{"id":13263,"date":"2002-07-15T19:22:01","date_gmt":"2002-07-15T17:22:01","guid":{"rendered":"https:\/\/www.salvador-dali.org\/obra\/ced\/textos-en-descarrega\/lidia-de-cadaques-eugeni-d-ors-i-salvador-dali\/"},"modified":"2025-07-15T20:23:47","modified_gmt":"2025-07-15T18:23:47","slug":"lidia-de-cadaques-eugeni-d-ors-et-salvador-dali","status":"publish","type":"textos-en-descarrega","link":"https:\/\/www.salvador-dali.org\/fr\/oeuvre\/ced\/textes-en-telechargement\/lidia-de-cadaques-eugeni-d-ors-et-salvador-dali\/","title":{"rendered":"L\u00eddia de Cadaqu\u00e9s, Eugeni d’Ors et Salvador Dal\u00ed"},"content":{"rendered":"

Le 12 avril 2002 \u00a0sous la coupole du Th\u00e9\u00e2tre-mus\u00e9e Dal\u00ed de Figueres, s’est tenue la pr\u00e9sentation du livre La veritable hist\u00f2ria de la L\u00eddia de Cadaqu\u00e9s<\/em> (La v\u00e9ritable histoire de L\u00eddia de Cadaqu\u00e9s) d’Eugenio d’Ors, illustr\u00e9 par Salvador Dal\u00ed. Il s’agit de la traduction en catalan, par Teresa Costa-Gramunt et Oriol Pi de Cabanyes, de la premi\u00e8re \u00e9dition de 1954, publi\u00e9e \u00e0 Barcelone en espagnol par l’\u00e9diteur Jos\u00e9 Jan\u00e9s.<\/p>\n

Derni\u00e8re \u0153uvre de l’un des grands th\u00e9oriciens du Noucentisme, cet ouvrage montre une fois de plus le caract\u00e8re polyvalent et h\u00e9t\u00e9rog\u00e8ne du Dal\u00ed,illustrateur . Dal\u00ed est l’auteur des quatre illustrations qu’il contient : une sur la couverture, une au frontispice et deux \u00e0 l’int\u00e9rieur. Toutes manifestent une intention \u00e9vidente de rendre hommage \u00e0 L\u00eddia, la hareng\u00e8re de Cadaqu\u00e9s qui se prenait pour Teresa, l’h\u00e9ro\u00efne de La ben plantada<\/em> d’Eugenio d’Ors.<\/p>\n

\u00c0 l’instar de Lorca et de Bu\u00f1uel, Dal\u00ed professait une grande admiration pour ce personnage singulier. Dans Vida secreta, il \u00e9crit : \u00ab\u00a0L\u00eddia avait l’esprit parano\u00efaque le plus remarquable que j’aie jamais connu, hormis le mien\u00a0\u00bb. Et comme il l’avait fait pour Gala, quoi qu’\u00e0 moindre \u00e9chelle \u00e9videmment, il reconna\u00eet publiquement l’affection et la fascination qu’elle lui inspire, comme le prouvent d’ailleurs certaines des images ex\u00e9cut\u00e9es pour le livre.<\/p>\n

L’illustration qui occupe le frontispice nous montre une femme-olivier \u00ab\u00a0Une belle plante, bien enracin\u00e9e dans la roche vive, dans le pur min\u00e9ral […] que nul coup de vent n’aurait pu arracher du Cap de Creus\u00a0\u00bb, selon la description que Dal\u00ed fait de L\u00eddia dans un manuscrit qui se trouve au Centre d’\u00e9tudes de la Fondation Gala-Salvador Dal\u00ed. Elle est sign\u00e9e Gala Dal\u00ed, dat\u00e9e de 1954 et porte la d\u00e9dicace suivante : \u00ab\u00a0A Lidia qui nous h\u00e9bergea \u00e9ternellement \u00e0 Portlligat\u00a0\u00bb.<\/p>\n

L’une des illustrations du corps de l’ouvrage est une allusion transparente \u00e0 la division que L\u00eddia \u00e9tablissait entre les habitants de Cadaqu\u00e9s : pour elle, il y avait \u00ab\u00a0les bons\u00a0\u00bb, ceux en qui elle avait confiance et qu’elle nommait \u00ab\u00a0La Soci\u00e9t\u00e9 secr\u00e8te de X\u00e8nius\u00a0\u00bb – \u00a0les Dal\u00ed et les Pichot \u00e9taient de ceux-l\u00e0-, et puis \u00ab\u00a0les m\u00e9chants\u00a0\u00bb, c’est-\u00e0-dire le reste de population, qui formait \u00e0 ses yeux \u00ab\u00a0La Soci\u00e9t\u00e9 des ch\u00e8vres et des anarchistes\u00a0\u00bb. Sign\u00e9e et dat\u00e9e comme la pr\u00e9c\u00e9dente, elle porte cette mention de Dal\u00ed : \u00ab\u00a0Les ennemis de Lidia \u00ab\u00a0ch\u00e8vres et anarchistes\u00a0\u00bb.<\/p>\n

