{"id":7700,"date":"2024-12-18T18:32:24","date_gmt":"2024-12-18T16:32:24","guid":{"rendered":"https:\/\/www.salvador-dali.org\/dali-i-gala\/dali-artista-total\/pintura\/"},"modified":"2025-07-01T13:15:27","modified_gmt":"2025-07-01T11:15:27","slug":"peinture","status":"publish","type":"page","link":"https:\/\/www.salvador-dali.org\/fr\/dali-et-gala\/dali-lartiste-total\/peinture\/","title":{"rendered":"Peinture"},"content":{"rendered":"\n<div class=\"wp-block-columns global-column is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"is-style-entradeta\">Ses apports au mouvement surr\u00e9aliste, gr\u00e2ce \u00e0 la m\u00e9thode parano\u00efaque-critique d\u2019interpr\u00e9tation de la r\u00e9alit\u00e9, donnent naissance \u00e0 un univers de symboles d\u00e9sormais ancr\u00e9s dans notre imaginaire collectif. La red\u00e9couverte des grands ma\u00eetres de l\u2019histoire de l\u2019art \u2014 en particulier de la Renaissance (Rapha\u00ebl et Michel-Ange) et du Baroque (Vel\u00e1zquez et Vermeer) \u2014 \u00e0 certains moments de sa carri\u00e8re, constitue l\u2019une de ses marques distinctives. La diversit\u00e9 des th\u00e8mes que l\u2019on retrouve dans son \u0153uvre picturale, notamment ceux li\u00e9s \u00e0 son int\u00e9r\u00eat pour la science, fait de Dal\u00ed un artiste singulier, profond\u00e9ment marqu\u00e9 par le si\u00e8cle qui l\u2019a vu na\u00eetre, et l\u2019un des cr\u00e9ateurs essentiels de l\u2019histoire de l\u2019art.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1152\" height=\"768\" src=\"https:\/\/www.salvador-dali.org\/wp-content\/uploads\/2025\/02\/64349.jpg\" alt=\"\" class=\"wp-image-1395\" srcset=\"https:\/\/www.salvador-dali.org\/wp-content\/uploads\/2025\/02\/64349.jpg 1152w, https:\/\/www.salvador-dali.org\/wp-content\/uploads\/2025\/02\/64349-300x200.jpg 300w, https:\/\/www.salvador-dali.org\/wp-content\/uploads\/2025\/02\/64349-1024x683.jpg 1024w, https:\/\/www.salvador-dali.org\/wp-content\/uploads\/2025\/02\/64349-768x512.jpg 768w\" sizes=\"auto, (max-width: 1152px) 100vw, 1152px\" \/><figcaption class=\"wp-element-caption\">Salvador Dal\u00ed devant le portrait de Philippe IV de Vel\u00e1zquez. \u00a9 Fundaci\u00f3 Gala-Salvador Dal\u00ed<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns global-column contingut-ampliat centre is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button contingut-ampliat-boto\"><a class=\"wp-block-button__link wp-element-button\">En savoir plus<\/a><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns contingut-ampliat-content is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-center\"><em><strong>\u00ab\u00a0\u00c0 l\u2019\u00e2ge de 6 ans, je voulais \u00eatre Napol\u00e9on, et je ne le fus pas.<br>\u00c0 quinze ans, je voulais \u00eatre Dal\u00ed et je le fus.<br>\u00c0 vingt-cinq ans, je voulais devenir le peintre<\/strong><\/em> <em><strong>le plus<\/strong><\/em><br><em><strong>sensationnel du monde et j&rsquo;y suis arriv\u00e9.<br>\u00c0 trente-cinq ans, je voulais assurer ma vie par<\/strong><\/em><br><em><strong>le succ\u00e8s et j&rsquo;y suis parvenu.<br>Maintenant, \u00e0 quarante-cinq ans, je veux peindre un chef-d&rsquo;\u0153uvre et<\/strong><\/em><br><em><strong>sauver l&rsquo;art moderne du chaos et de la paresse. J&rsquo;y parviendrai !\u00a0\u00bb<\/strong><\/em><\/h4>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\">Salvador Dal\u00ed<\/h2>\n\n\n\n<p class=\"is-style-entradeta\">Il s\u2019agit d\u2019un extrait de la d\u00e9dicace par laquelle Dal\u00ed signe ses <em>50 secrets magiques pour peindre<\/em>, l\u2019un de ses principaux ouvrages, publi\u00e9 en 1948 sous la forme d\u2019un trait\u00e9 de peinture. C\u2019est une d\u00e9claration explicite, qui permet de comprendre la conscience que l\u2019artiste a de sa propre contribution \u00e0 l\u2019art et \u00e0 la peinture du XXe si\u00e8cle. Bien qu\u2019\u00e0 ce moment-l\u00e0 il se revendique comme un peintre inscrit dans la tradition classique, le parcours de Dal\u00ed en tant que peintre commence bien plus t\u00f4t.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"659\" height=\"829\" src=\"https:\/\/www.salvador-dali.org\/wp-content\/uploads\/2025\/03\/30-1319.jpg\" alt=\"\" class=\"wp-image-1888\" srcset=\"https:\/\/www.salvador-dali.org\/wp-content\/uploads\/2025\/03\/30-1319.jpg 659w, https:\/\/www.salvador-dali.org\/wp-content\/uploads\/2025\/03\/30-1319-238x300.jpg 238w\" sizes=\"auto, (max-width: 659px) 100vw, 659px\" \/><figcaption class=\"wp-element-caption\">Salvador Dal\u00ed peignant <em>Le Visage de la guerre<\/em> (<em>Visage of the War<\/em>), v. 1940. \u00a9 Fundaci\u00f3 Gala-Salvador Dal\u00ed<\/figcaption><\/figure>\n\n\n\n<p>Ses premi\u00e8res peintures datent d\u2019entre 1910 et 1914. Il s\u2019agit de paysages de l\u2019environnement imm\u00e9diat de Figueres, sa ville natale, qu\u2019il aurait commenc\u00e9s \u00e0 peindre d\u00e8s l\u2019\u00e2ge de six ans. Il est tr\u00e8s probable que son premier contact avec le monde de l\u2019art et de la peinture se soit fait \u00e0 travers les <em>Gowan\u2019s Art Books<\/em>, des monographies reproduisant les \u0153uvres des grands ma\u00eetres de l\u2019histoire de l\u2019art. Vermeer, Ingres, De Hooch ou encore Boucher figurent parmi les volumes qui sont encore conserv\u00e9s dans sa biblioth\u00e8que personnelle. L\u2019un des premiers courants picturaux \u00e0 marquer profond\u00e9ment le jeune peintre est l\u2019impressionnisme, qu\u2019il d\u00e9couvre gr\u00e2ce \u00e0 l\u2019\u0153uvre de Ramon Pichot, artiste et membre d\u2019une famille \u00e9troitement li\u00e9e aux Dal\u00ed. L\u2019influence de l\u2019impressionnisme devient perceptible \u00e0 partir de 1916 et se manifeste, jusqu\u2019au d\u00e9but des ann\u00e9es 1920, dans des natures mortes ainsi que dans des paysages et marines, principalement inspir\u00e9s de Cadaqu\u00e9s.<\/p>\n\n\n\n\n<script>var is_masonry=false;<\/script>\t\t\t\t\t<div class=\"swiper coeli-swiper-heritageobject coeli-swiper-agrupacions coeli-swiper-1746\" \t\t\t\tid=\"coeli-swiper-1746\">\n\t\t\t\t<!-- Additional required wrapper -->\n\t\t\t\t<ul class=\"swiper-wrapper coeli-result-list\" id=\"coeli-ul-agrupacio-1746\">\n\t\t\t\t\t<!