{"id":8868,"date":"2017-03-10T00:00:00","date_gmt":"2017-03-09T22:00:00","guid":{"rendered":"https:\/\/www.salvador-dali.org\/fundacio-dali\/noticia\/el-president-puigdemont-inaugura-l-exposicio-de-pubol\/"},"modified":"2025-06-26T10:20:09","modified_gmt":"2025-06-26T08:20:09","slug":"the-president-of-the-catalan-government-inaugurated-the-exhitibion-in-pubol-castle","status":"publish","type":"noticia","link":"https:\/\/www.salvador-dali.org\/en\/dali-foundation\/news\/the-president-of-the-catalan-government-inaugurated-the-exhitibion-in-pubol-castle\/","title":{"rendered":"The President of the Catalan Government inaugurated the exhitibion in P\u00fabol Castle"},"content":{"rendered":"

The new temporary exhibition at P\u00fabol Castle entitled Salvador Dal\u00ed, Gala, Ricardo Sans<\/strong><\/em> was inaugurated today by Mr. Carles Puigdemont, President of the Government of Catalonia. Attending on behalf of the Dal\u00ed Foundation was the Director of the Dal\u00ed Museums, Montse Aguer.<\/p>\n

The guided visit around the installation was led by Rosa M. Maurell and Cuca Costa, Coordinators at the Centre for Dalinian Studies and Curators of this display, under the scientific direction of Montse Aguer.<\/p>\n

The exhibition has the collaboration of Fundaci\u00f3 Banc\u00e0ria “La Caixa” and, on its behalf, Advisor to the Directorate-General, Higini Clotas and Quim Maci\u00e0, CaixaBank Director of Institutions of the Territorial Directorate of Catalonia, and Isabel Salgado, Director of the Art Exhibitions Department also attended the ceremony, together with the Dal\u00ed Foundation’s Managing Director, Joan Manuel Sevillano.<\/p>\n

This year’s temporary exhibition in P\u00fabol is dedicated to the photographic relationship between Salvador Dal\u00ed and Ricardo Sans from 1949 until 1956. 90 pictures are shown as well as different documents.<\/p>\n

Background<\/strong><\/p>\n

The Dal\u00ed Foundation recently bought the photographic fonds of Ricardo Sans to his family, which consists of more than 900 pictures related to Dal\u00ed and Gala. The Foundation will also manage the corresponding rights. This acquisition enriches the Dal\u00ed Foundation Archives which now keeps over 13,500 images. This richly varied collection of photographs covers different periods of the artist’s life and includes work by such internationally renowned figures as Man Ray, Brassa\u00ef, Cecil Beaton, Eric Schaal, Philippe Halsman and Horst P. Horst as well as by photographers whose significance is more local, including Juan Gyenes, Francesc Catal\u00e0-Roca and Ricardo Sans, among others.<\/p>\n

Exhibition concept and contents<\/strong><\/p>\n

The exhibition we are presenting this year at the Castle of P\u00fabol, Salvador Dal\u00ed, Gala, Ricardo Sans<\/em> shows an extensive selection from the relatively little-known Ricardo Sans fonds. We have divided it into four sections or areas, in chronological order, presided over by a screen on which a selection of the photographs in this collection will be projected. Two letters are shown, together with three books and two press clippings related to the photographer and the painter.<\/p>\n

We enhance awareness of a photographer and a fonds that allow us once again to analyse in greater depth the life and work of the painter and Gala, and in this case, moreover, from a proximity to and a confidence in the vision of one who captured fleeting private moments that has become permanent and universal.<\/p>\n

It should also be noted that Dal\u00ed personally conserved a total of 164 photographs by Ricardo Sans, of which nine were selected by Gala and placed in the cabinet room at Portlligat. The American publisher Fleur Cowles asked Dal\u00ed for pictures by Ricardo Sans, portraits of Dal\u00ed and his surroundings the firm would use in its books.<\/p>\n

