Descripció
- Data:
- 1924 - 1925
- Nom d'objecte:
- estampa (obra visual)
- Número d'objecte:
- C222
- Descripció física:
- Estampa
/coeli/FGSD/Collection/CAT_RAO_OBRA_GRAFICA
/coeli/FGSD/Collection/CAT_RAO_SERIES_OG
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["document"]=>
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}
["$slug"]=>
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["page"]=>
string(2) "11"
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[16]=>
array(3) {
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["document"]=>
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}
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["href"]=>
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["page"]=>
string(2) "97"
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array(3) {
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[20]=>
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["page"]=>
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[21]=>
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["document"]=>
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string(4) "s.p."
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["page"]=>
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[23]=>
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[25]=>
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Al 1942, a la seva autobiografia La vida secreta, Dalí descriu una versió d’aquesta obra reproduïda amb el títol Retrato de mi Padre y Hermana. Segons el seu propi relat, fou realitzada després de la seva expulsió definitiva de l’Acadèmia de San Fernando de Madrid el 1926:
“Al llegar a Figueras, hallé a mi padre fulminado por la catástrofe por mi expulsión […] Con mi hermana, posó para un retrato al lápiz que fue uno de mis mejores dibujos de ese período. En la expresión del rostro de mi padre se ven las señales de patética amargura que le había causado mi expulsión de la Academia”(1) .
Tot i que Dalí va associar aquesta obra amb la seva expulsió definitiva de l’Acadèmia, la documentació de l’època indica que, molt probablement, fou realitzada després de la seva primera expulsió temporal, corresponent al curs acadèmic 1923–1924.
Les altres versions conegudes van ser treballades extensament a llapis: Retrat del pare i la germana de l’artista, conservat al Museu Nacional d’Art de Catalunya (Barcelona), i Retrat del pare de l’artista i la germana, conservat a la Col·lecció Abelló (Madrid).
Una versió d’aquesta obra es va presentar en la primera exposició individual de Dalí a les Galeries Dalmau de Barcelona, celebrada entre el 14 i el 27 de novembre de 1925, tal com indica la seva reproducció en el petit catàleg de la mostra. Així mateix, una altra versió apareix ressenyada en el fulletó de la seva segona exposició individual a les Galeries Dalmau, del 31 de desembre al 14 de gener de 1927.
__________
(1) Dalí. S., Vida secreta de Salvador Dalí, Editorial Poseidón, 1944, p. 286. Il·lustrat en blanc i negre entre les pàgines 256 i 257, “VII. Mis Obras Raras”.
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