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    string(1153) "Aquesta estampa, datada entre el 1933 i el 1934, correspon a un període en el qual Dalí treballava en les trenta estampes de Les Chants de Maldoror [OG18-47], realitzades per a l’editor Albert Skira, l’editorial del qual es trobava al costat de l’estudi de Picasso, al carrer de la Boétie de París. Cal recordar que Picasso havia il·lustrat el primer projecte editorial de Skira, Les Métamorphoses d’Ovidi, publicat el 1931, amb trenta il·lustracions originals.
Hi ha un petit dibuix pertanyent a la col·lecció que manté una estreta relació amb aquesta estampa. Es tracta d’un esbós sobre paper vegetal semitranslúcid que Dalí va conservar juntament amb proves d’estat de Les Chants de Maldoror en una carpeta al seu taller de Portlligat. L’artista va transferir aquest esbós a una planxa de cel·luloide i, tot seguit, el va incorporar sobre una estampa ja existent de Picasso, Trois baigneuses II.
Es presumeix que Picasso no va ser informat prèviament d’aquesta intervenció, que va transformar l’obra original en una estampa de tipus cadavre exquis, resultat d’una creació a quatre mans entre tots dos artistes.
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