Gala looking at Dalí in a state of anti-gravitation in his work of art "Pop-Op-Yes-Yes-Pompier" in which one can contemplate the two anguishing characters from Millet's Angelus in the state of atavic hibernation standing out of a sky which can suddenly burst into a gigantic Maltese cross right in the heart of the Perpignan railway station where the whole universe must converge

Perpignan Railway Station

© Salvador Dalí, Fundació Gala-Salvador Dalí, Figueres, 2017

Cat. no. P 809

Gala looking at Dalí in a state of anti-gravitation in his work of art "Pop-Op-Yes-Yes-Pompier" in which one can contemplate the two anguishing characters from Millet's Angelus in the state of atavic hibernation standing out of a sky which can suddenly burst into a gigantic Maltese cross right in the heart of the Perpignan railway station where the whole universe must converge

Perpignan Railway Station

Description

Date:
c. 1965
Technique:
Oil on canvas
Dimensions:
295 x 406 cm
Signature:
Unsigned and undated
Location:
Museum Ludwig, Cologne

Provenance

  1. Knoedler Gallery & Co., New York
  2. Galerie André-François Petit, Paris
  3. Galerie Zwirner, Cologne
  4. Ludwig collection, Cologne

Exhibitions

  1. 1965, New York, Gallery of Modern Art, Salvador Dalí, 1910-1965, 18/12/1965 - 28/02/1966, addendum p. 4
  2. 1965, New York, Knoedler Gallery, Exhibitions of Dali's best paintings to-date, 18/12/1965 - 31/12/1965, no reference
  3. 1977, Paris, Galerie André-François Petit, Salvador Dali : La Gare de Perpignan, November-December 1977, no reference
  4. 1979, Paris, Centre Georges Pompidou, Musée National d'Art Moderne, Salvador Dalí: rétrospective, 1920-1980, 18/12/1979 - 21/04/1980, cat. no. 272
  5. 1983, Madrid, Museo Español de Arte Contemporáneo, 400 obras de Salvador Dalí del 1914 al 1983, 15/04/1983 - 29/05/1983, cat. no. 400
  6. 2004, Venezia, Palazzo Grassi, Dalí, 12/09/2004 - 16/01/2005, cat. no. 241

