{"id":7352,"date":"2025-04-22T15:32:48","date_gmt":"2025-04-22T13:32:48","guid":{"rendered":"https:\/\/www.salvador-dali.org\/visita\/el-triangle-dalinia\/"},"modified":"2025-07-22T14:55:38","modified_gmt":"2025-07-22T12:55:38","slug":"the-dalinian-triangle","status":"publish","type":"page","link":"https:\/\/www.salvador-dali.org\/en\/visit\/the-dalinian-triangle\/","title":{"rendered":"The Dalinian Triangle"},"content":{"rendered":"\n<div class=\"wp-block-columns global-column is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"entradeta\">The Dalinian Triangle is the geometric shape that would appear on a map of Catalonia if you were to draw a line connecting the towns of P\u00fabol, Portlligat and Figueres. These three towns help explain the life and career of an artist who, having achieved international acclaim, nevertheless remained deeply rooted in his homeland. Spanning an area of nearly 40 square kilometres, this space contains the main elements that help to understand Salvador Dal\u00ed\u2019s universe: the landscape, light, architecture, geology, customs, legends, food, etc. In short, everything to be found around the house-museums in Portlligat and P\u00fabol and the Dal\u00ed Theatre-Museum in Figueres.<\/p>\n\n\n\n<p>Both a tangible concept and a land rendered mythical by Dal\u00ed, the Dalinian Triangle allows us to explore the artist\u2019s universe, serving as a gateway to a world that offers visitors a wealth of unique sensations and experiences.<\/p>\n<\/div>\n<\/div>\n\n\n\n<link href=\"https:\/\/api.mapbox.com\/mapbox-gl-js\/v3.11.0\/mapbox-gl.css\" rel=\"stylesheet\" \/>\n<script src=\"https:\/\/api.mapbox.com\/mapbox-gl-js\/v3.11.0\/mapbox-gl.js\"><\/script>\n\n\n    <style>\n        #map {\n            height: 500px;\n            width: 100vw;\n            z-index: 1;\n        }\n        .leaflet-marker-icon svg {\n            top: 13px;\n            position: relative;\n        }\n\n        \/* Personalitza el tooltip de Leaflet *\/\n        .leaflet-tooltip {\n            background-color: transparent;\n            color: white;\n            font-size: 1.5rem;\n            font-weight: bold;\n            box-shadow: none;\n            text-align: center;\n            border: none;\n            }\n\n        \/*\n        .leaflet-tooltip {\n            background-color: rgba(0, 0, 0, 0.7);\n            color: white;\n            font-size: 1rem;\n            font-weight: bold;\n            border-radius: 4px;\n            padding: 5px;\n            text-align: center;\n            border: none;\n        }\n            *\/\n\n        \/* Modificar l'orientaci\u00f3 i la forma de la fletxa *\/\n        .leaflet-tooltip-top::before {\n            border: none;\n        }\n\n\n\n    <\/style>\n\n\n\n<div class=\"mapa\">\n    <div id=\"map\"><\/div>\n<\/div>\n\n\n<script>\n\n\/*\njQuery(document).ready(function () {\n    \/\/ Initialize the Mapbox map\n    mapboxgl.accessToken = 'pk.eyJ1IjoieHZhbGVudGkiLCJhIjoiY2s5c2N6Y2Y1MTMyZDNocG5vNThzNGs0aCJ9.s5Ihj0RGKyLGeYD1mrDbqg';\n\n    \/\/ Initialize the map with your custom style\n    const map = new mapboxgl.Map({\n        container: 'map', \/\/ ID of the map container\n        style: 'mapbox:\/\/styles\/xvalenti\/cm9ppxi27013z01quf7z70i9b', \/\/ Your custom Mapbox style\n        center: [3.05, 42.15], \/\/ [longitude, latitude]\n        zoom: 10\n    });\n\n    \/\/ Add zoom and rotation controls to the map\n    map.addControl(new mapboxgl.NavigationControl());\n\n    \/\/ Get markers from the DOM\n    const markers = jQuery(\".marker\");\n\n    \/\/ Define coordinates for the points\n    const puntsDali = [\n        { \n            nom: jQuery(markers[0]).attr(\"data-title\"), \n            coords: [2.9581, 42.2675], \/\/ [longitude, latitude]\n            url: jQuery(markers[0]).attr(\"data-url\")\n        },\n        { \n            nom: jQuery(markers[1]).attr(\"data-title\"), \n            coords: [3.2844, 42.2876], \n            url: jQuery(markers[1]).attr(\"data-url\")\n        },\n        { \n            nom: jQuery(markers[2]).attr(\"data-title\"), \n            coords: [2.9884, 41.9763],\n            url: jQuery(markers[2]).attr(\"data-url\")\n        }\n    ];\n\n    \/\/ Add markers to the map\n    puntsDali.forEach(punt => {\n        \/\/ Create a custom HTML element for the marker\n        const el = document.createElement('div');\n        el.className = 'custom-marker';\n        el.style.width = '20px';\n        el.style.height = '20px';\n        el.style.borderRadius = '50%';\n        el.style.backgroundColor = '#ff0000'; \/\/ Set the color of the marker\n\n        \/\/ Create a marker\n        const marker = new mapboxgl.Marker(el)\n            .setLngLat(punt.coords) \/\/ Set marker position\n            .setPopup(new mapboxgl.Popup().setHTML(`<b>${punt.nom}<\/b><br><a href=\"${punt.url}\" target=\"_blank\">M\u00e9s informaci\u00f3<\/a>`)) \/\/ Add a popup\n            .addTo(map);\n    });\n\n    \/\/ Draw a triangle with the lines\n    const coordinates = puntsDali.map(p => p.coords);\n    coordinates.push(coordinates[0]); \/\/ Close the triangle\n    console.log(\"Coordinates for the line:\", coordinates);\n\n    map.on('load', () => {\n        \/\/ Add the triangle as a GeoJSON source\n        map.addSource('triangle', {\n            'type': 'geojson',\n            'data': {\n                'type': 'Feature',\n                'geometry': {\n                    'type': 'LineString',\n                    'coordinates': coordinates\n                }\n            }\n        });\n\n        \/\/ Add a line layer for the triangle\n        map.addLayer({\n            'id': 'triangle',\n            'type': 'line',\n            'source': 'triangle',\n            'layout': {},\n            'paint': {\n                'line-color': '#ff0000',\n                'line-width': 2\n            }\n        });\n\n        console.log(map.getSource('triangle'));\n    });\n});\n\n*\/\n\n\n\njQuery(document).ready(function () {\n    \/\/ Initialize the Mapbox map\n    mapboxgl.accessToken = 'pk.eyJ1IjoieHZhbGVudGkiLCJhIjoiY2s5c2N6Y2Y1MTMyZDNocG5vNThzNGs0aCJ9.s5Ihj0RGKyLGeYD1mrDbqg';\n\n    \/\/ Initialize the map with your custom style\n    const map = new mapboxgl.Map({\n        container: 'map', \/\/ ID of the map container\n        style: 'mapbox:\/\/styles\/xvalenti\/cm9hj77i200q101s8g5elee9u',\/\/'mapbox:\/\/styles\/xvalenti\/cm9ppxi27013z01quf7z70i9b', \/\/ Your custom Mapbox style\n        center: [3.05, 42.15], \/\/ [longitude, latitude]\n        zoom: 9\n    });\n    \n    \/\/ Disable zooming by scroll\n    map.scrollZoom.disable();\n\n    \/\/ Add zoom and rotation controls to the map\n    map.addControl(new