-- Slides -->\n\t\t\t\t\t\t\t\t\t\t\t<li id=\"276-87ad\"\n\t\t\t\t\t\t\tclass=\"swiper-slide s-3 t-1 m-3\"><a href=\"https:\/\/www.salvador-dali.org\/heritageobject\/276-87ad\/\"><figure class=\"image portraitmedia-medium\"><img decoding=\"async\" alt=\"\" src=\"https:\/\/d1i5r06pd82mff.cloudfront.net\/public\/DigitalAsset\/75156608-da5e-1394-f783-1b377833303f\/f82fbf2f3811e2024614643e3e75d03a\/full\/medium\/0\/default.jpg\"><\/figure><p class=\"coeli-title\">Paysage<\/p><p class=\"coeli-production-actorsinrole-actors\">Dal\u00ed i Dom\u00e8nech, Salvador<\/p><p class=\"coeli-production-date\">1910-1914<\/p><p class=\"coeli-creditLine\">The Dal\u00ed Museum, St. Petersburg (Floride)<\/p><\/a><\/li>\n\t\t\t\t\t\t\t\t\t\t\t<li id=\"300-5237\"\n\t\t\t\t\t\t\tclass=\"swiper-slide s-3 t-1 m-3\"><a href=\"https:\/\/www.salvador-dali.org\/heritageobject\/300-5237\/\"><figure class=\"image portraitmedia-medium\"><img decoding=\"async\" alt=\"\" src=\"https:\/\/d1i5r06pd82mff.cloudfront.net\/public\/DigitalAsset\/f0d74e40-c214-84dc-9372-a068ed6d89a4\/80ad434dca44d4c5c6e6b9d151fb02ea\/full\/medium\/0\/default.jpg\"><\/figure><p class=\"coeli-title\">Vilabertran<\/p><p class=\"coeli-production-actorsinrole-actors\">Dal\u00ed i Dom\u00e8nech, Salvador<\/p><p class=\"coeli-production-date\">1910-1914<\/p><p class=\"coeli-creditLine\">Collection priv\u00e9e<\/p><\/a><\/li>\n\t\t\t\t\t\t\t\t\t\t\t<li id=\"250-ad3e\"\n\t\t\t\t\t\t\tclass=\"swiper-slide s-3 t-1 m-3\"><a href=\"https:\/\/www.salvador-dali.org\/heritageobject\/250-ad3e\/\"><figure class=\"image portraitmedia-medium\"><img decoding=\"async\" alt=\"\" src=\"https:\/\/d1i5r06pd82mff.cloudfront.net\/public\/DigitalAsset\/e1b74f0a-778b-1352-78c0-91aed0f0ff2d\/4e59221a8d7931acf4bd5cf95a9f2437\/full\/medium\/0\/default.jpg\"><\/figure><p class=\"coeli-title\">Paysage avec animaux<\/p><p class=\"coeli-production-actorsinrole-actors\">Dal\u00ed i Dom\u00e8nech, Salvador<\/p><p class=\"coeli-production-date\">1910-1914<\/p><p class=\"coeli-creditLine\">Collection priv\u00e9e<\/p><\/a><\/li>\n\t\t\t\t\t\t\t\t\t\t\t<li id=\"1153\"\n\t\t\t\t\t\t\tclass=\"swiper-slide s-3 t-1 m-3\"><a href=\"https:\/\/www.salvador-dali.org\/heritageobject\/1153\/\"><figure class=\"image portraitmedia-medium\"><img decoding=\"async\" alt=\"\" src=\"https:\/\/d1i5r06pd82mff.cloudfront.net\/public\/DigitalAsset\/405accc9-e49f-54df-e2dc-890fa04e2ddc\/b467250099263510c0b14c1bed779502\/full\/medium\/0\/default.jpg\"><\/figure><p class=\"coeli-title\">Paysage avec personnages<\/p><p class=\"coeli-production-actorsinrole-actors\">Dal\u00ed i Dom\u00e8nech, Salvador<\/p><p class=\"coeli-production-date\">1910-1914<\/p><p class=\"coeli-creditLine\">Collection priv\u00e9e<\/p><\/a><\/li>\n\t\t\t\t\t\t\t\t\t\t\t<li id=\"249-4e9f\"\n\t\t\t\t\t\t\tclass=\"swiper-slide s-3 t-1 m-3\"><a href=\"https:\/\/www.salvador-dali.org\/heritageobject\/249-4e9f\/\"><figure class=\"image portraitmedia-medium\"><img decoding=\"async\" alt=\"\" src=\"https:\/\/d1i5r06pd82mff.cloudfront.net\/public\/DigitalAsset\/05e0f7d6-4ac3-0a47-a398-7916dc880bb2\/0de4764da87438f5501138805fbf5bb0\/full\/medium\/0\/default.jpg\"><\/figure><p class=\"coeli-title\">Paysage avec fleuve<\/p><p class=\"coeli-production-actorsinrole-actors\">Dal\u00ed i Dom\u00e8nech, Salvador<\/p><p class=\"coeli-production-date\">1910-1914<\/p><p class=\"coeli-creditLine\">Collection priv\u00e9e<\/p><\/a><\/li>\n\t\t\t\t\t\t\t\t\t<\/ul>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<!-- If we need navigation buttons -->\n\t\t\t\t\t<div class=\"swiper-button-prev coeli-swiper-prev-1746\"><\/div>\n\t\t\t\t\t<div class=\"swiper-button-next coeli-swiper-next-1746\"><\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t<script>\n\t\t\t\tvar slider_args_1746= {\n\t\t\t\t\t\/\/ Optional parameters\n\t\t\t\t\tdirection: 'horizontal',\n\t\t\t\t\tbreakpoints: {\n\t\t\t\t\t\t640: {\n\t\t\t\t\t\t\tslidesPerView: 1,\n\t\t\t\t\t\t\tspaceBetween: 0,\n\t\t\t\t\t\t},\n\t\t\t\t\t\t768: {\n\t\t\t\t\t\t\tslidesPerView: 1,\n\t\t\t\t\t\t\tspaceBetween: 0,\n\t\t\t\t\t\t},\n\t\t\t\t\t\t1024: {\n\t\t\t\t\t\t\tslidesPerView: 3,\n\t\t\t\t\t\t\tspaceBetween: 0,\n\t\t\t\t\t\t},\n\t\t\t\t\t},\n\t\t\t\t\t\t\t\t\t\tautoplay: {\n\t\t\t\t\t\tdelay: 30000000,\n\t\t\t\t\t\tdisableOnInteraction: false,\n\t\t\t\t\t},\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tspeed: 300,\n\t\t\t\t\t\t\t\t\t\tloop: false,\n\t\t\t\t\t\/\/ If we need pagination\n\t\t\t\t\tpagination: {\n\t\t\t\t\t\tel: '.swiper-pagination-1746',\n\t\t\t\t\t},\n\t\t\t\t\t\/\/ Navigation arrows\n\t\t\t\t\tnavigation: {\n\t\t\t\t\t\tnextEl: '.coeli-swiper-next-1746',\n\t\t\t\t\t\tprevEl: '.coeli-swiper-prev-1746',\n\t\t\t\t\t}\n\t\t\t\t}\n\t\t\t<\/script>\n\t\t\n\n\n<p>Dal\u00ed pr\u00e9sente pour la premi\u00e8re fois ses peintures au public en 1919, lors d\u2019une exposition organis\u00e9e \u00e0 la Soci\u00e9t\u00e9 des Concerts du Th\u00e9\u00e2tre Municipal de Figueres, futur Th\u00e9\u00e2tre-Mus\u00e9e Dal\u00ed. La critique de l\u2019\u00e9poque salue d\u00e9j\u00e0 l\u2019\u0153uvre de ce jeune artiste : \u00ab c\u2019est une \u0153uvre puissante, aux couleurs vives, au dessin ample et vibrant, \u00e0 la sensibilit\u00e9 intense, qui surprend par la r\u00e9duction des valeurs \u00e0 leur plus grande simplicit\u00e9 \u00bb. Vers 1920, il commence \u00e0 peindre ses premiers autoportraits. En 1922, il est admis \u00e0 la Real Academia de Bellas Artes de San Fernando de Madrid, o\u00f9 il suit une formation sp\u00e9cialis\u00e9e, apr\u00e8s avoir re\u00e7u des cours de dessin du professeur Juan N\u00fa\u00f1ez \u00e0 Figueres. \u00c0 cette \u00e9poque, Dal\u00ed admire et explore presque tous les \u00ab -ismes \u00bb des avant-gardes picturales : le cubisme, le dada\u00efsme, le fauvisme, le purisme, le vibrationnisme, ainsi que la peinture m\u00e9taphysique italienne. Sans aucun doute, l\u2019un de ses premiers grands r\u00e9f\u00e9rents est le cubisme, et notamment Pablo Picasso, qu\u2019il rencontre en personne lors de son premier voyage \u00e0 Paris en 1926.<\/p>\n\n\n\n<p>Apr\u00e8s cette p\u00e9riode de formation, vers 1927, Dal\u00ed commence \u00e0 exp\u00e9rimenter avec un langage pictural propre. C\u2019est \u00e0 ce moment-l\u00e0 qu\u2019il anticipe son esth\u00e9tique surr\u00e9aliste personnelle, en d\u00e9veloppant une iconographie tr\u00e8s singuli\u00e8re caract\u00e9ris\u00e9e par des corps d\u00e9membr\u00e9s et des \u00e9l\u00e9ments en d\u00e9composition, comme on peut le voir dans des peintures telles que <em>Appareil et main<\/em> (P195) et <em>Le miel est plus doux que le sang<\/em> (P194). Les fondements th\u00e9oriques de cette peinture se trouvent dans son texte <em>Saint S\u00e9bastien<\/em>. \u00c0 cette \u00e9poque, Dal\u00ed introduit \u00e9galement la technique mixte dans une s\u00e9rie d\u2019huiles qui, \u00e0 un certain moment de l\u2019ann\u00e9e 1928, flirtent m\u00eame avec l\u2019abstraction.