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© Salvador Dalí, Fundació Gala-Salvador Dalí, Figueres, 2017

image 2 © Salvador Dalí, Fundació Gala-Salvador Dalí, Figueres, 2017

© Salvador Dalí, Fundació Gala-Salvador Dalí, Figueres, 2017

Cat. no. 1096

Untitled
Figure. Element of the Cupola-Stage of the Dalí Theatre-Museum in Figueres

Artist's collection

According to the testimony of Antoni Pitxot, Dalí drew inspiration from the Italian painter Luca Cambiaso (1527-1585) for the painting of the figures and characters we see in the dome of the Dalí Theatre-Museum in Figueres (image 2). Dalí spoke of this group as a "Parade of giants with victorious angels", according to reports in the press of the time ("Salvador Dalí dona más obras a su museo de Figueras", Los Sitios, July 24, 1977, or "Nueva donación de Dalí", Ampurdán, July 27, 1977, Figueres).

Gómez de Liaño, Ignacio, Un drama de soledad, El País, Madrid, 1982, p. 30 (indirect image)

Costa Brava, Secretaria Nacional de Turismo, Madrid, 1987, p. 22 (indirect image)

Munarriz, Nuria, La vida de Dalí se apaga, a pesar de su gran resistencia, afirma el doctor Carles Ponsatí, La Vanguardia, Barcelona, 1989, p. 46 (indirect image)

Costa i Subirós, Jordi, Posada en escena, Diari de Girona, Girona, 1989, p. 5 (indirect image)

(Mini guia Teatre-Museu Dalí), Fundació Gala-Salvador Dalí, Figueres, 1990, p. [16] (indirect image)

Pitxot, Antoni | Aguer i Teixidor, Montse, Teatre-Museu Dalí de Figueres, Fundació Gala-Salvador Dalí | Triangle Postals, [Figueres] | Sant Lluís, Menorca, 2005, p. 48 (indirect image), p. 67 (indirect image)

Proceso al azar = Procés a l'atzar = Chance on trial, Tusquets | Editrama, Barcelona | [Barcelona], 2007, p. 10 (indirect image)

Figueres, Ajuntament de Figueres, Figueres, [2011], p. 6-7 (indirect image)

Festival Internacional del Circ Castell de Figueres, Circus Art Foundation, Figueres, 2012, p. 29 (indirect image)

Dalí: Il sogno del Classico, Skira, Milano, 2016, p. 53 (indirect image)

Pitxot, Antoni | Aguer i Teixidor, Montse, Teatre-Museu Dalí. Figueres, Fundació Gala-Salvador Dalí | Triangle Postals, [Figueres] | Sant Lluís, Menorca, 2016, p. 54-55 (indirect image), p. 60-61 (indirect image), p. 64-65 (indirect image)

Provenance

Artist's collection

Remarks

According to the testimony of Antoni Pitxot, Dalí drew inspiration from the Italian painter Luca Cambiaso (1527-1585) for the painting of the figures and characters we see in the dome of the Dalí Theatre-Museum in Figueres (image 2). Dalí spoke of this group as a "Parade of giants with victorious angels", according to reports in the press of the time ("Salvador Dalí dona más obras a su museo de Figueras", Los Sitios, July 24, 1977, or "Nueva donación de Dalí", Ampurdán, July 27, 1977, Figueres).

Bibliography

Gómez de Liaño, Ignacio, Un drama de soledad, El País, Madrid, 1982, p. 30 (indirect image)

Costa Brava, Secretaria Nacional de Turismo, Madrid, 1987, p. 22 (indirect image)

Munarriz, Nuria, La vida de Dalí se apaga, a pesar de su gran resistencia, afirma el doctor Carles Ponsatí, La Vanguardia, Barcelona, 1989, p. 46 (indirect image)

Costa i Subirós, Jordi, Posada en escena, Diari de Girona, Girona, 1989, p. 5 (indirect image)

(Mini guia Teatre-Museu Dalí), Fundació Gala-Salvador Dalí, Figueres, 1990, p. [16] (indirect image)

Pitxot, Antoni | Aguer i Teixidor, Montse, Teatre-Museu Dalí de Figueres, Fundació Gala-Salvador Dalí | Triangle Postals, [Figueres] | Sant Lluís, Menorca, 2005, p. 48 (indirect image), p. 67 (indirect image)

Proceso al azar = Procés a l'atzar = Chance on trial, Tusquets | Editrama, Barcelona | [Barcelona], 2007, p. 10 (indirect image)

Figueres, Ajuntament de Figueres, Figueres, [2011], p. 6-7 (indirect image)

Festival Internacional del Circ Castell de Figueres, Circus Art Foundation, Figueres, 2012, p. 29 (indirect image)

Dalí: Il sogno del Classico, Skira, Milano, 2016, p. 53 (indirect image)

Pitxot, Antoni | Aguer i Teixidor, Montse, Teatre-Museu Dalí. Figueres, Fundació Gala-Salvador Dalí | Triangle Postals, [Figueres] | Sant Lluís, Menorca, 2016, p. 54-55 (indirect image), p. 60-61 (indirect image), p. 64-65 (indirect image)