mapboxgl.NavigationControl());\n\n    \/\/ Get markers from the DOM\n\n    \/\/ Define coordinates for the points\n    const puntsDali = [\n        { \n            nom: {\n                ca: \"Teatre-Museu Dal\u00ed <span class='geo'>Figueres<\/span>\",\n                es: \"Teatro-Museo Dal\u00ed <span class='geo'>Figueres<\/span>\",\n                en: \"Dal\u00ed Theatre-Museum <span class='geo'>Figueres<\/span>\",\n                fr: \"Th\u00e9\u00e2tre-Mus\u00e9e Dal\u00ed <span class='geo'>Figueres<\/span>\"\n            },\n            coords: [2.9581, 42.2675], \/\/ [longitude, latitude]\n            url: \"#teatre-museu-dali\",\n            baseOffset: [-100, 20]\n        },\n        { \n            nom: {\n                ca: \"Casa Salvador Dal\u00ed <span class='geo'>Portlligat<\/span>\",\n                es: \"Casa Salvador Dal\u00ed <span class='geo'>Portlligat<\/span>\",\n                en: \"Salvador Dal\u00ed House <span class='geo'>Portlligat<\/span>\",\n                fr: \"Maison Salvador Dal\u00ed <span class='geo'>Portlligat<\/span>\"\n            },\n            coords: [3.2844, 42.2876],\n            url: \"#casa-salvador-dali\",\n            baseOffset: [70, 20]\n        },\n        { \n            nom: {\n                ca: \"Castell Gala-Dal\u00ed <span class='geo'>P\u00fabol<\/span>\",\n                es: \"Castillo Gala-Dal\u00ed <span class='geo'>P\u00fabol<\/span>\",\n                en: \"Gala-Dal\u00ed Castle <span class='geo'>P\u00fabol<\/span>\",\n                fr: \"Ch\u00e2teau Gala-Dal\u00ed <span class='geo'>P\u00fabol<\/span>\"\n            },\n            coords: [2.9884, 41.9763],\n            url: \"#castell-gala-dali\",\n            baseOffset: [70, 20]\n        }\n    ];\n\n    const userLanguage = document.documentElement.lang.substring(0, 2) || 'ca'; 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\/\/ Set the color of the marker\n\n        \/\/ Create a marker\n        const popup = new mapboxgl.Popup({ offset: calculateOffset(punt.baseOffset), closeButton: false, closeOnClick: false })\n        .setHTML(punt.nom[userLanguage] || punt.nom['ca']);\n\n        const marker = new mapboxgl.Marker(el)\n            .setLngLat(punt.coords) \/\/ Set marker position\n            .setPopup(popup) \/\/ Attach the popup\n            .addTo(map);\n\n        \/\/ Open the popup without scrolling\n        const scrollX = window.scrollX;\n        const scrollY = window.scrollY;\n        marker.getPopup().addTo(map);\n        window.scrollTo(scrollX, scrollY); \/\/ Reset the scroll position\n\n        return { marker, popup, baseOffset: punt.baseOffset }; \/\/ Return marker, popup, and baseOffset for later use\n\n    });\n\n    \/\/ Update marker offsets dynamically on window resize\n    window.addEventListener('resize', () => {\n        markers.forEach(({ popup, baseOffset }) => {\n            const newOffset = calculateOffset(baseOffset);\n            \/\/console.log(\"New offset:\", newOffset);\n            popup.setOffset(newOffset); \/\/ Update the offset of the existing popup\n        });\n    });\n\n    \/\/ Draw a triangle with the lines\n    const coordinates = puntsDali.map(p => p.coords);\n    coordinates.push(coordinates[0]); \/\/ Close the triangle\n    console.log(\"Coordinates for the line:\", coordinates);\n\n    map.on('load', () => {\n        \/\/ Add the triangle as a GeoJSON source\n        map.addSource('triangle', {\n            'type': 'geojson',\n            'data': {\n                'type': 'Feature',\n                'geometry': {\n                    'type': 'LineString',\n                    'coordinates': coordinates\n                }\n            }\n        });\n\n        \/\/ Add a line layer for the triangle\n        map.addLayer({\n            'id': 'triangle',\n            'type': 'line',\n            'source': 'triangle',\n            'layout': {},\n            'paint': {\n                'line-color': '#ffffff',\n                'line-width': 2\n            }\n        });\n\n       \/\/ console.log(map.getSource('triangle'));\n    });\n});\n\n<\/script>\n\n\n\n\n<div class=\"wp-block-columns global-column is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-pullquote\"><blockquote><p><em>In this privileged place, reality and the sublime almost touch. My mystical paradise begins in the plains of the Empord\u00e0, is surrounded by the hills of the Albera range, and reaches its fullness in the bay of Cadaqu\u00e9s. This land is my eternal inspiration.<\/em><\/p><cite>Salvador Dal\u00ed<\/cite><\/blockquote><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns col-text col-2 video is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">A Journey into the Surrealist World of Salvador Dal\u00ed<\/h2>\n\n\n\n<p>The Dalinian Triangle is a fascinating route that connects three iconic sites in the Empord\u00e0 region of Catalonia, each intrinsically linked to the life and work of the renowned surrealist painter Salvador Dal\u00ed. This journey offers a deep immersion into the artist\u2019s creative and personal universe.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"El triangle dalini\u00e0\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/mWRh4fhwKCA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n<\/div>\n\n\n    <div id=teatre-museu-dali class=\"wp-block-columns swiper-column  intro intro-images bloc-destacats imatges\" style=\"background-image: linear-gradient(to right, white, white)\">\n        <div class=\"wp-block-column\">\n            <div id=\"swiper-69e1dfaf7094f\" class=\"swiper destacats dues\" >\n                <div class=\"swiper-wrapper\">\n\n                                            <div class=\"swiper-slide intro\">\n                            <span class=\"image-background\" style=\"background-image:url(https:\/\/www.salvador-dali.org\/wp-content\/uploads\/2025\/04\/DSC_7218-1024x678.jpg)\"><\/span>\n                            \n                        <\/div>\n                        <div class=\"swiper-slide\">\n                           <div class=\"descripcio\">\n                            <h2>Dal\u00ed Theatre-Museum, Figueres<\/h2>\n                            <p>Salvador Dal\u00ed created the Dal\u00ed Theatre-Museum, the world\u2019s largest surrealist object, on the ruins of the former Figueres Municipal Theatre, a mid-19th-century neoclassical building destroyed in a fire at the tail end of the Spanish Civil War. Entering this space allows visitors to delve into the artist\u2019s mind and discover the many facets of his personal and artistic universe. Not only is it where Dal\u00ed decided to show his work to the world, but it is also his most ambitious creation, a