<\/p>\n\n\n\n<p>L\u2019une des grandes contributions de Dal\u00ed \u00e0 l\u2019histoire de la peinture r\u00e9side dans son \u0153uvre inscrite dans le surr\u00e9alisme. Son entr\u00e9e dans le groupe des surr\u00e9alistes parisiens a lieu vers 1929 et co\u00efncide avec sa rencontre avec Gala \u00e0 Cadaqu\u00e9s. Il s\u2019agit d\u2019un v\u00e9ritable tournant, \u00e0 partir duquel Dal\u00ed se consacre au d\u00e9veloppement de son style le plus personnel et \u00e0 l\u2019\u00e9laboration de sa m\u00e9thode parano\u00efaque-critique, qu\u2019il annonce dans les quatre essais publi\u00e9s dans <em>La Femme visible<\/em> en 1930. Des peintures telles que <em>La M\u00e9moire de la femme-enfant<\/em> (1929, P236), <em>La Persistance de la m\u00e9moire<\/em> (1931, P265) ou <em>Le Spectre du sex-appeal<\/em> (vers 1934, P338) comptent parmi les chefs-d\u2019\u0153uvre de cette p\u00e9riode. On y trouve \u00e9galement ses c\u00e9l\u00e8bres images doubles, par lesquelles il explore les relations entre le conscient et l\u2019inconscient, entre r\u00e9alit\u00e9 et imagination. Vers 1938, la palette vive du surr\u00e9alisme s\u2019att\u00e9nue et ses \u0153uvres pr\u00e9sentent des paysages d\u00e9sol\u00e9s, peupl\u00e9s de nouveaux \u00e9l\u00e9ments symboliques qui r\u00e9v\u00e8lent une inqui\u00e9tude croissante face \u00e0 la situation politique et sociale en Europe. Des tableaux comme <em>Violettes imp\u00e9riales<\/em> (P474) ou <em>\u00c9nigme sans fin<\/em> (P464) t\u00e9moignent de cette angoisse et de ce d\u00e9senchantement pr\u00e9c\u00e9dant la Seconde Guerre mondiale.<\/p>\n\n\n\n\n<script>var is_masonry=false;<\/script>\t\t\t\t\t<div class=\"swiper coeli-swiper-heritageobject coeli-swiper-agrupacions coeli-swiper-1794\" \t\t\t\tid=\"coeli-swiper-1794\">\n\t\t\t\t<!-- Additional required wrapper -->\n\t\t\t\t<ul class=\"swiper-wrapper coeli-result-list\" id=\"coeli-ul-agrupacio-1794\">\n\t\t\t\t\t<!-- Slides -->\n\t\t\t\t\t\t\t\t\t\t\t<li id=\"116-88ae\"\n\t\t\t\t\t\t\tclass=\"swiper-slide s-5 t-1 m-5\"><a href=\"https:\/\/www.salvador-dali.org\/heritageobject\/116-88ae\/\"><figure class=\"image portraitmedia-medium\"><img decoding=\"async\" alt=\"\" src=\"https:\/\/d1i5r06pd82mff.cloudfront.net\/public\/DigitalAsset\/da92e754-4144-a077-b43b-bb87bbd8a279\/200b2d68251ae2050f7eda354711cfb1\/full\/medium\/0\/default.jpg\"><\/figure><p class=\"coeli-title\">Appareil et main<\/p><p class=\"coeli-production-actorsinrole-actors\">Dal\u00ed i Dom\u00e8nech, Salvador<\/p><p class=\"coeli-production-date\">1927<\/p><p class=\"coeli-creditLine\">The Dal\u00ed Museum, St. Petersburg (Floride)<\/p><\/a><\/li>\n\t\t\t\t\t\t\t\t\t\t\t<li id=\"108-04c6\"\n\t\t\t\t\t\t\tclass=\"swiper-slide s-5 t-1 m-5\"><a href=\"https:\/\/www.salvador-dali.org\/heritageobject\/108-04c6\/\"><figure class=\"image portraitmedia-medium\"><img decoding=\"async\" alt=\"\" src=\"https:\/\/d1i5r06pd82mff.cloudfront.net\/public\/DigitalAsset\/17d3b553-7439-1d37-b033-8a0b36d6652d\/70c22dfbd9d98f9388601129b79c290c\/full\/medium\/0\/default.jpg\"><\/figure><p class=\"coeli-title\">Le miel est plus doux que le sang<\/p><p class=\"coeli-production-actorsinrole-actors\">Dal\u00ed i Dom\u00e8nech, Salvador<\/p><p class=\"coeli-production-date\">1927<\/p><p class=\"coeli-creditLine\">Inconnue<\/p><\/a><\/li>\n\t\t\t\t\t\t\t\t\t\t\t<li id=\"24\"\n\t\t\t\t\t\t\tclass=\"swiper-slide s-5 t-1 m-5\"><a href=\"https:\/\/www.salvador-dali.org\/heritageobject\/24\/\"><figure class=\"image portraitmedia-medium\"><img decoding=\"async\" alt=\"\" src=\"https:\/\/d1i5r06pd82mff.cloudfront.net\/public\/DigitalAsset\/f3fc7d50-81df-eb31-ecf1-90f6f99767a1\/a4bc008de39b2e65b8831f9f3a5a71ab\/full\/medium\/0\/default.jpg\"><\/figure><p class=\"coeli-title\">La m\u00e9moire de la femme-enfant<\/p><p class=\"coeli-production-actorsinrole-actors\">Dal\u00ed i Dom\u00e8nech, Salvador<\/p><p class=\"coeli-production-date\">1929<\/p><p class=\"coeli-creditLine\">Museo Nacional Centro de Arte Reina Sof\u00eda, Madrid. Succession Dal\u00ed<\/p><\/a><\/li>\n\t\t\t\t\t\t\t\t\t\t\t<li id=\"478\"\n\t\t\t\t\t\t\tclass=\"swiper-slide s-5 t-1 m-5\"><a href=\"https:\/\/www.salvador-dali.org\/heritageobject\/478\/\"><figure class=\"image portraitmedia-medium\"><img decoding=\"async\" alt=\"\" src=\"https:\/\/d1i5r06pd82mff.cloudfront.net\/public\/DigitalAsset\/b25877ed-1f87-580d-ad35-2d9a8fcdef41\/3c8be81b679ba37694edda945ba970fd\/full\/medium\/0\/default.jpg\"><\/figure><p class=\"coeli-title\">La persistance de la m\u00e9moire<\/p><p class=\"coeli-production-actorsinrole-actors\">Dal\u00ed i Dom\u00e8nech, Salvador<\/p><p class=\"coeli-production-date\">1931<\/p><p class=\"coeli-creditLine\">The Museum of Modern Art, New York (Donation anonyme 1934)<\/p><\/a><\/li>\n\t\t\t\t\t\t\t\t\t\t\t<li id=\"32\"\n\t\t\t\t\t\t\tclass=\"swiper-slide s-5 t-1 m-5\"><a href=\"https:\/\/www.salvador-dali.org\/heritageobject\/32\/\"><figure class=\"coeli-portraitmedia-medium coeli-no-representation\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/f\/f7\/No_Image_%282879926%29_-_The_Noun_Project.svg\" alt=\"Empty\"\/><\/figure><p class=\"coeli-title\">Le spectre du Sex-Appeal<\/p><p class=\"coeli-production-actorsinrole-actors\">Dal\u00ed i Dom\u00e8nech, Salvador<\/p><p class=\"coeli-production-date\">c. 1934<\/p><p class=\"coeli-creditLine\">Fundaci\u00f3 Gala-Salvador Dal\u00ed, Figueres<\/p><\/a><\/li>\n\t\t\t\t\t\t\t\t\t\t\t<li id=\"31\"\n\t\t\t\t\t\t\tclass=\"swiper-slide s-5 t-1 m-5\"><a href=\"https:\/\/www.salvador-dali.org\/heritageobject\/31\/\"><figure class=\"image portraitmedia-medium\"><img decoding=\"async\" alt=\"\" src=\"https:\/\/d1i5r06pd82mff.cloudfront.net\/public\/DigitalAsset\/e391608a-2602-eda9-44e6-da1707a7e891\/5d63a6c4b0e9c47340737a84b3c62bfa\/full\/medium\/0\/default.jpg\"><\/figure><p class=\"coeli-title\">\u00c9nigme sans fin<\/p><p class=\"coeli-production-actorsinrole-actors\">Dal\u00ed i Dom\u00e8nech, Salvador<\/p><p class=\"coeli-production-date\">1938<\/p><p class=\"coeli-creditLine\">Museo Nacional Centro de Arte Reina Sof\u00eda, Madrid. Succession Dal\u00ed<\/p><\/a><\/li>\n\t\t\t\t\t\t\t\t\t\t\t<li id=\"8356\"\n\t\t\t\t\t\t\tclass=\"swiper-slide s-5 t-1 m-5\"><a href=\"https:\/\/www.salvador-dali.org\/heritageobject\/8356\/\"><figure class=\"image portraitmedia-medium\"><img decoding=\"async\" alt=\"\" src=\"https:\/\/d1i5r06pd82mff.cloudfront.net\/public\/DigitalAsset\/6571c17b-0ace-5aa7-3128-c291471c7c79\/1abba71905b308c18222f9b2cd6863e1\/full\/medium\/0\/default.jpg\"><\/figure><p class=\"coeli-title\">Violettes imp\u00e9riales<\/p><p class=\"coeli-production-actorsinrole-actors\">Dal\u00ed i Dom\u00e8nech, Salvador<\/p><p class=\"coeli-production-date\">1938<\/p><p class=\"coeli-creditLine\">Fundaci\u00f3 Gala-Salvador Dal\u00ed, Figueres<\/p><\/a><\/li>\n\t\t\t\t\t\t\t\t\t<\/ul>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<!