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[webText] => Aquesta obra, juntament amb altres esbossos de nus femenins, va ser realitzada per Salvador Dalí cap al 1923, coincidint amb el seu segon any d’estudis a la Escuela Especial de Pintura, Escultura y Grabado de la Real Academia de Bellas Artes de San Fernando de Madrid, de la qual va ser expulsat durant tot el curs acadèmic a partir de finals d’octubre de 1923.
Es diferencia de la majoria dels altres estudis per la seva tècnica calcogràfica, ja que es tracta d’una punta seca sobre cel·luloide que l’artista va imprimir sobre cartró fent servir pols de grafit.
Sembla ser que Dalí va aprendre aquesta tècnica havent tornat a Figueres, on va reprendre les classes amb el seu antic professor de dibuix, el senyor Juan Núñez. Segons explicaria uns anys més tard, es va apassionar tant pel gravat que el seu pare li va comprar una premsa que va instal·lar en una sala de casa seva, cosa que li va permetre aprendre totes les tècniques del gravat, fins i tot –en paraules seves– “diversos processos originals” (1).
__________
(1) Dalí, S., Parinaud, A., Comment on Devient Dalí, Editions Robert Laffont, París, 1973, p. 68.
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Dalí va fer les il·lustracions del llibre utilitzant una combinació de tècniques, alternant dibuixos a tinta xinesa amb gravats a la punta seca sobre cel·luloide. El llibre va ser publicat l’any 1926 per l’editorial Poliglota de Barcelona en una petita edició de vint exemplars.
Una altra prova d’aquesta il·lustració es conserva a la col·lecció del Museo Nacional Centro de Arte Reina Sofía de Madrid. Aquesta versió va ser descartada pel mateix artista, que va anotar a tinta en el centre de la imatge la inscripció “NO SIRVE”.
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L’obra va ser impresa pel mateix Dalí sobre paper verjurat, un suport en el qual prèviament havia estampat, al revers, l’única impressió coneguda de Retrat del meu pare [OG 2].
Durant aquest període, la germana de Dalí, Anna Maria, va ser la seva principal model, de manera que és possible que aquesta estampa en representi el retrat. L’obra prové de la col·lecció de Paul Éluard, el reconegut poeta francès i col·leccionista d’art (1) , considerat un dels fundadors del moviment surrealista.
__________
(1) Lot 435 − “Mädchenkopf”. Gutekunst & Klipstein, Berna, Suïssa, 13−14 de maig de 1958. El maig de 1958, la casa de subhastes Gutekunst & Klipstein va dur a terme una venda important sobretot de llibres i literatura relacionada amb els primers moviments artístics del segle XX. Una seixantena de peces procedien de la col·lecció del poeta francès Paul Éluard, mort el 1952.
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[webText] => Dalí va imprimir aquesta prova en paper antic verjurat. Es tracta d’una maculatura –o segona impressió– d’un gravat a l’aiguafort, del qual aquesta és l’única impressió coneguda. Al revers del full, l’artista va estampar l’obra Cap de Noia [OG 3], signada per ell mateix el 1924. L’ús d’ambdós costats del paper va ser una pràctica habitual durant un període d’intensa experimentació, cosa que també s’observa en altres peces d’obra gràfica de la seva primera època, com Retrat d’Anna Maria Dalí i el seu pare de 1925 [OG 4].
La maculatura està relacionada amb Retrat del pare de l’artista, un dibuix al carbó de composició similar –el pare escrivint– que forma part de la col·lecció del Museu de Montserrat (1). Encara que el dibuix presenta dimensions més grans que l’estampa, la semblança entre totes dues peces evidencia com Dalí treballava simultàniament un mateix tema mitjançant diferents processos creatius.
__________
(1) Retrat del pare de l’artista, 1925–26, (43,4 × 31,3 cm) dibuix al carbó i pastel sobre paper de la col·lecció del Museu de Montserrat, procedent de la família Cusí, íntims amics dels Dalí. Considerant l’estil del dibuix i la probabilitat que Dalí el realitzés en el mateix període que la prova descartada, la data del dibuix podria situar-se al voltant de 1924.
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[webText] => Aquesta peça prové d’un gravat a la punta seca sobre cel·luloide que Dalí va imprimir en paper utilitzant pols de grafit. L’artista va retocar a llapis el contorn de la figura central, accentuant així la sensació de moviment de les dues figures, un dinamisme que contrasta amb la immobilitat de la columna, una al·lusió a l’Antiguitat a través d’un classicisme modern vinculat al retorn a l’ordre (1). La prova forma part d’un conjunt d’estudis que incorporen la figura del mariner i que precedeixen la pintura Venus i un mariner (Homenatge a Salvat-Papasseit) de 1925 [Cat. P 151].
__________
(1) Espina, A., “El paisaje en la pintura moderna”, Alfar, octubre de 1925, p. 3-7.
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[label] => CFE001 - Retrato de mi padre [RETRATO DE MI PADRE] [estampa (obra visual)], Salvador Dalí i Domènech, Salvador Dalí i Domènech, Salvador Dalí i Domènech, 1924
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[label] => [001380 / Imatge] S/T. Anna Maria Dalí i el seu pare
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[0] => Array
(
[display] => FGSD-D-022769 - Epistolario a Federico García Lorca desde Cataluña, la Comunidad Valenciana y Mallorca, Comares, [2001]: p. 51 [Con dedicatoria a FGL OK]
[document] => Array
(
[bibTex] => @misc{Comares2001, title = {Epistolario a Federico García Lorca desde Cataluña, la Comunidad Valenciana y Mallorca}, publisher = {Comares}, address = {Granada}, year = {2001}, date = {[2001]}, entryorder = {2001-01-01} }
[label] => FGSD-D-022769 - Epistolario a Federico García Lorca desde Cataluña, la Comunidad Valenciana y Mallorca, Comares, [2001]
[hierarchy] => Array
(
[0] => Array
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[href] => /coeli/FGSD/HeritageObject/b6b830c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022769 - Epistolario a Federico García Lorca desde Cataluña, la Comunidad Valenciana y Mallorca, Comares, [2001]
[$public] =>
[$slug] => 22769
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)
[$slug] => 22769
[href] => /coeli/FGSD/HeritageObject/b6b830c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 51
[remarks] => Con dedicatoria a FGL OK
)
[1] => Array
(
[display] => FGSD-D-023140 - Les Essentiels de l'art Dalí, Ludion, 2003: p. 40
[document] => Array
(
[bibTex] => @misc{Ludion2003, title = {Les Essentiels de l'art Dalí}, publisher = {Ludion}, address = {Amsterdam}, year = {2003}, date = {2003}, entryorder = {2003-01-01} }
[label] => FGSD-D-023140 - Les Essentiels de l'art Dalí, Ludion, 2003
[hierarchy] => Array
(
[0] => Array
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[href] => /coeli/FGSD/HeritageObject/22ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023140 - Les Essentiels de l'art Dalí, Ludion, 2003
[$public] =>
[$slug] => 23140
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)
[$slug] => 23140
[href] => /coeli/FGSD/HeritageObject/22ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 40
)
[2] => Array
(
[display] => FGSD-D-015637 - Mentira y verdad de Salvador Dalí, A. Oriol Anguera, Cobalto, 1948: p. 7
[document] => Array
(
[bibTex] => @misc{Oriol1948, title = {Mentira y verdad de Salvador Dalí}, author = {A. Oriol Anguera}, publisher = {Cobalto}, address = {Barcelona}, year = {1948}, date = {1948}, entryorder = {1948-01-01} }
[label] => FGSD-D-015637 - Mentira y verdad de Salvador Dalí, A. Oriol Anguera, Cobalto, 1948
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/4d2db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-015637 - Mentira y verdad de Salvador Dalí, A. Oriol Anguera, Cobalto, 1948
[$public] =>
[$slug] => 15637
)
)
[$slug] => 15637
[href] => /coeli/FGSD/HeritageObject/4d2db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 7
)
[3] => Array
(
[display] => FGSD-D-020064 - On classic ground : Picasso, Léger, de Chirico and the new classicism, 1910-1930, Tate Gallery, 1990: p. 90
[document] => Array
(
[bibTex] => @misc{Tate1990, title = {On classic ground : Picasso, Léger, de Chirico and the new classicism, 1910-1930}, publisher = {Tate Gallery}, address = {London}, year = {1990}, date = {1990}, entryorder = {1990-01-01} }
[label] => FGSD-D-020064 - On classic ground : Picasso, Léger, de Chirico and the new classicism, 1910-1930, Tate Gallery, 1990
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/603eb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-020064 - On classic ground : Picasso, Léger, de Chirico and the new classicism, 1910-1930, Tate Gallery, 1990
[$public] =>
[$slug] => 20064
)
)
[$slug] => 20064
[href] => /coeli/FGSD/HeritageObject/603eb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 90
)
[4] => Array
(
[display] => FGSD-D-021039 - The Persistence of memory : a biography of Dalí, Meredith Etherington-Smith, Random House, 1993: p. 230-231
[document] => Array
(
[bibTex] => @misc{Etherington-Smith1993, title = {The Persistence of memory : a biography of Dalí}, author = {Meredith Etherington-Smith}, publisher = {Random House}, address = {New York}, year = {1993}, date = {1993}, entryorder = {1993-01-01} }
[label] => FGSD-D-021039 - The Persistence of memory : a biography of Dalí, Meredith Etherington-Smith, Random House, 1993
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/2442b7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-021039 - The Persistence of memory : a biography of Dalí, Meredith Etherington-Smith, Random House, 1993
[$public] =>
[$slug] => 21039
)
)
[$slug] => 21039
[href] => /coeli/FGSD/HeritageObject/2442b7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 230-231
)
[5] => Array
(
[display] => FGSD-D-053423 - Picasso-Dalí, Dalí-Picasso, William Jeffett, Juan José Lahuerta, Museu Picasso, Salvador Dalí Museum, 2014: p. 137
[document] => Array
(
[bibTex] => @misc{Jeffett2014, title = {Picasso-Dalí, Dalí-Picasso}, author = {William Jeffett, Juan José Lahuerta}, publisher = {Museu Picasso, Salvador Dalí Museum}, address = {Sant Petersburg, Barcelona}, year = {2014}, date = {2014}, entryorder = {2014-01-01} }
[label] => FGSD-D-053423 - Picasso-Dalí, Dalí-Picasso, William Jeffett, Juan José Lahuerta, Museu Picasso, Salvador Dalí Museum, 2014
[hierarchy] => Array
(
[0] => Array
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[label] => FGSD-D-053423 - Picasso-Dalí, Dalí-Picasso, William Jeffett, Juan José Lahuerta, Museu Picasso, Salvador Dalí Museum, 2014
[$public] =>
[$slug] => 53423
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)
[$slug] => 53423
[href] => /coeli/FGSD/HeritageObject/ee9772c2-42ec-e411-9471-00155d647f0b
[$public] =>
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[page] => 137
)
[6] => Array
(
[display] => FGSD-D-023322 - The Portable Dalí, Universe, 2003: p. 40
[document] => Array
(
[bibTex] => @misc{Universe2003, title = {The Portable Dalí}, publisher = {Universe}, address = {New York}, year = {2003}, date = {2003}, entryorder = {2003-01-01} }
[label] => FGSD-D-023322 - The Portable Dalí, Universe, 2003
[hierarchy] => Array
(
[0] => Array
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[href] => /coeli/FGSD/HeritageObject/d7ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023322 - The Portable Dalí, Universe, 2003
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[$slug] => 23322
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[$slug] => 23322
[href] => /coeli/FGSD/HeritageObject/d7ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
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[page] => 40
)
[7] => Array
(
[display] => FGSD-D-023227 - Dalí, Bompiani, 2004: p. 66,68,69 [p. 68 (estudi retrat del meu pare, 1925); Text interessant OK]
[document] => Array
(
[bibTex] => @misc{Bompiani2004, title = {Dalí}, publisher = {Bompiani}, address = {[Milà]}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023227 - Dalí, Bompiani, 2004
[hierarchy] => Array
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[href] => /coeli/FGSD/HeritageObject/78ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023227 - Dalí, Bompiani, 2004
[$public] =>
[$slug] => 23227
)
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[$slug] => 23227
[href] => /coeli/FGSD/HeritageObject/78ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 66,68,69
[remarks] => p. 68 (estudi retrat del meu pare, 1925); Text interessant OK
)
[8] => Array
(
[display] => FGSD-D-015727 - Dalí de Gala, Robert Descharnes, Edita, 1962: p. 19
[document] => Array
(
[bibTex] => @misc{Descharnes1962, title = {Dalí de Gala}, author = {Robert Descharnes}, publisher = {Edita}, address = {Lausanne}, year = {1962}, date = {1962}, entryorder = {1962-01-01} }
[label] => FGSD-D-015727 - Dalí de Gala, Robert Descharnes, Edita, 1962
[hierarchy] => Array
(
[0] => Array
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[label] => FGSD-D-015727 - Dalí de Gala, Robert Descharnes, Edita, 1962
[$public] =>
[$slug] => 15727
)
)
[$slug] => 15727
[href] => /coeli/FGSD/HeritageObject/a52db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 19
)
[9] => Array
(
[display] => FGSD-D-023350 - Fum...damentalment genial, Museu del Tabac, 2004: p. 104
[document] => Array
(
[bibTex] => @misc{Museu2004, title = {Fum...damentalment genial}, publisher = {Museu del Tabac}, address = {Sant Julià de Lòria (Principat d'Andorra)}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023350 - Fum...damentalment genial, Museu del Tabac, 2004
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/f3ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023350 - Fum...damentalment genial, Museu del Tabac, 2004
[$public] =>
[$slug] => 23350
)
)
[$slug] => 23350
[href] => /coeli/FGSD/HeritageObject/f3ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 104
)
[10] => Array
(
[display] => FGSD-D-019775 - Homage to Catalonia - Barcelona art city, Commitee of exhibition (Homage to Catalonia-Barcelona art city), 1987: p. 196
[document] => Array
(
[bibTex] => @misc{Commitee1987, title = {Homage to Catalonia - Barcelona art city}, publisher = {Commitee of exhibition (Homage to Catalonia-Barcelona art city)}, address = {[S.l.]}, year = {1987}, date = {1987}, entryorder = {1987-01-01} }
[label] => FGSD-D-019775 - Homage to Catalonia - Barcelona art city, Commitee of exhibition (Homage to Catalonia-Barcelona art city), 1987
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/3f3db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019775 - Homage to Catalonia - Barcelona art city, Commitee of exhibition (Homage to Catalonia-Barcelona art city), 1987
[$public] =>
[$slug] => 19775
)
)
[$slug] => 19775
[href] => /coeli/FGSD/HeritageObject/3f3db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 196
)
[11] => Array
(
[display] => FGSD-D-023324 - L'Abcdaire de Dalí, Alyse Gaultier, Flammarion, 2004: p. 49
[document] => Array
(
[bibTex] => @misc{Gaultier2004, title = {L'Abcdaire de Dalí}, author = {Alyse Gaultier}, publisher = {Flammarion}, address = {Paris}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023324 - L'Abcdaire de Dalí, Alyse Gaultier, Flammarion, 2004
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/d9ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023324 - L'Abcdaire de Dalí, Alyse Gaultier, Flammarion, 2004
[$public] =>
[$slug] => 23324
)
)
[$slug] => 23324
[href] => /coeli/FGSD/HeritageObject/d9ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 49
)
[12] => Array
(
[display] => FGSD-D-023838 - Salvador Dalí, Robert Descharnes, Nouvelles Editions Françaises, 1973: p. 48
[document] => Array
(
[bibTex] => @misc{Descharnes1973, title = {Salvador Dalí}, author = {Robert Descharnes}, publisher = {Nouvelles Editions Françaises}, address = {Paris}, year = {1973}, date = {1973}, entryorder = {1973-01-01} }
[label] => FGSD-D-023838 - Salvador Dalí, Robert Descharnes, Nouvelles Editions Françaises, 1973
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/d7bc30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023838 - Salvador Dalí, Robert Descharnes, Nouvelles Editions Françaises, 1973
[$public] =>
[$slug] => 23838
)
)
[$slug] => 23838
[href] => /coeli/FGSD/HeritageObject/d7bc30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 48
)
[13] => Array
(
[display] => FGSD-D-021538 - Salvador Dalí : 1904 - 1989, Robert Descharnes, Gilles Néret, Benedikt Taschen, 1990: p. 20
[document] => Array
(
[bibTex] => @misc{Descharnes1990, title = {Salvador Dalí : 1904 - 1989}, author = {Robert Descharnes, Gilles Néret}, publisher = {Benedikt Taschen}, address = {Köln}, year = {1990}, date = {1990}, entryorder = {1990-01-01} }
[label] => FGSD-D-021538 - Salvador Dalí : 1904 - 1989, Robert Descharnes, Gilles Néret, Benedikt Taschen, 1990
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/f1b330c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-021538 - Salvador Dalí : 1904 - 1989, Robert Descharnes, Gilles Néret, Benedikt Taschen, 1990
[$public] =>
[$slug] => 21538
)
)
[$slug] => 21538
[href] => /coeli/FGSD/HeritageObject/f1b330c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 20
)
[14] => Array
(
[display] => FGSD-D-023323 - The Little book of Dalí, Alyse Gaultier, Flammarion, 2004: p. 46
[document] => Array
(
[bibTex] => @misc{Gaultier2004, title = {The Little book of Dalí}, author = {Alyse Gaultier}, publisher = {Flammarion}, address = {Paris}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023323 - The Little book of Dalí, Alyse Gaultier, Flammarion, 2004
[hierarchy] => Array
(
[0] => Array
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[href] => /coeli/FGSD/HeritageObject/d8ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023323 - The Little book of Dalí, Alyse Gaultier, Flammarion, 2004
[$public] =>
[$slug] => 23323
)
)
[$slug] => 23323
[href] => /coeli/FGSD/HeritageObject/d8ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 46
)
[15] => Array
(
[display] => FGSD-D-022637 - Salvador Dalí, René Passeron, Ars Mundi, 1990: p. 11
[document] => Array
(
[bibTex] => @misc{Passeron1990, title = {Salvador Dalí}, author = {René Passeron}, publisher = {Ars Mundi}, address = {[S.l.]}, year = {1990}, date = {1990}, entryorder = {1990-01-01} }
[label] => FGSD-D-022637 - Salvador Dalí, René Passeron, Ars Mundi, 1990
[hierarchy] => Array
(
[0] => Array
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[href] => /coeli/FGSD/HeritageObject/33b830c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022637 - Salvador Dalí, René Passeron, Ars Mundi, 1990
[$public] =>
[$slug] => 22637
)
)
[$slug] => 22637
[href] => /coeli/FGSD/HeritageObject/33b830c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 11
)
[16] => Array
(
[display] => FGSD-D-019240 - Salvador Dalí, Cesáreo Rodríguez-Aguilera, Nauta, 1985: p. 97
[document] => Array
(
[bibTex] => @misc{Rodríguez-Aguilera1985, title = {Salvador Dalí}, author = {Cesáreo Rodríguez-Aguilera}, publisher = {Nauta}, address = {Barcelona}, year = {1985}, date = {1985}, entryorder = {1985-01-01} }
[label] => FGSD-D-019240 - Salvador Dalí, Cesáreo Rodríguez-Aguilera, Nauta, 1985
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/2a3bb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019240 - Salvador Dalí, Cesáreo Rodríguez-Aguilera, Nauta, 1985
[$public] =>
[$slug] => 19240
)
)
[$slug] => 19240
[href] => /coeli/FGSD/HeritageObject/2a3bb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 97
)
[17] => Array
(
[display] => FGSD-D-015722 - Salvador Dalí, Juan Antonio Gaya Nuño, Omega, 1950: p. il. 42
[document] => Array
(
[bibTex] => @misc{Gaya1950, title = {Salvador Dalí}, author = {Juan Antonio Gaya Nuño}, publisher = {Omega}, address = {Barcelona}, year = {1950}, date = {1950}, entryorder = {1950-01-01} }
[label] => FGSD-D-015722 - Salvador Dalí, Juan Antonio Gaya Nuño, Omega, 1950
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/a02db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-015722 - Salvador Dalí, Juan Antonio Gaya Nuño, Omega, 1950
[$public] =>
[$slug] => 15722
)
)
[$slug] => 15722
[href] => /coeli/FGSD/HeritageObject/a02db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => il. 42
)
[18] => Array
(
[display] => FGSD-D-022026 - Salvador Dalí, 1904 -1989, Robert Descharnes, Gilles Néret, Benedikt Taschen, 1994: p. 92
[document] => Array
(
[bibTex] => @misc{Descharnes1994, title = {Salvador Dalí, 1904 -1989}, author = {Robert Descharnes, Gilles Néret}, publisher = {Benedikt Taschen}, address = {Köln}, year = {1994}, date = {1994}, entryorder = {1994-01-01} }
[label] => FGSD-D-022026 - Salvador Dalí, 1904 -1989, Robert Descharnes, Gilles Néret, Benedikt Taschen, 1994
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/d4b530c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022026 - Salvador Dalí, 1904 -1989, Robert Descharnes, Gilles Néret, Benedikt Taschen, 1994
[$public] =>
[$slug] => 22026
)
)
[$slug] => 22026
[href] => /coeli/FGSD/HeritageObject/d4b530c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 92
)
[19] => Array
(
[display] => FGSD-D-023545 - El Primer Dalí, 1918-1929 : catálogo razonado, Rafael Santos Torroella, IVAM, Institut Valencià d'Art Modern, Generalitat Valenciana. Conselleria de Cultura, Educació i Esport, Publicaciones de la Residencia de Estudiantes, 2005: p. 255 [p.254 text OK]
[document] => Array
(
[bibTex] => @misc{Santos2005, title = {El Primer Dalí, 1918-1929 : catálogo razonado}, author = {Rafael Santos Torroella}, publisher = {IVAM, Institut Valencià d'Art Modern, Generalitat Valenciana. Conselleria de Cultura, Educació i Esport, Publicaciones de la Residencia de Estudiantes}, address = {[València], [Madrid]}, year = {2005}, date = {2005}, entryorder = {2005-01-01} }
[label] => FGSD-D-023545 - El Primer Dalí, 1918-1929 : catálogo razonado, Rafael Santos Torroella, IVAM, Institut Valencià d'Art Modern, Generalitat Valenciana. Conselleria de Cultura, Educació i Esport, Publicaciones de la Residencia de Estudiantes, 2005
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/b5bb30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023545 - El Primer Dalí, 1918-1929 : catálogo razonado, Rafael Santos Torroella, IVAM, Institut Valencià d'Art Modern, Generalitat Valenciana. Conselleria de Cultura, Educació i Esport, Publicaciones de la Residencia de Estudiantes, 2005
[$public] =>
[$slug] => 23545
)
)
[$slug] => 23545
[href] => /coeli/FGSD/HeritageObject/b5bb30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 255
[remarks] => p.254 text OK
)
[20] => Array
(
[display] => FGSD-D-019832 - Salvador Dalí, 1904-1989, Gerd Hatje, 1989: p. 47
[document] => Array
(
[bibTex] => @misc{Gerd1989, title = {Salvador Dalí, 1904-1989}, publisher = {Gerd Hatje}, address = {Stuttgart}, year = {1989}, date = {1989}, entryorder = {1989-01-01} }
[label] => FGSD-D-019832 - Salvador Dalí, 1904-1989, Gerd Hatje, 1989
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/783db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019832 - Salvador Dalí, 1904-1989, Gerd Hatje, 1989
[$public] =>
[$slug] => 19832
)
)
[$slug] => 19832
[href] => /coeli/FGSD/HeritageObject/783db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 47
)
[21] => Array
(
[display] => FGSD-D-054858 - Salvador Dalí : a guide to his works in public museums, The Dalí Museum, 1973: p. s.p.