large total work of art that contains and incorporates some of his best works, most of them selected for exhibition in the various areas by the artist himself. Dal\u00ed unveiled the plans for this museum to the press in 1961 and inaugurated it, with Gala, on 28 September 1974. <\/p>\n                            <\/div>\n\n                                                            <div class=\"wp-block-button contingut-ampliat-boto\" data-class=\"destacats\">\n                                    <a class=\"wp-block-button__link wp-element-button\" tabindex=\"0\">Learn more<\/a>\n                                <\/div>\n                            \n                            \n                        <\/div>\n                    \n\n                    \n                        \n                        <div class=\"swiper-slide\">\n                                                            <figure>\n                                    <a data-fancybox=\"gallery-69e1dfaf7094f\" data-src=\"https:\/\/www.salvador-dali.org\/wp-content\/uploads\/2024\/12\/FotoxPag20_21.webp\" data-caption=\"\">\n                                        <img decoding=\"async\" src=\"https:\/\/www.salvador-dali.org\/wp-content\/uploads\/2024\/12\/FotoxPag20_21-1024x626.webp\" alt=\"\"> \n\t\t\t\t          \t\t\t<\/a>\n                                                                        <figcaption class=\"custom-caption\"><\/figcaption>\n                                <\/figure>\n                                                    <\/div>\n\n                    \n                        \n                        <div class=\"swiper-slide\">\n                                                            <figure>\n                                    <a data-fancybox=\"gallery-69e1dfaf7094f\" data-src=\"https:\/\/www.salvador-dali.org\/wp-content\/uploads\/2025\/02\/DaliTheatreMuseum_GalateaTower_Dome.jpg\" data-caption=\"\">\n                                        <img decoding=\"async\" src=\"https:\/\/www.salvador-dali.org\/wp-content\/uploads\/2025\/02\/DaliTheatreMuseum_GalateaTower_Dome-1024x1024.jpg\" alt=\"\"> \n\t\t\t\t          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           <\/figure>\n                                                    <\/div>\n\n                                    <\/div>\n                <!-- Swiper navigation buttons -->\n                <div class=\"swiper-button-prev\">\n                    <span class=\"screen-reader-text\">Previous slide<\/span>\n                <\/div>\n                <div class=\"swiper-button-next\">\n                    <span class=\"screen-reader-text\">Nest slide<\/span>\n                <\/div>\n            <\/div>\n        <\/div>\n    <\/div>\n\n\n\n<!-- Swiper JS -->\n<script src=\"https:\/\/cdn.jsdelivr.net\/npm\/swiper@11\/swiper-bundle.min.js\"><\/script>\n\n<!-- Initialize Swiper -->\n<script>\n\njQuery( document ).ready(function() {      \n\n    Tipus = 'intro-images';\n\n    updateSpaceBetween();\n    spaceBetweenInicial = 60;\n    \n    if (Tipus=='intro-images' ) {\n    \/\/    spaceBetweenValueModul = 0;\n    }\n\n\n\n    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          console.log('T\u00e9 .contingut-ampliat despr\u00e9s');\n            \/\/ Aqu\u00ed pots fer accions, per exemple:\n            \/\/ $nextDiv.addClass('marcat'); o $(this).append($nextDiv);\n        }\n    });\n    *\/\n})\n<\/script>\n\n\n\n\n<div class=\"wp-block-columns global-column contingut-ampliat into-destacats is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n    <div class=\"wp-block-button contingut-ampliat-boto\" data-class=\"contingut-ampliat modal\">\n        <a class=\"wp-block-button__link wp-element-button\" tabindex=\"0\" >Learn more<\/a>\n    <\/div>\n<\/div>\n\n\n\n\n\n\n\n\n\n\n\n<div class=\"wp-block-columns contingut-ampliat-content is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-pullquote\"><blockquote><p>\u2018Where, if not in my own town, should the most extravagant and solid of my work endure? Where, if not here?\u2019<\/p><cite>Salvador Dal\u00ed<\/cite><\/blockquote><\/figure>\n\n\n\n<p>By the early 1960s, Salvador Dal\u00ed had already achieved considerable international acclaim as an artist and had exhibited his work all over the world. That was when the municipal authorities of Figueres, the city where he was born in 1904, proposed creating a monographic room dedicated to the artist in the future Empord\u00e0 Museum. The artist\u2019s response was clear: he would create his own museum in the city of his birth.<\/p>\n\n\n\n<p>No doubt inspired by the theatrical element, as well as his predilection for places in ruins \u2013 he was particularly fond of the Palazzo Reale in Milan, damaged by air raids in World War II \u2013 Dal\u00ed set his sights on the old municipal theatre built by the architect Josep Roca i Bros in 1850. It was, at once, a testimony to neoclassical civil architecture and a rare example of an Italian-style theatre. Partially destroyed by a fire at the end of the Spanish Civil War that left only its peripheral structure intact, the building was chosen by the artist as the site of his great surrealist monument. But other, more personal factors were also at play, which help shed additional light on Dali\u2019s choice. It is the theatre in the town where he was born; it is located next to the Church of Sant Pere (St Peter), where he was baptized; and it is the former home of the Societat de Concerts (Concert Society), where he first exhibited his work, in 1919.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"1692\" src=\"https:\/\/www.salvador-dali.org\/wp-content\/uploads\/2025\/04\/02-80326-2.jpg\" alt=\"\" class=\"wp-image-2584\" srcset=\"https:\/\/www.salvador-dali.org\/wp-content\/uploads\/2025\/04\/02-80326-2.jpg 1080w, https:\/\/www.salvador-dali.org\/wp-content\/uploads\/2025\/04\/02-80326-2-191x300.jpg 191w, https:\/\/www.salvador-dali.org\/wp-content\/uploads\/2025\/04\/02-80326-2-654x1024.jpg 654w, https:\/\/www.salvador-dali.org\/wp-content\/uploads\/2025\/04\/02-80326-2-768x1203.jpg 768w, https:\/\/www.salvador-dali.org\/wp-content\/uploads\/2025\/04\/02-80326-2-980x1536.jpg 980w\" sizes=\"auto, (max-width: 1080px) 100vw, 1080px\" \/><figcaption class=\"wp-element-caption\">Salvador Dal\u00ed, Ramon Guardiola, and several members of the organising committee for the tribute to the painter at the bullring, during a site visit to the courtyard of what would become the Dal\u00ed Theatre-Museum. 