography

  1. Reynolds A. Morse, "The Dream World of Salvador Dali", Art In America, 31/07/1945, New York, N.y., il. 4
  2. Salvador Dalí, an exhibition, The Cleveland Museum of Art, Cleveland, 1947, n. p.
  3. Salvador Dalí, The IMS Press, Cleveland [Ohio], 1954, p. 21
  4. Dalí, Les Éditions du Chêne, Paris, 1957, il. V
  5. A. Reynolds Morse, Michel Tapié, Dalí: a study of his life and work, New York graphic Society, Greenwich [Connecticut], 1958, p. 43
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  7. Paul H. Walton, Dali, Miró, Tudor Publishing Company, New York, 1967, il. 15
  8. Max Gérard, Dalí de Draeger, Blume, Barcelona, 1968, il. 93 (detail)
  9. Robert Lebel, "Le Dali de tout le monde ou la psychopathologie commercialisée", L'oeil, 31/01/1969, Paris, n. p. (detail)
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  53. Juan Antonio Ramírez, Dalí: lo crudo y lo podrido, A. Machado Libros, Madrid, 2002, p. 57
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  72. Roger Rothman, Tiny surrealism : Salvador Dalí and the aesthetics of the small, University of Nebraska, Lincoln & London, 2012, p. 199
  73. Begoña Souviron López, Dalí en el contexto cultural centroeuropeo, Universidad de Málaga, Málaga, 2014, p. 145 (detail)
  74. Disney & Dalí : architects of the imagination, Disney, Los Angeles | New York, 2015, p. 61
  75. Daniel R. Caruncho, Salvador Dalí, las obras de su vida, Dos de Arte, Barcelona, 2015, p. 34
  76. Dali : poetics of the small, 1929-1936, Meadows Museum, Dallas, 2018, p. 108

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