Bibliography

  1. "Salvador Dali: «J' ai choisi Céret pour ma seconde »résurrection« parce que c' est »l' endroit super - rossignolesque«»", L' Indépendant, 25/08/1965, Perpignan, n. p. (indirect image)
  2. j.l. Villet, "Dali a peint sa «Gare de Perpignan» ...", Midi Libre, 31/12/1965, Montpellier, n. p. -
  3. Alain Bosquet, "Non crediate che sia una cosa semplice essere un genio", L'europeo, 19/05/1966, Milano, p. 50-51 (indirect image) (detail)
  4. Max Gérard, Dalí de Draeger, Blume, Barcelona, 1968, il. 28, il 45 (detail), il. 220 (detail), il. 118 (detail)
  5. "A Dali Dali et demi", Constellation, 31/12/1968, Paris, p. 114
  6. "Dalí Draeger", La Galerie Des Arts, 31/05/1970, Paris, n. p.
  7. José Angelo Gaiarsa, Respiraçao e imaginaçao, Jose Angelo Gaiarsa, Sao Paulo, 1971, p. 86 (detail)
  8. A. Reynolds Morse, Dalí, the masterworks, The Reynolds Morse Foundation, Cleveland, 1971, p. 16
  9. Ninety-three oils by Salvador Dalí : 1917-1970, The Salvador Dali Museum, Cleveland, 1973, p. 161 (detail), p. 184
  10. Salvador Dalí ... a panorama of his art, The Salvador Dali Museum, Cleveland, 1974, p. 161, p. 184 (il. 16)
  11. Luis Romero, Todo Dalí en un rostro, Blume, Barcelona | Madrid, 1975, p. 332-333
  12. Ramón Gómez de la Serna, Dalí, Espasa-Calpe, Madrid, 1977, p. 162-163 (detail), p. 252
  13. Salvador Dali : La Gare de Perpignan accompagnée d'une petite rétrospective, Galerie André-François Petit, Paris, [1977], n. p.
  14. Jean Saucet, "Dali - «Je suis le pompier de la peinture moderne»", Paris Match, 09/12/1977, Paris, n. p.
  15. Salvador Dalí, El Mito trágico del Angelus de Millet, Tusquets, Barcelona, 1978, p. 131
  16. Robert Descharnes, S. Terayama, Dalí: the book of great masters, Zauho, Tokyo, 1978, il. 14
  17. "El ferrocarril en la pintura", Vía Libre, 30/04/1978, Madrid, n. p.
  18. Salvador Dalí: rétrospective, 1920-1980, Centre Georges Pompidou, Musée National d'Art moderne, Paris, 1979, p. 328
  19. Josep Pla, Salvador Dalí (il.), Obres de museu, DASA, Figueres, 1981, p. 106
  20. Salvador Dalí : Gemälde, Zeichnungen, Objekte, Skulpturen, Rudolf A. Hüngerle, Heidelberg, 1981, p. 133
  21. Rétrospective Salvador Dalí 1982, Edition Art Life, [S.l.], 1982, p. 33, Il. 2
  22. René Passeron, Enciclopedia del surrealismo, Polígrafa, Barcelona, 1982, p. 59
  23. Ignacio Gómez de Liaño, Dalí, Polígrafa, Barcelona, 1983, il. 122
  24. "«Ich war phänomenal»", Der Spiegel, 17/09/1984, Hamburg, p. [227] (detail)
  25. Salvador Dalí, Louis Pauwels, The Passions according to Dalí, The Salvador Dali Museum, St. Petersburg [Florida], 1985, p. 134 (reversed image)
  26. Takahiko Okada, Dalí, Shueisha, [S.l.], 1986, p. 81
  27. Museums in Cologne, Prestel, Munich, 1986, p. 123
  28. Josep Vallès i Rovira, Dalí delit Empordà, Carles Vallès, Figueres, 1987, p. 176
  29. Grands Peintres : Dalí, COGEDI-PRESSE, Paris, 1988, p. 3
  30. Conroy Maddox, Dalí, eccentric and genius, Benedick Taschen, Köln, 1990, p. 88-89
  31. René Passeron, Salvador Dalí, Ars Mundi, [S.l.], 1990, p. 104-105
  32. Eric Shanes, Dalí, Debate, Madrid, 1991, p. 137
  33. Luis Romero, PsicoDálico Dalí, Mediterranea, Barcelona, 1991, p.198
  34. Dalí, Cercle d'Art, Paris, 1994, il. 57
  35. Robert Descharnes, Gilles Néret, Salvador Dalí, 1904 -1989, Benedikt Taschen, Köln, 1994, p. 558-559
  36. Salvador Dalí, Polígrafa, Barcelona, 1994, il. 57
  37. Ralf Schiebler, Dalí : genius, obsession and lust, Prestel, Munich - New York, 1996, p. 100
  38. Gilles Néret, Salvador Dalí : 1904-1989, Evergreen (Benedikt Taschen), [Köln], 1996, p. 88
  39. Christopher Masters, Dalí, Phaidon, London, 1996, p. 23