[document] => Array
(
[bibTex] => @misc{TheDalí1973, title = {Salvador Dalí : a guide to his works in public museums}, publisher = {The Dalí Museum}, address = {Cleveland [Ohio]}, year = {1973}, date = {1973}, entryorder = {1973-01-01} }
[label] => FGSD-D-054858 - Salvador Dalí : a guide to his works in public museums, The Dalí Museum, 1973
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/13052b91-1d8d-e511-9482-00155d647f0b
[label] => FGSD-D-054858 - Salvador Dalí : a guide to his works in public museums, The Dalí Museum, 1973
[$public] =>
[$slug] => 54858
)
)
[$slug] => 54858
[href] => /coeli/FGSD/HeritageObject/13052b91-1d8d-e511-9482-00155d647f0b
[$public] =>
)
[page] => s.p.
)
[22] => Array
(
[display] => FGSD-D-022229 - Salvador Dalí: a mythology, Dawn Ades, Fiona Bradley, Tate Gallery Publishing, 1998: p. 37
[document] => Array
(
[bibTex] => @misc{Ades1998, title = {Salvador Dalí: a mythology}, author = {Dawn Ades, Fiona Bradley}, publisher = {Tate Gallery Publishing}, address = {London}, year = {1998}, date = {1998}, entryorder = {1998-01-01} }
[label] => FGSD-D-022229 - Salvador Dalí: a mythology, Dawn Ades, Fiona Bradley, Tate Gallery Publishing, 1998
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/9fb630c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022229 - Salvador Dalí: a mythology, Dawn Ades, Fiona Bradley, Tate Gallery Publishing, 1998
[$public] =>
[$slug] => 22229
)
)
[$slug] => 22229
[href] => /coeli/FGSD/HeritageObject/9fb630c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 37
)
[23] => Array
(
[display] => FGSD-D-019270 - PsicoDálico Dalí, Luis Romero, Mediterranea, 1991: p. 34 [Indica expuesta Galerias Dalmau 1925 OK]
[document] => Array
(
[bibTex] => @misc{Romero1991, title = {PsicoDálico Dalí}, author = {Luis Romero}, publisher = {Mediterranea}, address = {Barcelona}, year = {1991}, date = {1991}, entryorder = {1991-01-01} }
[label] => FGSD-D-019270 - PsicoDálico Dalí, Luis Romero, Mediterranea, 1991
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/483bb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019270 - PsicoDálico Dalí, Luis Romero, Mediterranea, 1991
[$public] =>
[$slug] => 19270
)
)
[$slug] => 19270
[href] => /coeli/FGSD/HeritageObject/483bb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 34
[remarks] => Indica expuesta Galerias Dalmau 1925 OK
)
[24] => Array
(
[display] => FGSD-D-023504 - Salvador Dalí, The Tate Gallery, 1980: p. il. 10
[document] => Array
(
[bibTex] => @misc{TheTate1980, title = {Salvador Dalí}, publisher = {The Tate Gallery}, address = {London}, year = {1980}, date = {1980}, entryorder = {1980-01-01} }
[label] => FGSD-D-023504 - Salvador Dalí, The Tate Gallery, 1980
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/8dbb30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023504 - Salvador Dalí, The Tate Gallery, 1980
[$public] =>
[$slug] => 23504
)
)
[$slug] => 23504
[href] => /coeli/FGSD/HeritageObject/8dbb30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => il. 10
)
[25] => Array
(
[display] => FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994: p. 120
[document] => Array
(
[bibTex] => @misc{South1994, title = {Salvador Dalí: the early years}, publisher = {South Bank Centre}, address = {[London]}, year = {1994}, date = {1994}, entryorder = {1994-01-01} }
[label] => FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/c23db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994
[$public] =>
[$slug] => 19906
)
)
[$slug] => 19906
[href] => /coeli/FGSD/HeritageObject/c23db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 120
)
[26] => Array
(
[display] => FGSD-D-019870 - Salvador Dalí : exhibition - Japan 1964, Mainichi Newspaper, 1964: p. 40
[document] => Array
(
[bibTex] => @misc{Mainichi1964, title = {Salvador Dalí : exhibition - Japan 1964}, publisher = {Mainichi Newspaper}, address = {Tokyo}, year = {1964}, date = {1964}, entryorder = {1964-01-01} }
[label] => FGSD-D-019870 - Salvador Dalí : exhibition - Japan 1964, Mainichi Newspaper, 1964
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/9e3db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019870 - Salvador Dalí : exhibition - Japan 1964, Mainichi Newspaper, 1964
[$public] =>
[$slug] => 19870
)
)
[$slug] => 19870
[href] => /coeli/FGSD/HeritageObject/9e3db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 40
)
[27] => Array
(
[display] => FGSD-D-019597 - Salvador Dalí i el saló de tardor, Rafael Santos Torroella, Reial Acadèmia Catalana de Belles Arts Sant Jordi, 1985: p. s. p. [Antigua Coll. Montserrat Dalí, viuda de Bas, BCN OK]
[document] => Array
(
[bibTex] => @misc{Santos1985, title = {Salvador Dalí i el saló de tardor}, author = {Rafael Santos Torroella}, publisher = {Reial Acadèmia Catalana de Belles Arts Sant Jordi}, address = {Barcelona}, year = {1985}, date = {1985}, entryorder = {1985-01-01} }
[label] => FGSD-D-019597 - Salvador Dalí i el saló de tardor, Rafael Santos Torroella, Reial Acadèmia Catalana de Belles Arts Sant Jordi, 1985
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/8d3cb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019597 - Salvador Dalí i el saló de tardor, Rafael Santos Torroella, Reial Acadèmia Catalana de Belles Arts Sant Jordi, 1985
[$public] =>
[$slug] => 19597
)
)
[$slug] => 19597
[href] => /coeli/FGSD/HeritageObject/8d3cb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => s. p.
[remarks] => Antigua Coll. Montserrat Dalí, viuda de Bas, BCN OK
)
[28] => Array
(
[display] => FGSD-D-023441 - Salvador Dalí i les arts : historiografia i crítica al segle XXI, Publicacions de la Universitat de Barcelona, 2005: p. 27-28 [texto interesante ref. Dalmau OK]
[document] => Array
(
[bibTex] => @misc{Publicacions2005, title = {Salvador Dalí i les arts : historiografia i crítica al segle XXI}, publisher = {Publicacions de la Universitat de Barcelona}, address = {Barcelona}, year = {2005}, date = {2005}, entryorder = {2005-01-01} }
[label] => FGSD-D-023441 - Salvador Dalí i les arts : historiografia i crítica al segle XXI, Publicacions de la Universitat de Barcelona, 2005
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/4ebb30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023441 - Salvador Dalí i les arts : historiografia i crítica al segle XXI, Publicacions de la Universitat de Barcelona, 2005
[$public] =>
[$slug] => 23441
)
)
[$slug] => 23441
[href] => /coeli/FGSD/HeritageObject/4ebb30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 27-28
[remarks] => texto interesante ref. Dalmau OK
)
[29] => Array
(
[display] => FGSD-D-023697 - Dalí & film, Tate Publishing, 2007: p. 121
[document] => Array
(
[bibTex] => @misc{Tate2007, title = {Dalí & film}, publisher = {Tate Publishing}, address = {London}, year = {2007}, date = {2007}, entryorder = {2007-01-01} }
[label] => FGSD-D-023697 - Dalí & film, Tate Publishing, 2007
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/4cbc30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023697 - Dalí & film, Tate Publishing, 2007
[$public] =>
[$slug] => 23697
)
)
[$slug] => 23697
[href] => /coeli/FGSD/HeritageObject/4cbc30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 121
)
[30] => Array
(
[display] => FGSD-D-022695 - Salvador Dalí, lletres i ninots : fons Dalí del Museu Abelló, Museu Abelló. Fundació Municipal d'Art, 2001: p. 174 [Folleto exposición]
[document] => Array
(
[bibTex] => @misc{Museu2001, title = {Salvador Dalí, lletres i ninots : fons Dalí del Museu Abelló}, publisher = {Museu Abelló. Fundació Municipal d'Art}, address = {Mollet del Vallès}, year = {2001}, date = {2001}, entryorder = {2001-01-01} }
[label] => FGSD-D-022695 - Salvador Dalí, lletres i ninots : fons Dalí del Museu Abelló, Museu Abelló. Fundació Municipal d'Art, 2001
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/6db830c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022695 - Salvador Dalí, lletres i ninots : fons Dalí del Museu Abelló, Museu Abelló. Fundació Municipal d'Art, 2001
[$public] =>
[$slug] => 22695
)
)
[$slug] => 22695
[href] => /coeli/FGSD/HeritageObject/6db830c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 174
[remarks] => Folleto exposición
)
[31] => Array
(
[display] => FGSD-D-024566 - Salvador Dalí : l'invention de soi, Catherine Grenier, Flammarion, 2011: p. 42
[document] => Array
(
[bibTex] => @misc{Grenier2011, title = {Salvador Dalí : l'invention de soi}, author = {Catherine Grenier}, publisher = {Flammarion}, address = {Paris}, year = {2011}, date = {2011}, entryorder = {2011-01-01} }
[label] => FGSD-D-024566 - Salvador Dalí : l'invention de soi, Catherine Grenier, Flammarion, 2011
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/a9bf30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-024566 - Salvador Dalí : l'invention de soi, Catherine Grenier, Flammarion, 2011
[$public] =>
[$slug] => 24566
)
)
[$slug] => 24566
[href] => /coeli/FGSD/HeritageObject/a9bf30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 42
)
[32] => Array
(
[display] => FGSD-D-023524 - Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, Hatje Cantz, 2006: p. 94
[document] => Array
(
[bibTex] => @misc{Hatje2006, title = {Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier}, publisher = {Hatje Cantz}, address = {Ostfildern}, year = {2006}, date = {2006}, entryorder = {2006-01-01} }
[label] => FGSD-D-023524 - Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, Hatje Cantz, 2006
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/a0bb30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023524 - Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, Hatje Cantz, 2006
[$public] =>
[$slug] => 23524
)
)
[$slug] => 23524
[href] => /coeli/FGSD/HeritageObject/a0bb30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 94
)
[33] => Array
(
[display] => FGSD-D-022851 - Dalí, Marco Di Capua, Librairie Gründ, 1994: p. 11
[document] => Array
(
[bibTex] => @misc{DiCapua1994, title = {Dalí}, author = {Marco Di Capua}, publisher = {Librairie Gründ}, address = {Paris}, year = {1994}, date = {1994}, entryorder = {1994-01-01} }
[label] => FGSD-D-022851 - Dalí, Marco Di Capua, Librairie Gründ, 1994
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/06b930c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022851 - Dalí, Marco Di Capua, Librairie Gründ, 1994
[$public] =>
[$slug] => 22851
)
)
[$slug] => 22851
[href] => /coeli/FGSD/HeritageObject/06b930c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 11
)
[34] => Array
(
[display] => FGSD-D-030544 - Exposició S. Dalí, Galeries Dalmau, 1925: p. s.p. [Catálogo de la primera Expo BCN, 14-27 noviembre 1925 OK]
[document] => Array
(
[bibTex] => @misc{Galeries1925, title = {Exposició S. Dalí}, publisher = {Galeries Dalmau}, address = {Barcelona}, year = {1925}, date = {1925}, entryorder = {1925-01-01} }
[label] => FGSD-D-030544 - Exposició S. Dalí, Galeries Dalmau, 1925
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/8f97e8b6-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-030544 - Exposició S. Dalí, Galeries Dalmau, 1925
[$public] =>
[$slug] => 30544
)
)
[$slug] => 30544
[href] => /coeli/FGSD/HeritageObject/8f97e8b6-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => s.p.
[remarks] => Catálogo de la primera Expo BCN, 14-27 noviembre 1925 OK
)
[35] => Array
(
[display] => FGSD-D-030545 - Exposició S. Dalí, Galeries Dalmau, 1926/1927: p. s.p.
[document] => Array
(
[bibTex] => @misc{Galeries1926, title = {Exposició S. Dalí}, publisher = {Galeries Dalmau}, address = {Barcelona}, year = {1926-1927}, date = {1926/1927}, entryorder = {1926-01-01} }
[label] => FGSD-D-030545 - Exposició S. Dalí, Galeries Dalmau, 1926/1927
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/0897e8b6-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-030545 - Exposició S. Dalí, Galeries Dalmau, 1926/1927
[$public] => 1
[$slug] => 30545
)
)
[$slug] => 30545
[href] => /coeli/FGSD/HeritageObject/0897e8b6-42ec-e411-9471-00155d647f0b
[$public] => 1
)
[page] => s.p.
)
[36] => Array
(
[display] => FGSD-D-032394 - Dalí capital de Figueres, Ajuntament de Figueres, 1984: p. 24 [Única referencia a la obra de la FGSD. Y además Ilustrada!]
[document] => Array
(
[bibTex] => @misc{Ajuntament1984, title = {Dalí capital de Figueres}, publisher = {Ajuntament de Figueres}, address = {Figueres}, year = {1984}, date = {1984}, entryorder = {1984-01-01} }
[label] => FGSD-D-032394 - Dalí capital de Figueres, Ajuntament de Figueres, 1984
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/b3eca7c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-032394 - Dalí capital de Figueres, Ajuntament de Figueres, 1984
[$public] =>
[$slug] => 32394
)
)
[$slug] => 32394
[href] => /coeli/FGSD/HeritageObject/b3eca7c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 24
[remarks] => Única referencia a la obra de la FGSD. Y además Ilustrada!