1961<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/www.salvador-dali.org\/wp-content\/uploads\/2025\/02\/Tretre-Museu_organisme-viu_exemple.jpg\" alt=\"\" class=\"wp-image-924\" srcset=\"https:\/\/www.salvador-dali.org\/wp-content\/uploads\/2025\/02\/Tretre-Museu_organisme-viu_exemple.jpg 1024w, https:\/\/www.salvador-dali.org\/wp-content\/uploads\/2025\/02\/Tretre-Museu_organisme-viu_exemple-300x200.jpg 300w, https:\/\/www.salvador-dali.org\/wp-content\/uploads\/2025\/02\/Tretre-Museu_organisme-viu_exemple-768x512.jpg 768w, https:\/\/www.salvador-dali.org\/wp-content\/uploads\/2025\/02\/Tretre-Museu_organisme-viu_exemple-391x260.jpg 391w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Fa\u00e7ade of the Municipal Theatre, future Dal\u00ed Theatre-Museum. 1961<\/figcaption><\/figure>\n\n\n\n<p>In 1961, Dal\u00ed announced the museum\u2019s creation to the press. Two years later, the Spanish Directorate General for Fine Arts commissioned the building\u2019s renovation from the architect Joaquim Ros de Ramis, with the collaboration of the municipal architect Alexandre Bonaterra. Although some work was done in the 1960s, the lion\u2019s share was carried out between 1970 and 1974. Throughout that period, Dal\u00ed remained wholly dedicated to the museum project, both conceptually and executively, designing and creating the various areas down to the most minor detail. He turned each part of the old municipal theatre into a new museum gallery through an artistic intervention aimed at preserving its surviving aura and architecture. In addition to the works that Dal\u00ed would end up placing in the museum, the architectural and decorative interventions he proposed for the courtyard, stage and some of the three-storey structure\u2019s corridors are both among his most outstanding contributions and a compendium of universal references to the history of art.<\/p>\n\n\n\n<p>In 1970, Dal\u00ed presented the museum project at the Mus\u00e9e Gustave Moreau in Paris. This time, he also offered a glimpse of the first works to be displayed at the museum: the backdrop for the ballet Labyrinth, which he would instal on the stage, and the main panel to decorate the ceiling of the Palace of the Wind room, which he had already begun to paint in his studio at Portlligat. The year 1972 saw the installation of one of the most emblematic elements: the transparent dome-shaped lattice structure that crowns the stage. Dal\u00ed had been struck by the innovative geodesic structures of the American architect Buckminster Fuller, although it was the Spanish architect Emilio P\u00e9rez Pi\u00f1ero, based out of Calasparra, who ultimately built the dome, which has since become a symbol of both the museum and the city of Figueres itself.<\/p>\n\n\n\n<p>Notwithstanding a pre-inauguration event held in 1973 on the occasion of the exhibition of the Dal\u00ed-designed jewellery then owned by the Owen Cheatham Foundation, the Dal\u00ed Theatre-Museum was officially inaugurated on 28 September 1974. But Dal\u00ed never stopped working on it and continued his efforts until his death. The following month, work began on the installation of the <em>Rainy Taxi<\/em>, which now presides over the former theatre stalls, welcoming visitors to the museum. In 1975, Dal\u00ed and Antoni Pitxot teamed up to create the \u2018grotesque monsters\u2019 for the courtyard\u2019s central windows, an extremely complex set of sculptures made from branches, old gargoyles from the Church of Sant Pere, snails and stones from Cap de Creus. That same year, the <em>Monument to Francesc Pujols<\/em> was installed outside the museum, in front of the main fa\u00e7ade. This tribute by Dal\u00ed to the Catalan writer and philosopher, father of hyparxiology, should be understood in the context of their mutual friendship and deep admiration.<\/p>\n\n\n\n<p>The old theatre that Dal\u00ed had transformed was later enlarged with the addition of the new rooms in the Galatea Tower, formerly, the Gorgot Tower, an adjacent building acquired by the Dal\u00ed Theatre-Museum Board of Trustees in 1981. The artist designed the decoration of the exterior fa\u00e7ade, which consists of the iconic <em>pans de tres crostons<\/em> (a traditional three-cornered type of bread) and the eggs and mannequins that crown the upper cornice. This area initially housed numerous works from the artist\u2019s bequest, the stereoscopic works, the anamorphoses, and the Gala-Salvador Dal\u00ed Foundation\u2019s new acquisitions. Today, it is also a temporary exhibition hall. In 2001, the museum was again enlarged with the inauguration of the Dal\u00ed-Jewels section, adjacent to the Galatea Tower. Here visitors can see the thirty-seven pieces of jewellery made of gold and precious gemstones from the old Owen Cheatham Collection that Dal\u00ed designed, as well as his preparatory drawings for them.<\/p>\n\n\n\n<p>Nowhere better exemplifies what a total artist Dal\u00ed was than this museum. By his wish, visitors have the opportunity to learn about his career as an artist through a broad selection of works both from a chronological perspective and in terms of the variety of types of works and techniques he used in his creative process. This collection is also the most extensive and representative of all the arts in which Dal\u00ed expressed himself, including paintings, sculptures, objects, jewellery, drawings, graphic work, installations (most of them done <em>ex professo<\/em>, specifically for this space), stereoscopic works, holograms, etc. It moreover includes some of his most notable literary creations, such as <em>The Tragic Myth of Millet\u2019s Angelus<\/em> or his <em>Ten Recipes for Immortality<\/em>.<\/p>\n\n\n\n<p>Most of these works were created or selected by Dal\u00ed expressly for this museum. Only the new acquisitions made by the Gala-Salvador Dal\u00ed Foundation since 1991 have been added. The artist rounded out the selection of his own work with references or tributes to his most revered artistic predecessors, especially Raphael, Vermeer and Vel\u00e1zquez, whom he both identified with and transcended. As a result, this museum also pays homage to the great historical masters who inspired him. Furthermore, alongside his own work, the artist also included works by several of his contemporaries, from friends such as Evarist Vall\u00e8s and Antoni Pitxot to international artists such as Marcel Duchamp, John de Andrea, Ernst Fuchs or Wolf Vostell. The third-floor Masterpiece Room is also home to works from his private collection by historic and established artists such as El Greco, William-Adolphe Bouguereau, Jean-Louis-Ernest Meissonier, Gerard Dou, Mari\u00e0 Fortuny or Modest Urgell.<\/p>\n\n\n\n<p>\u2018I want my museum to be like a single block, a maze, a great surrealist object. It will be an absolutely theatrical museum. The people who come to see it will leave feeling they have had a theatrical dream.