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[webText] => Esta obra, junto con otros esbozos de desnudos femeninos, fue realizada por Salvador Dalí alrededor de 1923, coincidiendo con su segundo año de estudios en la Escuela Especial de Pintura, Escultura y Grabado de la Real Academia de Bellas Artes de San Fernando de Madrid, de la cual fue expulsado durante todo el curso académico a partir de finales de octubre de 1923.
Se diferencia de la mayoría de los demás estudios por su técnica calcográfica, ya que se trata de una punta seca sobre celuloide que el artista imprimió sobre cartón utilizando polvos de grafito.
Al parecer Dalí aprendió esta técnica tras regresar a Figueres, donde retomó clases con su antiguo profesor de dibujo, el señor Juan Núñez. Según relataría años más tarde, se apasionó tanto por el grabado que su padre le compró una prensa, la cual instaló en una sala de su casa, lo que le permitió aprender todas las técnicas del grabado, incluso −en sus propias palabras− “varios procesos originales” (1).
__________
(1) Dalí, S., Parinaud, A., Comment on Devient Dalí, Editions Robert Laffont, París, 1973, p. 68.
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[webText] => El grabado Cap de noia (Cabeza de chica) es el primer aguafuerte conocido de Dalí y data de 1924, un periodo que coincide con el restablecimiento de su relación con Juan Núñez, su profesor de dibujo de Figueres y experto grabador.
La obra fue impresa por el propio Dalí sobre papel verjurado, un soporte en el que previamente había estampado, en el reverso, la única impresión conocida de Retrat del meu pare (Retrato de mi padre) [OG 2].
Durante este periodo, la hermana de Dalí, Anna Maria, fue su principal modelo, por lo que es posible que esta estampa represente su retrato. La obra procede de la colección de Paul Éluard, el renombrado poeta francés y coleccionista de arte (1), considerado uno de los fundadores del movimiento surrealista.
__________
(1) Lote 435 − “Mädchenkopf”. Gutekunst & Klipstein, Bern, Suiza 13 − 14.05.1958. En mayo 1958, la casa de subastas Gutekunst & Klipstein hicieron una venta importante, en su mayoría de libros y literatura relacionada con los primeros movimientos artísticos del siglo veinte. Unas sesenta piezas procedieron de la colección del poeta francés Paul Éluard, fallecido en 1952.
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[webText] => Dalí imprimió esta prueba en papel antiguo verjurado. Se trata de una maculatura −o segunda impresión− de un grabado al aguafuerte, del cual esta es la única impresión conocida. En el anverso de la hoja, el artista estampó la obra Cap de Noia [OG 3] (Cabeza de chica), firmada por él en 1924. El uso de ambos lados del papel fue una práctica habitual durante un periodo de intensa experimentación, algo que también se observa en otras piezas de obra gráfica de su primera época, como Retrat d’Anna Maria Dalí i el seu pare de 1925 (Retrato de Anna María Dalí y su padre) [OG 4].
La maculatura está relacionada con Retrat del pare de l’artista (Retrato del padre del artista), un dibujo al carbón de composición similar −el padre escribiendo− que forma parte de la colección del Museu de Montserrat (1). Aunque el dibujo presenta dimensiones mayores que la estampa, la semejanza entre ambas piezas evidencia cómo Dalí trabajaba simultáneamente un mismo tema mediante diferentes procesos creativos.
__________
(1) Retrat del pare de l’artista (Retrato del padre del artista), 1925 -26, (43.4 x 31.3 cm) dibujo a carbón y pastel sobre papel de la colección del Museu de Montserrat, procedente de la familia Cusí, íntimos amigos de los Dalí. En consideración al estilo del dibujo, y la probabilidad de que Dalí lo realizara en el mismo periodo que la prueba descartada, la fecha del dibujo podría situarse en torno a 1924.
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[webText] => Esta pieza procede de un grabado a la punta seca sobre celuloide que Dalí imprimió sobre papel utilizando polvos de grafito. El artista retocó a lápiz el contorno de la figura central, acentuando así la sensación de movimiento de las dos figuras, un dinamismo que contrasta con la inmovilidad de la columna, una alusión a la Antigüedad a través de un clasicismo moderno vinculado al retorno al orden (1). La prueba forma parte de un conjunto de estudios que incorporan la figura del marinero y que preceden la pintura Venus i un mariner (Homenatge a Salvat-Papasseit) de 1925 [Venus y marinero (Homenaje a Salvat-Papasseit)] [Cat. P 151].
