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© Salvador Dalí, Fundació Gala-Salvador Dalí, Figueres, 2007 © Scottish National Gallery of Modern Art

image 1 © Salvador Dalí, Fundació Gala-Salvador Dalí, Figueres, 2007

image 2 © Salvador Dalí, Fundació Gala-Salvador Dalí, Figueres, 2007

© Salvador Dalí, Fundació Gala-Salvador Dalí, Figueres, 2007 © Scottish National Gallery of Modern Art

Cat. no. 392

Le signal de l'angoisse (The Signal of Anguish)

Galerie Kaethe Perls, Paris

Frank Perls, Hollywood, Los Angeles (California)

Mrs. Irving T. Snyder

European collection

Perls Galleries, New York

Mayor Gallery, London

Gabrielle Keiller

SNGMA, bequeathed by the above in 1995

This work is dated on the reverse 1936 by Dalí. The date may correspond to the moment when the artist introduced some small changes to the composition, not to the actual date of execution. An image of the first stage of the painting is reproduced in "Minotaure" number 5, May 12th, 1934 (image 1), without date or title. Given the resemblance between this painting and the frontispiece Dalí produced for André Breton's book "Le revolver à cheveux blancs", 1932 (image 2), we may assume that this work was painted the same year or, perhaps, two years earlier (See the catalogue of the "Surrealism and After: The Gabrielle Keiller Collection"exhibition, held at the Scottish National Gallery of Modern Art, Edinburgh from June 5th to November 9th 1997)

1934, New York, Julien Levy Gallery, Dali, 21-11-1934 - 10-12-1934, cat. no. 6

1934, Paris, Jacques Bonjean, Exposition Dali, 20-06-1934 - 13-07-1934, cat. no. 15

1941, New York, The Museum of Modern Art, Salvador Dalí, 19-11-1941 - 11-01-1942, cat. no. 20

1969, San Diego, Fine Arts Gallery of San Diego & Putnam Foundation, Timken Gallery Balboa Park, Modern masters of Spain painting : legacy of Spain, XXth century, 02-01-1969 - 04-03-1969, no reference

1979, Paris, Centre Georges Pompidou, Musée National d'Art Moderne, Salvador Dalí: rétrospective, 1920-1980, 18-12-1979 - 21-04-1980, cat. no. 134

2000, Hartford, Connecticut, Wadsworth Atheneum Museum of Art, Dalí's optical illusions, 21-01-2000 - 26-03-2000, cat. no. 10

2004, Venezia, Palazzo Grassi, Dalí, 12-09-2004 - 16-01-2005, cat. no. 122

- | Dalí, Salvador | Caillois, Roger | Dalí, Salvador | - | - | -, Minotaure [Sumari] | Les Nouvelles couleurs du sex appeal spectral | La mante religieuse | Tableaux de Salvador Dali (il.lustracions) | [Les Chants de Maldoror] (anunci) | Documents 34 (anunci) | [Exp, Albert Skira, Paris, 1934, p. 47

Dalí, Salvador, [Il.lustracions de Salvador Dalí], Minotaure, Paris, 1934, n. p.

Soby, James Thrall, Salvador Dalí, The Museum of Modern Art, New York, 1941, p. 51

Gullón, Ricardo, De Goya al arte abstracto, La Torre, Rio Piedras [Puerto Rico], 1963, p. 115

Modern masters of Spain painting : legacy of Spain, XXth century, Fine Arts Gallery of San Diego & Putnam Foundation, Timken Gallery Balboa Park, San Diego, 1969, n. p.

Salvador Dalí: rétrospective, 1920-1980, Centre Georges Pompidou, Musée National d'Art moderne, Paris, 1979, p. 195

Salvador Dalí, The Tate Gallery, London, 1980, il. 77

Ades, Dawn, Dalí and surrealism, Harper & Row, New York, 1982, p. 95

Di Capua, Marco, Dalí, Librairie Gründ, Paris, 1994, p. 161

Descharnes, Robert | Néret, Gilles, Salvador Dalí, 1904 -1989, Benedikt Taschen, Köln, 1994, p. 237

Surrealism and after : the Gabrielle Keiller collection, Scottish National Gallery of Art, Edinburgh, 1997, p. [38]

Dalí's optical illusions, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 2000, p. 87

Dalí, Bompiani, [S.l.], 2004, p. 202 (indirect image), p. 203

The World of Salvador Dali and the 20 great masters of the 20th century, Morohashi Museum of Modern Art, Tokyo, 2005, n. p.