-- If we need navigation buttons -->\n\t\t\t\t\t<div class=\"swiper-button-prev coeli-swiper-prev-1794\"><\/div>\n\t\t\t\t\t<div class=\"swiper-button-next coeli-swiper-next-1794\"><\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t<script>\n\t\t\t\tvar slider_args_1794= {\n\t\t\t\t\t\/\/ Optional parameters\n\t\t\t\t\tdirection: 'horizontal',\n\t\t\t\t\tbreakpoints: {\n\t\t\t\t\t\t640: {\n\t\t\t\t\t\t\tslidesPerView: 1,\n\t\t\t\t\t\t\tspaceBetween: 0,\n\t\t\t\t\t\t},\n\t\t\t\t\t\t768: {\n\t\t\t\t\t\t\tslidesPerView: 1,\n\t\t\t\t\t\t\tspaceBetween: 0,\n\t\t\t\t\t\t},\n\t\t\t\t\t\t1024: {\n\t\t\t\t\t\t\tslidesPerView: 5,\n\t\t\t\t\t\t\tspaceBetween: 0,\n\t\t\t\t\t\t},\n\t\t\t\t\t},\n\t\t\t\t\t\t\t\t\t\tautoplay: {\n\t\t\t\t\t\tdelay: 2500000,\n\t\t\t\t\t\tdisableOnInteraction: false,\n\t\t\t\t\t},\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tspeed: 300,\n\t\t\t\t\t\t\t\t\t\tloop: false,\n\t\t\t\t\t\/\/ If we need pagination\n\t\t\t\t\tpagination: {\n\t\t\t\t\t\tel: '.swiper-pagination-1794',\n\t\t\t\t\t},\n\t\t\t\t\t\/\/ Navigation arrows\n\t\t\t\t\tnavigation: {\n\t\t\t\t\t\tnextEl: '.coeli-swiper-next-1794',\n\t\t\t\t\t\tprevEl: '.coeli-swiper-prev-1794',\n\t\t\t\t\t}\n\t\t\t\t}\n\t\t\t<\/script>\n\t\t\n\n\n<p>Avec le d\u00e9clenchement du conflit mondial en Europe, Dal\u00ed et Gala partent pour les \u00c9tats-Unis, o\u00f9 ils arrivent en ao\u00fbt 1940. \u00c0 partir de ce moment, l\u2019artiste inaugure une nouvelle phase de sa carri\u00e8re au cours de laquelle il souhaite s\u2019imposer et se revendiquer avant tout comme un artiste classique \u2014 notamment \u00e0 travers sa production picturale. Dans le catalogue de l\u2019exposition pr\u00e9sent\u00e9e \u00e0 la Julien Levy Gallery de New York en 1941, Dal\u00ed se proclame d\u00e9fenseur de la Renaissance et de la restitution du nombre d\u2019or. L\u2019artiste reconna\u00eetra \u00e0 plusieurs reprises l\u2019influence d\u00e9cisive de Gala dans cette conversion. Cette inflexion s\u2019op\u00e8re progressivement dans sa peinture, sans qu\u2019il y ait pour autant une rupture explicite avec le surr\u00e9alisme. Dans un premier temps, il introduit de discr\u00e8tes \u00e9vocations de la culture classique \u2014 chevaliers, centaures marsupiaux ou architectures d\u2019ordre classique. \u00c0 partir de 1945, avec des \u0153uvres telles que <em>Galarina<\/em> (P597) ou <em>Ma femme, nue, regardant son propre corps devenir escalier, trois vert\u00e8bres d\u2019une colonne, ciel et architecture<\/em> (P598), sa peinture devient clairement un hommage \u00e0 la tradition classique. Cette transformation culmine vers 1948 avec sa c\u00e9l\u00e8bre <em>L\u00e9da atomique<\/em> (P642) et la publication de son trait\u00e9 de peinture <em>50 secrets magiques pour peindre<\/em>. Dans cet ouvrage, il d\u00e9clare admirer tout particuli\u00e8rement Vermeer, Rapha\u00ebl, L\u00e9onard de Vinci, Vel\u00e1zquez et Picasso, des artistes dont l\u2019influence est manifeste dans son \u0153uvre. \u00c0 une \u00e9poque o\u00f9 l\u2019expressionnisme abstrait domine la sc\u00e8ne artistique am\u00e9ricaine et europ\u00e9enne, Dal\u00ed entend se poser en \u00ab Sauveur \u00bb de la peinture moderne, en r\u00e9affirmant la tradition classique et la peinture \u00e0 l\u2019huile dans la lign\u00e9e des fr\u00e8res Van Eyck et de Vermeer. Durant cette p\u00e9riode, il se consacre \u00e9galement \u00e0 la r\u00e9alisation de portraits pour la haute soci\u00e9t\u00e9 am\u00e9ricaine.<\/p>\n\n\n\n<p>S\u00fbr de son triomphe, Dal\u00ed oriente sa peinture des ann\u00e9es 1950 sous le signe du classicisme, de la science et de la physique nucl\u00e9aire, inaugurant ce que l\u2019on appelle sa p\u00e9riode mystique nucl\u00e9aire. Dans son <em>Manifeste mystique<\/em>, publi\u00e9 en 1951, il explique l\u2019apparition de la th\u00e9matique religieuse dans son \u0153uvre, son regard renouvel\u00e9 sur la Renaissance italienne et son d\u00e9sir de devenir un artiste classique en int\u00e9grant les connaissances scientifiques de son \u00e9poque. Progressivement, il introduit des \u00e9l\u00e9ments religieux tels que la Vierge \u00e0 l\u2019Enfant ou la Crucifixion, dans des chefs-d\u2019\u0153uvre comme <em>La Madone de Portlligat<\/em> (premi\u00e8re version, 1949, P643) et <em>Le Christ<\/em> (1951, P667). Son int\u00e9r\u00eat pour la structure des atomes, la d\u00e9sint\u00e9gration et la discontinuit\u00e9 de la mati\u00e8re s\u2019exprime de fa\u00e7on particuli\u00e8rement marquante dans des \u0153uvres comme <em>Gala Placidia<\/em> (1952, P672).<\/p>\n\n\n\n\n<script>var is_masonry=false;<\/script>\t\t\t\t\t<div class=\"swiper coeli-swiper-heritageobject coeli-swiper-agrupacions coeli-swiper-1875\" \t\t\t\tid=\"coeli-swiper-1875\">\n\t\t\t\t<!-- Additional required wrapper -->\n\t\t\t\t<ul class=\"swiper-wrapper coeli-result-list\" id=\"coeli-ul-agrupacio-1875\">\n\t\t\t\t\t<!-- Slides -->\n\t\t\t\t\t\t\t\t\t\t\t<li id=\"1766\"\n\t\t\t\t\t\t\tclass=\"swiper-slide s-5 t-1 m-5\"><a href=\"https:\/\/www.salvador-dali.org\/heritageobject\/1766\/\"><figure class=\"image portraitmedia-medium\"><img decoding=\"async\" alt=\"\" src=\"https:\/\/d1i5r06pd82mff.cloudfront.net\/public\/DigitalAsset\/6cf42f0d-58cb-ddf0-45f2-109c8ed74c09\/41b7ffb2bbc3b34ccbe8a8ad8930a0db\/full\/medium\/0\/default.jpg\"><\/figure><p class=\"coeli-title\">Galarina<\/p><p class=\"coeli-production-actorsinrole-actors\">Dal\u00ed i Dom\u00e8nech, Salvador<\/p><p class=\"coeli-production-date\">1945<\/p><p class=\"coeli-creditLine\">Fundaci\u00f3 Gala-Salvador Dal\u00ed, Figueres<\/p><\/a><\/li>\n\t\t\t\t\t\t\t\t\t\t\t<li id=\"71-ba47\"\n\t\t\t\t\t\t\tclass=\"swiper-slide s-5 t-1 m-5\"><a href=\"https:\/\/www.salvador-dali.org\/heritageobject\/71-ba47\/\"><figure class=\"image portraitmedia-medium\"><img decoding=\"async\" alt=\"\" src=\"https:\/\/d1i5r06pd82mff.cloudfront.net\/public\/DigitalAsset\/c5b1dc14-4672-badb-f3fd-c8c6e4d5b17a\/0826eb6c4928bf557eb84ae8c6bdc5d1\/full\/medium\/0\/default.jpg\"><\/figure><p class=\"coeli-title\">Ma femme, nue, regardant son propre corps devenir escalier, trois vert\u00e8bres d\u2019une colonne, ciel et architecture<\/p><p class=\"coeli-production-actorsinrole-actors\">Dal\u00ed i Dom\u00e8nech, Salvador<\/p><p class=\"coeli-production-date\">1945<\/p><p class=\"coeli-creditLine\">Collection priv\u00e9e<\/p><\/a><\/li>\n\t\t\t\t\t\t\t\t\t\t\t<li id=\"51\"\n\t\t\t\t\t\t\tclass=\"swiper-slide s-5 t-1 m-5\"><a href=\"https:\/\/www.salvador-dali.org\/heritageobject\/51\/\"><figure class=\"image portraitmedia-medium\"><img decoding=\"async\" alt=\"\" src=\"https:\/\/d1i5r06pd82mff.cloudfront.net\/public\/DigitalAsset\/8c51befb-303f-dceb-98fd-ca84bcf062a6\/d9d1c2fd06164d3cee7b48b774cf6622\/full\/medium\/0\/default.jpg\"><\/figure><p class=\"coeli-title\">L\u00e9da Atomique<\/p><p class=\"coeli-production-actorsinrole-actors\">Dal\u00ed i Dom\u00e8nech, Salvador<\/p><p class=\"coeli-production-date\">1947-49<\/p><p class=\"coeli-creditLine\">Fundaci\u00f3 Gala-Salvador Dal\u00ed, Figueres<\/p><\/a><\/li>\n\t\t\t\t\t\t\t\t\t\t\t<li