Who was Ricardo Sans?<\/strong><\/p>\n

Ricardo Sans Condeminas (Barcelona, 1911-1972) studied law and worked in a Barcelona law firm until the outbreak of the Spanish Civil War interrupted his career. He had a keen interest in all things electrical, and during the war he and a partner started a business selling radios, which he repaired. He also acted as a law teacher at the Mediterranean Merchant Navy School in Barcelona. At the end of the war he married Mercedes Camps Mas-Bag\u00e0, and devoted himself to electronics, HiFi, radio and television. His other great enthusiasms were in the arts, notably music – he was a passionate Wagnerian – and photography. He used to say that he took photographs because he didn’t know how to paint. He admired the portraits taken by Armenian-Canadian photographer Yousuf Karsh.<\/p>\n

In 1939 he bought a Leica and began to approach photography in a more ‘professional’ manner, as he was to do so throughout his life.<\/p>\n

Of particular note are his shots of celebrated musicians of the time such as his friends the violinist Francisco Costa and the baritone Raimundo Torres, the Singapore violinist Goh Soon Tioe and the composer Eduard Toldr\u00e0, and the photographs he took of the last concert by Pau Casals and Fritz Kreisler in the Palau de la M\u00fasica in 1936. In 1947 he won 3rd prize in the annual competition of the A.F.C. Catalan photographic association, and sat on the jury of the Ciudad de Barcelona awards in 1952.<\/p>\n

The Ricardo Sans photographic fonds comprises over 20,000 photographs.<\/p>\n

Friendship with Dal\u00ed<\/strong><\/p>\n

Dal\u00ed and Ricardo Sans were introduced to one another by mutual friends, Gon\u00e7al Serraclara and Jos\u00e9 Luis Beltran, in 1949. On this visit Sans made his first Dal\u00ed photo-essay and took the colour photograph for the jacket of the Spanish edition of the book 50 Secrets of Magic Craftsmanship<\/em> published in 1951.<\/p>\n

Work on the studio at Portlligat was completed in the spring of 1950, and from 1951 on Ricardo Sans documented this new space with Dal\u00ed and Gala as models; he also made some wonderful portraits of the artist in his work environment, together with the canvases he was painting at the time, such as Christ of Saint John of the Cross<\/a><\/em>, The Madonna of Portlligat<\/a><\/em>, Galatea of \u200b\u200bthe Spheres<\/a><\/em>, The Angel of Portlligat<\/a><\/em>, Hypercubic Christ or Crucifixion<\/a> <\/em>and Portrait of Gala with Rhinocerontic Symptoms<\/a><\/em>. These works belong to a new stage in Dal\u00ed’s creative output with the advent of his nuclear mysticism, a combination of religion and science influenced by the atom bomb tests and a return to the classics and the treatise by Luca Pacioli, De divina proportione<\/em>.<\/p>\n

The exhibition areas<\/strong><\/p>\n

The exhibition is organised into four sections in chronological order: Portraits of Salvador Dal\u00ed, 1949-1956; Portraits of Gala, 1951-1953; Portraits of Salvador Dal\u00ed and Gala, 1951-1954; and Portlligat, 1950-1956.<\/p>\n

In the series of photographs that Sans took every year from 1949 to 1956 we find a Dal\u00ed who has ceased to be the media personality he had tended to seek to present. The Dal\u00ed we see here is less distant and more personal, more spontaneous, almost always at home and in private, more connected or more relaxed in front of the camera. The photographer has captured Dal\u00ed in his day-to-day life, in a series of portraits in which the artist is eating sea urchins. Other pictures in this collection bear witness to the fact that Dal\u00ed and Sans sat down to eat together on more than one occasion.<\/p>\n

Sans’ framing of the portraits gives special importance to the sitter; all of these shots were meticulously set up and always took full advantage of the natural light of Portlligat – and almost all of them were taken outside the house, in daylight. By far the greater part of the Sans fonds is given over to images of Dal\u00ed in his home.<\/p>\n

In the next section, devoted to portraits of Gala, we sense that Sans always made sure his model was comfortable with having her picture taken. Seen through Sans’ lens, it seems clear that she felt good, and in most of these portraits we see her smiling, relaxed and natural, and even posing for him -a far from frequent occurrence. These shots of Gala are perhaps the least known photographs by Sans in the exhibition.<\/p>\n

In the third section, devoted to Salvador Dal\u00ed and Gala, Sans’s photographs of the Dal\u00eds almost always capture them in their daily lives, in their comfort zone, an evidently affectionate couple. Most of the portraits in which we see them together show the interior of the house – the library, the dining room, the studio and the bedroom, but there are also some magnificent exteriors of Portlligat. One of the most artistic forms of collaboration between photographer and painter are double exposure photographs of the kind much in favour among the Surrealists. We see this technique in the 1950 photograph of Dal\u00ed in the dining-room fireplace.<\/p>\n

