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Un pequeño dibujo perteneciente a la colección guarda una estrecha relación con esta estampa. Se trata de un esbozo sobre papel vegetal semitranslúcido que Dalí conservó junto a pruebas de estado de Les Chants de Maldoror en una carpeta en su taller de Portlligat. El artista transfirió este esbozo a una plancha de celuloide y, a continuación, lo incorporó sobre una estampa ya existente de Picasso, Trois baigneuses II. 
Se presume que Picasso no fue informado previamente de esta intervención, que transformó la obra original en una estampa de tipo cadavre exquis, resultado de una creación a cuatro manos entre ambos artistas.
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