__________
(1) Espina, A., “El paisaje en la pintura moderna”, Alfar, octubre de 1925, pp. 3-7.
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Figura de gran relevancia en la vida de Dalí, su padre lo apoyó de manera incondicional tanto durante su formación artística en Figueres como durante sus años de estudiante en la Escuela de Bellas Artes de la Real Academia de San Fernando de Madrid entre 1922 y 1926. Aquel periodo estuvo marcado por su estancia en la Residencia de Estudiantes, un centro concebido como complemento educativo para los hijos e hijas de familias acomodadas de pensamiento liberal y progresista, donde Dalí entabló amistades decisivas con Federico García Lorca, Luís Buñuel, Pepín Bello y Rafael Barradas, entre otros.
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[label] => [001380 / Imatge] S/T. Anna Maria Dalí i el seu pare
)
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[label] => C222 - Retrat d'Anna Maria Dalí i el seu pare [RETRAT D'ANNA MARIA DALÍ I EL SEU PARE] [estampas], 1924 - 1925
[$public] => 1
[$slug] => retrat-danna-maria-dali-i-el-seu-pare-d9ec
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[label] => Obra gráfica
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[briefDescription] => Retrat d'Anna Maria Dalí i el seu pare [RETRAT D'ANNA MARIA DALÍ I EL SEU PARE] [estampas], 1924 - 1925
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[label] => Col·lecció
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[$public] => 1
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[ownership] => Array
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[0] => Array
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[label] => Ajuntament de Figueres
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[keepers] => Array
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[0] => Array
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[href] => /coeli/FGSD/Actor/9d49675b-4fcc-ea9a-7deb-167a146a59c9
[label] => Fundació Gala-Salvador Dalí
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[hierarchy] => Array
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[collection] => Array
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[label] => Fundació Gala-Salvador Dalí, Figueres
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[hierarchy] => Array
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[href] => /coeli/FGSD/Collection/45de27f3-5605-9f71-4019-ab4b07a63c18
[label] => Fundació Gala-Salvador Dalí, Figueres
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[0] => Array
(
[display] => FGSD-D-022769 - Epistolario a Federico García Lorca desde Cataluña, la Comunidad Valenciana y Mallorca, Comares, [2001]: p. 51 [Con dedicatoria a FGL OK]
[document] => Array
(
[bibTex] => @misc{Comares2001, title = {Epistolario a Federico García Lorca desde Cataluña, la Comunidad Valenciana y Mallorca}, publisher = {Comares}, address = {Granada}, year = {2001}, date = {[2001]}, entryorder = {2001-01-01} }
[label] => FGSD-D-022769 - Epistolario a Federico García Lorca desde Cataluña, la Comunidad Valenciana y Mallorca, Comares, [2001]
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/b6b830c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022769 - Epistolario a Federico García Lorca desde Cataluña, la Comunidad Valenciana y Mallorca, Comares, [2001]
[$public] =>
[$slug] => 22769
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)
[$slug] => 22769
[href] => /coeli/FGSD/HeritageObject/b6b830c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 51
[remarks] => Con dedicatoria a FGL OK
)
[1] => Array
(
[display] => FGSD-D-023140 - Les Essentiels de l'art Dalí, Ludion, 2003: p. 40
[document] => Array
(
[bibTex] => @misc{Ludion2003, title = {Les Essentiels de l'art Dalí}, publisher = {Ludion}, address = {Amsterdam}, year = {2003}, date = {2003}, entryorder = {2003-01-01} }
[label] => FGSD-D-023140 - Les Essentiels de l'art Dalí, Ludion, 2003
[hierarchy] => Array
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[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/22ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023140 - Les Essentiels de l'art Dalí, Ludion, 2003
[$public] =>
[$slug] => 23140