The last section centres on the setting of almost all of the photographs in the show: the Portlligat house, which continued to be transformed each year on the basis of Dal\u00ed’s special instructions to his friend, the builder Emili Puignau. In a number of the Sans photos of the Portlligat house which trace its structural evolution, the artist is seen making drawings or notes for the builder; these pictures are of great interest for the insights they offer into Dal\u00ed’s ideas for the architectural modifications to his home.<\/p>\n

There was a considerable amount of correspondence between the two artists, a good example of this being the letter on which Dal\u00ed drew Gala’s hands and feet, with indications as to how the photographer should frame them. These images were to serve as a model for Lapis Lazuline Corpuscular Assumpta.<\/em><\/p>\n

Some of Sans’ photographs have illustrated Dal\u00ed monographs, notably Dal\u00ed al desnudo<\/em>, The Case of Salvador Dal\u00ed<\/em>, Salvador Dal\u00ed y sus enemigos<\/em>, Dal\u00ed fot\u00f3grafo, Dal\u00ed en sus fot\u00f3grafos<\/em>, and articles in various magazines such as Look<\/em>, Le Nouveau Femina<\/em> and Blanco y Negro<\/em>.<\/p>\n

If Portlligat as a setting would be an inspiration for any artist, Sans knew how to capture the light and energy of the place, and thanks to his methodical procedures and good organization we have an exact date for each of the photographs included in this exhibition.<\/p>\n

Staging<\/strong><\/p>\n

The staging of the exhibition was designed by Pep Canaleta from 3carme33 and the graphic design is by Alex Gifreu.<\/p>\n

The showing of the photographs in this room, tinted with the Mediterranean hue of Portlligat, evokes a photo album with its cover and inside pages.<\/p>\n

A display case and a screen invade one of the room corners with documents that contextualise the photographs and the protagonists lives: Dal\u00ed, Gala and Sans.<\/p>\n

Catalogue<\/strong><\/p>\n

The exhibition’s catalogue includes texts by Montse Aguer, Director of the Dal\u00ed Museums, Rosa M. Maurell and Cuca R. Costa, Coordinators of the Centre for Dalinians Studies and Curators of this exhibition. There is also a text by Elisabet Sans, the photographer’s granddaughter.<\/p>\n

The catalogue has been designed by Alex Gifreu and is sponsored by “la Caixa” Bank.<\/p>\n

The exhibition Salvador Dal\u00ed, Gala, Ricardo Sans<\/em> wil be on show from 15th March, the day the Castle opens its doors for the season, until 7th January 2018.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

The new temporary exhibition at P\u00fabol Castle entitled Salvador Dal\u00ed, Gala, Ricardo Sans was inaugurated today by Mr. Carles Puigdemont, President of the Government of Catalonia. Attending on behalf of the Dal\u00ed Foundation was the Director of the Dal\u00ed Museums, Montse Aguer. The guided visit around the installation was led by Rosa M. Maurell and […]<\/p>\n","protected":false},"featured_media":5280,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":""},"categoria-actualitat":[103,104,105],"class_list":["post-8868","noticia","type-noticia","status-publish","format-standard","has-post-thumbnail","hentry","categoria-actualitat-exhibitions","categoria-actualitat-gala-salvador-dali-foundation","categoria-actualitat-museums"],"acf":[],"yoast_head":"\nThe President of the Catalan Government inaugurated the exhitibion in P\u00fabol Castle - Fundaci\u00f3 Gala - Salvador Dal\u00ed<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.salvador-dali.org\/en\/dali-foundation\/news\/the-president-of-the-catalan-government-inaugurated-the-exhitibion-in-pubol-castle\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The President of the Catalan Government inaugurated the exhitibion in P\u00fabol Castle - Fundaci\u00f3 Gala - Salvador Dal\u00ed\" \/>\n<meta property=\"og:description\" content=\"The new temporary exhibition at P\u00fabol Castle entitled Salvador Dal\u00ed, Gala, Ricardo Sans was inaugurated today by Mr. Carles Puigdemont, President of the Government of Catalonia. 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