\u2019 Probably for this same reason, there is no set order for visiting the rooms of the Dal\u00ed Theatre-Museum. Dal\u00ed expected visitors to play an active role and, thus, to be able to tour the premises on their own, engaging in their own readings and endowing every work of art with meaning. It is a unique and immersive experience, a trip through the mind of Dal\u00ed that offers insight into his work, his enigmas and his importance in the universal history of art.<\/p>\n\n\n\n<p>Every room or area is an entity or space in itself: the Courtyard, the Stage, the Treasure Room, the Fishmonger\u2019s Hall, or the Palace of the Wind allow viewers to journey from Dal\u00ed\u2019s first artistic experiences and formative periods in the 1920s to some of the masterpieces from his surrealist period and nuclear mysticism, with its emphasis on his passion for science and new technologies, to his paintings from the 1980s, which would be the artist\u2019s final creations.<\/p>\n\n\n\n<p>Some of the most outstanding works include Self-Portrait with \u201cL\u2019Humanit\u00e9\u201d (1923), Port Alguer (1924), The Spectre of Sex-Appeal (1932), Buste de femme r\u00e9trospectif (Retrospective Bust of a Woman) (1933), Portrait de Gala portant deux c\u00f4telettes en \u00e9quilibre sur son \u00e9paule (Portrait of Gala with Two Chops Balanced on Her Shoulder) (1933), Soft Self-Portrait with Grilled Bacon (1941), Poetry of America \u2013 The Cosmic Athletes (1943), Galarina (1944\u201345), The Basket of Bread (1945), Atomic Leda (1949) and Galatea of the Spheres (1952) or Venus de Milo with Drawers (1936\/1964).<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n    <div id=casa-salvador-dali class=\"wp-block-columns swiper-column  intro intro-images bloc-destacats imatges\" style=\"background-image: linear-gradient(to right, white, white)\">\n        <div class=\"wp-block-column\">\n            <div id=\"swiper-69e1dfaf737bf\" class=\"swiper destacats dues\" >\n                <div class=\"swiper-wrapper\">\n\n                                            <div class=\"swiper-slide intro\">\n                            <span class=\"image-background\" style=\"background-image:url(https:\/\/www.salvador-dali.org\/wp-content\/uploads\/2025\/05\/Port_Lligat-26-Grande-683x1024.jpg)\"><\/span>\n                            \n                        <\/div>\n                        <div class=\"swiper-slide\">\n                           <div class=\"descripcio\">\n                            <h2>Salvador Dal\u00ed House-Museum, Portlligat<\/h2>\n                            <p>Salvador and Gala settled in Portlligat, an isolated spot in Cap de Creus, which would become the centre of their universe. In 1930, Dal\u00ed, who identified with this landscape, bought a small fisherman\u2019s hut, followed by a second one, and then others, gradually creating an almost biological structure whose cells proliferated in keeping with his quest for more light and space for his studio. Beginning in 1948, following his return from the United States, a major renovation and definitive enlargement of the house were planned. This is when Dal\u00ed established his permanent studio there, facing north to get the best light, as Leonardo and other great Masters had advised. Dal\u00ed and, to a lesser extent, Gala were involved throughout the process of the home\u2019s construction, as well as in the conception and design of the spaces, which were also artistic creations. As the writer Josep Pla once remarked, the home looked more and more like Dal\u00ed every day. <\/p>\n                            <\/div>\n\n                                                            <div class=\"wp-block-button contingut-ampliat-boto\" data-class=\"destacats\">\n                                    <a class=\"wp-block-button__link wp-element-button\" tabindex=\"0\">Learn more<\/a>\n                                <\/div>\n                            \n                            \n                        <\/div>\n                    \n\n                    \n                        \n                        <div class=\"swiper-slide\">\n                                                            <figure>\n                                    <a data-fancybox=\"gallery-69e1dfaf737bf\" data-src=\"https:\/\/www.salvador-dali.org\/wp-content\/uploads\/2025\/02\/DSC2931.jpg\" data-caption=\"\">\n                                        <img decoding=\"async\" src=\"https:\/\/www.salvador-dali.org\/wp-content\/uploads\/2025\/02\/DSC2931-680x1024.jpg\" alt=\"\"> \n\t\t\t\t          \t\t\t<\/a>\n                                                                        <figcaption class=\"custom-caption\"><\/figcaption>\n                                <\/figure>\n                                                    <\/div>\n\n                    \n                        \n                        <div class=\"swiper-slide\">\n                                                            <figure>\n                                    <a data-fancybox=\"gallery-69e1dfaf737bf\" data-src=\"https:\/\/www.salvador-dali.org\/wp-content\/uploads\/2025\/02\/DSC4525.jpg\" data-caption=\"\">\n                                        <img decoding=\"async\" src=\"https:\/\/www.salvador-dali.org\/wp-content\/uploads\/2025\/02\/DSC4525-1024x680.jpg\" alt=\"\"> \n\t\t\t\t          \t\t\t<\/a>\n                                                                        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                               <img decoding=\"async\" src=\"https:\/\/www.salvador-dali.org\/wp-content\/uploads\/2025\/05\/Port_Lligat-45-Grande-1024x683.jpg\" alt=\"\"> \n\t\t\t\t          \t\t\t<\/a>\n                                                                        <figcaption class=\"custom-caption\"><\/figcaption>\n                                <\/figure>\n                                                    <\/div>\n\n                                    <\/div>\n                <!-- Swiper navigation buttons -->\n                <div class=\"swiper-button-prev\">\n                    <span class=\"screen-reader-text\">Previous slide<\/span>\n                <\/div>\n                <div class=\"swiper-button-next\">\n                    <span class=\"screen-reader-text\">Nest slide<\/span>\n                <\/div>\n            <\/div>\n        <\/div>\n    <\/div>\n\n\n\n<!-- Swiper JS -->\n<script src=\"https:\/\/cdn.jsdelivr.net\/npm\/swiper@11\/swiper-bundle.min.js\"><\/script>\n\n<!