)
[37] => Array
(
[display] => FGSD-D-020060 - Dalí, els anys joves : 1918-1930, Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí, 1995: p. 170,172
[document] => Array
(
[bibTex] => @misc{Generalitat1995, title = {Dalí, els anys joves : 1918-1930}, publisher = {Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí}, address = {Figueres, [Barcelona]}, year = {1995}, date = {1995}, entryorder = {1995-01-01} }
[label] => FGSD-D-020060 - Dalí, els anys joves : 1918-1930, Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí, 1995
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/5c3eb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-020060 - Dalí, els anys joves : 1918-1930, Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí, 1995
[$public] =>
[$slug] => 20060
)
)
[$slug] => 20060
[href] => /coeli/FGSD/HeritageObject/5c3eb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 170,172
)
[38] => Array
(
[display] => FGSD-D-015618 - Salvador Dalí: retrospektive, 1920-1980, Prestel, 1980: p. 39
[document] => Array
(
[bibTex] => @misc{Prestel1980, title = {Salvador Dalí: retrospektive, 1920-1980}, publisher = {Prestel}, address = {München}, year = {1980}, date = {1980}, entryorder = {1980-01-01} }
[label] => FGSD-D-015618 - Salvador Dalí: retrospektive, 1920-1980, Prestel, 1980
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/3a2db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-015618 - Salvador Dalí: retrospektive, 1920-1980, Prestel, 1980
[$public] =>
[$slug] => 15618
)
)
[$slug] => 15618
[href] => /coeli/FGSD/HeritageObject/3a2db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 39
)
[39] => Array
(
[display] => FGSD-D-019880 - Dalí joven, 1918-1930, Museo Nacional Centro de Arte Reina Sofía, 1994: p. 170,172
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Al 1942, a la seva autobiografia La vida secreta, Dalí descriu una versió d’aquesta obra reproduïda amb el títol Retrato de mi Padre y Hermana. Segons el seu propi relat, fou realitzada després de la seva expulsió definitiva de l’Acadèmia de San Fernando de Madrid el 1926:
“Al llegar a Figueras, hallé a mi padre fulminado por la catástrofe por mi expulsión […] Con mi hermana, posó para un retrato al lápiz que fue uno de mis mejores dibujos de ese período. En la expresión del rostro de mi padre se ven las señales de patética amargura que le había causado mi expulsión de la Academia”(1) .
Tot i que Dalí va associar aquesta obra amb la seva expulsió definitiva de l’Acadèmia, la documentació de l’època indica que, molt probablement, fou realitzada després de la seva primera expulsió temporal, corresponent al curs acadèmic 1923–1924.
Les altres versions conegudes van ser treballades extensament a llapis: Retrat del pare i la germana de l’artista, conservat al Museu Nacional d’Art de Catalunya (Barcelona), i Retrat del pare de l’artista i la germana, conservat a la Col·lecció Abelló (Madrid).
Una versió d’aquesta obra es va presentar en la primera exposició individual de Dalí a les Galeries Dalmau de Barcelona, celebrada entre el 14 i el 27 de novembre de 1925, tal com indica la seva reproducció en el petit catàleg de la mostra. Així mateix, una altra versió apareix ressenyada en el fulletó de la seva segona exposició individual a les Galeries Dalmau, del 31 de desembre al 14 de gener de 1927.
__________
(1) Dalí. S., Vida secreta de Salvador Dalí, Editorial Poseidón, 1944, p. 286. Il·lustrat en blanc i negre entre les pàgines 256 i 257, “VII. Mis Obras Raras”.
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[label] => C219 - Mariners [MARINERS] [estampa (obra visual)], 1925
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[webText] => Dalí va imprimir aquest gravat a la punta seca sobre cel·luloide amb pols de grafit sobre paper verjurat en un període marcat per la seva estreta amistat i profunda compenetració artística amb Federico García Lorca, que va realitzar la seva primera visita a Cadaqués durant la Setmana Santa de 1925. L’estampa forma part d’un conjunt d’estudis que evidencien l’admiració de l’artista per Joan Salvat-Papasseit (1894-1924), poeta futurista català mort el 1924, el segon recull del qual, L’irradiador del port i les gavines (1921), destaca per la seva inspiració marinera. Els versos de Salvat-Papasseit eren considerats d’avantguarda pels seus recursos visuals i tipogràfics, l’ús de paraules soltes i altres elements d’influència cubista i futurista.
L’estampa està dedicada a Néstor Martín-Fernández de la Torre, pintor canari i amic de Dalí, la sèrie del qual Poema del mar (també coneguda com a Poema del Atlántico) fou exposada a Madrid aquell mateix any 1925.
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[$public] => 1
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[0] => Array
(
[display] => FGSD-D-023524 - Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, Hatje Cantz, 2006: p. 192 [Existe PDF adicional en carpeta repetidos con ID23525]
[document] => Array
(
[bibTex] => @misc{Hatje2006, title = {Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier}, publisher = {Hatje Cantz}, address = {Ostfildern}, year = {2006}, date = {2006}, entryorder = {2006-01-01} }
[label] => FGSD-D-023524 - Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, Hatje Cantz, 2006
[hierarchy] => Array
(
[0] => Array
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[$public] =>
[$slug] => 23524
)
)
[$slug] => 23524
[href] => /coeli/FGSD/HeritageObject/a0bb30c1-42ec-e411-9471-00155d647f0b
[$public] =>
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[page] => 192
[remarks] => Existe PDF adicional en carpeta repetidos con ID23525
)
[1] => Array
(
[display] => FGSD-D-022135 - "Los Putrefactos" de Dalí y Lorca : historia y antologia de un libro que no pudo ser, Rafael Santos Torroella, Consejo Superior de Investigaciones Científicas, Amigos de la Residencia de Estudiantes, 1995: p. 142
[document] => Array
(
[bibTex] => @misc{Santos1995, title = {"Los Putrefactos" de Dalí y Lorca : historia y antologia de un libro que no pudo ser}, author = {Rafael Santos Torroella}, publisher = {Consejo Superior de Investigaciones Científicas, Amigos de la Residencia de Estudiantes}, address = {[Madrid]}, year = {1995}, date = {1995}, entryorder = {1995-01-01} }
[label] => FGSD-D-022135 - "Los Putrefactos" de Dalí y Lorca : historia y antologia de un libro que no pudo ser, Rafael Santos Torroella, Consejo Superior de Investigaciones Científicas, Amigos de la Residencia de Estudiantes, 1995
[hierarchy] => Array
(
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[label] => FGSD-D-022135 - "Los Putrefactos" de Dalí y Lorca : historia y antologia de un libro que no pudo ser, Rafael Santos Torroella, Consejo Superior de Investigaciones Científicas, Amigos de la Residencia de Estudiantes, 1995
[$public] =>
[$slug] => 22135
)
)
[$slug] => 22135
[href] => /coeli/FGSD/HeritageObject/41b630c1-42ec-e411-9471-00155d647f0b
[$public] =>
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[page] => 142
)
[2] => Array
(
[display] => FGSD-D-024358 - Picasso, Miró, Dalí. Giovani e arrabbiati: la nascita della modernità, Skira, 2011: p. 41 [Se ha utilizado otro ID para PDF. El ID24357]
[document] => Array
(
[bibTex] => @misc{Skira2011, title = {Picasso, Miró, Dalí. Giovani e arrabbiati: la nascita della modernità}, publisher = {Skira}, address = {Milano}, year = {2011}, date = {2011}, entryorder = {2011-01-01} }
[label] => FGSD-D-024358 - Picasso, Miró, Dalí. Giovani e arrabbiati: la nascita della modernità, Skira, 2011
[hierarchy] => Array
(
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[label] => FGSD-D-024358 - Picasso, Miró, Dalí. Giovani e arrabbiati: la nascita della modernità, Skira, 2011
[$public] =>
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)
[$slug] => 24358
[href] => /coeli/FGSD/HeritageObject/dcbe30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 41
[remarks] => Se ha utilizado otro ID para PDF. El ID24357
)
[3] => Array
(
[display] => FGSD-D-023249 - Salvador Dalí i Federico García Lorca : la persistència de la memòria, Viena, Generalitat de Catalunya. Departament de Cultura., 2004: p. 134
[document] => Array
(
[bibTex] => @misc{Viena2004, title = {Salvador Dalí i Federico García Lorca : la persistència de la memòria}, publisher = {Viena, Generalitat de Catalunya. Departament de Cultura.}, address = {Barcelona}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023249 - Salvador Dalí i Federico García Lorca : la persistència de la memòria, Viena, Generalitat de Catalunya. Departament de Cultura., 2004
[hierarchy] => Array
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)
[$slug] => 23249
[href] => /coeli/FGSD/HeritageObject/8eba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
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[page] => 134
)
[4] => Array
(
[display] => FGSD-D-019878 - 400 obras de Salvador Dalí de 1914 a 1983, Obra Cultural de la Caixa de Pensions, 1983: p. 40
[document] => Array
(
[bibTex] => @misc{Obra1983, title = {400 obras de Salvador Dalí de 1914 a 1983}, publisher = {Obra Cultural de la Caixa de Pensions}, address = {[Madrid]}, year = {1983}, date = {1983}, entryorder = {1983-01-01} }
[label] => FGSD-D-019878 - 400 obras de Salvador Dalí de 1914 a 1983, Obra Cultural de la Caixa de Pensions, 1983
[hierarchy] => Array
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[$public] =>
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)
[$slug] => 19878
[href] => /coeli/FGSD/HeritageObject/a63db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 40
)
[5] => Array
(
[display] => FGSD-D-022669 - Dalí - a genius of the XX Century, China Times, [2001]: p. 116 [Se ha utilizado otro ID para PDF. El ID22686]
[document] => Array
(
[bibTex] => @misc{China2001, title = {Dalí - a genius of the XX Century}, publisher = {China Times}, address = {[Taipei]}, year = {2001}, date = {[2001]}, entryorder = {2001-01-01} }
[label] => FGSD-D-022669 - Dalí - a genius of the XX Century, China Times, [2001]
[hierarchy] => Array
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[0] => Array
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[href] => /coeli/FGSD/HeritageObject/53b830c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022669 - Dalí - a genius of the XX Century, China Times, [2001]
[$public] =>
[$slug] => 22669
)
)
[$slug] => 22669
[href] => /coeli/FGSD/HeritageObject/53b830c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 116
[remarks] => Se ha utilizado otro ID para PDF. El ID22686
)
[6] => Array
(
[display] => FGSD-D-020060 - Dalí, els anys joves : 1918-1930, Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí, 1995: p. 158
[document] => Array
(
[bibTex] => @misc{Generalitat1995, title = {Dalí, els anys joves : 1918-1930}, publisher = {Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí}, address = {Figueres, [Barcelona]}, year = {1995}, date = {1995}, entryorder = {1995-01-01} }
[label] => FGSD-D-020060 - Dalí, els anys joves : 1918-1930, Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí, 1995
[hierarchy] => Array
(
[0] => Array
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[href] => /coeli/FGSD/HeritageObject/5c3eb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-020060 - Dalí, els anys joves : 1918-1930, Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí, 1995
[$public] =>
[$slug] => 20060
)
)
[$slug] => 20060
[href] => /coeli/FGSD/HeritageObject/5c3eb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 158
)
[7] => Array
(
[display] => FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994: p. 112 [Se ha utilizado otro ID para PDF. El ID19904]
[document] => Array
(
[bibTex] => @misc{South1994, title = {Salvador Dalí: the early years}, publisher = {South Bank Centre}, address = {[London]}, year = {1994}, date = {1994}, entryorder = {1994-01-01} }
[label] => FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994
[hierarchy] => Array
(
[0] => Array
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[href] => /coeli/FGSD/HeritageObject/c23db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994
[$public] =>
[$slug] => 19906
)
)
[$slug] => 19906
[href] => /coeli/FGSD/HeritageObject/c23db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 112
[remarks] => Se ha utilizado otro ID para PDF. El ID19904
)
[8] => Array
(
[display] => FGSD-D-019880 - Dalí joven, 1918-1930, Museo Nacional Centro de Arte Reina Sofía, 1994: p. 158
[document] => Array
(
[bibTex] => @misc{Museo1994, title = {Dalí joven, 1918-1930}, publisher = {Museo Nacional Centro de Arte Reina Sofía}, address = {[Madrid]}, year = {1994}, date = {1994}, entryorder = {1994-01-01} }
[label] => FGSD-D-019880 - Dalí joven, 1918-1930, Museo Nacional Centro de Arte Reina Sofía, 1994
[hierarchy] => Array
(
[0] => Array
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[href] => /coeli/FGSD/HeritageObject/a83db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019880 - Dalí joven, 1918-1930, Museo Nacional Centro de Arte Reina Sofía, 1994
[$public] =>
[$slug] => 19880
)
)
[$slug] => 19880
[href] => /coeli/FGSD/HeritageObject/a83db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 158
)
[9] => Array
(
[display] => FGSD-D-015755 - 400 obres de Salvador Dalí del 1914 al 1983, Obra Cultural de la Caixa de Pensions, 1983: p. 40 [Se ha utilizado otro ID para PDF. El ID19353]
[document] => Array
(
[bibTex] => @misc{Obra1983, title = {400 obres de Salvador Dalí del 1914 al 1983}, publisher = {Obra Cultural de la Caixa de Pensions}, address = {[Madrid]}, year = {1983}, date = {1983}, entryorder = {1983-01-01} }
[label] => FGSD-D-015755 - 400 obres de Salvador Dalí del 1914 al 1983, Obra Cultural de la Caixa de Pensions, 1983
[hierarchy] => Array
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[0] => Array
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[label] => FGSD-D-015755 - 400 obres de Salvador Dalí del 1914 al 1983, Obra Cultural de la Caixa de Pensions, 1983
[$public] =>
[$slug] => 15755
)
)
[$slug] => 15755
[href] => /coeli/FGSD/HeritageObject/c12db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 40
[remarks] => Se ha utilizado otro ID para PDF. El ID19353
)
[10] => Array
(
[display] => FGSD-D-019390 - Vida secreta de Salvador Dalí, Salvador Dalí, Poseidón, 1944: p. 246 [NO PUBLICAR. Documentación associado texto]
[document] => Array
(
[bibTex] => @misc{Dalí1944, title = {Vida secreta de Salvador Dalí}, author = {Salvador Dalí}, publisher = {Poseidón}, address = {Buenos Aires}, year = {1944}, date = {1944}, entryorder = {1944-01-01} }
[label] => FGSD-D-019390 - Vida secreta de Salvador Dalí, Salvador Dalí, Poseidón, 1944
[hierarchy] => Array
(
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[webText] => Pepín Vello forma part d’un conjunt d’obres realitzades a partir de 1925 per Dalí per a un projecte de llibre concebut juntament amb Federico García Lorca, titulat Los Putrefactos, que mai no es va arribar a materialitzar. A diferència dels altres putrefactes –dibuixos realitzats principalment a tinta– Dalí va incorporar la tècnica del monotip en el procés de creació d’aquesta obra híbrida sobre paper verjurat. Per fer-ho, va aplicar tinta grassa difuminada sobre una planxa de superfície llisa, que després va estampar en el dibuix subjacent. Aquesta intervenció deliberada introdueix un element enigmàtic i evocador que recorda l’ambient emboirat i carregat de fum de les tertúlies de cafè que l’artista freqüentà durant la seva “Època de Madrid”, entre 1922 i 1926.
L’obra està dedicada “a Pepín Vello afectuosamente Salvador Dalí 1925”. Pepín Vello era el sobrenom de José Bello Lasierra, amic íntim de Dalí, Federico García Lorca i Luis Buñuel (1) , un grup que el mateix Dalí recordaria anys més tard com “inconformista, estridente y revolucionario” (2) a la seva autobiografia La vida secreta. Existeixen dos putrefactes més amb el sobrenom de Pepín: A Pepín (3) i Crucifixión I (4), ambdós conservats en el Museo Nacional Centro de Arte Reina Sofía i datats el mateix any 1925.
__________
(1) …[i] José María Hinojosa, Juan Vicense, Emilio Prados, entre d’altres. Querido Salvador, Querido Lorquito, Editorial Elba, Barcelona, 2013, p.17.
(2) Dalí, S., Vida Secreta, Editorial Poseidón, 1944, p. 246.
(3) A Pepín, Serie Putrefactos, 1925, MNCARS.
(4) Crucifixión I, Serie Putrefactos, 1925, MNCARS.
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[webText] => L’exlibris de 1925 va ser un encàrrec de Josep Puig Pujades (1883-1949), escriptor i polític de Figueres. Dalí va elaborar diverses propostes en dibuix a tinta xinesa, com mostren els estudis previs coneguts, alguns dels quals estan datats (1).
Finalment, es va inspirar en els versos de L’Empordà, una sardana de 1908 composta per Enric Morera amb versos de Joan Maragall, que narra l’amor entre una sirena i un pastor i és considerada un símbol mític del naixement de l’Empordà. Dalí coneixia aquests versos de memòria, ja que la seva família era molt aficionada a les sardanes.
El dibuix definitiu a tinta xinesa va ser reproduït mitjançant impressió tipogràfica en paper cuixé en una impremta local de Figueres. Josep Puig Pujades, primer mecenes de Dalí, va anticipar el seu èxit en un article publicat sota el pseudònim Puvis a l’Empordà Federal l’11 de gener de 1919, en el qual vaticinava un gran futur per al jove artista (2). Durant la Guerra Civil espanyola, Puig Pujades va ser un destacat líder republicà i, en finalitzar el conflicte, es va veure forçat a exiliar-se a França, on va morir a Perpinyà el 1949.
__________
(1) El País de Dalí, Museu de l’Empordà, Figueres 2004, il. 29-31, p. 54-55.
(2) Empordà Federal, setmanari d’UFNR, 11 de gener de 1919 [Biblioteca de Figueres].
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[label] => FGSD-D-047349 - André Breton : 42, rue Fontaine : livres I, Calmels Cohen, 2003
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[bibTex] => @misc{Centro1996, title = {Cento libri surrealisti}, publisher = {Centro Di}, address = {Firenze}, year = {1996}, date = {1996}, entryorder = {1996-01-01} }
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[label] => FGSD-D-015745 - Dalí, Dawn Ades, Thames and Hudson, 1982
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[label] => FGSD-D-019886 - Dalí and his books, Generalitat de Catalunya, 1987
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[page] => 19
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[page] => 93
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[page] => 337
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[display] => FGSD-D-015724 - Salvador Dalí, James Thrall Soby, The Museum of Modern Art, 1941: p. 77 [Se ha utilizado otro ID para PDF. El ID 23680]
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[page] => 77
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[19] => Array
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[display] => FGSD-D-023653 - Paintings, drawings, and sculpture from the Julien Levy collection, Sotheby's Parke Bernet, 1981: p. 76 [No publicar]
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[page] => 76
[remarks] => No publicar
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[20] => Array
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[webText] => Salvador Dalí acabava d’incorporar-se al grup surrealista quan va rebre l’encàrrec de realitzar el frontispici per al Second Manifeste du Surréalisme del poeta francès André Breton (1). Per a aquesta il·lustració, Dalí va fer un dibuix amb ploma, tinta xinesa i guaix, que posteriorment es va reproduir en tipografia i estergit (pochoir).
En el Second Manifeste du Surréalisme, Breton denuncia la hipocresia de la societat i subratlla la necessitat de rebel·lar-se contra allò establert. En el seu text, el poeta exalça l’obra de Lautréamont, Les Chants de Maldoror, que tant va inspirar els surrealistes, i reivindica la llibertat de la imaginació i del pensament afirmant: “L’home que s’intimidés erròniament per alguns enormes fracassos històrics és encara lliure de creure en la seva llibertat. (2)”
El llibre va ser publicat en una edició limitada per al Club des Soixante per Éditions Kra de París i, segons el colofó, es va acabar d’imprimir el 20 de juny de 1930.