id=\"333-bc25\"\n\t\t\t\t\t\t\tclass=\"swiper-slide s-5 t-1 m-5\"><a href=\"https:\/\/www.salvador-dali.org\/heritageobject\/333-bc25\/\"><figure class=\"image portraitmedia-medium\"><img decoding=\"async\" alt=\"\" src=\"https:\/\/d1i5r06pd82mff.cloudfront.net\/public\/DigitalAsset\/2eb9b669-dda2-02c2-5b2c-f2b366fafaa9\/0ae04c1c44b9f863c1ffedcba9a05967\/full\/medium\/0\/default.jpg\"><\/figure><p class=\"coeli-title\">La Madone de Portlligat (premi\u00e8re version)<\/p><p class=\"coeli-production-actorsinrole-actors\">Dal\u00ed i Dom\u00e8nech, Salvador<\/p><p class=\"coeli-production-date\">1949<\/p><p class=\"coeli-creditLine\">Haggerty Museum of Art, Marquette University, Milwaukee. Donation de Mr. et Mrs. Ira Haupt<\/p><\/a><\/li>\n\t\t\t\t\t\t\t\t\t\t\t<li id=\"706\"\n\t\t\t\t\t\t\tclass=\"swiper-slide s-5 t-1 m-5\"><a href=\"https:\/\/www.salvador-dali.org\/heritageobject\/706\/\"><figure class=\"image portraitmedia-medium\"><img decoding=\"async\" alt=\"\" src=\"https:\/\/d1i5r06pd82mff.cloudfront.net\/public\/DigitalAsset\/db0f8152-2091-1ec6-6043-f86630bc1e1a\/640f42e7f86b26f9e6f6598c128597c0\/full\/medium\/0\/default.jpg\"><\/figure><p class=\"coeli-title\">Le Christ<\/p><p class=\"coeli-production-actorsinrole-actors\">Dal\u00ed i Dom\u00e8nech, Salvador<\/p><p class=\"coeli-production-date\">1951<\/p><p class=\"coeli-creditLine\">Kelvingrove Art Gallery and Museum, Glasgow<\/p><\/a><\/li>\n\t\t\t\t\t\t\t\t\t\t\t<li id=\"54\"\n\t\t\t\t\t\t\tclass=\"swiper-slide s-5 t-1 m-5\"><a href=\"https:\/\/www.salvador-dali.org\/heritageobject\/54\/\"><figure class=\"image portraitmedia-medium\"><img decoding=\"async\" alt=\"\" src=\"https:\/\/d1i5r06pd82mff.cloudfront.net\/public\/DigitalAsset\/0fecc826-7664-359d-8014-e96e1cc8282d\/823791de4367c0ac58e11380fd26e10d\/full\/medium\/0\/default.jpg\"><\/figure><p class=\"coeli-title\">Gala Placidia<\/p><p class=\"coeli-production-actorsinrole-actors\">Dal\u00ed i Dom\u00e8nech, Salvador<\/p><p class=\"coeli-production-date\">1952<\/p><p class=\"coeli-creditLine\">Fundaci\u00f3 Gala-Salvador Dal\u00ed, Figueres<\/p><\/a><\/li>\n\t\t\t\t\t\t\t\t\t<\/ul>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<!-- If we need navigation buttons -->\n\t\t\t\t\t<div class=\"swiper-button-prev coeli-swiper-prev-1875\"><\/div>\n\t\t\t\t\t<div class=\"swiper-button-next coeli-swiper-next-1875\"><\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t<script>\n\t\t\t\tvar slider_args_1875= {\n\t\t\t\t\t\/\/ Optional parameters\n\t\t\t\t\tdirection: 'horizontal',\n\t\t\t\t\tbreakpoints: {\n\t\t\t\t\t\t640: {\n\t\t\t\t\t\t\tslidesPerView: 1,\n\t\t\t\t\t\t\tspaceBetween: 0,\n\t\t\t\t\t\t},\n\t\t\t\t\t\t768: {\n\t\t\t\t\t\t\tslidesPerView: 1,\n\t\t\t\t\t\t\tspaceBetween: 0,\n\t\t\t\t\t\t},\n\t\t\t\t\t\t1024: {\n\t\t\t\t\t\t\tslidesPerView: 5,\n\t\t\t\t\t\t\tspaceBetween: 0,\n\t\t\t\t\t\t},\n\t\t\t\t\t},\n\t\t\t\t\t\t\t\t\t\tautoplay: {\n\t\t\t\t\t\tdelay: 2500000,\n\t\t\t\t\t\tdisableOnInteraction: false,\n\t\t\t\t\t},\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tspeed: 300,\n\t\t\t\t\t\t\t\t\t\tloop: false,\n\t\t\t\t\t\/\/ If we need pagination\n\t\t\t\t\tpagination: {\n\t\t\t\t\t\tel: '.swiper-pagination-1875',\n\t\t\t\t\t},\n\t\t\t\t\t\/\/ Navigation arrows\n\t\t\t\t\tnavigation: {\n\t\t\t\t\t\tnextEl: '.coeli-swiper-next-1875',\n\t\t\t\t\t\tprevEl: '.coeli-swiper-prev-1875',\n\t\t\t\t\t}\n\t\t\t\t}\n\t\t\t<\/script>\n\t\t\n\n\n<p>Dans la peinture des ann\u00e9es 1960 et 1970, on identifie un amalgame d\u2019influences et de pr\u00e9occupations tr\u00e8s diverses. La r\u00e9int\u00e9gration de certaines contributions essentielles au surr\u00e9alisme se manifeste par la pr\u00e9dominance des images doubles dans des \u0153uvres telles que <em>Image double avec cheval, chiffres et clous<\/em> vers 1960 (P763) ou <em>Le Tor\u00e9ador hallucinog\u00e8ne<\/em> de 1970 (P822). L\u2019influence de certains mouvements de l\u2019art am\u00e9ricain, comme le Pop Art, son engagement envers la science \u2014 notamment en lien avec la structure de l\u2019ADN \u2014 et son int\u00e9r\u00eat pour les ph\u00e9nom\u00e8nes optiques li\u00e9s \u00e0 la troisi\u00e8me dimension sont \u00e9galement tr\u00e8s pr\u00e9sents. Dal\u00ed associe cette recherche \u00e0 la qu\u00eate de l\u2019immortalit\u00e9, \u00e0 son d\u00e9sir de transcendance. Ses \u00e9tudes sur la st\u00e9r\u00e9oscopie (proc\u00e9d\u00e9 permettant de cr\u00e9er une vision en relief \u00e0 partir de deux images planes d\u2019un m\u00eame objet prises depuis deux angles l\u00e9g\u00e8rement diff\u00e9rents) ou sur l\u2019anaglyphe (syst\u00e8me bas\u00e9 sur la superposition de deux images en couleurs compl\u00e9mentaires) donnent lieu \u00e0 une s\u00e9rie de peintures comme les paires st\u00e9r\u00e9oscopiques <em>Dal\u00ed de dos peignant Gala vue de dos \u00e9ternis\u00e9e par six corn\u00e9es virtuelles provisoirement r\u00e9fl\u00e9chies par six vrais miroirs. \u0152uvre st\u00e9r\u00e9oscopique<\/em>, 1972-73 (P853), <em>Le pied de Gala. \u0152uvre st\u00e9r\u00e9oscopique<\/em>, vers 1974 (P1104) ou <em>Sans titre. Pi\u00e9ta. \u0152uvre faite pour \u00eatre vue avec des anaglyphes<\/em>, 1975-76 (P1041).<\/p>\n\n\n\n\n<script>var is_masonry=false;<\/script>\t\t\t\t\t<div class=\"swiper coeli-swiper-heritageobject coeli-swiper-agrupacions coeli-swiper-1879\" \t\t\t\tid=\"coeli-swiper-1879\">\n\t\t\t\t<!-- Additional required wrapper -->\n\t\t\t\t<ul class=\"swiper-wrapper coeli-result-list\" id=\"coeli-ul-agrupacio-1879\">\n\t\t\t\t\t<!-- Slides -->\n\t\t\t\t\t\t\t\t\t\t\t<li id=\"1790\"\n\t\t\t\t\t\t\tclass=\"swiper-slide s-5 t-1 m-5\"><a href=\"https:\/\/www.salvador-dali.org\/heritageobject\/1790\/\"><figure class=\"image portraitmedia-medium\"><img decoding=\"async\" alt=\"\" src=\"https:\/\/d1i5r06pd82mff.cloudfront.net\/public\/DigitalAsset\/1fab0512119a332a27350aef1c66a734\/0e125063a8013c623d2f436742c16dba\/full\/medium\/0\/default.jpg\"><\/figure><p class=\"coeli-title\">Image double avec cheval, chiffres et clous<\/p><p class=\"coeli-production-actorsinrole-actors\">Dal\u00ed i Dom\u00e8nech, Salvador<\/p><p class=\"coeli-production-date\">c. 1960<\/p><p class=\"coeli-creditLine\">Fundaci\u00f3 Gala-Salvador Dal\u00ed, Figueres. Succession Dal\u00ed<\/p><\/a><\/li>\n\t\t\t\t\t\t\t\t\t\t\t<li id=\"95-c7ef\"\n\t\t\t\t\t\t\tclass=\"swiper-slide s-5 t-1 m-5\"><a href=\"https:\/\/www.salvador-dali.org\/heritageobject\/95-c7ef\/\"><figure class=\"image portraitmedia-medium\"><img decoding=\"async\" alt=\"\" src=\"https:\/\/d1i5r06pd82mff.cloudfront.net\/public\/DigitalAsset\/f31c3ee0-8374-a286-cce5-700f5fe4e5db\/437d0eafe8d6af4b90fcecc50d9eb657\/full\/medium\/0\/default.jpg\"><\/figure><p class=\"coeli-title\">Dal\u00ed de dos peignant Gala vue de dos \u00e9ternis\u00e9e