Mais qui \u00e9tait donc cette femme qui ne laissait personne indiff\u00e9rent ? L\u00eddia Noguer i Sab\u00e0, fille d’une certaine \u00ab\u00a0Sabana\u00a0\u00bb, consid\u00e9r\u00e9e comme l’une des derni\u00e8res sorci\u00e8res de Cadaqu\u00e9s, avait \u00e9t\u00e9 un temps aubergiste et avait log\u00e9 chez elle des personnages aussi c\u00e9l\u00e8bres que Picasso et Puig i Cadafalch. En 1904, elle h\u00e9berge Eugenio d’Ors, lors d’un bref s\u00e9jour \u00e0 Cadaqu\u00e9s du jeune intellectuel. De cette rencontre na\u00eetra l’admiration qui deviendra la grande obsession de L\u00eddia. Quand d’Ors \u00e9crit La ben plantada<\/em> en 1911, L\u00eddia s’identifie imm\u00e9diatement avec Teresa -elle en viendra m\u00eame \u00e0 affirmer parfois que tel est son nom-, et la fascination que lui inspire l’\u00e9crivain s’intensifie et d\u00e9g\u00e9n\u00e8re progressivement en folie d\u00e9lirante. Elle va jusqu’\u00e0 interpr\u00e9ter les articles que celui-ci \u00e9crit pour la tribune quotidienne (intitul\u00e9e Mon Glossaire) qu’il tient au journal La Veu de Catalunya<\/em>. L\u00eddia les lit et les relit continuellement : pour elle, ce sont des r\u00e9ponses aux lettres qu’elle adresse \u00e0 d’Ors.<\/p>\n

Ce n’est cependant que sept ans apr\u00e8s la mort de L\u00eddia qu’Eugenio d’Ors semblera s’int\u00e9resser vraiment \u00e0 elle ; il se rend \u00e0 Cadaqu\u00e9s en compagnie de Ces\u00e1reo Rodr\u00edguez-Aguilera, voulant en savoir plus au sujet de cette femme qui lui a \u00e9crit tant de lettres auxquelles il n’a jamais r\u00e9pondu. C’est \u00e0 cette occasion qu’il demande \u00e0 Salvador Dal\u00ed s’il veut bien illustrer le livre relatant La verdadera historia de Lidia de Cadaqu\u00e9s<\/em>.<\/p>\n

Dal\u00ed, qui justement projette d’\u00e9crire un livre sur L\u00eddia, accepte avec enthousiasme. De fait, L\u00eddia et Dal\u00ed se connaissaient depuis fort longtemps. Enfant, le peintre avait \u00e9cout\u00e9 L\u00eddia raconter bien des histoires aux enfants \u00a0de Cadaqu\u00e9s. Et, en 1929, quand l’artiste avait d\u00e9cid\u00e9 de s’installer dans la petite ville avec Gala, contre la volont\u00e9 de son p\u00e8re, L\u00eddia avait \u00e9t\u00e9 la seule \u00e0 l’aider et leur avait vendu la baraque de p\u00eacheurs de Portlligat o\u00f9 ses fils rangeaient leurs instruments de p\u00eache. C’est dans cette maison, qui fait aujourd’hui partie du triangle dalinien, que les Dal\u00ed \u00e9tablirent \u00a0d\u00e9finitivement \u00a0r\u00e9sidence \u00e0 leur retour des \u00c9tats-Unis, \u00e0 la fin de 1948.<\/p>\n","protected":false},"excerpt":{"rendered":"

Le 12 avril 2002 \u00a0sous la coupole du Th\u00e9\u00e2tre-mus\u00e9e Dal\u00ed de Figueres, s’est tenue la pr\u00e9sentation du livre La veritable hist\u00f2ria de la L\u00eddia de Cadaqu\u00e9s (La v\u00e9ritable histoire de L\u00eddia de Cadaqu\u00e9s) d’Eugenio d’Ors, illustr\u00e9 par Salvador Dal\u00ed. Il s’agit de la traduction en catalan, par Teresa Costa-Gramunt et Oriol Pi de Cabanyes, de […]<\/p>\n","protected":false},"featured_media":13170,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":""},"class_list":["post-13263","textos-en-descarrega","type-textos-en-descarrega","status-publish","format-standard","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nL\u00eddia de Cadaqu\u00e9s, Eugeni d'Ors et Salvador Dal\u00ed - Fundaci\u00f3 Gala - Salvador Dal\u00ed<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.salvador-dali.org\/fr\/oeuvre\/ced\/textes-en-telechargement\/lidia-de-cadaques-eugeni-d-ors-et-salvador-dali\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L\u00eddia de Cadaqu\u00e9s, Eugeni d'Ors et Salvador Dal\u00ed - Fundaci\u00f3 Gala - Salvador Dal\u00ed\" \/>\n<meta property=\"og:description\" content=\"Le 12 avril 2002 \u00a0sous la coupole du Th\u00e9\u00e2tre-mus\u00e9e Dal\u00ed de Figueres, s’est tenue la pr\u00e9sentation du livre La veritable hist\u00f2ria de la L\u00eddia de Cadaqu\u00e9s (La v\u00e9ritable histoire de L\u00eddia de Cadaqu\u00e9s) d’Eugenio d’Ors, illustr\u00e9 par Salvador Dal\u00ed. 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