__________
(1) El text es va publicar prèviament a l’últim número de la revista La Révolution surréaliste, n.12, el 15 de desembre de 1929.
(2) P. 81-82.
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[4] => Array
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[display] => FGSD-D-022229 - Salvador Dalí: a mythology, Dawn Ades, Fiona Bradley, Tate Gallery Publishing, 1998: p. 43
[document] => Array
(
[bibTex] => @misc{Ades1998, title = {Salvador Dalí: a mythology}, author = {Dawn Ades, Fiona Bradley}, publisher = {Tate Gallery Publishing}, address = {London}, year = {1998}, date = {1998}, entryorder = {1998-01-01} }
[label] => FGSD-D-022229 - Salvador Dalí: a mythology, Dawn Ades, Fiona Bradley, Tate Gallery Publishing, 1998
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/9fb630c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022229 - Salvador Dalí: a mythology, Dawn Ades, Fiona Bradley, Tate Gallery Publishing, 1998
[$public] =>
[$slug] => 22229
)
)
[$slug] => 22229
[href] => /coeli/FGSD/HeritageObject/9fb630c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 43
)
[5] => Array
(
[display] => FGSD-D-022026 - Salvador Dalí, 1904 -1989, Robert Descharnes, Gilles Néret, Benedikt Taschen, 1994: p. 145
[document] => Array
(
[bibTex] => @misc{Descharnes1994, title = {Salvador Dalí, 1904 -1989}, author = {Robert Descharnes, Gilles Néret}, publisher = {Benedikt Taschen}, address = {Köln}, year = {1994}, date = {1994}, entryorder = {1994-01-01} }
[label] => FGSD-D-022026 - Salvador Dalí, 1904 -1989, Robert Descharnes, Gilles Néret, Benedikt Taschen, 1994
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/d4b530c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022026 - Salvador Dalí, 1904 -1989, Robert Descharnes, Gilles Néret, Benedikt Taschen, 1994
[$public] =>
[$slug] => 22026
)
)
[$slug] => 22026
[href] => /coeli/FGSD/HeritageObject/d4b530c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 145
)
[6] => Array
(
[display] => FGSD-D-024250 - Dalí : afinidades electivas, Generalitat de Catalunya. Departament de Cultura., 2004: p. 452, p. 454
[document] => Array
(
[bibTex] => @misc{Generalitat2004, title = {Dalí : afinidades electivas}, publisher = {Generalitat de Catalunya. Departament de Cultura.}, address = {Barcelona}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-024250 - Dalí : afinidades electivas, Generalitat de Catalunya. Departament de Cultura., 2004
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/70be30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-024250 - Dalí : afinidades electivas, Generalitat de Catalunya. Departament de Cultura., 2004
[$public] =>
[$slug] => 24250
)
)
[$slug] => 24250
[href] => /coeli/FGSD/HeritageObject/70be30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 452, p. 454
)
[7] => Array
(
[display] => FGSD-D-019878 - 400 obras de Salvador Dalí de 1914 a 1983, Obra Cultural de la Caixa de Pensions, 1983: p. 93
[document] => Array
(
[bibTex] => @misc{Obra1983, title = {400 obras de Salvador Dalí de 1914 a 1983}, publisher = {Obra Cultural de la Caixa de Pensions}, address = {[Madrid]}, year = {1983}, date = {1983}, entryorder = {1983-01-01} }
[label] => FGSD-D-019878 - 400 obras de Salvador Dalí de 1914 a 1983, Obra Cultural de la Caixa de Pensions, 1983
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/a63db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019878 - 400 obras de Salvador Dalí de 1914 a 1983, Obra Cultural de la Caixa de Pensions, 1983
[$public] =>
[$slug] => 19878
)
)
[$slug] => 19878
[href] => /coeli/FGSD/HeritageObject/a63db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 93
)
[8] => Array
(
[display] => FGSD-D-022810 - Dalí il·lustrador : Salvador Dalí, 1904-1989, Govern d'Andorra. Ministeri de Turisme i Cultura, 2001: p. 68
[document] => Array
(
[bibTex] => @misc{Govern2001, title = {Dalí il·lustrador : Salvador Dalí, 1904-1989}, publisher = {Govern d'Andorra. Ministeri de Turisme i Cultura}, address = {Andorra}, year = {2001}, date = {2001}, entryorder = {2001-01-01} }
[label] => FGSD-D-022810 - Dalí il·lustrador : Salvador Dalí, 1904-1989, Govern d'Andorra. Ministeri de Turisme i Cultura, 2001
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/deb830c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022810 - Dalí il·lustrador : Salvador Dalí, 1904-1989, Govern d'Andorra. Ministeri de Turisme i Cultura, 2001
[$public] =>
[$slug] => 22810
)
)
[$slug] => 22810
[href] => /coeli/FGSD/HeritageObject/deb830c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 68
)
[9] => Array
(
[display] => FGSD-D-015755 - 400 obres de Salvador Dalí del 1914 al 1983, Obra Cultural de la Caixa de Pensions, 1983: p. 93 [Se ha utilizado otro ID para PDF. El ID 19353]
[document] => Array
(
[bibTex] => @misc{Obra1983, title = {400 obres de Salvador Dalí del 1914 al 1983}, publisher = {Obra Cultural de la Caixa de Pensions}, address = {[Madrid]}, year = {1983}, date = {1983}, entryorder = {1983-01-01} }
[label] => FGSD-D-015755 - 400 obres de Salvador Dalí del 1914 al 1983, Obra Cultural de la Caixa de Pensions, 1983
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/c12db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-015755 - 400 obres de Salvador Dalí del 1914 al 1983, Obra Cultural de la Caixa de Pensions, 1983
[$public] =>
[$slug] => 15755
)
)
[$slug] => 15755
[href] => /coeli/FGSD/HeritageObject/c12db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 93
[remarks] => Se ha utilizado otro ID para PDF. El ID 19353
)
[10] => Array
(
[display] => FGSD-D-015759 - Salvador Dalí: rétrospective, 1920-1980, Centre Georges Pompidou, Musée National d'Art moderne, 1979: p. 136
[document] => Array
(
[bibTex] => @misc{Centre1979, title = {Salvador Dalí: rétrospective, 1920-1980}, publisher = {Centre Georges Pompidou, Musée National d'Art moderne}, address = {Paris}, year = {1979}, date = {1979}, entryorder = {1979-01-01} }
[label] => FGSD-D-015759 - Salvador Dalí: rétrospective, 1920-1980, Centre Georges Pompidou, Musée National d'Art moderne, 1979
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/c52db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-015759 - Salvador Dalí: rétrospective, 1920-1980, Centre Georges Pompidou, Musée National d'Art moderne, 1979
[$public] =>
[$slug] => 15759
)
)
[$slug] => 15759
[href] => /coeli/FGSD/HeritageObject/c52db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 136
)
[11] => Array
(
[display] => FGSD-D-019880 - Dalí joven, 1918-1930, Museo Nacional Centro de Arte Reina Sofía, 1994: p. 43
[document] => Array
(
[bibTex] => @misc{Museo1994, title = {Dalí joven, 1918-1930}, publisher = {Museo Nacional Centro de Arte Reina Sofía}, address = {[Madrid]}, year = {1994}, date = {1994}, entryorder = {1994-01-01} }
[label] => FGSD-D-019880 - Dalí joven, 1918-1930, Museo Nacional Centro de Arte Reina Sofía, 1994
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/a83db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019880 - Dalí joven, 1918-1930, Museo Nacional Centro de Arte Reina Sofía, 1994
[$public] =>
[$slug] => 19880
)
)
[$slug] => 19880
[href] => /coeli/FGSD/HeritageObject/a83db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 43
)
[12] => Array
(
[display] => FGSD-D-023453 - Dalí, Rizzoli, 2005: p. 136
[document] => Array
(
[bibTex] => @misc{Rizzoli2005, title = {Dalí}, publisher = {Rizzoli}, address = {New York}, year = {2005}, date = {2005}, entryorder = {2005-01-01} }
[label] => FGSD-D-023453 - Dalí, Rizzoli, 2005
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/5abb30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023453 - Dalí, Rizzoli, 2005
[$public] =>
[$slug] => 23453
)
)
[$slug] => 23453
[href] => /coeli/FGSD/HeritageObject/5abb30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 136
)
[13] => Array
(
[display] => FGSD-D-022095 - ADLAN i el circ frediani (jocs icaris), Patronat Municipal de Cultura de Mataró, 1997: p. 79
[document] => Array
(
[bibTex] => @misc{Patronat1997, title = {ADLAN i el circ frediani (jocs icaris)}, publisher = {Patronat Municipal de Cultura de Mataró}, address = {Mataró}, year = {1997}, date = {1997}, entryorder = {1997-01-01} }
[label] => FGSD-D-022095 - ADLAN i el circ frediani (jocs icaris), Patronat Municipal de Cultura de Mataró, 1997
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/19b630c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022095 - ADLAN i el circ frediani (jocs icaris), Patronat Municipal de Cultura de Mataró, 1997
[$public] =>
[$slug] => 22095
)
)
[$slug] => 22095
[href] => /coeli/FGSD/HeritageObject/19b630c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 79
)
[14] => Array
(
[display] => FGSD-D-022250 - Cento libri surrealisti, Centro Di, 1996: p. 87
[document] => Array
(
[bibTex] => @misc{Centro1996, title = {Cento libri surrealisti}, publisher = {Centro Di}, address = {Firenze}, year = {1996}, date = {1996}, entryorder = {1996-01-01} }
[label] => FGSD-D-022250 - Cento libri surrealisti, Centro Di, 1996
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/b4b630c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022250 - Cento libri surrealisti, Centro Di, 1996
[$public] =>
[$slug] => 22250
)
)
[$slug] => 22250
[href] => /coeli/FGSD/HeritageObject/b4b630c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 87
)
[15] => Array
(
[display] => FGSD-D-023070 - Dalí. Cultura de masses, Fundació La Caixa, Fundació Gala-Salvador Dalí, 2004: p. 20 [Se ha utilizado otro ID para PDF. El ID23484]
[document] => Array
(
[bibTex] => @misc{Fundació2004, title = {Dalí. Cultura de masses}, publisher = {Fundació La Caixa, Fundació Gala-Salvador Dalí}, address = {Figueres, Barcelona}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023070 - Dalí. Cultura de masses, Fundació La Caixa, Fundació Gala-Salvador Dalí, 2004
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/dcb930c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023070 - Dalí. Cultura de masses, Fundació La Caixa, Fundació Gala-Salvador Dalí, 2004
[$public] =>
[$slug] => 23070
)
)
[$slug] => 23070
[href] => /coeli/FGSD/HeritageObject/dcb930c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 20
[remarks] => Se ha utilizado otro ID para PDF. El ID23484
)
[16] => Array
(
[display] => FGSD-D-021647 - Dalí e i libri, Generalitat de Catalunya. Departament de Cultura i Mitjans de Comunicació, 1982: p. 14
[document] => Array
(
[bibTex] => @misc{Generalitat1982, title = {Dalí e i libri}, publisher = {Generalitat de Catalunya. Departament de Cultura i Mitjans de Comunicació}, address = {[Barcelona]}, year = {1982}, date = {1982}, entryorder = {1982-01-01} }
[label] => FGSD-D-021647 - Dalí e i libri, Generalitat de Catalunya. Departament de Cultura i Mitjans de Comunicació, 1982
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/5db430c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-021647 - Dalí e i libri, Generalitat de Catalunya. Departament de Cultura i Mitjans de Comunicació, 1982
[$public] =>
[$slug] => 21647
)
)
[$slug] => 21647
[href] => /coeli/FGSD/HeritageObject/5db430c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 14
)
[17] => Array
(
[display] => FGSD-D-019525 - Dalí et les poètes, Salvador Dalí (il.), Filipacchi, 1971: p. 13
[document] => Array
(
[bibTex] => @misc{Dalí1971, title = {Dalí et les poètes}, author = {Salvador Dalí (il.)}, publisher = {Filipacchi}, address = {Paris}, year = {1971}, date = {1971}, entryorder = {1971-01-01} }
[label] => FGSD-D-019525 - Dalí et les poètes, Salvador Dalí (il.), Filipacchi, 1971
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/453cb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019525 - Dalí et les poètes, Salvador Dalí (il.), Filipacchi, 1971
[$public] =>
[$slug] => 19525
)
)
[$slug] => 19525
[href] => /coeli/FGSD/HeritageObject/453cb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 13
)
[18] => Array
(
[display] => FGSD-D-024203 - Dalís medienspiele: falsche fährten und paranoische selbstinszenierungen in den künsten, Transcript, 2007: p. 166
[document] => Array
(
[bibTex] => @misc{Transcript2007, title = {Dalís medienspiele: falsche fährten und paranoische selbstinszenierungen in den künsten}, publisher = {Transcript}, address = {Bielefeld}, year = {2007}, date = {2007}, entryorder = {2007-01-01} }
[label] => FGSD-D-024203 - Dalís medienspiele: falsche fährten und paranoische selbstinszenierungen in den künsten, Transcript, 2007
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/42be30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-024203 - Dalís medienspiele: falsche fährten und paranoische selbstinszenierungen in den künsten, Transcript, 2007
[$public] =>
[$slug] => 24203
)
)
[$slug] => 24203
[href] => /coeli/FGSD/HeritageObject/42be30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 166
)
[19] => Array
(
[display] => FGSD-D-023333 - Dallibres, Montse Aguer i Teixidor, Distribucions d'Art Surrealista, 2005: p. 118-119 [Se ha utilizado otro ID para PDF. El ID23376. Paginas revisadas JM-19,07,2020]
[document] => Array
(
[bibTex] => @misc{Aguer2005, title = {Dallibres}, author = {Montse Aguer i Teixidor}, publisher = {Distribucions d'Art Surrealista}, address = {[Figueres]}, year = {2005}, date = {2005}, entryorder = {2005-01-01} }
[label] => FGSD-D-023333 - Dallibres, Montse Aguer i Teixidor, Distribucions d'Art Surrealista, 2005
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/e2ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023333 - Dallibres, Montse Aguer i Teixidor, Distribucions d'Art Surrealista, 2005
[$public] =>
[$slug] => 23333
)
)
[$slug] => 23333
[href] => /coeli/FGSD/HeritageObject/e2ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 118-119
[remarks] => Se ha utilizado otro ID para PDF. El ID23376. Paginas revisadas JM-19,07,2020
)
[20] => Array
(
[display] => FGSD-D-023089 - El Fenómeno del éxtasis, Juan José Lahuerta, Siruela, 2004: p. 105
[document] => Array
(
[bibTex] => @misc{Lahuerta2004, title = {El Fenómeno del éxtasis}, author = {Juan José Lahuerta}, publisher = {Siruela}, address = {Madrid}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023089 - El Fenómeno del éxtasis, Juan José Lahuerta, Siruela, 2004
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/efb930c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023089 - El Fenómeno del éxtasis, Juan José Lahuerta, Siruela, 2004
[$public] =>
[$slug] => 23089
)
)
[$slug] => 23089
[href] => /coeli/FGSD/HeritageObject/efb930c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 105
)
[21] => Array
(
[display] => FGSD-D-021812 - Dalí : genius, obsession and lust, Ralf Schiebler, Prestel, 1996: p. 53
[document] => Array
(
[bibTex] => @misc{Schiebler1996, title = {Dalí : genius, obsession and lust}, author = {Ralf Schiebler}, publisher = {Prestel}, address = {Munich - New York}, year = {1996}, date = {1996}, entryorder = {1996-01-01} }
[label] => FGSD-D-021812 - Dalí : genius, obsession and lust, Ralf Schiebler, Prestel, 1996
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/00b530c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-021812 - Dalí : genius, obsession and lust, Ralf Schiebler, Prestel, 1996
[$public] =>
[$slug] => 21812
)
)
[$slug] => 21812
[href] => /coeli/FGSD/HeritageObject/00b530c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 53
)
[22] => Array
(
[display] => FGSD-D-018536 - A history of eroticism, Lo Duca, Jean-Jacques Pauvert, 1961: p. 194
[document] => Array
(
[bibTex] => @misc{LoDuca1961, title = {A history of eroticism}, author = {Lo Duca}, publisher = {Jean-Jacques Pauvert}, address = {Paris}, year = {1961}, date = {1961}, entryorder = {1961-01-01} }
[label] => FGSD-D-018536 - A history of eroticism, Lo Duca, Jean-Jacques Pauvert, 1961
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/7138b7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-018536 - A history of eroticism, Lo Duca, Jean-Jacques Pauvert, 1961
[$public] =>
[$slug] => 18536
)
)
[$slug] => 18536
[href] => /coeli/FGSD/HeritageObject/7138b7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 194
)
[23] => Array
(
[display] => FGSD-D-023227 - Dalí, Bompiani, 2004: p. 136 [Hay 2 PDF's del mismo libro. El ID23228 foto Gala]
[document] => Array
(
[bibTex] => @misc{Bompiani2004, title = {Dalí}, publisher = {Bompiani}, address = {[Milà]}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023227 - Dalí, Bompiani, 2004
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/78ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023227 - Dalí, Bompiani, 2004
[$public] =>
[$slug] => 23227
)
)
[$slug] => 23227
[href] => /coeli/FGSD/HeritageObject/78ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 136
[remarks] => Hay 2 PDF's del mismo libro. El ID23228 foto Gala
)
[24] => Array
(
[display] => FGSD-D-023838 - Salvador Dalí, Robert Descharnes, Nouvelles Editions Françaises, 1973: p. 50
[document] => Array
(
[bibTex] => @misc{Descharnes1973, title = {Salvador Dalí}, author = {Robert Descharnes}, publisher = {Nouvelles Editions Françaises}, address = {Paris}, year = {1973}, date = {1973}, entryorder = {1973-01-01} }
[label] => FGSD-D-023838 - Salvador Dalí, Robert Descharnes, Nouvelles Editions Françaises, 1973
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/d7bc30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023838 - Salvador Dalí, Robert Descharnes, Nouvelles Editions Françaises, 1973
[$public] =>
[$slug] => 23838
)
)
[$slug] => 23838
[href] => /coeli/FGSD/HeritageObject/d7bc30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 50
)
[25] => Array
(
[display] => FGSD-D-019832 - Salvador Dalí, 1904-1989, Gerd Hatje, 1989: p. 415 [Hay texto p.76 y 414. Y hay PDF adicionales en carpeta repetidos con ID21475 y ID19867]
[document] => Array
(
[bibTex] => @misc{Gerd1989, title = {Salvador Dalí, 1904-1989}, publisher = {Gerd Hatje}, address = {Stuttgart}, year = {1989}, date = {1989}, entryorder = {1989-01-01} }
[label] => FGSD-D-019832 - Salvador Dalí, 1904-1989, Gerd Hatje, 1989
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/783db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019832 - Salvador Dalí, 1904-1989, Gerd Hatje, 1989
[$public] =>
[$slug] => 19832
)
)
[$slug] => 19832
[href] => /coeli/FGSD/HeritageObject/783db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 415
[remarks] => Hay texto p.76 y 414. Y hay PDF adicionales en carpeta repetidos con ID21475 y ID19867
)
[26] => Array
(
[display] => FGSD-D-023916 - Salvador Dalí and the magazines, Montse Aguer i Teixidor, Juan José Lahuerta, Distribucions d'Art Surrealista, 2008: p. 73
[document] => Array
(