par six corn\u00e9es virtuelles provisoirement r\u00e9fl\u00e9chies par six vrais miroirs. \u0152uvre st\u00e9r\u00e9oscopique<\/p><p class=\"coeli-production-actorsinrole-actors\">Dal\u00ed i Dom\u00e8nech, Salvador<\/p><p class=\"coeli-production-date\">1972-1973<\/p><p class=\"coeli-creditLine\">Fundaci\u00f3 Gala-Salvador Dal\u00ed, Figueres<\/p><\/a><\/li>\n\t\t\t\t\t\t\t\t\t\t\t<li id=\"67\"\n\t\t\t\t\t\t\tclass=\"swiper-slide s-5 t-1 m-5\"><a href=\"https:\/\/www.salvador-dali.org\/heritageobject\/67\/\"><figure class=\"image portraitmedia-medium\"><img decoding=\"async\" alt=\"\" src=\"https:\/\/d1i5r06pd82mff.cloudfront.net\/public\/DigitalAsset\/0f9e3199-8230-56da-b5d0-e4bd2925fe5b\/6ba2fdc5dd5e9de106ea38d7bcb028cb\/full\/medium\/0\/default.jpg\"><\/figure><p class=\"coeli-title\">\u00c9tude pour \u00abLe tor\u00e9ador hallucinog\u00e8ne\u00bb<\/p><p class=\"coeli-production-actorsinrole-actors\">Dal\u00ed i Dom\u00e8nech, Salvador<\/p><p class=\"coeli-production-date\">c. 1969<\/p><p class=\"coeli-creditLine\">Fundaci\u00f3 Gala-Salvador Dal\u00ed, Figueres<\/p><\/a><\/li>\n\t\t\t\t\t\t\t\t\t\t\t<li id=\"114\"\n\t\t\t\t\t\t\tclass=\"swiper-slide s-5 t-1 m-5\"><a href=\"https:\/\/www.salvador-dali.org\/heritageobject\/114\/\"><figure class=\"coeli-portraitmedia-medium coeli-no-representation\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/f\/f7\/No_Image_%282879926%29_-_The_Noun_Project.svg\" alt=\"Empty\"\/><\/figure><p class=\"coeli-title\">Le pied de Gala. \u0152uvre st\u00e9r\u00e9oscopique<\/p><p class=\"coeli-production-actorsinrole-actors\">Dal\u00ed i Dom\u00e8nech, Salvador<\/p><p class=\"coeli-production-date\">c. 1974<\/p><p class=\"coeli-creditLine\">Fundaci\u00f3 Gala-Salvador Dal\u00ed, Figueres<\/p><\/a><\/li>\n\t\t\t\t\t\t\t\t\t\t\t<li id=\"121\"\n\t\t\t\t\t\t\tclass=\"swiper-slide s-5 t-1 m-5\"><a href=\"https:\/\/www.salvador-dali.org\/heritageobject\/121\/\"><figure class=\"image portraitmedia-medium\"><img decoding=\"async\" alt=\"\" src=\"https:\/\/d1i5r06pd82mff.cloudfront.net\/public\/DigitalAsset\/c5ec82a7-397a-8839-bb60-cdd8508b994f\/5105320669fd5e0d779016235206e5b5\/full\/medium\/0\/default.jpg\"><\/figure><p class=\"coeli-title\">Sans titre. Piet\u00e0. \u0152uvre faite pour \u00eatre vue avec des anaglyphes<\/p><p class=\"coeli-production-actorsinrole-actors\">Dal\u00ed i Dom\u00e8nech, Salvador<\/p><p class=\"coeli-production-date\">1975-1976<\/p><p class=\"coeli-creditLine\">Fundaci\u00f3 Gala-Salvador Dal\u00ed, Figueres<\/p><\/a><\/li>\n\t\t\t\t\t\t\t\t\t<\/ul>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<!-- If we need navigation buttons -->\n\t\t\t\t\t<div class=\"swiper-button-prev coeli-swiper-prev-1879\"><\/div>\n\t\t\t\t\t<div class=\"swiper-button-next coeli-swiper-next-1879\"><\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t<script>\n\t\t\t\tvar slider_args_1879= {\n\t\t\t\t\t\/\/ Optional parameters\n\t\t\t\t\tdirection: 'horizontal',\n\t\t\t\t\tbreakpoints: {\n\t\t\t\t\t\t640: {\n\t\t\t\t\t\t\tslidesPerView: 1,\n\t\t\t\t\t\t\tspaceBetween: 0,\n\t\t\t\t\t\t},\n\t\t\t\t\t\t768: {\n\t\t\t\t\t\t\tslidesPerView: 1,\n\t\t\t\t\t\t\tspaceBetween: 0,\n\t\t\t\t\t\t},\n\t\t\t\t\t\t1024: {\n\t\t\t\t\t\t\tslidesPerView: 5,\n\t\t\t\t\t\t\tspaceBetween: 0,\n\t\t\t\t\t\t},\n\t\t\t\t\t},\n\t\t\t\t\t\t\t\t\t\tautoplay: {\n\t\t\t\t\t\tdelay: 2500000,\n\t\t\t\t\t\tdisableOnInteraction: false,\n\t\t\t\t\t},\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tspeed: 300,\n\t\t\t\t\t\t\t\t\t\tloop: false,\n\t\t\t\t\t\/\/ If we need pagination\n\t\t\t\t\tpagination: {\n\t\t\t\t\t\tel: '.swiper-pagination-1879',\n\t\t\t\t\t},\n\t\t\t\t\t\/\/ Navigation arrows\n\t\t\t\t\tnavigation: {\n\t\t\t\t\t\tnextEl: '.coeli-swiper-next-1879',\n\t\t\t\t\t\tprevEl: '.coeli-swiper-prev-1879',\n\t\t\t\t\t}\n\t\t\t\t}\n\t\t\t<\/script>\n\t\t\n\n\n<p>Dal\u00ed cesse de peindre en 1983. Au d\u00e9but des ann\u00e9es 1980, ses derni\u00e8res \u0153uvres \u00e9voquent, d\u2019une part, certains des peintres qu\u2019il a toujours admir\u00e9s, en particulier Michel-Ange et Vel\u00e1zquez. Des tableaux r\u00e9alis\u00e9s vers 1982, tels que <em>Sans titre. Julien de M\u00e9dicis d&rsquo;apr\u00e8s le tombeau de Julien de M\u00e9dicis de Michel-Ange<\/em> (P980) ou <em>D\u2019apr\u00e8s \u00abL&rsquo;Infante Marguerite d\u2019Autriche\u00bb de Vel\u00e1zquez dans la cour de l&rsquo;Escorial<\/em> (P954), en sont des t\u00e9moignages majeurs. D\u2019autre part, sans jamais renoncer \u00e0 sa curiosit\u00e9 scientifique, Dal\u00ed int\u00e8gre dans sa peinture les th\u00e9ories du math\u00e9maticien Ren\u00e9 Thom, comme dans <em>El rapte topol\u00f2gic d&rsquo;Europa. Homenatge a Ren\u00e9 Thom<\/em> (<em>L\u2019enl\u00e8vement topologique d&rsquo;Europe. Hommage \u00e0 Ren\u00e9 Thom) <\/em>(P1009) ou \u00ab&nbsp;<em>Queue d\u2019aronde&nbsp;\u00bb et violoncelles. S\u00e9rie des catastrophes<\/em> (P1013), deux \u0153uvres r\u00e9alis\u00e9es en 1983. Dans cette ultime p\u00e9riode, Dal\u00ed revisite ses sources de r\u00e9f\u00e9rence tout en continuant de faire constamment allusion \u00e0 Gala, d\u00e9c\u00e9d\u00e9e en juin 1982.<\/p>\n\n\n\n\n<script>var is_masonry=false;<\/script>\t\t\t\t\t<div class=\"swiper coeli-swiper-heritageobject coeli-swiper-agrupacions coeli-swiper-1882\" \t\t\t\tid=\"coeli-swiper-1882\">\n\t\t\t\t<!-- Additional required wrapper -->\n\t\t\t\t<ul class=\"swiper-wrapper coeli-result-list\" id=\"coeli-ul-agrupacio-1882\">\n\t\t\t\t\t<!-- Slides -->\n\t\t\t\t\t\t\t\t\t\t\t<li id=\"1857\"\n\t\t\t\t\t\t\tclass=\"swiper-slide s-4 t-1 m-4\"><a href=\"https:\/\/www.salvador-dali.org\/heritageobject\/1857\/\"><figure class=\"image portraitmedia-medium\"><img decoding=\"async\" alt=\"\" src=\"https:\/\/d1i5r06pd82mff.cloudfront.net\/public\/DigitalAsset\/ed7ba28d-9263-51c2-b94b-11ebaa03b9e0\/3a6439cd561d17d63e564a8919c2a0eb\/full\/medium\/0\/default.jpg\"><\/figure><p class=\"coeli-title\">Sans titre. Julien de M\u00e9dicis d&rsquo;apr\u00e8s le tombeau de Julien de M\u00e9dicis de Michel-Ange<\/p><p class=\"coeli-production-actorsinrole-actors\">Dal\u00ed i Dom\u00e8nech, Salvador<\/p><p class=\"coeli-production-date\">c. 1982<\/p><p class=\"coeli-creditLine\">Fundaci\u00f3 Gala-Salvador Dal\u00ed, Figueres. Succession Dal\u00ed<\/p><\/a><\/li>\n\t\t\t\t\t\t\t\t\t\t\t<li id=\"1879\"\n\t\t\t\t\t\t\tclass=\"swiper-slide s-4 t-1 m-4\"><a href=\"https:\/\/www.salvador-dali.org\/heritageobject\/1879\/\"><figure class=\"image portraitmedia-medium\"><img decoding=\"async\" alt=\"\" src=\"https:\/\/d1i5r06pd82mff.cloudfront.net\/public\/DigitalAsset\/1efc8e32-37b7-08a5-3a79-63cd0cf24104\/104f58da183240fda0931528f5b679af\/full\/medium\/0\/default.jpg\"><\/figure><p class=\"coeli-title\">Sans titre. D\u2019apr\u00e8s \u00abL&rsquo;Infante