Luna, Marta | Matas, Toni, Dalí i els altres secrets, Distribucions d'Art Surrealista, Figueres, 2006, p. 5 (detail). p. 12 (detail)

Elliott, Patrick, Another world : Dalí, Magritte, Miró and the surrealists, National Galleries of Scotland, Edimburgh, 2010, p. 6, p. 71

Salvador Dalí, Instituto Tomie Ohtake, Sao Paulo, 2014, p. 79 (indirect image)

Provenance

Galerie Kaethe Perls, Paris

Frank Perls, Hollywood, Los Angeles (California)

Mrs. Irving T. Snyder

European collection

Perls Galleries, New York

Mayor Gallery, London

Gabrielle Keiller

SNGMA, bequeathed by the above in 1995

Remarks

This work is dated on the reverse 1936 by Dalí. The date may correspond to the moment when the artist introduced some small changes to the composition, not to the actual date of execution. An image of the first stage of the painting is reproduced in "Minotaure" number 5, May 12th, 1934 (image 1), without date or title. Given the resemblance between this painting and the frontispiece Dalí produced for André Breton's book "Le revolver à cheveux blancs", 1932 (image 2), we may assume that this work was painted the same year or, perhaps, two years earlier (See the catalogue of the "Surrealism and After: The Gabrielle Keiller Collection"exhibition, held at the Scottish National Gallery of Modern Art, Edinburgh from June 5th to November 9th 1997)

Exhibitions

1934, New York, Julien Levy Gallery, Dali, 21-11-1934 - 10-12-1934, cat. no. 6

1934, Paris, Jacques Bonjean, Exposition Dali, 20-06-1934 - 13-07-1934, cat. no. 15

1941, New York, The Museum of Modern Art, Salvador Dalí, 19-11-1941 - 11-01-1942, cat. no. 20

1969, San Diego, Fine Arts Gallery of San Diego & Putnam Foundation, Timken Gallery Balboa Park, Modern masters of Spain painting : legacy of Spain, XXth century, 02-01-1969 - 04-03-1969, no reference

1979, Paris, Centre Georges Pompidou, Musée National d'Art Moderne, Salvador Dalí: rétrospective, 1920-1980, 18-12-1979 - 21-04-1980, cat. no. 134

2000, Hartford, Connecticut, Wadsworth Atheneum Museum of Art, Dalí's optical illusions, 21-01-2000 - 26-03-2000, cat. no. 10

2004, Venezia, Palazzo Grassi, Dalí, 12-09-2004 - 16-01-2005, cat. no. 122

Bibliography

- | Dalí, Salvador | Caillois, Roger | Dalí, Salvador | - | - | -, Minotaure [Sumari] | Les Nouvelles couleurs du sex appeal spectral | La mante religieuse | Tableaux de Salvador Dali (il.lustracions) | [Les Chants de Maldoror] (anunci) | Documents 34 (anunci) | [Exp, Albert Skira, Paris, 1934, p. 47

Dalí, Salvador, [Il.lustracions de Salvador Dalí], Minotaure, Paris, 1934, n. p.

Soby, James Thrall, Salvador Dalí, The Museum of Modern Art, New York, 1941, p. 51

Gullón, Ricardo, De Goya al arte abstracto, La Torre, Rio Piedras [Puerto Rico], 1963, p. 115

Modern masters of Spain painting : legacy of Spain, XXth century, Fine Arts Gallery of San Diego & Putnam Foundation, Timken Gallery Balboa Park, San Diego, 1969, n. p.

Salvador Dalí: rétrospective, 1920-1980, Centre Georges Pompidou, Musée National d'Art moderne, Paris, 1979, p. 195

Salvador Dalí, The Tate Gallery, London, 1980, il. 77

Ades, Dawn, Dalí and surrealism, Harper & Row, New York, 1982, p. 95

Di Capua, Marco, Dalí, Librairie Gründ, Paris, 1994, p. 161

Descharnes, Robert | Néret, Gilles, Salvador Dalí, 1904 -1989, Benedikt Taschen, Köln, 1994, p. 237

Surrealism and after : the Gabrielle Keiller collection, Scottish National Gallery of Art, Edinburgh, 1997, p. [38]

Dalí's optical illusions, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 2000, p. 87

Dalí, Bompiani, [S.l.], 2004, p. 202 (indirect image), p. 203

The World of Salvador Dali and the 20 great masters of the 20th century, Morohashi Museum of Modern Art, Tokyo, 2005, n. p.

Luna, Marta | Matas, Toni, Dalí i els altres secrets, Distribucions d'Art Surrealista, Figueres, 2006, p. 5 (detail). p. 12 (detail)

Elliott, Patrick, Another world : Dalí, Magritte, Miró and the surrealists, National Galleries of Scotland, Edimburgh, 2010, p. 6, p. 71

Salvador Dalí, Instituto Tomie Ohtake, Sao Paulo, 2014, p. 79 (indirect image)