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)
[$slug] => 23140
[href] => /coeli/FGSD/HeritageObject/22ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 40
)
[2] => Array
(
[display] => FGSD-D-015637 - Mentira y verdad de Salvador Dalí, A. Oriol Anguera, Cobalto, 1948: p. 7
[document] => Array
(
[bibTex] => @misc{Oriol1948, title = {Mentira y verdad de Salvador Dalí}, author = {A. Oriol Anguera}, publisher = {Cobalto}, address = {Barcelona}, year = {1948}, date = {1948}, entryorder = {1948-01-01} }
[label] => FGSD-D-015637 - Mentira y verdad de Salvador Dalí, A. Oriol Anguera, Cobalto, 1948
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/4d2db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-015637 - Mentira y verdad de Salvador Dalí, A. Oriol Anguera, Cobalto, 1948
[$public] =>
[$slug] => 15637
)
)
[$slug] => 15637
[href] => /coeli/FGSD/HeritageObject/4d2db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 7
)
[3] => Array
(
[display] => FGSD-D-020064 - On classic ground : Picasso, Léger, de Chirico and the new classicism, 1910-1930, Tate Gallery, 1990: p. 90
[document] => Array
(
[bibTex] => @misc{Tate1990, title = {On classic ground : Picasso, Léger, de Chirico and the new classicism, 1910-1930}, publisher = {Tate Gallery}, address = {London}, year = {1990}, date = {1990}, entryorder = {1990-01-01} }
[label] => FGSD-D-020064 - On classic ground : Picasso, Léger, de Chirico and the new classicism, 1910-1930, Tate Gallery, 1990
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/603eb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-020064 - On classic ground : Picasso, Léger, de Chirico and the new classicism, 1910-1930, Tate Gallery, 1990
[$public] =>
[$slug] => 20064
)
)
[$slug] => 20064
[href] => /coeli/FGSD/HeritageObject/603eb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 90
)
[4] => Array
(
[display] => FGSD-D-021039 - The Persistence of memory : a biography of Dalí, Meredith Etherington-Smith, Random House, 1993: p. 230 - 231
[document] => Array
(
[bibTex] => @misc{Etherington-Smith1993, title = {The Persistence of memory : a biography of Dalí}, author = {Meredith Etherington-Smith}, publisher = {Random House}, address = {New York}, year = {1993}, date = {1993}, entryorder = {1993-01-01} }
[label] => FGSD-D-021039 - The Persistence of memory : a biography of Dalí, Meredith Etherington-Smith, Random House, 1993
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/2442b7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-021039 - The Persistence of memory : a biography of Dalí, Meredith Etherington-Smith, Random House, 1993
[$public] =>
[$slug] => 21039
)
)
[$slug] => 21039
[href] => /coeli/FGSD/HeritageObject/2442b7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 230 - 231
)
[5] => Array
(
[display] => FGSD-D-053423 - Picasso-Dalí, Dalí-Picasso, William Jeffett, Juan José Lahuerta, Museu Picasso, Salvador Dalí Museum, 2014: p. 137
[document] => Array
(
[bibTex] => @misc{Jeffett2014, title = {Picasso-Dalí, Dalí-Picasso}, author = {William Jeffett, Juan José Lahuerta}, publisher = {Museu Picasso, Salvador Dalí Museum}, address = {Sant Petersburg, Barcelona}, year = {2014}, date = {2014}, entryorder = {2014-01-01} }
[label] => FGSD-D-053423 - Picasso-Dalí, Dalí-Picasso, William Jeffett, Juan José Lahuerta, Museu Picasso, Salvador Dalí Museum, 2014
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/ee9772c2-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-053423 - Picasso-Dalí, Dalí-Picasso, William Jeffett, Juan José Lahuerta, Museu Picasso, Salvador Dalí Museum, 2014
[$public] =>
[$slug] => 53423
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)
[$slug] => 53423
[href] => /coeli/FGSD/HeritageObject/ee9772c2-42ec-e411-9471-00155d647f0b
[$public] =>
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[page] => 137
)
[6] => Array
(
[display] => FGSD-D-023322 - The Portable Dalí, Universe, 2003: p. 40
[document] => Array
(
[bibTex] => @misc{Universe2003, title = {The Portable Dalí}, publisher = {Universe}, address = {New York}, year = {2003}, date = {2003}, entryorder = {2003-01-01} }
[label] => FGSD-D-023322 - The Portable Dalí, Universe, 2003
[hierarchy] => Array
(
[0] => Array