-- Initialize Swiper -->\n<script>\n\njQuery( document ).ready(function() {      \n\n    Tipus = 'intro-images';\n\n    updateSpaceBetween();\n    spaceBetweenInicial = 60;\n    \n    if (Tipus=='intro-images' ) {\n    \/\/    spaceBetweenValueModul = 0;\n    }\n\n\n\n    console.log(\"spaceBetweenValueModul\",spaceBetweenValueModul);\n\n    var swiper = new Swiper(\"#swiper-69e1dfaf737bf\", {\n      slidesPerView: \"auto\",\n      spaceBetween: spaceBetweenInicial,\n      \tfreeMode: true,\n\t  \tbreakpoints: {\n\t        \/\/ Quan l'amplada de la pantalla sigui major a 1024px\n\t        1024: {\n\t            spaceBetween: spaceBetweenValue,\n\t        },\n\t    },\n        \/\/ Navigation arrows\n        navigation: {\n            nextEl: '.swiper-button-next',\n            prevEl: '.swiper-button-prev',\n        },\n        mousewheel: {\n            releaseOnEdges: true,\n            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class=\"wp-block-button contingut-ampliat-boto\" data-class=\"contingut-ampliat modal\">\n        <a class=\"wp-block-button__link wp-element-button\" tabindex=\"0\" >Learn more<\/a>\n    <\/div>\n<\/div>\n\n\n\n\n\n\n\n\n\n\n\n<div class=\"wp-block-columns contingut-ampliat-content is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-pullquote\"><blockquote><p>\u2018You cannot understand my painting without knowing Portlligat\u2019<\/p><cite>Salvador Dal\u00ed<\/cite><\/blockquote><\/figure>\n\n\n\n<p>Portlligat Bay opens up along the road from Cadaqu\u00e9s to Cap de Creus. The artist knew this setting well: growing up, he and his family had relocated from Figueres each summer to their holiday home on the beach of Es Llaner. Cadaqu\u00e9s is also where Dal\u00ed had one of his first studios, on the top floor of a fisherman\u2019s cottage. The artist regularly spent his summers in these places until he fell out with his father, in 1929, over his relationship with Gala and was forced to look for a new place to settle down with her.<\/p>\n\n\n\n<p>On 20 August 1930, Dal\u00ed bought a small fisherman\u2019s hut from L\u00eddia Nogu\u00e9s, nicknamed \u2018la Ben Plantada\u2019 (the Beautiful), with an advance from the Viscount of Noailles for the painting La vieillesse de Guillaume Tell (The Old Age of William Tell). This first hut was a small, austere place measuring some 22 square metres and lacking all amenities: it did not even have electricity. \u2018It was there that I learned to impoverish myself, to limit and hone my thinking until it acquired an axe-like effectiveness, where blood tasted like blood and honey like honey. A hard life, without metaphor or wine, a life with the light of eternity\u2019, Dal\u00ed would later recall.<\/p>\n\n\n\n<p>A multipurpose room was planned for the ground floor, which would serve as a dining room, bedroom, studio and hall, whilst the upper floor was set aside for a bathroom and a kitchen. In September 1930, Dal\u00ed purchased a second hut, which he would reform in 1932 together with a small annex that today is the house-museum\u2019s lobby area. In 1935, the contractor Emili Puignau took on the project of enlarging the home, resulting in two new structures: the first studio (today, the Yellow Room) and the bedroom (or Birds\u2019 Room). However, in the wake of the outbreak of the Spanish Civil War, Dal\u00ed and Gala left Portlligat, and, in 1940, took up permanent residence in the United States, where they remained until 1948. As a result, the house in Portlligat remained uninhabited for several years, until, in 1944, the painter Josep Maria Prim moved in with his family.<\/p>\n\n\n\n<p>When Dal\u00ed and Gala returned from the United States in 1948, they undertook another final enlargement of the house. To this end, they acquired the Ca l\u2019Arsenio hut, which was transformed into the library and living room, and the Olive Grove plot. The following year, they purchased three more huts, which became the bedroom, the kitchen, and some rooms for the help. That year also saw the start of the work for the artist\u2019s first-floor studio. Completed in the spring of 1950, the room is accessed through a doorway shaped like a truncated isosceles triangle, expressly designed by Dal\u00ed. The open-plan interior is a bright white space, bathed in the light that streams in through the two rectangular windows, one directly overlooking Portlligat Bay and the Sa Farnera island, the other offering views of the slopes to the north. This was his creative sanctuary, steeped in the light and landscape of Cap de Creus, the setting that is essential to understand his creative output. Here, Dal\u00ed painted some of his most important works, using an easel and a mechanical stretcher that allowed him to hold and adjust the height of large canvases. On that device, he would paint La Batalla de Tetu\u00e1n (Homenaje a Mariano Fortuny) (The Battle of Tetuan (Homage to Mari\u00e0 Fortuny)) and The Apotheosis of the Dollar around 1965, as well as the panels for the ceiling of the Palace of the Wind room in the Dal\u00ed Theatre-Museum in Figueres around 1972.<\/p>\n\n\n\n<p>Dal\u00ed\u2019s workspace was eventually enlarged with the Models\u2019 Room and an attic, where he also worked from time to time. The Pigeon Loft, located in the Olive Grove, where the artist is known to have created some of his sculptures, was built around 1954.<\/p>\n\n\n\n<p>Dal\u00ed also occasionally worked <em>en plein air<\/em>, in different outdoor places around the house. He would set up on the balcony, in the Olive Grove or at the edge of the property near the \u2018Milky Way\u2019, a white limestone path created in 1958 that runs parallel to the sea. The courtyard and its surrounding walls, built to make this spot an inaccessible enclosure, were added around 1960. The painter\u2019s lifelong attraction for the natural environment and organic forms of Cap de Creus is thus clear. The surviving images of Dal\u00ed at work in these outdoor settings show how the artist merged with his immediate surroundings in a way that conditioned the very foundations of his creations.<\/p>\n\n\n\n<p>The 1960s and 1970s saw additional reforms. The Oval Room, an almost hemispherical space inspired by a design Dal\u00ed had done in 1957 for an Acapulco nightclub, was completed in the summer of 1961. The Summer Dining Room was built in 1963, and, in 1969, work began on the plans for a pool, which was finished in the summer of 1971, although Dal\u00ed continued to work on it after, tweaking different details.