Marguerite d\u2019Autriche\u00bb de Vel\u00e1zquez dans la cour de l&rsquo;Escorial<\/p><p class=\"coeli-production-actorsinrole-actors\">Dal\u00ed i Dom\u00e8nech, Salvador<\/p><p class=\"coeli-production-date\">c. 1982<\/p><p class=\"coeli-creditLine\">Fundaci\u00f3 Gala-Salvador Dal\u00ed, Figueres. Succession Dal\u00ed<\/p><\/a><\/li>\n\t\t\t\t\t\t\t\t\t\t\t<li id=\"1892\"\n\t\t\t\t\t\t\tclass=\"swiper-slide s-4 t-1 m-4\"><a href=\"https:\/\/www.salvador-dali.org\/heritageobject\/1892\/\"><figure class=\"coeli-portraitmedia-medium coeli-no-representation\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/f\/f7\/No_Image_%282879926%29_-_The_Noun_Project.svg\" alt=\"Empty\"\/><\/figure><p class=\"coeli-title\">L\u2019enl\u00e8vement topologique d&rsquo;Europe. Hommage \u00e0 Ren\u00e9 Thom<\/p><p class=\"coeli-production-actorsinrole-actors\">Dal\u00ed i Dom\u00e8nech, Salvador<\/p><p class=\"coeli-production-date\">c. 1983<\/p><p class=\"coeli-creditLine\">Fundaci\u00f3 Gala-Salvador Dal\u00ed, Figueres. Succession Dal\u00ed<\/p><\/a><\/li>\n\t\t\t\t\t\t\t\t\t\t\t<li id=\"1891\"\n\t\t\t\t\t\t\tclass=\"swiper-slide s-4 t-1 m-4\"><a href=\"https:\/\/www.salvador-dali.org\/heritageobject\/1891\/\"><figure class=\"coeli-portraitmedia-medium coeli-no-representation\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/f\/f7\/No_Image_%282879926%29_-_The_Noun_Project.svg\" alt=\"Empty\"\/><\/figure><p class=\"coeli-title\">Sans titre. Queue d&rsquo;aronde et violoncelles. S\u00e9rie des catastrophes<\/p><p class=\"coeli-production-actorsinrole-actors\">Dal\u00ed i Dom\u00e8nech, Salvador<\/p><p class=\"coeli-production-date\">c. 1983<\/p><p class=\"coeli-creditLine\">Fundaci\u00f3 Gala-Salvador Dal\u00ed, Figueres. Succession Dal\u00ed<\/p><\/a><\/li>\n\t\t\t\t\t\t\t\t\t<\/ul>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<!-- If we need navigation buttons -->\n\t\t\t\t\t<div class=\"swiper-button-prev coeli-swiper-prev-1882\"><\/div>\n\t\t\t\t\t<div class=\"swiper-button-next coeli-swiper-next-1882\"><\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t<script>\n\t\t\t\tvar slider_args_1882= {\n\t\t\t\t\t\/\/ Optional parameters\n\t\t\t\t\tdirection: 'horizontal',\n\t\t\t\t\tbreakpoints: {\n\t\t\t\t\t\t640: {\n\t\t\t\t\t\t\tslidesPerView: 1,\n\t\t\t\t\t\t\tspaceBetween: 0,\n\t\t\t\t\t\t},\n\t\t\t\t\t\t768: {\n\t\t\t\t\t\t\tslidesPerView: 1,\n\t\t\t\t\t\t\tspaceBetween: 0,\n\t\t\t\t\t\t},\n\t\t\t\t\t\t1024: {\n\t\t\t\t\t\t\tslidesPerView: 4,\n\t\t\t\t\t\t\tspaceBetween: 0,\n\t\t\t\t\t\t},\n\t\t\t\t\t},\n\t\t\t\t\t\t\t\t\t\tautoplay: {\n\t\t\t\t\t\tdelay: 2500000,\n\t\t\t\t\t\tdisableOnInteraction: false,\n\t\t\t\t\t},\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tspeed: 300,\n\t\t\t\t\t\t\t\t\t\tloop: false,\n\t\t\t\t\t\/\/ If we need pagination\n\t\t\t\t\tpagination: {\n\t\t\t\t\t\tel: '.swiper-pagination-1882',\n\t\t\t\t\t},\n\t\t\t\t\t\/\/ Navigation arrows\n\t\t\t\t\tnavigation: {\n\t\t\t\t\t\tnextEl: '.coeli-swiper-next-1882',\n\t\t\t\t\t\tprevEl: '.coeli-swiper-prev-1882',\n\t\t\t\t\t}\n\t\t\t\t}\n\t\t\t<\/script>\n\t\t\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer separador25 mb-0 mt-0\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n    <div  class=\"wp-block-columns swiper-column   destacat bloc-destacats \" style=\"background-image: linear-gradient(to right, white, white)\">\n        <div class=\"wp-block-column\">\n            <div id=\"swiper-69d185b72d44b\" class=\"swiper destacats dues\" >\n                <div class=\"swiper-wrapper\">\n\n                                            <div class=\"swiper-slide intro\">\n                            <h2>En savoir plus sur l\u2019artiste total<\/h2>\n                            <div class=\"descripcio\"><p>Continuez \u00e0 explorer toutes les facettes du g\u00e9nie. Peinture, \u0153uvre graphique, sculpture et cr\u00e9ation tridimensionnelle, dessin, \u00e9criture, cin\u00e9ma et mode\u202f: Salvador Dal\u00ed a fait de chaque discipline un moyen d\u2019expression singulier. Avec une cr\u00e9ativit\u00e9 d\u00e9bordante, il a repouss\u00e9 les limites de l\u2019art et de la pens\u00e9e. D\u00e9couvrez comment son univers unique s\u2019exprime dans chaque langage qu\u2019il a su s\u2019approprier.<\/p>\n<\/div>\n                        <\/div>\n                    \n\n                    \n                        \n                        <div class=\"swiper-slide\">\n                                                            <div class=\"banner\" style=\"background-image: url(https:\/\/www.salvador-dali.org\/wp-content\/uploads\/2025\/07\/10981-large-1-997x1024.jpg)\">\n                                                                            <ul class=\"context\">\n                                            <li class=\"context__item\" aria-label=\"hidden\">                                            <\/li>\n                                        <\/ul>\n                                    \n                                    <h3 class=\"titol\">L\u2019\u0153uvre graphique<\/h3>\n                                        \n                                    <div class=\"button fletxa\"><a href=\"https:\/\/www.salvador-dali.org\/fr\/dali-et-gala\/dali-lartiste-total\/oeuvre-graphique\/\">En savoir plus<\/a><\/div>\n\n                                    \n                                <\/div>\n                                                    <\/div>\n\n                    \n                        \n                        <div class=\"swiper-slide\">\n                                                            <div class=\"banner\" style=\"background-image: url(https:\/\/www.salvador-dali.org\/wp-content\/uploads\/2025\/03\/A-DEMANAR-A-GETTY-1024x675.jpg)\">\n                                                                            <ul class=\"context\">\n                                            <li class=\"context__item\" aria-label=\"hidden\">                                            <\/li>\n                                        <\/ul>\n                                    \n                                    <h3 class=\"titol\">Cr\u00e9ation sculpturale et tridimensionnelle<\/h3>\n                                        \n                                    <div class=\"button fletxa\"><a href=\"https:\/\/www.salvador-dali.org\/fr\/dali-et-gala\/dali-lartiste-total\/creation-sculpturale-et-tridimensionnelle\/\">En savoir plus<\/a><\/div>\n\n                                    \n                                <\/div>\n                                                    <\/div>\n\n                    \n                        \n                        <div class=\"swiper-slide\">\n                                                            <div