{"id":9022,"date":"2014-09-25T00:00:00","date_gmt":"2014-09-24T22:00:00","guid":{"rendered":"https:\/\/www.salvador-dali.org\/fundacio-dali\/noticia\/noia-la-finestra-es-pot-veure-al-museu-figuerenc\/"},"modified":"2025-06-26T10:20:12","modified_gmt":"2025-06-26T08:20:12","slug":"girl-at-a-window-exhibited-to-celebrate-40-years-of-the-theatre-museum","status":"publish","type":"noticia","link":"https:\/\/www.salvador-dali.org\/en\/dali-foundation\/news\/girl-at-a-window-exhibited-to-celebrate-40-years-of-the-theatre-museum\/","title":{"rendered":"Girl at a window exhibited to celebrate 40 years of the Theatre-Museum"},"content":{"rendered":"

Today at 11 a.m. in the Drawings Room of the Dal\u00ed Theatre-Museum in Figueres the Fundaci\u00f3 Gala-Salvador Dal\u00ed presented the temporary loan of one of Salvador Dal\u00ed’s most emblematic works: Girl at a window<\/em>, from 1925. The painting has been loaned by the Reina Sof\u00eda Museum in Madrid for three months as part of an exchange between the two institutions. The Dal\u00ed Foundation has, in turn, loaned the Reina Sof\u00eda Museum another portrait of Anna Maria, entitled Portrait of my sister<\/em>, painted in the same year.<\/p>\n

The event was led by Antoni Pitxot, director of the Dal\u00ed Theatre-Museum, and Montse Aguer, director of the Centre for Dalinian Studies. The Dal\u00ed Foundation’s ongoing policy of collaborating with museums from all over the world and great collectors of Dal\u00ed’s work has enabled it to make temporary loans and exchanges of some very important pieces in recent years.<\/p>\n

To mark the occasion of the fortieth anniversary of the inauguration of the Dal\u00ed Theatre-Museum, the Dal\u00ed Foundation wanted to show its visitors one of the most representative oil paintings from the artist’s first period. The painting is entitled Figure at a window<\/em>, and is also known as Girl at a window<\/em>. This piece depicts the artist’s sister, who Dal\u00ed painted regularly during the 1920s. In fact, Anna Maria was the artist’s model until 1929, when Dal\u00ed met Gala and his relationship with his sister entered a different phase. In this picture, the girl is seen from behind, looking out of a wide-open window at the sea at Cadaqu\u00e9s, a landscape that would remain close to the Dal\u00ed family and Anna Maria throughout their lives.<\/p>\n

Context of execution of Girl at a window<\/em> <\/strong><\/p>\n

It is very likely that this piece was painted during one of the Dal\u00ed family’s holidays in Cadaqu\u00e9s. Through their friendship with the Pitxot family, remembered as the first tourists to summer in this town on Cap de Creus, from about 1910 onwards the Dal\u00eds also began to spend their summers in Cadaqu\u00e9s. The background depicted in this oil painting could be the view from one of the windows of the house the family owned on Es Llaner beach: with the sea in the foreground and, on the horizon, the opposite shore of the bay of Cadaqu\u00e9s, today the location of Avinguda de V\u00edctor Rahola. This specific landscape reappears many times in Dal\u00ed’s work. It is the same setting we can see, for example, in Rocks of Es Llaner<\/em> from 1926 (cat. no. 183), an oil painting that allows us to identify the family home in Es Llaner as the starting point for this work.<\/p>\n

Another element that indicates that we are looking at Cadaqu\u00e9s, specifically Es Llaner, are the houses reflected in the window, the same white buildings still recognisable as the landscape of Cadaqu\u00e9s today. We must not forget that Dal\u00ed painted these surroundings again and again during his formative years as an artist. During the 1910s and 1920s, the painter repeated the theme of landscapes, and Es Llaner and Cadaqu\u00e9s are the central subjects of his canvases: Es Llaner Beach<\/em>, c 1916 (cat. no. 32), Landscape of Cadaqu\u00e9s. Port Alguer<\/em>, c 1919 (cat. no. 72), Cadaqu\u00e9s<\/em>, c 1919 (cat. no. 83), Port d’Alguer and Mount Pan\u00ed from the Town Hall<\/em>, c 1920 (cat. no. 44), Es Llaner Beach<\/em>, 1921 (cat. no. 114) and Port Alguer<\/em>, c 1923 (cat. no. 140).<\/p>\n