[bibTex] => @misc{Aguer2008, title = {Salvador Dalí and the magazines}, author = {Montse Aguer i Teixidor, Juan José Lahuerta}, publisher = {Distribucions d'Art Surrealista}, address = {[Figueres]}, year = {2008}, date = {2008}, entryorder = {2008-01-01} }
[label] => FGSD-D-023916 - Salvador Dalí and the magazines, Montse Aguer i Teixidor, Juan José Lahuerta, Distribucions d'Art Surrealista, 2008
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/25bd30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023916 - Salvador Dalí and the magazines, Montse Aguer i Teixidor, Juan José Lahuerta, Distribucions d'Art Surrealista, 2008
[$public] =>
[$slug] => 23916
)
)
[$slug] => 23916
[href] => /coeli/FGSD/HeritageObject/25bd30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 73
)
[27] => Array
(
[display] => FGSD-D-019895 - La Vie publique de Salvador Dalí, Centre Georges Pompidou, Musée National d'Art moderne, 1980: p. 25 [Se ha utilizado otro ID para PDF. El ID19896]
[document] => Array
(
[bibTex] => @misc{Centre1980, title = {La Vie publique de Salvador Dalí}, publisher = {Centre Georges Pompidou, Musée National d'Art moderne}, address = {Paris}, year = {1980}, date = {1980}, entryorder = {1980-01-01} }
[label] => FGSD-D-019895 - La Vie publique de Salvador Dalí, Centre Georges Pompidou, Musée National d'Art moderne, 1980
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/b73db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019895 - La Vie publique de Salvador Dalí, Centre Georges Pompidou, Musée National d'Art moderne, 1980
[$public] =>
[$slug] => 19895
)
)
[$slug] => 19895
[href] => /coeli/FGSD/HeritageObject/b73db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 25
[remarks] => Se ha utilizado otro ID para PDF. El ID19896
)
[28] => Array
(
[display] => FGSD-D-021886 - Le Surréalisme et l'amour, Gallimard / Electa, Paris-Musées, 1997: p. 57
[document] => Array
(
[bibTex] => @misc{Gallimard1997, title = {Le Surréalisme et l'amour}, publisher = {Gallimard / Electa, Paris-Musées}, address = {Paris, [París], [S.l.]}, year = {1997}, date = {1997}, entryorder = {1997-01-01} }
[label] => FGSD-D-021886 - Le Surréalisme et l'amour, Gallimard / Electa, Paris-Musées, 1997
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/48b530c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-021886 - Le Surréalisme et l'amour, Gallimard / Electa, Paris-Musées, 1997
[$public] =>
[$slug] => 21886
)
)
[$slug] => 21886
[href] => /coeli/FGSD/HeritageObject/48b530c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 57
)
[29] => Array
(
[display] => FGSD-D-020093 - Les Femmes dans le mouvement surréaliste, Whitney Chadwick, Chêne, 1986: p. 38
[document] => Array
(
[bibTex] => @misc{Chadwick1986, title = {Les Femmes dans le mouvement surréaliste}, author = {Whitney Chadwick}, publisher = {Chêne}, address = {Paris}, year = {1986}, date = {1986}, entryorder = {1986-01-01} }
[label] => FGSD-D-020093 - Les Femmes dans le mouvement surréaliste, Whitney Chadwick, Chêne, 1986
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/7d3eb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-020093 - Les Femmes dans le mouvement surréaliste, Whitney Chadwick, Chêne, 1986
[$public] =>
[$slug] => 20093
)
)
[$slug] => 20093
[href] => /coeli/FGSD/HeritageObject/7d3eb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 38
)
[30] => Array
(
[display] => FGSD-D-047004 - Les Mots et les images, Ceuleers & Van de Velde Booksellers, 2004: p. il. 73
[document] => Array
(
[bibTex] => @misc{Ceuleers2004, title = {Les Mots et les images}, publisher = {Ceuleers & Van de Velde Booksellers}, address = {Antwerpen}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-047004 - Les Mots et les images, Ceuleers & Van de Velde Booksellers, 2004
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/b94813c2-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-047004 - Les Mots et les images, Ceuleers & Van de Velde Booksellers, 2004
[$public] =>
[$slug] => 47004
)
)
[$slug] => 47004
[href] => /coeli/FGSD/HeritageObject/b94813c2-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => il. 73
)
[31] => Array
(
[display] => FGSD-D-020198 - Paul, Max et les autres : Paul Eluard et les surréalistes, L'Albaron, Musée d'Art et d´Histoire, 1993: p. 66
[document] => Array
(
[bibTex] => @misc{L'Albaron1993, title = {Paul, Max et les autres : Paul Eluard et les surréalistes}, publisher = {L'Albaron, Musée d'Art et d´Histoire}, address = {Thonon-les-Bains [Haute-Savoie], Saint-Denis}, year = {1993}, date = {1993}, entryorder = {1993-01-01} }
[label] => FGSD-D-020198 - Paul, Max et les autres : Paul Eluard et les surréalistes, L'Albaron, Musée d'Art et d´Histoire, 1993
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/e63eb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-020198 - Paul, Max et les autres : Paul Eluard et les surréalistes, L'Albaron, Musée d'Art et d´Histoire, 1993
[$public] =>
[$slug] => 20198
)
)
[$slug] => 20198
[href] => /coeli/FGSD/HeritageObject/e63eb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 66
)
[32] => Array
(
[display] => FGSD-D-023257 - Dalí una vida de llibre = Dalí a life in books, Destino [etc.], 2004: p. 118
[document] => Array
(
[bibTex] => @misc{Destino2004, title = {Dalí una vida de llibre = Dalí a life in books}, publisher = {Destino [etc.]}, address = {Barcelona}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023257 - Dalí una vida de llibre = Dalí a life in books, Destino [etc.], 2004
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/96ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023257 - Dalí una vida de llibre = Dalí a life in books, Destino [etc.], 2004
[$public] =>
[$slug] => 23257
)
)
[$slug] => 23257
[href] => /coeli/FGSD/HeritageObject/96ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 118
)
[33] => Array
(
[display] => FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994: p. 48
[document] => Array
(
[bibTex] => @misc{South1994, title = {Salvador Dalí: the early years}, publisher = {South Bank Centre}, address = {[London]}, year = {1994}, date = {1994}, entryorder = {1994-01-01} }
[label] => FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/c23db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994
[$public] =>
[$slug] => 19906
)
)
[$slug] => 19906
[href] => /coeli/FGSD/HeritageObject/c23db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 48
)
[34] => Array
(
[display] => FGSD-D-023518 - Surrealism: two private eyes, the Nesuhi Ertegun and Daniel Filipacchi collections, Guggenheim Museum Publications, 1999: p. 456-459 [dibujos originales y otros relacionados por estar di. bujados en un ejemplar]
[document] => Array
(
[bibTex] => @misc{Guggenheim1999, title = {Surrealism: two private eyes, the Nesuhi Ertegun and Daniel Filipacchi collections}, publisher = {Guggenheim Museum Publications}, address = {New York}, year = {1999}, date = {1999}, entryorder = {1999-01-01} }
[label] => FGSD-D-023518 - Surrealism: two private eyes, the Nesuhi Ertegun and Daniel Filipacchi collections, Guggenheim Museum Publications, 1999
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/9bbb30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023518 - Surrealism: two private eyes, the Nesuhi Ertegun and Daniel Filipacchi collections, Guggenheim Museum Publications, 1999
[$public] =>
[$slug] => 23518
)
)
[$slug] => 23518
[href] => /coeli/FGSD/HeritageObject/9bbb30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 456-459
[remarks] => dibujos originales y otros relacionados por estar di. bujados en un ejemplar
)
[35] => Array
(
[display] => FGSD-D-023335 - It's all Dalí, Museum Boijmans Van Beuningen, 2005: p. 20
[document] => Array
(
[bibTex] => @misc{Museum2005, title = {It's all Dalí}, publisher = {Museum Boijmans Van Beuningen}, address = {Rotterdam}, year = {2005}, date = {2005}, entryorder = {2005-01-01} }
[label] => FGSD-D-023335 - It's all Dalí, Museum Boijmans Van Beuningen, 2005
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/e4ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023335 - It's all Dalí, Museum Boijmans Van Beuningen, 2005
[$public] =>
[$slug] => 23335
)
)
[$slug] => 23335
[href] => /coeli/FGSD/HeritageObject/e4ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 20
)
[36] => Array
(
[display] => FGSD-D-022834 - Salvador Dalí : désirs inassouvis du purisme au surréalisme, 1925-1935, Jean-Louis Gaillemin, La Passage, 2002: p. il. 42, il. 43
[document] => Array
(
[bibTex] => @misc{Gaillemin2002, title = {Salvador Dalí : désirs inassouvis du purisme au surréalisme, 1925-1935}, author = {Jean-Louis Gaillemin}, publisher = {La Passage}, address = {Paris-New York}, year = {2002}, date = {2002}, entryorder = {2002-01-01} }
[label] => FGSD-D-022834 - Salvador Dalí : désirs inassouvis du purisme au surréalisme, 1925-1935, Jean-Louis Gaillemin, La Passage, 2002
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/f6b830c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022834 - Salvador Dalí : désirs inassouvis du purisme au surréalisme, 1925-1935, Jean-Louis Gaillemin, La Passage, 2002
[$public] =>
[$slug] => 22834
)
)
[$slug] => 22834
[href] => /coeli/FGSD/HeritageObject/f6b830c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => il. 42, il. 43
)
[37] => Array
(
[display] => FGSD-D-022288 - Salvador Dalí, la construcción de la imagen : 1925-1930, Fèlix Fanés, Electa, 1999: p. 173 [Se ha utilizado otro ID para PDF. ID22289]
[document] => Array
(
[bibTex] => @misc{Fanés1999, title = {Salvador Dalí, la construcción de la imagen : 1925-1930}, author = {Fèlix Fanés}, publisher = {Electa}, address = {[Madrid]}, year = {1999}, date = {1999}, entryorder = {1999-01-01} }
[label] => FGSD-D-022288 - Salvador Dalí, la construcción de la imagen : 1925-1930, Fèlix Fanés, Electa, 1999
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/dab630c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022288 - Salvador Dalí, la construcción de la imagen : 1925-1930, Fèlix Fanés, Electa, 1999
[$public] =>
[$slug] => 22288
)
)
[$slug] => 22288
[href] => /coeli/FGSD/HeritageObject/dab630c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 173
[remarks] => Se ha utilizado otro ID para PDF. ID22289
)
[38] => Array
(
[display] => FGSD-D-015936 - Dalí i els llibres, Generalitat de Catalunya. Departament de Cultura., 1982: p. 30 [Se ha utilizado otro ID para PDF. El ID18634]
[document] => Array
(
[bibTex] => @misc{Generalitat1982, title = {Dalí i els llibres}, publisher = {Generalitat de Catalunya. Departament de Cultura.}, address = {Barcelona}, year = {1982}, date = {1982}, entryorder = {1982-01-01} }
[label] => FGSD-D-015936 - Dalí i els llibres, Generalitat de Catalunya. Departament de Cultura., 1982
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/632eb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-015936 - Dalí i els llibres, Generalitat de Catalunya. Departament de Cultura., 1982
[$public] =>
[$slug] => 15936-23f7
)
)
[$slug] => 15936-23f7
[href] => /coeli/FGSD/HeritageObject/632eb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 30
[remarks] => Se ha utilizado otro ID para PDF. El ID18634
)
[39] => Array
(
[display] => FGSD-D-022271 - Dalí a knihy, Generalitat de Catalunya. Departament de Cultura., Mediterrània, 1992: p. 14
[document] => Array
(
[bibTex] => @misc{Generalitat1992, title = {Dalí a knihy}, publisher = {Generalitat de Catalunya. Departament de Cultura., Mediterrània}, address = {Barcelona}, year = {1992}, date = {1992}, entryorder = {1992-01-01} }
[label] => FGSD-D-022271 - Dalí a knihy, Generalitat de Catalunya. Departament de Cultura., Mediterrània, 1992
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/c9b630c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022271 - Dalí a knihy, Generalitat de Catalunya. Departament de Cultura., Mediterrània, 1992
[$public] =>
[$slug] => 22271
)
)
[$slug] => 22271
[href] => /coeli/FGSD/HeritageObject/c9b630c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 14
)
[40] => Array
(
[display] => FGSD-D-023362 - Dalí, icono y personaje, Laia Rosa Armengol, Cátedra, 2003: p. 185
[document] => Array
(
[bibTex] => @misc{Armengol2003, title = {Dalí, icono y personaje}, author = {Laia Rosa Armengol}, publisher = {Cátedra}, address = {Madrid}, year = {2003}, date = {2003}, entryorder = {2003-01-01} }
[label] => FGSD-D-023362 - Dalí, icono y personaje, Laia Rosa Armengol, Cátedra, 2003
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/ffba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023362 - Dalí, icono y personaje, Laia Rosa Armengol, Cátedra, 2003
[$public] =>
[$slug] => 23362
)
)
[$slug] => 23362
[href] => /coeli/FGSD/HeritageObject/ffba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 185
)
[41] => Array
(
[display] => FGSD-D-019887 - Dalí y los libros, Mediterrània, 1985: p. 26
[document] => Array
(
[bibTex] => @misc{Mediterrània1985, title = {Dalí y los libros}, publisher = {Mediterrània}, address = {[Barcelona]}, year = {1985}, date = {1985}, entryorder = {1985-01-01} }
[label] => FGSD-D-019887 - Dalí y los libros, Mediterrània, 1985
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/af3db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019887 - Dalí y los libros, Mediterrània, 1985
[$public] =>
[$slug] => 19887
)
)
[$slug] => 19887
[href] => /coeli/FGSD/HeritageObject/af3db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 26
)
[42] => Array
(
[display] => FGSD-D-022020 - Surrealist prints, Harry N. Abrams, 1997: p. 25
[document] => Array
(
[bibTex] => @misc{Harry1997, title = {Surrealist prints}, publisher = {Harry N. Abrams}, address = {New York}, year = {1997}, date = {1997}, entryorder = {1997-01-01} }
[label] => FGSD-D-022020 - Surrealist prints, Harry N. Abrams, 1997
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/ceb530c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022020 - Surrealist prints, Harry N. Abrams, 1997
[$public] =>
[$slug] => 22020
)
)
[$slug] => 22020
[href] => /coeli/FGSD/HeritageObject/ceb530c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 25
)
[43] => Array
(
[display] => FGSD-D-023035 - Dalí : afinitats electives, Generalitat de Catalunya. Departament de Cultura., 2004: p. 452, p. 454
[document] => Array
(
[bibTex] => @misc{Generalitat2004, title = {Dalí : afinitats electives}, publisher = {Generalitat de Catalunya. Departament de Cultura.}, address = {Barcelona}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023035 - Dalí : afinitats electives, Generalitat de Catalunya. Departament de Cultura., 2004
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/b9b930c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023035 - Dalí : afinitats electives, Generalitat de Catalunya. Departament de Cultura., 2004
[$public] =>
[$slug] => 23035
)
)
[$slug] => 23035
[href] => /coeli/FGSD/HeritageObject/b9b930c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 452, p. 454
)
[44] => Array
(
[display] => FGSD-D-022811 - La Révolution surréaliste, Éditions du Centre Pompidou, 2002: p. 65, p. 191
[document] => Array
(
[bibTex] => @misc{Éditions2002, title = {La Révolution surréaliste}, publisher = {Éditions du Centre Pompidou}, address = {Paris}, year = {2002}, date = {2002}, entryorder = {2002-01-01} }
[label] => FGSD-D-022811 - La Révolution surréaliste, Éditions du Centre Pompidou, 2002
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/dfb830c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022811 - La Révolution surréaliste, Éditions du Centre Pompidou, 2002
[$public] =>
[$slug] => 22811
)
)
[$slug] => 22811
[href] => /coeli/FGSD/HeritageObject/dfb830c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 65, p. 191
)
[45] => Array
(
[display] => FGSD-D-020060 - Dalí, els anys joves : 1918-1930, Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí, 1995: p. 43, p.250
[document] => Array
(
[bibTex] => @misc{Generalitat1995, title = {Dalí, els anys joves : 1918-1930}, publisher = {Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí}, address = {Figueres, [Barcelona]}, year = {1995}, date = {1995}, entryorder = {1995-01-01} }
[label] => FGSD-D-020060 - Dalí, els anys joves : 1918-1930, Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí, 1995
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/5c3eb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-020060 - Dalí, els anys joves : 1918-1930, Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí, 1995
[$public] =>
[$slug] => 20060
)
)
[$slug] => 20060
[href] => /coeli/FGSD/HeritageObject/5c3eb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 43, p.250
)
[46] => Array
(
[display] => FGSD-D-020857 - Dalí : la obra y el hombre, Robert Descharnes, Tusquets / Edita, 1984: p. 105 [ver también otro Pdf: 19363. Falta la imagen pdf del p.113 dibujo asociado, La Caza de mariposas]
[document] => Array
(
[bibTex] => @misc{Descharnes1984, title = {Dalí : la obra y el hombre}, author = {Robert Descharnes}, publisher = {Tusquets / Edita}, address = {Lausanne, Barcelona}, year = {1984}, date = {1984}, entryorder = {1984-01-01} }
[label] => FGSD-D-020857 - Dalí : la obra y el hombre, Robert Descharnes, Tusquets / Edita, 1984
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/6f41b7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-020857 - Dalí : la obra y el hombre, Robert Descharnes, Tusquets / Edita, 1984
[$public] =>
[$slug] => 20857
)
)
[$slug] => 20857
[href] => /coeli/FGSD/HeritageObject/6f41b7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 105
[remarks] => ver también otro Pdf: 19363. Falta la imagen pdf del p.113 dibujo asociado, La Caza de mariposas
)
[47] => Array
(
[display] => FGSD-D-022871 - Surrealismus 1919 - 1944 : Dalí, Max Ernst, Magritte, Miró, Picasso..., K20 Kunstsammlung Nordrhein-Westfalen, Hatje Cantz, 2002: p. 65
[document] => Array
(
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[webText] => La Femme visible, primer llibre de Dalí, va ser publicat per les Éditions Surréalistes de París el desembre de 1930, quan l’artista tenia vint-i-sis anys. Dalí va dedicar l’obra íntegrament a Gala Diakonova, que va participar activament en la seva realització durant un període de profunds canvis, tal com el mateix artista explicaria més tard a La vida secreta (1942) (1) . El llibre s’inscriu dins l’original línia editorial de les Éditions Surréalistes, un projecte col·lectiu del grup surrealista iniciat el 1925 (2) .
El frontispici, realitzat en heliogravat, procedeix d’un dibuix a ploma amb tinta xinesa de l’artista. Tant aquesta estampa com els dos dibuixos reproduïts en fototípia –Grup al·legòric i La caça de papallones– estan estretament relacionats amb la pintura L’homme invisible, obra que Dalí va començar al 1929 i que va deixar inacabada.
