Advanced search
Click here to see the Collections Index
Anterior Result 219 of 233 Següent

© Salvador Dalí, Fundació Gala-Salvador Dalí, Figueres, 2017

© Salvador Dalí, Fundació Gala-Salvador Dalí, Figueres, 2017

Cat. no. 1005

Llegaremos más tarde, hacia las cinco (We'll Be Arriving Later, around Five)A Removal Van

Artist's collection

According to a conversation between Antoni Pitxot and Salvador Dalí recorded in Ignacio Gómez de Liaño’s "Mi tiempo, escritos de arte y literatura" (Madrid, Libertarias, 1984, p. 28), this work is known as "A Removal Van". The title is a reference to the following lines from André Breton’s "Secrets of the Magical Surrealist Art" in "The First Manifesto of Surrealism" (1924): "Surrealism will introduce you to death which is a secret society. It will glove your hand, burying within it the profound M with which the word Memory starts. Do not forget to make proper arrangements for your will: personally, I ask to be conducted to the cemetery in a removal van. Let my friends destroy every last copy of my "Discourse on the Paucity of Reality"."

1983, Madrid, Museo Español de Arte Contemporáneo, 400 obras de Salvador Dalí del 1914 al 1983, 15-04-1983 - 29-05-1983, cat. no. 455

1984, Ferrara, Palazzo dei Diamanti, I Dalì di Salvador Dalì, 01-07-1984 - 30-09-1984, cat. no. 79

1984, [Aalborg], Husets Galleri, Salvador Dalí, Pitxot, Evarist Vallès, 25-05-1984 - 28-06-1984, cat. no. 14

1989, Humlebaek, Louisiana Museum of Modern Art, Salvador Dali, 16-12-1989 - 11-03-1990, cat. no. 66

1990, México, D. F., Centro Cultural / Arte contemporáneo, Los Dalís de Dalí: colección del Museo Nacional Centro de Arte Reina Sofía, 01-11-1990 - 31-01-1991, cat. no. 38

2010, Atlanta, High Museum of Art, Salvador Dalí: The late work, 07-07-2010 - 09-02-2011, cat. no. 41

2013, Madrid, Museo Nacional Centro de Arte Reina Sofía, Dalí. Todas las sugestiones poéticas y todas las posibilidades plásticas, 27-04-2013 - 02-09-2013, no reference

2016, Kyto, Kyoto Municipal Museum of Art, Salvador Dalí, 01-07-2016 - 04-09-2016, cat. no. 126

400 obras de Salvador Dalí de 1914 a 1983, Obra Cultural de la Caixa de Pensions, [Madrid], 1983, p. 253

Salvador Dalí, Pitxot, Evarist Vallès, Husets Galleri, [Aalborg], 1984, p. 29

I Dalì di Salvador Dalì, Gianni Tassinari, Ferrara, 1984, p. 224

Gómez de Liaño, Ignacio, Mi tiempo, escritos de arte y literatura, Libertarias, Madrid, 1984, p. 25

Los Dalís de Dalí: colección del museo nacional centro de arte reina Sofía, Centro cultural/Arte contemporaneo, México D. F., 1990, p. 147

Dalí's optical illusions, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 2000, p. 65

Carol, Màrius | Playà i Maset, Josep, L'Enigma Dalí, Rosa dels Vents, Barcelona, 2004, n. p.

Dalí, un creador disidente, Destino, Barcelona, 2004, p. 208

Dalí, un creador dissident, Destino, Barcelona, 2004, p. 206

Gómez de Liaño, Ignacio, El Camino de Dalí, Siruela, Madrid, 2004, p. 335

Salvador Dalí : the late work, High Museum of Art | Yale University Press, Atlanta | New Haven and London, 2010, p. 90

s. a., LOS BALLETS DALINIANOS de Bacanal a Sacrificio, ARTE Y PARTE, s. l., 2013, p. 57

Salvador Dalí, Yomiuri Shimbun, Culture Promotion Department, Tokyo, 2016, p. 227

Provenance

Artist's collection

Remarks

According to a conversation between Antoni Pitxot and Salvador Dalí recorded in Ignacio Gómez de Liaño’s "Mi tiempo, escritos de arte y literatura" (Madrid, Libertarias, 1984, p. 28), this work is known as "A Removal Van". The title is a reference to the following lines from André Breton’s "Secrets of the Magical Surrealist Art" in "The First Manifesto of Surrealism" (1924): "Surrealism will introduce you to death which is a secret society. It will glove your hand, burying within it the profound M with which the word Memory starts. Do not forget to make proper arrangements for your will: personally, I ask to be conducted to the cemetery in a removal van. Let my friends destroy every last copy of my "Discourse on the Paucity of Reality"."

Exhibitions

1983, Madrid, Museo Español de Arte Contemporáneo, 400 obras de Salvador Dalí del 1914 al 1983, 15-04-1983 - 29-05-1983, cat. no. 455

1984, Ferrara, Palazzo dei Diamanti, I Dalì di Salvador Dalì, 01-07-1984 - 30-09-1984, cat. no. 79

1984, [Aalborg], Husets Galleri, Salvador Dalí, Pitxot, Evarist Vallès, 25-05-1984 - 28-06-1984, cat. no. 14

1989, Humlebaek, Louisiana Museum of Modern Art, Salvador Dali, 16-12-1989 - 11-03-1990, cat. no. 66

1990, México, D. F., Centro Cultural / Arte contemporáneo, Los Dalís de Dalí: colección del Museo Nacional Centro de Arte Reina Sofía, 01-11-1990 - 31-01-1991, cat. no. 38

2010, Atlanta, High Museum of Art, Salvador Dalí: The late work, 07-07-2010 - 09-02-2011, cat. no. 41

2013, Madrid, Museo Nacional Centro de Arte Reina Sofía, Dalí. Todas las sugestiones poéticas y todas las posibilidades plásticas, 27-04-2013 - 02-09-2013, no reference

2016, Kyto, Kyoto Municipal Museum of Art, Salvador Dalí, 01-07-2016 - 04-09-2016, cat. no. 126

Bibliography

400 obras de Salvador Dalí de 1914 a 1983, Obra Cultural de la Caixa de Pensions, [Madrid], 1983, p. 253

Salvador Dalí, Pitxot, Evarist Vallès, Husets Galleri, [Aalborg], 1984, p. 29

I Dalì di Salvador Dalì, Gianni Tassinari, Ferrara, 1984, p. 224

Gómez de Liaño, Ignacio, Mi tiempo, escritos de arte y literatura, Libertarias, Madrid, 1984, p. 25

Los Dalís de Dalí: colección del museo nacional centro de arte reina Sofía, Centro cultural/Arte contemporaneo, México D. F., 1990, p. 147

Dalí's optical illusions, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 2000, p. 65

Carol, Màrius | Playà i Maset, Josep, L'Enigma Dalí, Rosa dels Vents, Barcelona, 2004, n. p.

Dalí, un creador disidente, Destino, Barcelona, 2004, p. 208

Dalí, un creador dissident, Destino, Barcelona, 2004, p. 206

Gómez de Liaño, Ignacio, El Camino de Dalí, Siruela, Madrid, 2004, p. 335

Salvador Dalí : the late work, High Museum of Art | Yale University Press, Atlanta | New Haven and London, 2010, p. 90

s. a., LOS BALLETS DALINIANOS de Bacanal a Sacrificio, ARTE Y PARTE, s. l., 2013, p. 57

Salvador Dalí, Yomiuri Shimbun, Culture Promotion Department, Tokyo, 2016, p. 227