<\/p>\n\n\n\n<p>The result of all these reforms and enlargements is a sprawling labyrinthine structure that twists and turns in a series of spaces linked by narrow corridors, subtle level changes and blind passageways. The windows in each room \u2013 of myriad shapes and sizes \u2013 pursue a common goal: to frame the natural landscape, making Portlligat Bay, the constant point of reference in Dal\u00ed\u2019s work, accessible from inside every room as well. These spaces, packed with countless objects and mementos belonging to Dal\u00ed, are decorated with features that make them particularly cosy: carpets, limestone, dried flowers, velvet upholstery, antique furniture, and so on. Gala saw to the d\u00e9cor, purchasing a variety of furniture from antique dealers in Olot and La Bisbal.<\/p>\n\n\n\n<p>In addition to his home and creative space, Portlligat also became the site of some very peculiar social activity, especially for Dal\u00ed. Often, it was even used as a photography studio or set for television productions, where photographers, journalists, media types and other interested people from all over had the opportunity to discover the artist and the persona, two inextricably linked dimensions of Dal\u00ed\u2019s artistic and creative process by his own intention. Gala often accompanied him on these occasions, although she kept a lower profile, as she was less inclined to make public appearances or statements. In fact, beginning in the early 1970s, Gala largely withdrew to her own space, in the castle in P\u00fabol, which Dal\u00ed offered her as a gift and symbol of courtly love.<\/p>\n\n\n\n<p>This social activity in Portlligat reached its apogee between 1972 and 1974. In a sense, public life in Portlligat became a venue for meeting and creating with other contemporary artists, perhaps emulating, more or less directly, Andy Warhol\u2019s Factory in the United States.<\/p>\n\n\n\n<p>Since 4 August 2009, visitors have also been able to explore another space located in the Olive Grove area, a circular construction that the artist used as an additional studio, especially to make sculptures and for performances. The glass skylights allowed Dal\u00ed to paint feet, such as the ones on view in the Palace of the Wind (the former first-floor reception hall of the Theatre-Museum in Figueres). The artist encrusted perforated earthenware vessels onto the turret\u2019s exterior to whistle when the tramontana wind blew. Inside is a piano that Dal\u00ed used in various artistic performances, as well as two projectors simultaneously showing different audiovisual clips of the artist: feature stories from the 1960s and 1970s about Dal\u00ed and the house in Portlligat.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div>\n<\/div>\n\n\n    <div id=castell-gala-dali class=\"wp-block-columns swiper-column  intro intro-images bloc-destacats imatges\" style=\"background-image: linear-gradient(to right, white, white)\">\n        <div class=\"wp-block-column\">\n            <div id=\"swiper-69e1dfaf75953\" class=\"swiper destacats dues\" >\n                <div class=\"swiper-wrapper\">\n\n                                            <div class=\"swiper-slide intro\">\n                            <span class=\"image-background\" style=\"background-image:url(https:\/\/www.salvador-dali.org\/wp-content\/uploads\/2025\/05\/Pubol-44-Grande-1024x683.jpg)\"><\/span>\n                            \n                        <\/div>\n                        <div class=\"swiper-slide\">\n                           <div class=\"descripcio\">\n                            <h2>Gala Dal\u00ed Castle, P\u00fabol<\/h2>\n                            <p>The castle in P\u00fabol is a unique creative endeavour, the fruit of the love, admiration and mutual understanding and support between Gala and Salvador Dal\u00ed. It is the reflection of their genuine union, free of conventionalism, which was also expressed in the surroundings the couple conceived of and spent time in. For the artist, the castle was a gift of courtly love to the lady to whom he paid tribute, the place where he channelled an overflowing creative force thinking only of her. For Gala, P\u00fabol represented the conquest, at last, of a space of her own: it was the refuge where she could find herself again and the guardian of her most precious memories and experiences.<\/p>\n                            <\/div>\n\n                                                            <div class=\"wp-block-button contingut-ampliat-boto\" data-class=\"destacats\">\n                                    <a class=\"wp-block-button__link wp-element-button\" tabindex=\"0\">Learn more<\/a>\n                                <\/div>\n                            \n                            \n                        <\/div>\n                    \n\n                    \n                        \n                        <div class=\"swiper-slide\">\n                                                            <figure>\n                                    <a data-fancybox=\"gallery-69e1dfaf75953\" 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src=\"https:\/\/cdn.jsdelivr.net\/npm\/swiper@11\/swiper-bundle.min.js\"><\/script>\n\n<!-- Initialize Swiper -->\n<script>\n\njQuery( document ).ready(function() {      \n\n    Tipus = 'intro-images';\n\n    updateSpaceBetween();\n    spaceBetweenInicial = 60;\n    \n    if (Tipus=='intro-images' ) {\n    \/\/    spaceBetweenValueModul = 0;\n    }\n\n\n\n    console.log(\"spaceBetweenValueModul\",spaceBetweenValueModul);\n\n    var swiper = new Swiper(\"#swiper-69e1dfaf75953\", {\n      slidesPerView: \"auto\",\n      spaceBetween: spaceBetweenInicial,\n      \tfreeMode: true,\n\t  \tbreakpoints: {\n\t        \/\/ Quan l'amplada de la pantalla sigui major a 1024px\n\t        1024: {\n\t            spaceBetween: spaceBetweenValue,\n\t        },\n\t    },\n        \/\/ Navigation arrows\n        navigation: {\n            nextEl: '.swiper-button-next',\n            prevEl: '.swiper-button-prev',\n        },\n        mousewheel: {\n            releaseOnEdges: true,\n            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class=\"wp-block-button contingut-ampliat-boto\" data-class=\"contingut-ampliat modal\">\n        <a class=\"wp-block-button__link wp-element-button\" tabindex=\"0\" >Learn more<\/a>\n    <\/div>\n<\/div>\n\n\n\n\n\n\n\n\n\n\n\n<div class=\"wp-block-columns contingut-ampliat-content is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-pullquote\"><blockquote><p>\u2018I had to give Gala a setting more solemnly worthy of our love. That is why I gave her a mansion built on the remains of a twelfth-century castle, in La Bisbal, the old P\u00fabol castle, for her to reign as the absolute sovereign \u2013 to the point that I go there only when invited in her own hand. It was enough that I decorated the ceilings so that whenever she looks up she finds me in her heaven.