El frontispici inclou una dedicatòria manuscrita a Gala, la seva musa, gravada directament a la planxa. En lletra minúscula reprodueix versos extrets del poema El Gran Masturbador: “en els cruels ornaments d’or fals / que recobreixen les seves temples delicades i flonges / i imiten / la forma d’una corona imperial / les fines fulles d’acant bronzejat de la qual / s’allarguen / fins a les galtes rosades i imberbes / i continuen les seves fibres dures / fins a fondre-les / en l’alabastre clar del seu clatell / per a Gala Diacanova Salvador Dalí 1930” (3) .
Segons documentació no verificada, el treball d’impressió del frontispici va anar a càrrec de Roger Lacourière (4), mentre que la impressió del llibre va ser realitzada per la impremta Ducros et Colas de París (5). Cadascun dels deu primers exemplars, impresos en paper Japó nacrat, inclou un dibuix original a tinta de l’artista en el marge d’una de les pàgines del llibre.
Els textos teòrics –L’ase podrit, La cabra sanitària, L’amor i el poema El Gran Masturbador– van ser escrits durant l’any 1930 (6). A L’ase podrit, publicat prèviament en el primer número de Le Surréalisme au service de la révolution el juliol del mateix any, Dalí exposa la seva teoria paranoica-crítica: “Crec que s’acosta el temps en què, mitjançant un procés de pensament paranoic i actiu, serà possible (simultàniament amb l’automatisme i altres estats passius) sistematitzar la confusió i contribuir al desprestigi total del món de la realitat. Els nous simulacres que el pensament paranoic pot fer aparèixer sobtadament no només tindran el seu origen en l’inconscient, sinó que la força del poder paranoic es posarà al seu servei” (7).
A més a més, el llibre inclou cinc il·lustracions addicionals: una fotografia de Gala feta per Man Ray l’any 1925, un oli del mateix Dalí de l’any 1930, Dorment cavall lleó invisibles, i tres fotografies d’edificis. D’aquestes darreres, dos edificis de construcció modernista encara existeixen i es conserven: la Casa Lleó Morera, al passeig de Gràcia de Barcelona, dissenyada per Lluís Domènech i Montaner, i la Casa Geli Vergés, obra de l’arquitecte Antonio Alcaide, situada al número 58 del carrer Sant Llàtzer de Figueres.
__________
(1) Dalí, S., The Secret Life of Salvador Dalí, Dial Press New York, 1942, p. 250.
(2) Sebbag, G., Les Éditions surréalistes : 1926-1968, Institut Mémoires de l'édition contemporaine, París, 1993, p. 7.
(3) “dans les cruels ornements en faux or / qui recoubrent (sic) ses tempes delicates et molles / en imitant/ la forme d'une courone imperialle / dont les fines feuilles d'acante bronzé / se prolongent /jusqu'aux joues roses et imberbes / et continuant ses fibres dures / jusqu’à se fondre / dans l'alabastre claire de sa nuque / pour Gala Diacanova Salvador Dalí 1930”.
(4) Michler, R., Löpsinger, L.W., Catalogue Raisonné of Etchings and Mixed-Media Prints 1924-1980, Prestel-Verlag, Múnic, 1994, p. 126.
(5) La Femme visible, “Épreuves ou tirage non relié d'un texte de Salvador Dali publié aux Éditions surréalistes en 1930”, © Association Atelier André Breton 2005 - 2022. La Femme visible (André Breton) (andrebreton.fr). Consultat el 31/08/2023.
(6) “L’Âne Pourri”, “La Chèvre Sanitaire”, “Le Grand Masturbateur” i “L’Amour”, en l’ordre del llibre.
(7) “Je crois qu’est proche le moment où, par un processus de caractère paranoïaque et actif de la pensé, il sera possible (simultanément à l’automatisme et autres états passifs) de systématiser la confusion et de contribuer au discrédit total du monde de la réalité. Les nouveaux simulacres que la pensé paranoïaque peut subitement faire apparaître, non seulement auront leur origine dans l’inconscient, mais aussi la forcé du pouvoir paranoïaque sera mise au Service de celui-ci.”
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[display] => FGSD-D-022250 - Cento libri surrealisti, Centro Di, 1996: p. 85
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[bibTex] => @misc{Centro1996, title = {Cento libri surrealisti}, publisher = {Centro Di}, address = {Firenze}, year = {1996}, date = {1996}, entryorder = {1996-01-01} }
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[webText] => El llibre L’Immaculée Conception d’André Breton i Paul Éluard, amb un frontispici de Dalí, es va acabar d’imprimir el 24 de novembre de 1930 a la impremta Ducros et Colas per encàrrec de les Éditions Surréalistes de París, segons consta al colofó. La il·lustració de Dalí va ser reproduïda en heliogravat amb remarques a la punta seca a partir d’un dibuix a ploma amb tinta xinesa. L’artista també va dissenyar la vinyeta que es va reproduir tant a la coberta com a la portada del llibre.
Els textos, estructurats en quatre seccions –L’Homme (L’home), Les Possessions (Les possessions), Les Médiations (Les mediacions) i Le Jugement Original (El judici original)–, van ser concebuts amb la voluntat de trencar amb les fórmules literàries tradicionals i estan inspirats en la simulació de deliris. El text L’Homme s’havia publicat un mes abans a Le Surréalisme au Service de la Révolution, n. 2, l’octubre de 1930, acompanyat d’altres vinyetes realitzades per Dalí a petició de Breton i Éluard, que van advertir l’artista –tot disculpant-se prèviament– de la necessitat de moderar el contingut de les seves il·lustracions per evitar que la revista fos retirada per “obscenitat” per part dels censors (1).
Dalí també va redactar el full de mà (Prière d’insérer) del llibre, en el qual afirmava: “Si el Primer i el Segon Manifest van ser la declaració del contingut manifest del somni surrealista, LA IMMACULADA CONCEPCIÓ és l’exposició del seu contingut latent” (2).
El frontispici de Dalí al·ludeix de manera literal a un dels aforismes inclosos a Le Jugement Original. Així ho reconeixen André Breton i Paul Éluard en la dedicatòria adreçada a l’artista, en la qual es transcriuen les mateixes paraules: “Exemplar de Salvador Dalí / Fins al nou ordre, fins a la nova ordre / monàstica, és a dir, fins que les / més belles joves adoptin l’escot / en creu: les dues branques horitzontals descobrint / els pits, el peu de la creu nu / al peu del ventre, lleument socarrimats. / la mostra més gran del nostre / afecte, / Paul Éluard André Breton” (3).
__________
(1) Carta de Paul Éluard i André Breton a [Salvador] Dalí, c. 1930. CED. ID 40445.
(2) ID38978 Prière d’insérer.
(3) “Exemplaire de Salvador Dali / Jusqu'à nouvel ordre, jusqu'au nouvel ordre / monastique, c'est à dire jusqu'à ce que les / plus belles jeunes femmes adoptent le décolleté / en croix : les deux branches horizontales décou- / vrant les seins, le pied de la croix nue / au bas du ventre, légèrement roussi". / le plus clair de notre / affection, / Paul Eluard André Breton”. (Totes les traduccions són nostres excepte quan s’indica en nota.)
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[webText] => El poema Artine, de René Char, va ser publicat per les Éditions Surréalistes de París amb un frontispici de Dalí realitzat a partir d’un dibuix a llapis i tinta xinesa reproduït en heliogravat en els trenta primers exemplars. Les al·lusions figuratives de l’artista remeten als grans interrogants metafísics sobre l’amor i la mort evocats en el poema, dedicat “Au silence de celle qui laisse rêveur” (Al silenci del somiador).
René Char va escriure Artine entre setembre i octubre de 1930 a l’hotel-restaurant 3 Moulins, situat al número 8 ter de la rue Saules, a París. Sobre la seva creació, va comentar: “Artine es va realitzar a partir de dos personatges: aquesta jove ofegada, Lola Abba, i la jove que jo havia trobat, tres o quatre anys abans, a la gespa d’un hipòdrom que freqüentava com una terra magnètica” (1).
El colofó del llibre indica que la impremta Ducros et Colas de París va acabar d’imprimir-lo el 25 de novembre de 1930, només un dia després de l’edició de L’Immaculée Conception per la mateixa editorial i impremta. Aquest exemplar nominatiu, imprès per a Gala, està signat per l’autor i conté una dedicatòria a la portadella: “A Gala / a la Gala que es troba en / la nit del temps esplèndid, / del temps surrealista: el temps / de Gala, la meva única amiga / René Char / 12 de gener de 1931” (2).
__________
(1) Sebbag, G., Les Éditions surréalistes : 1926-1968, Institut Mémoires de l'édition contemporaine, p. 60 : “Artine s’est fait à partir de deux personnages : cette jeune femme morte noyée, Lola Abba, et la jeune fille que j’avais rencontrée, trois ou quatre ans auparavant, sur la pelouse d’un hippodrome, lieu fascinant entre tous, que je fréquentais comme une terre magnétique."
(2) “à Gala/ à Gala qui se retrouve dans / la nuit du temps splendide, / du temps surréel : le temps / de Gala, ma seule amie / René Char / 12 Janvier 1931”.
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[webText] => L’exlibris del poeta francès André Breton va ser encarregat probablement durant la tardor de 1930. Dalí va fer un dibuix a tinta xinesa on representa Breton com un os formiguer, el cap del qual evoca la figura del Gran Masturbador envoltat de formigues, insectes que, pel que sembla, tots dos detestaven.
La documentació de l’època mostra que, un any abans, tant Dalí com Breton havien utilitzat la imatge de l’os formiguer en les seves respectives obres. El 24 d’octubre de 1929, el diari Mirador de Barcelona va publicar un article sobre Un chien andalou, acabada d’estrenar a París i a punt de presentar-se a Barcelona, en el qual Dalí indicava que la pel·lícula era una “simple anotació, constatació de fets”. Per il·lustrar aquesta idea amb claredat oferia com a exemple l’os formiguer: “…arriba a tamanys superiors al cavall, posseeix una ferocitat enorme, té una força muscular excepcional, és un animal terrible. L’os formiguer menja únicament formigues valent-se d’una llengua de mig metre de llarg, prima com un fil” (1).
Un mes després, André Breton va comparar Dalí amb un os formiguer. En el prefaci del catàleg de la primera exposició de l’artista a París, inaugurada el 25 de novembre de 1929 a la Galeria Goemans –una mostra que incloïa l’oli El Gran Masturbador (cat. P 235)–, Breton va escriure: “La vida es dona a l’home amb seduccions comparables a les que la llengua de l’os formiguer deu oferir a les formigues” (2).
Una altra mostra de l’estreta complicitat entre tots dos es fa palesa en la carta que Breton va enviar a Dalí el 10 de gener de 1931, poc abans de portar el dibuix a impremta, en la qual demana una rectificació final: “…si encara hi ha temps […] canviar la banderola de l’exlibris de ‘André le fourmilier’ a ‘André le tamanoir’” (3). Així és com apareix en l’exlibris definitiu de Dalí, reproduït en heliogravat en una impremta parisenca.
El poema de Breton, Après le Grand Tamanoir, datat a Lyons-la-Forêt el 20 de maig de 1931, va ser publicat a Le Surréalisme au service de la Revolution n. 3 el desembre del mateix any (4). Posteriorment, Breton el va incloure a Le Revolver à cheveux blancs, volum publicat el juny de 1932 i il·lustrat amb un frontispici de Dalí.
__________
(1) Biblioteca Virtual de Prensa Histórica > Llista de números (mcu.es)
(2) “André Breton : 42, rue Fontaine : tableaux modernes, sculptures, estampes, tableaux anciens”, Calmels Cohen, París, 2003, p. 141. “La vie est donnée à l'homme avec des séductions comparables à celles que doit offrir aux fourmis la langue du fourmilier.”
(3) Memoria de los sueños: Salvador Dalí, 1904-1989, MUVIM 2001, p. 95.
(4) Bonnet, M. (ed.), André Breton Oeuvres complètes II, Éditions Gallimard, 1992, p. 1333. Marguerite Bonnet indica que “La imatge de l’os formiguer […] representa l’espera a la vegada neutra i atenta davant d’éssers i coses, que és per a Breton l’essencial de l’actitud poètica.”
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[webText] => L’antologia de poemes d’André Breton Le Revolver à cheveux blancs està dedicada a Paul Éluard. Els deu primers exemplars van ser il·lustrats amb un frontispici de Salvador Dalí reproduït en heliogravat i aiguafort sobre paper Japó. Segons el colofó, el llibre es va acabar d’imprimir el 25 de juny de 1932 a la Imprimerie Union, per encàrrec d’Éditions des Cahiers Libres de París.
Aquest exemplar en particular presenta remarques en el marge inferior de la planxa, l’anotació “imprimé par Lacourière” (imprès per Lacourière) i les inicials de l’artista en el bisell. Es tracta de l’exemplar que pertany a l’il·lustrador, Salvador Dalí, i inclou una dedicatòria d’André Breton a la portadella: “A Salvador Dalí / al gran mestre dels encanteris / a qui li dec veure amb els meus ulls / allò que adoro / i que és l’ésser que disposa de tot / del meu poder de sorpresa / des del fons del meu cor / el seu amic / André Breton” (1) . L’estampa de Dalí, carregada de misteri i erotisme, sembla captar l’essència poètica del llibre, el desenvolupament líric del qual es concep com un “itinerari natural de l’abraçada amorosa” (2) .
Le Revolver à cheveux blancs forma part d’un conjunt de tres llibres de poesia surrealista publicats simultàniament per l’editorial Éditions des Cahiers Libres sota el lema “Le sujet de ce libre est un être mobile” (El tema d’aquest llibre és un ésser mòbil) (3). Els altres dos volums de la trilogia, La Vie immédiate de Paul Éluard i Où boivent les loups de Tristan Tzara, inclouen tots dos un frontispici de Max Ernst imprès per Roger Lacourière.
__________
(1) “A Salvador Dali / au grand maître des charmes / à qui je dois de voir de mes yeux / ce que j'adore / et qui est l'être disposant entre tous / de ma puissance d'émerveillements / du plus profond du coeur / son ami / André Breton".
(2) Bonnet, M. (ed.), André Breton Oeuvres complètes II, Éditions Gallimard, 1992, p. 1336, cita l’obra de Christine Martineau-Geniez per a qui el poema està “calquée sur l’itinéraire naturel de l’étreinte amoureuse".
(3) Op.cit., p. 1312-1313. Marguerite Bonnet indica que els tres llibres es varen publicar sota el mateix lema: “Le sujet de ce libre est un être mobile”.
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[webText] => Aquesta estampa, datada entre el 1933 i el 1934, correspon a un període en el qual Dalí treballava en les trenta estampes de Les Chants de Maldoror [OG18-47], realitzades per a l’editor Albert Skira, l’editorial del qual es trobava al costat de l’estudi de Picasso, al carrer de la Boétie de París. Cal recordar que Picasso havia il·lustrat el primer projecte editorial de Skira, Les Métamorphoses d’Ovidi, publicat el 1931, amb trenta il·lustracions originals.
Hi ha un petit dibuix pertanyent a la col·lecció que manté una estreta relació amb aquesta estampa. Es tracta d’un esbós sobre paper vegetal semitranslúcid que Dalí va conservar juntament amb proves d’estat de Les Chants de Maldoror en una carpeta al seu taller de Portlligat. L’artista va transferir aquest esbós a una planxa de cel·luloide i, tot seguit, el va incorporar sobre una estampa ja existent de Picasso, Trois baigneuses II.
Es presumeix que Picasso no va ser informat prèviament d’aquesta intervenció, que va transformar l’obra original en una estampa de tipus cadavre exquis, resultat d’una creació a quatre mans entre tots dos artistes.
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[label] => C181 - L'Enfant-sauterelle [L'ENFANT-SAUTERELLE] [estampa (obra visual)], Salvador Dalí i Domènech, (M. Czar o M. Cazou), Les Sources, París, Roger Lacourière, 1933
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L’obra es relaciona estretament amb diverses pintures de Dalí del mateix període, especialment amb l’oli sobre fusta de c. 1933, Moi-même à 10 ans quand j’étais l’enfant-sauterelle (complexe de castration) (Cat. P 208).
__________
(1) Dalí, S., The Secret Life of Salvador Dalí, Dial Press New York, 1942, p. 128-131.
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[label] => C004 - Invitation au souper de la Société du Roman Philosophique [INVITATION AU SOUPER DE LA SOCIÉTÉ DU ROMAN PHILOSOPHIQUE] [Fullet], Salvador Dalí i Domènech, A.R.P., Atelier Lacourière et Frélaut, 1933
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[webText] => Aquesta estampa il·lustra un fulletó commemoratiu imprès en honor al “Ciutadà Sade” (el marquès de Sade), realitzat amb motiu d’un sopar celebrat el 2 de desembre de 1933, en complir-se cent dinou anys de la seva mort. Un dibuix previ de Dalí, realitzat a tinta xinesa i llapis i dedicat per Dalí a Gala amb la inscripció “Dessein especialement fait pour Gala Salvador Dalí 1932” (dibuix realitzat especialment per a Gala), va servir de base per a l’encàrrec. Diverses proves d’estat en aiguafort documenten el procés d’elaboració de l’estampa, mostrant com la planxa va ser finalment retallada de manera fidel al dibuix original i reproduïda en heliogravat amb remarques a l’aiguafort, adaptant-se al format del fulletó.
La il·lustració de Dalí va despertar un interès notable entre els membres de la Société du Roman Philosophique, tal com revela una carta enviada a l’artista per Maurice Heine, escriptor i editor francès, datada el 31 d’octubre de 1933, en la qual li comunicava l’interès general per conèixer la seva obra i satisfer la curiositat dels seus col·legues (1).
La data de realització de la il·lustració coincideix amb els anys en què Maurice Heine va dedicar els seus estudis i edicions a l’obra del marquès de Sade. Entre 1931 i 1935 va transcriure l’escriptura microscòpica de Les 120 Journées de Sodome, manuscrit redactat en un rotlle de dotze metres per Sade durant el seu empresonament a la Bastilla de París l’any 1785.
El fulletó del sopar anava adreçat als “Ciutadans i les Ciutadanes actius” de l’associació Société du Roman Philosophique, i exaltava el republicanisme de Sade, que havia estat nomenat secretari dels Piques el 1792, en plena Revolució Francesa. Sade va morir el “12 Frimaire an XXIII” (2 de desembre de 1814), data expressada segons el calendari republicà vigent en aquella època (2).
__________
(1) ID39174, CED, Fundació Gala-Salvador Dalí.
(2) En el calendari republicà francès, els dies es varen associar a plantes, animals, minerals o eines, i el 12 Frimaire correspon a Amoracia rusticana, una espècie de rave picant.