  40. Robert Radford, Dalí, Phaidon, London, 1997, p. 286-287
  41. Dawn Ades, Fiona Bradley, Salvador Dalí: a mythology, Tate Gallery Publishing, London, 1998, p. 2 (detail), p. 25 (sencera i detall)
  42. Salvador Dalí, Parkstone, England, 1999, p. 154-155
  43. Barbara Borngässer, Katalonien : Kunst - Landschaft - Architektur, Könemann, Köln, 2000, p. 407
  44. Javier Pérez Andújar, Salvador Dalí : a la conquista de lo irracional, Algaba, Madrid, 2003, n. p.
  45. Xavier Barral i Altet, Les Indigestions de Dalí, Edicions de 1984, Barcelona, 2003, p. 72
  46. Dalí 1904-2004, Edicions 62, Barcelona, 2003, p. 116-117
  47. The Portable Dalí, Universe, New York, 2003, p. 356-357
  48. Les Essentiels de l'art Dalí, Ludion, Amsterdam, 2003, p. 356-357
  49. Ricard Mas Peinado, Universdalí, Lunwerg, Barcelona, Madrid, 2003, p. 110
  50. Linde Salber, Salvador Dalí, Rowohlt, Reinbek bei Hamburg, 2004, p. 117
  51. Enric Bou, Daliccionario : objetos, mitos y símbolos de Salvador Dalí, Tusquets, Barcelona, 2004, p. 34
  52. Dalí et les plus grands photographes de son siècle : 1904-2004, Trabucaire, Canet, 2004, n. p. (indirect image)
  53. Alyse Gaultier, L'Abcdaire de Dalí, Flammarion, Paris, 2004, p. 64
  54. Maria Lluïsa Borràs, Salvador Dalí : vida i obra d'un geni, Columna, Barcelona, 2004, n. p.
  55. Silvia Borghesi, Dalí, Electa, Milán, 2004, p. 110, p. 111 (details)
  56. Jean-Christophe Argillet, Le Siècle de Dali, Timée-Editions, Boulogne, 2004, p. 106 (detail)
  57. Jean-Louis Gaillemin, Dalí : master of fantasies, Harry N. Abrams, New York, 2004, p. 127
  58. Màrius Carol, Josep Playà i Maset, El Enigma Dalí, Plaza Janés, Barcelona, 2004, n. p.
  59. Màrius Carol, Josep Playà i Maset, L'Enigma Dalí, Rosa dels Vents, Barcelona, 2004, n. p.
  60. Jean-Louis Gaillemin, Dali : le grand paranoïaque, Découvertes Gallimard Arts, París, 2004, p. 127
  61. Dalí, Rizzoli, New York, 2005, p. 405
  62. Salvador Dalí, Obra completa : Ensayos 2, Destino | Fundació Gala-Salvador Dalí | Sociedad Estatal de Conmemoraciones Culturales, Barcelona | [Figueres] | [Madrid], 2005, p. 520 (reversed image)
  63. Salvador Dalí, Obra completa : Assaigs 2, Destino | Fundació Gala-Salvador Dalí, Barcelona | [Figueres], 2005, p. 512
  64. Lucía García de Carpi, Salvador Dalí, Ambos Mundos, Salamanca, 2005, p. 123, p. 132 (detail)
  65. "The Grand Master of Surrealism Salvador Dali", Usa today magazine, 31/05/2005, McLean, VA, p. 39
  66. Salvador Dalí. La Gare de Perpignan: Pop , Op, Yes-Yes, Pompier, Museum Ludwig, Köln, 2006, cover, p. 5
  67. Jean-Gabriel Jonin, Jours intimes chez Dali, Rafael de Surtis | Éditinter, [Cordes-sur-Ciel] | [Soisy-sur-Seine], 2006, n. p. (indirect image)
  68. Torsten Otte, Salvador Dalí : Eine Biographie mit Selbstzeugnissen des Künstlers, Königshausen & Neumann, Würzburg, 2006, p. 109
  69. Agustín Sánchez Vidal, Salvador Dalí, Fundación Mapfre. Instituto de Cultura, Madrid, 2007, p. 119
  70. The Dalí renaissance : new perspectives on his life and art after 1940, Philadelphia Museum of Art, Philadelphia, 2008, p. 2 (indirect image),
  71. Mary Ann Caws, Salvador Dalí, Reaktion Books, London, 2008, p. 159
  72. Salvador Dalí : the late work, High Museum of Art | Yale University Press, Atlanta | New Haven and London, 2010, p. 46
  73. Ralf Schiebler, Dalí : the reality of dreams, Prestel, Munich | London | New York, 2011, p. 100
  74. Gabriel Montua, Dalís 20. Jahrhundert : die westliche Kunst zwischen Politik, Markt und Medien, De Gruyter, Boston | Berlin, 2015, p. 436
  75. Daniel R. Caruncho, Salvador Dalí, las obras de su vida, Dos de Arte, Barcelona, 2015, p. 77

Reproduction Rights

Contact