\u2019<\/p><cite>Salvador Dal\u00ed<\/cite><\/blockquote><\/figure>\n\n\n\n<p>From the outset, both Gala and Salvador Dal\u00ed were captivated by the mysterious and romantic aspect of the architectural complex, which they found in a state of ruin. Together, they re-imagined the interior and exterior spaces and gave instructions for their restoration to their friend, the master builder Emilio Puignau. At Gala\u2019s behest, the artist personally saw to the decoration, designing some elements and painting false architectural details on the walls and ceilings. The entire castle is a celebration of the cult of Gala, the undisputed protagonist of this part of the Dalinian Triangle, which has a personality all its own.<\/p>\n\n\n\n<p>In 1969, Dal\u00ed purchased the architectural complex known as P\u00fabol Castle, thereby fulfilling a promise made to Gala in the 1930s. Gala was delighted by the mediaeval building, in particular by the garden and flowers, especially the roses, which reminded her of the garden in Crimea where she had spent several summer holidays as a child. The property, however, was utterly dilapidated, its ceilings sagging and collapsed, the walls rent with cracks, and the garden largely gone wild. All of this lent it a romantic air that the Dal\u00eds endeavoured to preserve in the process of restoring it.<\/p>\n\n\n\n<p>With the technical assistance of Emilio Puignau, Gala and Dal\u00ed chose to shore up the building\u2019s structure without trying to conceal the scars left by the passage of time, which were a source of fascination for the couple. Puignau himself recalled Dal\u00ed\u2019s enthusiastic account in this regard: \u2018I have seen something sublime in the fa\u00e7ade: not only is it cracked, but it forms a projection in the crack that gives the impression of there having been a cataclysm, an earthquake, with one part holding fast whilst the other split off and collapsed. So that must not be touched; it must be left as it is.\u2019<\/p>\n\n\n\n<p>Gala was equally enthusiastic and keenly interested in following the work on the castle. In a letter to Puignau, she described what she saw as their responsibility: \u2018As you will have realized, P\u00fabol is my \u201cworkhorse\u201d, or, rather, ours. I am fascinated by the potential of this house in ruins, which could also give rise to a monster. So far, working together, we have always succeeded in Portlligat. That little house has become famous; you see it reproduced everywhere, even today. So we have a great responsibility, you and I, for a new and great success.\u2019 Her involvement in the P\u00fabol project was absolute; she supervised and managed the entire restoration process and was the driving force behind the interior decoration, for which she commissioned a series of projects from Dal\u00ed, who, thanks to his artistic versatility, provided a new reading of the interior spaces.<\/p>\n\n\n\n<p>Many drawings preserved in the Gala-Salvador Dal\u00ed Foundation\u2019s collections bear witness to the creative process behind the various areas and features created expressly for the castle, such as the designs for the fireplaces or the skylight table. At Gala\u2019s request, the artist also conceived of: \u20181. A fifteen-metre ceiling depicting a nocturnal hole in the Mediterranean sky from which surreal objects are falling. 2. Chairs that do not touch the ground. 3. Six stork-legged elephant fountains leading to the pool with the twenty-seven ceramic busts of Richard Wagner. 4. Screens to disguise the radiators painted with radiators using the optical illusion technique. 5. Solid gold taps and shower fixtures for the bathroom.\u2019<\/p>\n\n\n\n<p>As for the interior, the result is a closed, mysterious, private and sober place, with areas of great beauty, such as the old kitchen converted into a bathroom, the scenographic Shields Room or the majestic Piano Room. For the castle\u2019s exterior, the old French-style garden was Italianized and enhanced with Dalinian interventions. Among the most striking are the elephant fountains, which seem to be advancing towards the castle, and the fountain with classicalizing airs featuring a spout in the shape of a monkfish head, reminiscent of the famous monsters in the Garden of Bomarzo in Rome that Dal\u00ed so admired. Other features, such as the gazebo or the benches with fleur-de-lis backrests, further heighten the romantic atmosphere of this place so well suited, as Gala once said, \u2018for having a sentimental t\u00eate-\u00e0-t\u00eate\u2019.<\/p>\n\n\n\n<p>Following her death, in 1982, what had been Gala\u2019s most cherished space in the final years of her life became her eternal resting place: she is buried in the crypt, located in what was once the old castle\u2019s tithe room. Determined not to be separated from her, Dal\u00ed took up residence at P\u00fabol. There, he would recover from her loss and establish what would be his final studio. In those years, Gala\u2019s blue room became his bedroom, and the home\u2019s attic was used to store the works that Dal\u00ed had left in New York and Paris. But in 1984, the artist had to be hospitalized after being badly burned in an accidental fire, and he never returned to P\u00fabol.<\/p>\n\n\n\n<p>In 1996, the castle in P\u00fabol was opened to the public. The complex includes a temporary exhibition hall that mainly explores the figure of Gala and her fashion collection, which includes pieces by internationally renowned designers and of great heritage value.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The Dalinian Triangle is the geometric shape that would appear on a map of Catalonia if you were to draw a line connecting the towns of P\u00fabol, Portlligat and Figueres. These three towns help explain the life and career of an artist who, having achieved international acclaim, nevertheless remained deeply rooted in his homeland. Spanning [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":880,"parent":6505,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","footnotes":""},"categories":[],"tags":[],"class_list":["post-7352","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Dalinian Triangle - Fundaci\u00f3 Gala - Salvador Dal\u00ed<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.salvador-dali.org\/en\/visit\/the-dalinian-triangle\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Dalinian Triangle - Fundaci\u00f3 Gala - Salvador Dal\u00ed\" \/>\n<meta property=\"og:description\" content=\"The Dalinian Triangle is the geometric shape that would appear on a map of Catalonia if you were to draw a line connecting the towns of P\u00fabol, Portlligat and Figueres. 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