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[page] => 17-19
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[display] => FGSD-D-015619 - Salvador Dalí: obra gráfica, ciclos literarios, Casa del Monte de Piedad, 1982: p. 43-57
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[page] => 43-57
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[display] => FGSD-D-020031 - Dalí verdadero / grabado falso : la obra impresa 1930-1934, Mason, Rainer Michael, IVAM. Centre Julio González, 1992: p. 25-49
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[label] => FGSD-D-020031 - Dalí verdadero / grabado falso : la obra impresa 1930-1934, Mason, Rainer Michael, IVAM. Centre Julio González, 1992
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[page] => 25-49
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[display] => FGSD-D-015744 - Vingt ans d'activité, Skira, Albert, Albert Skira, 1948: p. 67 [sugerencia de René Crevel a Skira]
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[label] => FGSD-D-015744 - Vingt ans d'activité, Skira, Albert, Albert Skira, 1948
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[display] => FGSD-D-016166 - Les Peintres et le livre, Benno Schwabe, 1957: p. 195 [Tirada y precio]
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[bibTex] => @misc{Benno1957, title = {Les Peintres et le livre}, publisher = {Benno Schwabe}, address = {Genève}, year = {1957}, date = {1957}, entryorder = {1957-01-01} }
[label] => FGSD-D-016166 - Les Peintres et le livre, Benno Schwabe, 1957
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[href] => /coeli/FGSD/HeritageObject/442fb7c0-42ec-e411-9471-00155d647f0b
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[page] => 195
[remarks] => Tirada y precio
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[11] => Array
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[display] => FGSD-D-019895 - La Vie publique de Salvador Dalí, Centre Georges Pompidou, Musée National d'Art moderne, 1980: p. 38 [anuncio edición/ solamente refiere a la edicion - sin ilustraciones del libro]
[document] => Array
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[bibTex] => @misc{Centre1980, title = {La Vie publique de Salvador Dalí}, publisher = {Centre Georges Pompidou, Musée National d'Art moderne}, address = {Paris}, year = {1980}, date = {1980}, entryorder = {1980-01-01} }
[label] => FGSD-D-019895 - La Vie publique de Salvador Dalí, Centre Georges Pompidou, Musée National d'Art moderne, 1980
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[$slug] => 19895
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[page] => 38
[remarks] => anuncio edición/ solamente refiere a la edicion - sin ilustraciones del libro
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[12] => Array
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[display] => FGSD-D-015622 - Dalí, Museum Boymans-van Beuningen, 1970: p. 161 [Explicación Dalí sobre referencias a Angelus de Millet en C de M]
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[bibTex] => @misc{Museum1970, title = {Dalí}, publisher = {Museum Boymans-van Beuningen}, address = {Rotterdam}, year = {1970}, date = {1970}, entryorder = {1970-01-01} }
[label] => FGSD-D-015622 - Dalí, Museum Boymans-van Beuningen, 1970
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[$slug] => 15622
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[$slug] => 15622
[href] => /coeli/FGSD/HeritageObject/3e2db7c0-42ec-e411-9471-00155d647f0b
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[page] => 161
[remarks] => Explicación Dalí sobre referencias a Angelus de Millet en C de M
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[13] => Array
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[display] => FGSD-D-021556 - Salvador Dalí, 200 gravures, Ville de Paris (Marie annexe du 5e arrondissement), 1982: p. 2
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[bibTex] => @misc{Ville1982, title = {Salvador Dalí, 200 gravures}, publisher = {Ville de Paris (Marie annexe du 5e arrondissement)}, address = {Paris}, year = {1982}, date = {1982}, entryorder = {1982-01-01} }
[label] => FGSD-D-021556 - Salvador Dalí, 200 gravures, Ville de Paris (Marie annexe du 5e arrondissement), 1982
[hierarchy] => Array
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[$slug] => 21556
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[$slug] => 21556
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[page] => 2
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[14] => Array
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[display] => FGSD-D-024250 - Dalí : afinidades electivas, Generalitat de Catalunya. Departament de Cultura., 2004: p. p. 352, p. 367-414
[document] => Array
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[label] => FGSD-D-024250 - Dalí : afinidades electivas, Generalitat de Catalunya. Departament de Cultura., 2004
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[$slug] => 24250
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[display] => FGSD-D-021908 - Dalí à Clermont-Ferrand, Musée Bargoin, Pierre Argilet, 1989: p. s.p.
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[label] => FGSD-D-021908 - Dalí à Clermont-Ferrand, Musée Bargoin, Pierre Argilet, 1989
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[$slug] => 21908
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[$slug] => 21908
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[16] => Array
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[display] => FGSD-D-022207 - Livres modernes illustrés, Librairie André Cottet, 1966: p. 24
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[bibTex] => @misc{Librairie1966, title = {Livres modernes illustrés}, publisher = {Librairie André Cottet}, address = {Genève}, year = {1966}, date = {1966}, entryorder = {1966-01-01} }
[label] => FGSD-D-022207 - Livres modernes illustrés, Librairie André Cottet, 1966
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[$slug] => 22207
[href] => /coeli/FGSD/HeritageObject/89b630c1-42ec-e411-9471-00155d647f0b
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[page] => 24
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[17] => Array
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[display] => FGSD-D-019878 - 400 obras de Salvador Dalí de 1914 a 1983, Obra Cultural de la Caixa de Pensions, 1983: p. 107 [Texto rel. p.108]
[document] => Array
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[bibTex] => @misc{Obra1983, title = {400 obras de Salvador Dalí de 1914 a 1983}, publisher = {Obra Cultural de la Caixa de Pensions}, address = {[Madrid]}, year = {1983}, date = {1983}, entryorder = {1983-01-01} }
[label] => FGSD-D-019878 - 400 obras de Salvador Dalí de 1914 a 1983, Obra Cultural de la Caixa de Pensions, 1983
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[$public] =>
[$slug] => 19878
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[$slug] => 19878
[href] => /coeli/FGSD/HeritageObject/a63db7c0-42ec-e411-9471-00155d647f0b
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[page] => 107
[remarks] => Texto rel. p.108
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[18] => Array
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[display] => FGSD-D-020857 - Dalí : la obra y el hombre, Robert Descharnes, Tusquets / Edita, 1984: p. 144-145 [p.131, pintura associada, p. 154 folleto de promoción]
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[bibTex] => @misc{Descharnes1984, title = {Dalí : la obra y el hombre}, author = {Robert Descharnes}, publisher = {Tusquets / Edita}, address = {Lausanne, Barcelona}, year = {1984}, date = {1984}, entryorder = {1984-01-01} }
[label] => FGSD-D-020857 - Dalí : la obra y el hombre, Robert Descharnes, Tusquets / Edita, 1984
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[page] => 144-145
[remarks] => p.131, pintura associada, p. 154 folleto de promoción
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[19] => Array
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[display] => FGSD-D-022810 - Dalí il·lustrador : Salvador Dalí, 1904-1989, Govern d'Andorra. Ministeri de Turisme i Cultura, 2001: p. 78-79
[document] => Array
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[bibTex] => @misc{Govern2001, title = {Dalí il·lustrador : Salvador Dalí, 1904-1989}, publisher = {Govern d'Andorra. Ministeri de Turisme i Cultura}, address = {Andorra}, year = {2001}, date = {2001}, entryorder = {2001-01-01} }
[label] => FGSD-D-022810 - Dalí il·lustrador : Salvador Dalí, 1904-1989, Govern d'Andorra. Ministeri de Turisme i Cultura, 2001
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[$slug] => 22810
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[page] => 78-79
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[display] => FGSD-D-019831 - Salvador Dalí, Musée des Beaux-Arts, 1990: p. 65-79 [p. 64 texto]
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[bibTex] => @misc{Musée1990, title = {Salvador Dalí}, publisher = {Musée des Beaux-Arts}, address = {Montréal}, year = {1990}, date = {1990}, entryorder = {1990-01-01} }
[label] => FGSD-D-019831 - Salvador Dalí, Musée des Beaux-Arts, 1990
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[$public] =>
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[$slug] => 19831
[href] => /coeli/FGSD/HeritageObject/773db7c0-42ec-e411-9471-00155d647f0b
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[page] => 65-79
[remarks] => p. 64 texto
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[21] => Array
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[display] => FGSD-D-020042 - Salvador Dalí, Pablo Picasso, Pablo Picasso, Salvador Dalí : a preliminary study in their similarities and contrast, A. Reynolds Morse, The Salvador Dalí Museum, 1973: p. 16
[document] => Array
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[page] => 16
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[22] => Array
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[display] => FGSD-D-022142 - Dalí monumental, Museu de Arte de Sao Paulo Assis Chateaubriand, 1998: p. 63-77
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[label] => FGSD-D-022142 - Dalí monumental, Museu de Arte de Sao Paulo Assis Chateaubriand, 1998
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[page] => 63-77
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[23] => Array
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[display] => FGSD-D-023542 - Dali's universe and masterpieces of surrealists, The Museum of Art, [2006]: p. 47-57
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[bibTex] => @misc{TheMuseum2006, title = {Dali's universe and masterpieces of surrealists}, publisher = {The Museum of Art}, address = {Ehime (Japó)}, year = {2006}, date = {[2006]}, entryorder = {2006-01-01} }
[label] => FGSD-D-023542 - Dali's universe and masterpieces of surrealists, The Museum of Art, [2006]
[hierarchy] => Array
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[$slug] => 23542
[href] => /coeli/FGSD/HeritageObject/b2bb30c1-42ec-e411-9471-00155d647f0b
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[page] => 47-57
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[24] => Array
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[display] => FGSD-D-023227 - Dalí, Bompiani, 2004: p. 213-219
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[bibTex] => @misc{Bompiani2004, title = {Dalí}, publisher = {Bompiani}, address = {[Milà]}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023227 - Dalí, Bompiani, 2004
[hierarchy] => Array
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[$public] =>
[$slug] => 23227
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[$slug] => 23227
[href] => /coeli/FGSD/HeritageObject/78ba30c1-42ec-e411-9471-00155d647f0b
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[page] => 213-219
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[25] => Array
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[display] => FGSD-D-021574 - Salvador Dalí : oeuvres anciennes, Galerie André-François Petit, [1970]: p. 14-23
[document] => Array
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[bibTex] => @misc{Galerie1970, title = {Salvador Dalí : oeuvres anciennes}, publisher = {Galerie André-François Petit}, address = {Paris}, year = {1970}, date = {[1970]}, entryorder = {1970-01-01} }
[label] => FGSD-D-021574 - Salvador Dalí : oeuvres anciennes, Galerie André-François Petit, [1970]
[hierarchy] => Array
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[0] => Array
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[href] => /coeli/FGSD/HeritageObject/14b430c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-021574 - Salvador Dalí : oeuvres anciennes, Galerie André-François Petit, [1970]
[$public] =>
[$slug] => 21574
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[$slug] => 21574
[href] => /coeli/FGSD/HeritageObject/14b430c1-42ec-e411-9471-00155d647f0b
[$public] =>
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[page] => 14-23
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[26] => Array
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[display] => FGSD-D-015721 - Salvador Dalí, Städtische Galerie und Städelsche Kunstinstitut, 1974: p. 55 [Celuloide (?) de nariz. Estudi preliminar]
[document] => Array
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[bibTex] => @misc{Städtische1974, title = {Salvador Dalí}, publisher = {Städtische Galerie und Städelsche Kunstinstitut}, address = {Frankfurt am main}, year = {1974}, date = {1974}, entryorder = {1974-01-01} }
[label] => FGSD-D-015721 - Salvador Dalí, Städtische Galerie und Städelsche Kunstinstitut, 1974
[hierarchy] => Array
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[label] => FGSD-D-015721 - Salvador Dalí, Städtische Galerie und Städelsche Kunstinstitut, 1974
[$public] =>
[$slug] => 15721
)
)
[$slug] => 15721
[href] => /coeli/FGSD/HeritageObject/9f2db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
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[page] => 55
[remarks] => Celuloide (?) de nariz. Estudi preliminar
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[27] => Array
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[display] => FGSD-D-015748 - A new introduction to Salvador Dalí, A. Reynolds Morse, Reynolds Morse, 1960: p. 61 [p. 60 dibujo asociado]
[document] => Array
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[bibTex] => @misc{Morse1960, title = {A new introduction to Salvador Dalí}, author = {A. Reynolds Morse}, publisher = {Reynolds Morse}, address = {Cleveland}, year = {1960}, date = {1960}, entryorder = {1960-01-01} }
[label] => FGSD-D-015748 - A new introduction to Salvador Dalí, A. Reynolds Morse, Reynolds Morse, 1960
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[$public] =>
[$slug] => 15748
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[display] => FGSD-D-024610 - Modern painters and sculptors as illustrators, Museum of Modern Art, 1936: p. 56
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[page] => 161
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[display] => FGSD-D-019270 - PsicoDálico Dalí, Luis Romero, Mediterranea, 1991: p. 79
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[display] => FGSD-D-019334 - Rétrospective Salvador Dalí 1982, Edition Art Life, 1982: p. il. 64-1 - 42
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[label] => FGSD-D-019334 - Rétrospective Salvador Dalí 1982, Edition Art Life, 1982
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[display] => FGSD-D-019348 - Salvador Dalí, catalogue raisonné of etchings and mixed-media prints 1924-1980, Prestel, 1994: p. 32 - 35, 128-134
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[display] => FGSD-D-023257 - Dalí una vida de llibre = Dalí a life in books, Destino [etc.], 2004: p. 102-103, 129
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[display] => FGSD-D-023518 - Surrealism: two private eyes, the Nesuhi Ertegun and Daniel Filipacchi collections, Guggenheim Museum Publications, 1999: p. 462-465
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[page] => 462-465
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[display] => FGSD-D-023335 - It's all Dalí, Museum Boijmans Van Beuningen, 2005: p. 300 [Dibujos preparatorios FGSD]
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[display] => FGSD-D-019870 - Salvador Dalí : exhibition - Japan 1964, Mainichi Newspaper, 1964: p. 49, 51-53, 56 [celuloides y dibujos preparatorios ]
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[label] => FGSD-D-019870 - Salvador Dalí : exhibition - Japan 1964, Mainichi Newspaper, 1964
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[display] => FGSD-D-053055 - Salvador Dali "Hommage à Albrecht Dürer" : gravures, Hautil, 1971: p. 20-23
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[88] => Array
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[display] => FGSD-D-024214 - Salvador Dalí : Les Chants de Maldoror, 1934, Distribucions d'Art Surrealista (DAS), 2010: p. 21-127
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[bibTex] => @misc{Distribucions2010, title = {Salvador Dalí : Les Chants de Maldoror, 1934}, publisher = {Distribucions d'Art Surrealista (DAS)}, address = {[Figueres]}, year = {2010}, date = {2010}, entryorder = {2010-01-01} }
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[display] => FGSD-D-023524 - Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, Hatje Cantz, 2006: p. 66-67
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[bibTex] => @misc{Hatje2006, title = {Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier}, publisher = {Hatje Cantz}, address = {Ostfildern}, year = {2006}, date = {2006}, entryorder = {2006-01-01} }
[label] => FGSD-D-023524 - Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, Hatje Cantz, 2006
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[page] => 66-67
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[display] => FGSD-D-020178 - Der Surrealismus : 1919 - 1939, Gaëtan Picon, Skira, Wasmuth, 1988: p. 21
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[bibTex] => @misc{Picon1988, title = {Der Surrealismus : 1919 - 1939}, author = {Gaëtan Picon}, publisher = {Skira, Wasmuth}, address = {Tübingen, Genève}, year = {1988}, date = {1988}, entryorder = {1988-01-01} }
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[$slug] => 20178
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[page] => 21
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[91] => Array
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[display] => FGSD-D-023682 - Salvador Dalí: an illustrated life, Tate Publishing, Fundació Gala-Salvador Dalí, Sociedad Estatal de Conmemoraciones Culturales - Ministerio de Cultura, 2007: p. 95
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[page] => 95
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[92] => Array
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[display] => FGSD-D-023249 - Salvador Dalí i Federico García Lorca : la persistència de la memòria, Viena, Generalitat de Catalunya. Departament de Cultura., 2004: p. 128
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[bibTex] => @misc{Viena2004, title = {Salvador Dalí i Federico García Lorca : la persistència de la memòria}, publisher = {Viena, Generalitat de Catalunya. Departament de Cultura.}, address = {Barcelona}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023249 - Salvador Dalí i Federico García Lorca : la persistència de la memòria, Viena, Generalitat de Catalunya. Departament de Cultura., 2004
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[label] => FGSD-D-023249 - Salvador Dalí i Federico García Lorca : la persistència de la memòria, Viena, Generalitat de Catalunya. Departament de Cultura., 2004
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[page] => 128
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[93] => Array
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[display] => FGSD-D-021526 - Dalí : peintures, sculptures, dessins, [Salon de Montrouge], 1977: p. 2
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[page] => 2
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[94] => Array
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[display] => FGSD-D-023409 - Dalí aranykor = Dalí golden age, Mücsarnok Kunsthalle, 2005: p. s.n.
[document] => Array
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[$slug] => 23409
[href] => /coeli/FGSD/HeritageObject/2ebb30c1-42ec-e411-9471-00155d647f0b
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[page] => s.n.
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[95] => Array
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[display] => FGSD-D-022020 - Surrealist prints, Harry N. Abrams, 1997: p. p. 24, p.50 i p.51
[document] => Array
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[bibTex] => @misc{Harry1997, title = {Surrealist prints}, publisher = {Harry N. Abrams}, address = {New York}, year = {1997}, date = {1997}, entryorder = {1997-01-01} }
[label] => FGSD-D-022020 - Surrealist prints, Harry N. Abrams, 1997
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[page] => p. 24, p.50 i p.51
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[96] => Array
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[display] => FGSD-D-030563 - Salvador Dalí, an exhibition, The Cleveland Museum of Art, 1947: p. nº45-68
[document] => Array
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[page] => nº45-68
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[97] => Array
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[display] => FGSD-D-015534 - Le Mythe tragique de l'Angélus de Millet : interprétation "paranoïaque-critique", Salvador Dalí, Jean-Jacques Pauvert, 1963: p. 94 [p.96 dib.associado Homage Millet]
[document] => Array
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[page] => 94
[remarks] => p.96 dib.associado Homage Millet
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[98] => Array
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[display] => FGSD-D-053723 - 1 pàgina de Minotaure, any 1, núm. 3-4, 12 de desembre 1933, [Facsímil], Minotaure, 01/1924: p. s. p. [Primer estado aguafuertes]
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[label] => FGSD-D-053723 - 1 pàgina de Minotaure, any 1, núm. 3-4, 12 de desembre 1933, [Facsímil], Minotaure, 01/1924
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[$slug] => 53723
[href] => /coeli/FGSD/HeritageObject/cd1c79e7-4fee-e411-9471-00155d647f0b
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[page] => s. p.