class=\"banner\" style=\"background-image: url(https:\/\/www.salvador-dali.org\/wp-content\/uploads\/2025\/02\/65089-779x1024.jpg)\">\n                                                                            <ul class=\"context\">\n                                            <li class=\"context__item\" aria-label=\"hidden\">                                            <\/li>\n                                        <\/ul>\n                                    \n                                    <h3 class=\"titol\">Dessin<\/h3>\n                                        \n                                    <div class=\"button fletxa\"><a href=\"https:\/\/www.salvador-dali.org\/fr\/dali-et-gala\/dali-lartiste-total\/dessin\/\">En savoir plus<\/a><\/div>\n\n                                    \n                                <\/div>\n                                                    <\/div>\n\n                    \n                        \n                        <div class=\"swiper-slide\">\n                                                            <div class=\"banner\" style=\"background-image: url(https:\/\/www.salvador-dali.org\/wp-content\/uploads\/2025\/02\/5068-e1747042033255.jpg)\">\n                                                                            <ul class=\"context\">\n                                            <li class=\"context__item\" aria-label=\"hidden\">                                            <\/li>\n                                        <\/ul>\n                                    \n                                    <h3 class=\"titol\">L\u2019\u0153uvre \u00e9crite<\/h3>\n                                        \n                                    <div class=\"button fletxa\"><a href=\"https:\/\/www.salvador-dali.org\/fr\/dali-et-gala\/dali-lartiste-total\/ecriture\/\">En savoir plus<\/a><\/div>\n\n                                    \n                                <\/div>\n                                                    <\/div>\n\n                    \n                        \n                        <div class=\"swiper-slide\">\n                                                            <div class=\"banner\" style=\"background-image: url(https:\/\/www.salvador-dali.org\/wp-content\/uploads\/2025\/05\/3-1-1024x819.jpg)\">\n                                                                            <ul class=\"context\">\n                                            <li class=\"context__item\" aria-label=\"hidden\">                                            <\/li>\n                                        <\/ul>\n                                    \n                                    <h3 class=\"titol\">Cin\u00e9ma<\/h3>\n                                        \n                                    <div class=\"button fletxa\"><a href=\"https:\/\/www.salvador-dali.org\/fr\/dali-et-gala\/dali-lartiste-total\/cinema\/\">En savoir plus<\/a><\/div>\n\n                                    \n                                <\/div>\n                                                    <\/div>\n\n                    \n                        \n                        <div class=\"swiper-slide\">\n                                                            <div class=\"banner\" style=\"background-image: url(https:\/\/www.salvador-dali.org\/wp-content\/uploads\/2025\/05\/47835-1024x931.jpg)\">\n                                                                            <ul class=\"context\">\n                                            <li class=\"context__item\" aria-label=\"hidden\">                                            <\/li>\n                                        <\/ul>\n                                    \n                                    <h3 class=\"titol\">Mode<\/h3>\n                                        \n                                    <div class=\"button fletxa\"><a href=\"https:\/\/www.salvador-dali.org\/fr\/dali-et-gala\/dali-lartiste-total\/mode\/\">En savoir plus<\/a><\/div>\n\n                                    \n                                <\/div>\n                                                    <\/div>\n\n                                    <\/div>\n                <!-- Swiper navigation buttons -->\n                <div class=\"swiper-button-prev\">\n                    <span class=\"screen-reader-text\">Diapositive pr\u00e9c\u00e9dente<\/span>\n                <\/div>\n                <div class=\"swiper-button-next\">\n                    <span class=\"screen-reader-text\">Diapositiva seg\u00fcent<\/span>\n                <\/div>\n            <\/div>\n        <\/div>\n    <\/div>\n\n\n\n<!-- Swiper JS -->\n<script src=\"https:\/\/cdn.jsdelivr.net\/npm\/swiper@11\/swiper-bundle.min.js\"><\/script>\n\n<!-- Initialize Swiper -->\n<script>\n\njQuery( document ).ready(function() {      \n\n    Tipus = 'destacat';\n\n    updateSpaceBetween();\n    spaceBetweenInicial = 60;\n    \n    if (Tipus=='intro-images' ) {\n    \/\/    spaceBetweenValueModul = 0;\n    }\n\n\n\n    console.log(\"spaceBetweenValueModul\",spaceBetweenValueModul);\n\n    var swiper = new Swiper(\"#swiper-69d185b72d44b\", {\n      slidesPerView: \"auto\",\n      spaceBetween: spaceBetweenInicial,\n      \tfreeMode: true,\n\t  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$(this).append($nextDiv);\n        }\n    });\n    *\/\n})\n<\/script>\n\n","protected":false},"excerpt":{"rendered":"<p>Ses apports au mouvement surr\u00e9aliste, gr\u00e2ce \u00e0 la m\u00e9thode parano\u00efaque-critique d\u2019interpr\u00e9tation de la r\u00e9alit\u00e9, donnent naissance \u00e0 un univers de symboles d\u00e9sormais ancr\u00e9s dans notre imaginaire collectif. La red\u00e9couverte des grands ma\u00eetres de l\u2019histoire de l\u2019art \u2014 en particulier de la Renaissance (Rapha\u00ebl et Michel-Ange) et du Baroque (Vel\u00e1zquez et Vermeer) \u2014 \u00e0 certains moments [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1359,"parent":7697,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","footnotes":""},"categories":[],"tags":[],"class_list":["post-7700","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Peinture - Fundaci\u00f3 Gala - Salvador Dal\u00ed<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.salvador-dali.org\/fr\/dali-et-gala\/dali-lartiste-total\/peinture\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Peinture - Fundaci\u00f3 Gala - Salvador Dal\u00ed\" \/>\n<meta property=\"og:description\" content=\"Ses apports au mouvement surr\u00e9aliste, gr\u00e2ce \u00e0 la m\u00e9thode parano\u00efaque-critique d\u2019interpr\u00e9tation de la r\u00e9alit\u00e9, donnent naissance \u00e0 un univers de symboles d\u00e9sormais ancr\u00e9s dans notre imaginaire collectif. 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