It is, then, this Cadaqu\u00e9s that Dal\u00ed subtly conjures up beside Anna Maria. As we have already mentioned, the 1920s were Dal\u00ed’s formative years during which he defined his own style by experimenting with different artistic styles and flirting with several movements from that period before finally identifying himself with surrealism. Perhaps we could define Girl at a window<\/em> as being influenced by the Noucentista movement, because it captures a simple everyday moment such as looking out at the sea, and also because of the classic treatment Dal\u00ed gives Anna Maria’s body and, above all, because of the technical skill demonstrated in Dal\u00ed’s brushwork. We can see how, by 1925, Salvador Dal\u00ed was already communicating in his own language and combining perfect brushwork with his mastery of scenic composition.<\/p>\n

This painting was first exhibited, together with 17 other paintings and five drawings, at Dal\u00ed’s first solo exhibition held at Galeries Dalmau from 14 to 28 November 1925. According to news coverage of the exhibition at the time, the event was widely celebrated and hailed as a huge success. Dal\u00ed was even honoured at two gala receptions, one given at the Hotel Espa\u00f1a in Barcelona, on 21 November, and the other at the Hotel Gifr\u00e9 in Figueres, on 5 December.<\/p>\n

These and other news items were preserved as notes and newspaper cuttings in an album-diary which the artist’s father, the notary Dal\u00ed, compiled over the years by collecting everything relating to his son’s career as a young artist. A couple of examples taken from this collection are:<\/p>\n

La Publicitat<\/em> (Barcelona, 20\/11\/1925). In the section ‘Carnet de les Arts’, C. C. informs us of the following: “The painting Figure at a window<\/em>, which was the most acclaimed work, is the zenith of the juxtaposition of these two elements. The bluish grey tones that infuse the entire painting, the magnificently diffused light that makes the human figure stand out with such extraordinary nobility from the transparent atmosphere of the background; all of this bestows a vague elegiac resonance on this engaging and penetrating piece.”<\/p>\n

According to J. Cus\u00ed, in an article about the exhibition of Salvador Dal\u00ed’s paintings published in La Veu de l’Empord\u00e0<\/em> (Figueres, 12\/12\/1925): “Figure at a window<\/em>, even though it has the same qualities as the other paintings, is fresher, softer in colour and more luminous. When looking at this picture, one encounters an indefinable feeling of peace and wellbeing. Light plays across the folds in the fabric and the water of the sea in a captivating manner. In all of Dal\u00ed’s canvases there is something that attracts; his paintings are not simply a technical and well-chosen combination of colours: the artist’s emotion is deeply rooted behind all of them.”<\/p>\n

It is clear from these reviews that Dal\u00ed had gained the first important recognition of his work and that both his exhibition at Galeries Dalmau and his painting Girl at a window<\/em> were widely talked about and praised. Salvador Dal\u00ed’s talent had become official.<\/p>\n

This painting has only been seen once before in Figueres, as part of an anthological exhibition in 1983 held in Barcelona and Madrid, part of which travelled to our museum.<\/p>\n

The Dal\u00ed Foundation commissioned a special installation in its Drawings Room expressly for this temporary loan. The installation was designed by Pep Canaleta and the graphic design was arranged by Alex Gifreu. The painting will be on display for three months -from today, 25 September, until 31 December- and it will be one of the key attractions of the special night-time opening on 28 and 29 September, organised as part of the events to commemorate 40 years of the Dal\u00ed Theatre-Museum.<\/p>\n","protected":false},"excerpt":{"rendered":"

Today at 11 a.m. in the Drawings Room of the Dal\u00ed Theatre-Museum in Figueres the Fundaci\u00f3 Gala-Salvador Dal\u00ed presented the temporary loan of one of Salvador Dal\u00ed’s most emblematic works: Girl at a window, from 1925. The painting has been loaned by the Reina Sof\u00eda Museum in Madrid for three months as part of an […]<\/p>\n","protected":false},"featured_media":5010,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":""},"categoria-actualitat":[103,105],"class_list":["post-9022","noticia","type-noticia","status-publish","format-standard","has-post-thumbnail","hentry","categoria-actualitat-exhibitions","categoria-actualitat-museums"],"acf":[],"yoast_head":"\nGirl at a window exhibited to celebrate 40 years of the Theatre-Museum - Fundaci\u00f3 Gala - Salvador Dal\u00ed<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.salvador-dali.org\/en\/dali-foundation\/news\/girl-at-a-window-exhibited-to-celebrate-40-years-of-the-theatre-museum\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Girl at a window exhibited to celebrate 40 years of the Theatre-Museum - Fundaci\u00f3 Gala - Salvador Dal\u00ed\" \/>\n<meta property=\"og:description\" content=\"Today at 11 a.m. in the Drawings Room of the Dal\u00ed Theatre-Museum in Figueres the Fundaci\u00f3 Gala-Salvador Dal\u00ed presented the temporary loan of one of Salvador Dal\u00ed’s most emblematic works: Girl at a window, from 1925. 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