[remarks] => Primer estado aguafuertes
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[99] => Array
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[display] => FGSD-D-018935 - Dalí und die Bücher, Generalitat de Catalunya. Departament de Cultura., 1983: p. 38-39
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[$slug] => 18935
[href] => /coeli/FGSD/HeritageObject/fa39b7c0-42ec-e411-9471-00155d647f0b
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[page] => 38-39
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[100] => Array
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[display] => FGSD-D-051131 - Salvador Dalí. Graphik-Folgen, Schleswig-Holsteinischer Kunstverein, 1972: p. nº2
[document] => Array
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[bibTex] => @misc{Schleswig-Holsteinischer1972, title = {Salvador Dalí. Graphik-Folgen}, publisher = {Schleswig-Holsteinischer Kunstverein}, address = {Kiel}, year = {1972}, date = {1972}, entryorder = {1972-01-01} }
[label] => FGSD-D-051131 - Salvador Dalí. Graphik-Folgen, Schleswig-Holsteinischer Kunstverein, 1972
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[$slug] => 51131
[href] => /coeli/FGSD/HeritageObject/cc5813c2-42ec-e411-9471-00155d647f0b
[$public] =>
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[page] => nº2
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[101] => Array
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[display] => FGSD-D-072483 - Atelier Lacourie`re-Frelaut ou 50 ans de gravure et d'imprimerie en taille-douce : 1929-1979, Muse´e d'Art Moderne de la Ville de Paris, 1979: p. núm. 84 [indica 44 planchas al aguafuerte]
[document] => Array
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[label] => FGSD-D-072483 - Atelier Lacourie`re-Frelaut ou 50 ans de gravure et d'imprimerie en taille-douce : 1929-1979, Muse´e d'Art Moderne de la Ville de Paris, 1979
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[$slug] => 72483
[href] => /coeli/FGSD/HeritageObject/b9a61ec4-e654-e711-b00a-00155d642705
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[page] => núm. 84
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[102] => Array
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[display] => FGSD-D-074687 - Dali : poetics of the small, 1929-1936, Meadows Museum, 2018: p. 132
[document] => Array
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[bibTex] => @misc{Meadows2018, title = {Dali : poetics of the small, 1929-1936}, publisher = {Meadows Museum}, address = {Dallas}, year = {2018}, date = {2018}, entryorder = {2018-01-01} }
[label] => FGSD-D-074687 - Dali : poetics of the small, 1929-1936, Meadows Museum, 2018
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[$slug] => 74687
[href] => /coeli/FGSD/HeritageObject/2e979b59-f21e-e911-b03d-00155d64a700
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[page] => 132
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[103] => Array
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[display] => FGSD-D-022871 - Surrealismus 1919 - 1944 : Dalí, Max Ernst, Magritte, Miró, Picasso..., K20 Kunstsammlung Nordrhein-Westfalen, Hatje Cantz, 2002: p. 219
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[label] => FGSD-D-022871 - Surrealismus 1919 - 1944 : Dalí, Max Ernst, Magritte, Miró, Picasso..., K20 Kunstsammlung Nordrhein-Westfalen, Hatje Cantz, 2002
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[$slug] => 22871
[href] => /coeli/FGSD/HeritageObject/1ab930c1-42ec-e411-9471-00155d647f0b
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[page] => 219
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[104] => Array
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[display] => FGSD-D-063865 - Media - Dalí, K11 Art Foundation, Shanghai Culture Publishing House, 2015: p. 123 [No publicar ilustraciones que corresponden al folleto de anuncio]
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[label] => FGSD-D-063865 - Media - Dalí, K11 Art Foundation, Shanghai Culture Publishing House, 2015
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[page] => 123
[remarks] => No publicar ilustraciones que corresponden al folleto de anuncio
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[105] => Array
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[display] => FGSD-D-046181 - Das Endlose rätsel : Dalí und die magier der mehrdeutigkeit, Hatje Cantz, 2003: p. 43 [Dibujo asociado]
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[bibTex] => @misc{Hatje2003, title = {Das Endlose rätsel : Dalí und die magier der mehrdeutigkeit}, publisher = {Hatje Cantz}, address = {Ostfildern-Ruit}, year = {2003}, date = {2003}, entryorder = {2003-01-01} }
[label] => FGSD-D-046181 - Das Endlose rätsel : Dalí und die magier der mehrdeutigkeit, Hatje Cantz, 2003
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[$slug] => 46181
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[page] => 43
[remarks] => Dibujo asociado
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[106] => Array
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[display] => FGSD-D-019272 - Tout Dalí en un visage, Luis Romero, Chêne, 1975: p. 78-81 [Pinturas:Gala avec côtelette; Spectre Sex-Appeal; fotos rel.]
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[bibTex] => @misc{Romero1975, title = {Tout Dalí en un visage}, author = {Luis Romero}, publisher = {Chêne}, address = {Paris}, year = {1975}, date = {1975}, entryorder = {1975-01-01} }
[label] => FGSD-D-019272 - Tout Dalí en un visage, Luis Romero, Chêne, 1975
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[$slug] => 19272
[href] => /coeli/FGSD/HeritageObject/4a3bb7c0-42ec-e411-9471-00155d647f0b
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[page] => 78-81
[remarks] => Pinturas:Gala avec côtelette; Spectre Sex-Appeal; fotos rel.
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[107] => Array
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[display] => FGSD-D-030563 - Salvador Dalí, an exhibition, The Cleveland Museum of Art, 1947: p. 45-68 [no ilustrado]
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[label] => FGSD-D-030563 - Salvador Dalí, an exhibition, The Cleveland Museum of Art, 1947
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[page] => 45-68
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[createdAt] => 2025-07-02T15:38:00.605885Z
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[physicalDescription] => Llibre; en estoig amb estampes.
Carpeta d'època amb proves preparatòries.
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[label] => C007 - Les Chants de Maldoror [LES CHANTS DE MALDOROR] [CARPETA, prova, Llibre, estampa (obra visual)], Salvador Dalí i Domènech, Isidore Ducasse, comte de Lautréamont, Albert Skira, Roger Lacourière, Philippe Gonin, 1934
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[webText] => El llibre Les Chants de Maldoror, il·lustrat per Salvador Dalí, data de 1934 i va ser fruit de l’encàrrec de l’editor suís Albert Skira, en plena època surrealista de l’artista. Els trenta heliogravats i les dotze vinyetes que l’acompanyen evidencien la profunda sintonia entre el jove artista i el malaguanyat poeta Isidore Ducasse, autoproclamat comte de Lautréamont (1846–1870), que va morir en l’anonimat als vint-i-quatre anys.
L’obra més coneguda de Lautréamont, Les Chants de Maldoror, va ser exaltada pels surrealistes tant pel seu esperit de rebel·lia davant la societat com per l’originalitat del seu llenguatge poètic. L’estructura rítmica i lírica del text troba el seu equivalent visual en les associacions repetitives i simbòliques presents a les estampes de Dalí. L’edició final, obra mestra de la il·lustració surrealista, és considerada una obra seminal en la trajectòria de l’artista.
Les nombroses proves conservades en el llegat de Dalí documenten el llarg procés de creació i evolució de les estampes, la impressió de les quals es va dur a terme a París per Roger Lacourière (gravat) i Philippe Gonin (tipografia).
Tanmateix, els problemes financers de l’editor l’any 1934 van afectar la producció: el tiratge final es va reduir a uns 120 exemplars, en lloc dels 210 exemplars previstos segons el colofó del llibre.
L’any 1973, es va publicar finalment una segona edició de Les Chants de Maldoror, concebuda per completar la impressió dels exemplars pendents des de 1934.
[$slug] => LES CHANTS DE MALDOROR
[distinguishingFeatures] => Exemplar núm. 52, amb 30 estampes principals.
Per mostrar el treball de realització de l'edició, s'han associat a aquest exemplar un conjunt de proves prèvies. Aquestes provenen de la carpeta d'època que Dalí va fer servir i que tenia guardada al seu taller a Portlligat.
El conjunt de proves mostra el desenvolupament de la imatge, referenciant diferents estats i versions, fins a arribar a l’ estampa definitiva.
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[label] => C091 - Onan [ONAN] [Llibre], Salvador Dalí i Domènech, Georges Hugnet, Éditions Surréalistes, Roger Lacourière, Imprimerie Grou-Radenez, 1934
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[webText] => L’any 1934 es va publicar el llibre Onan, del poeta Georges Hugnet (1906–1974), editat per Éditions Surréalistes de París. Del tiratge total, setanta-set exemplars van ser il·lustrats amb un frontispici de Salvador Dalí reproduït en heliogravat i imprès pels Ateliers Lacourière. Segons el colofó, el llibre es va acabar d’imprimir el 10 de juny de 1934 a la impremta Grou-Radenez.
El títol del llibre fa referència a un episodi del Gènesi (Antic Testament). Onan, un personatge rebel, és condemnat a mort per la justícia divina per haver malgastat la seva llavor i haver-se negat a casar-se amb la vídua del seu germà Er (1). En aquest heliogravat, Dalí fa palesa la seva afinitat amb els versos d’Hugnet, marcats pel desig sexual, la solitud i l’exclusió. En una planxa carregada d’“espasmo-grafismes”, l’artista va inscriure la frase: “’ESPASMO-GRAFISME’ OBTENU AVEC LA MAIN GAUCHE PENDANT / QU'AVEC LA MAIN DROITE JE ME MASTURBE JUSQU'AU SANG / JUSQU'AU L'OS JUSQU'AU HÈLICES DU / CALICE’”. (“‘Espasme-grafisme’ obtingut amb la mà esquerra mentre / amb la mà dreta em masturbo fins a la sang / fins a l’os fins a les hèlixs del / calze”).
El tema de l’onanisme, ja present en l’obra pictòrica de l’artista des de 1927, apareix de manera velada a Aparell i mà (Cat. P 195) i s’exposa obertament el 1930 tant en el seu poema El Gran Masturbador com en l’oli Rostre del Gran Masturbador (Cat. P 235).
__________
(1) Gènesi 38.9-10, BCI - Bíblia catalana, traducció interconfessional, Associació Bíblica de Catalunya: “Però Onan, sabent que el fill que naixeria no seria seu, cada cop que tenia relacions amb la seva cunyada deixava caure el semen a terra per no donar descendència al seu germà.”
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[label] => CFE006 - Fantastic beach scene [FANTASTIC BEACH SCENE] [estampa (obra visual)], 1935
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[webText] => Aquest gravat fa palesa l’estreta complicitat entre Salvador Dalí i el poeta anglès Edward James, que es van conèixer a Palamós, a la Costa Brava, durant l’estiu de 1935, a Mas Juny, la masia del pintor català de renom internacional Josep Maria Sert i Badia (1874–1945).
La dedicatòria “A Edward James”, juntament amb la composició de l’estampa –que incorpora motius inspirats en Les Chants de Maldoror i en el paisatge de la costa catalana– suggereix que la realització coincideix amb l’inici de la profunda amistat que tots dos van mantenir durant els anys en què Edward James es va convertir en mecenes de Dalí [vegeu OG 020].
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[webText] => El llibre Grains et Issues –subtitulat Rêve Expérimental– del poeta romanès Tristan Tzara (1896–1963), un dels fundadors del moviment Dadà, va ser publicat per Les Éditions Denoël et Steele de París. Segons el colofó, el llibre es va acabar d’imprimir el 20 de febrer de 1935 a la Imprimerie de Charles Bulens. El volum inclou un frontispici de Salvador Dalí, reproduït en heliogravat i aiguafort en els quinze primers exemplars, i una dedicatòria a la portadella a Louis Broder, figura destacada del món editorial de l’època.
De manera anàloga al mètode paranoic-crític de Dalí, Tzara proposa que l’activitat delirant substitueixi conscientment la inspiració poètica (1). En la seva narrativa, l’autor descriu “una superestructura lírica, els elements de la qual deriven de l’estructura mateixa i que, tan aviat com es realitza, actua sobre aquesta des de l’alçada del seu nou poder. Sap desenvolupar en ocasions la seva virulència, fins al punt de soscavar el sentit d’aquesta estructura, corrompre-la, aixecar-la i destruir-la en la seva essència” (2).
El text de Tzara troba la seva correspondència visual en l’estampa de Dalí, el ritme accelerat de la qual remet als dibuixos realitzats durant la seva primera visita als Estats Units, el novembre de 1934. No obstant això, el rerefons destructiu que es percep en l’obra coincideix amb el clima europeu de l’època, al qual també al·ludeix Tzara en el seu text.
__________
(1) p. 213.
(2) “Rêve Expérimental, est ‘une superstructure lyrique, dont les éléments dérivent de la structure même et qui, aussitôt réalisée, agit sur cette dernière du haut de sa nouvelle puissance. Elle sait à l’occasion développer sa virulence, au point de miner la signification de cette structure, de la corrompre, de la soulever et de l’anéantir dans son essence.”, p. 210.
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Edward F. W. James (1907–1984), excèntric filantrop anglès, a més de poeta i col·leccionista d’art surrealista, va conèixer Dalí l’any 1935 [vegeu OG 026] i es va convertir en un dels seus principals mecenes.
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[webText] => El llibre de poemes Cours Naturel, de Paul Éluard (1895–1952), data de 1938. Va ser publicat per Éditions du Sagittaire de París i està dedicat a Nusch, l’esposa de l’autor. Conté un frontispici de Dalí reproduït en aiguafort en els quinze primers exemplars, impresos en paper Chine i Hollande. Segons el colofó, el llibre es va acabar d’imprimir el 10 de març de 1938 a la impremta d’Henri Jourde de París.
El full de mà de Cours naturel va ser redactat per André Breton, que va escriure: “Deslligar, alliberar al cim de la vida i la consciència […] en el gran polvorí del migdia sobre l’ala de la papallona ‘flambejada’, cap a i contra la immensa llàstima d’aquest temps sord als crits esquinçadors que venen de l’Espanya republicana i de molts altres llocs, d’aquest temps, −el nostre!− enterrant-se sota les ruïnes de la llibertat i l’esperança del millor, així com de la més elemental justícia i dignitat; deslligar, alliberar, fer resplendir el que resta i restarà per sempre intacte fins al més profund del cor […] per un COURS NATUREL que res no pot interrompre…” (1).
Aquest exemplar, el número 7, imprès sobre paper Hollande, inclou una dedicatòria a la portadella: “à Louis Broder / qui aime les libres / encore plus que moi, / Paul Éluard” (A Louis Broder / a qui li agraden els llibres / encara més que a mi, / Paul Éluard). A la pàgina de cortesia hi figura, a més a més, un exlibris de l’artista francès Benjamin Vautier.
__________
(1) Bonnet, M. (ed.), André Breton Oeuvres complètes II, Editions Gallimard, 1992, París, p. 1220: “Délier, délivrer au faîte de la vie et de la conscience, comme un grand poète le peut à deux fois vingt ans, non seulement de leurs sens impur les mots de la tribu encore sauvage mais aussi les actes humains de ce qu’ils comportent d’arbitraire, de combustión irréparable et à tout le moins de vanité, dans le grand pudrouiement de midi sur l’aile du papillon ‘flambé’, envers et contre l’immense pitié de ce temps sourde aux cris déchirents qui viennent de l’Espagne républicaine et de plusieurs ailleurs, de ce temps, − le nôtre! − s’ensevelissant sous les ruines de la liberté et de l’espoir du mieux aussi bien que de la justice et de la dignité les plus élémentaires ; délier, délivrer, faire étinceler ce qui subsiste et subsistera à jamais d’intact au plus profond du coeur […] par un COURS NATUREL que rien ne peut interrompre…”.
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Estudi de nu femení en repòs
Salvador Dalí i Domènech
1923-24
Il·lustració per «l’oncle Vicens»
Salvador Dalí i Domènech · Salvador Dalí i Domènech · Salvador Dalí i Domènech
1924 – 1925
Cap de noia
Salvador Dalí i Domènech · Salvador Dalí i Domènech · Salvador Dalí i Domènech
1924
Sense títol. Retrat del pare
Salvador Dalí i Domènech · Salvador Dalí i Domènech
c. 1924
Parella «Venus i mariner»
Salvador Dalí i Domènech · Salvador Dalí i Domènech · Salvador Dalí i Domènech
c. 1925
Retrato de mi padre
Salvador Dalí i Domènech · Salvador Dalí i Domènech · Salvador Dalí i Domènech
1924
Retrat d’Anna Maria Dalí i el seu pare
1924 – 1925
Cap de noia
Salvador Dalí i Domènech · Salvador Dalí i Domènech · Salvador Dalí i Domènech
1924
Mariners
1925
Pepin Vello
Salvador Dalí i Domènech · Salvador Dalí i Domènech
1925
Ex-libris Puig Pujades
Salvador Dalí i Domènech · Salvador Dalí i Domènech · Salvador Dalí i Domènech
1925
Mujer
Salvador Dalí i Domènech · Salvador Dalí i Domènech · Salvador Dalí i Domènech
1925
Second Manifeste du Surréalisme
1930
La Femme Visible
Salvador Dalí i Domènech · Salvador Dalí i Domènech · Éditions Surréalistes · Roger Lacourière · Ducros et Colas
1930
L’Immaculée Conception
Salvador Dalí i Domènech · André Breton · Paul Éluard · Éditions Surréalistes
1930
Artine
Salvador Dalí i Domènech · René Char · Éditions Surréalistes · Ducros et Colas
1930
André Breton, Le Tamanoir
1931
Le Revolver à cheveux blancs
Salvador Dalí i Domènech · André Breton · Éditions des Cahiers Libres
1932
Cadavre exquis
Salvador Dalí i Domènech · Pablo Picasso
1933 – 1934
Objet cannibaliste
1933
L’Enfant-sauterelle
Salvador Dalí i Domènech · (M. Czar o M. Cazou), Les Sources, París · Roger Lacourière
1933
Invitation au souper de la Société du Roman Philosophique
Salvador Dalí i Domènech · A.R.P. · Atelier Lacourière et Frélaut
1933
Les Chants de Maldoror
Salvador Dalí i Domènech · Isidore Ducasse, comte de Lautréamont · Albert Skira · Roger Lacourière · Philippe Gonin
1934
Onan
Salvador Dalí i Domènech · Georges Hugnet · Éditions Surréalistes · Roger Lacourière · Imprimerie Grou-Radenez
1934
Fantastic beach scene
1935
Grains et Issues
Salvador Dalí i Domènech · Tristan Tzara · Les Editions Denoël et Steele · Imprimeries Charles Bulens
1935
Crânes mous et harpe crânienne
Salvador Dalí i Domènech
1935
Cours naturel
Salvador Dalí i Domènech · Paul Éluard · Editions du Sagittaire · Henri Jourde
1938
LA DIVINE COMÉDIE
LA VIE EST UN SONGE
LES SONGES DRÔLATIQUES DE PANTAGRUEL
DIX RECETTES D’IMMORTALITÉ
MOÏSE ET LE MONOTHÉISME
HOMMAGE À QUEVEDO
RHINOCÉROS
MOI AUSSI J’AI CONNU L’EMPEREUR
ARTISTES HISTÒRICS
MYTHOLOGIE
CEL DE L’EMPORDÀ
ULL DE TEMPS AMB RAÏMS D’IMMORTALITAT
SUITE MYTHOLOGIQUE NOUVELLE
(Cartell W.F.U.N.A)
SAINTE ANNE
St. GEORGE AND THE DRAGON
LA DÉROUTE DE SAN ROMANO