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[href] => /coeli/FGSD/HeritageObject/d7ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023322 - The Portable Dalí, Universe, 2003
[$public] =>
[$slug] => 23322
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[$slug] => 23322
[href] => /coeli/FGSD/HeritageObject/d7ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
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[page] => 40
)
[7] => Array
(
[display] => FGSD-D-023227 - Dalí, Bompiani, 2004: p. 66, 68, 69 [p. 68 (estudi retrat del meu pare, 1925); Text interessant OK]
[document] => Array
(
[bibTex] => @misc{Bompiani2004, title = {Dalí}, publisher = {Bompiani}, address = {[Milà]}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023227 - Dalí, Bompiani, 2004
[hierarchy] => Array
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[0] => Array
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[href] => /coeli/FGSD/HeritageObject/78ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023227 - Dalí, Bompiani, 2004
[$public] =>
[$slug] => 23227
)
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[$slug] => 23227
[href] => /coeli/FGSD/HeritageObject/78ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 66, 68, 69
[remarks] => p. 68 (estudi retrat del meu pare, 1925); Text interessant OK
)
[8] => Array
(
[display] => FGSD-D-015727 - Dalí de Gala, Robert Descharnes, Edita, 1962: p. 19
[document] => Array
(
[bibTex] => @misc{Descharnes1962, title = {Dalí de Gala}, author = {Robert Descharnes}, publisher = {Edita}, address = {Lausanne}, year = {1962}, date = {1962}, entryorder = {1962-01-01} }
[label] => FGSD-D-015727 - Dalí de Gala, Robert Descharnes, Edita, 1962
[hierarchy] => Array
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[0] => Array
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[href] => /coeli/FGSD/HeritageObject/a52db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-015727 - Dalí de Gala, Robert Descharnes, Edita, 1962
[$public] =>
[$slug] => 15727
)
)
[$slug] => 15727
[href] => /coeli/FGSD/HeritageObject/a52db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 19
)
[9] => Array
(
[display] => FGSD-D-023350 - Fum...damentalment genial, Museu del Tabac, 2004: p. 104
[document] => Array
(
[bibTex] => @misc{Museu2004, title = {Fum...damentalment genial}, publisher = {Museu del Tabac}, address = {Sant Julià de Lòria (Principat d'Andorra)}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023350 - Fum...damentalment genial, Museu del Tabac, 2004
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/f3ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023350 - Fum...damentalment genial, Museu del Tabac, 2004
[$public] =>
[$slug] => 23350
)
)
[$slug] => 23350
[href] => /coeli/FGSD/HeritageObject/f3ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 104
)
[10] => Array
(
[display] => FGSD-D-019775 - Homage to Catalonia - Barcelona art city, Commitee of exhibition (Homage to Catalonia-Barcelona art city), 1987: p. 196
[document] => Array
(
[bibTex] => @misc{Commitee1987, title = {Homage to Catalonia - Barcelona art city}, publisher = {Commitee of exhibition (Homage to Catalonia-Barcelona art city)}, address = {[S.l.]}, year = {1987}, date = {1987}, entryorder = {1987-01-01} }
[label] => FGSD-D-019775 - Homage to Catalonia - Barcelona art city, Commitee of exhibition (Homage to Catalonia-Barcelona art city), 1987
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/3f3db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019775 - Homage to Catalonia - Barcelona art city, Commitee of exhibition (Homage to Catalonia-Barcelona art city), 1987
[$public] =>
[$slug] => 19775
)
)
[$slug] => 19775
[href] => /coeli/FGSD/HeritageObject/3f3db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 196
)
[11] => Array
(
[display] => FGSD-D-023324 - L'Abcdaire de Dalí, Alyse Gaultier, Flammarion, 2004: p. 49
[document] => Array
(
[bibTex] => @misc{Gaultier2004, title = {L'Abcdaire de Dalí}, author = {Alyse Gaultier}, publisher = {Flammarion}, address = {Paris}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023324 - L'Abcdaire de Dalí, Alyse Gaultier, Flammarion, 2004
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/d9ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023324 - L'Abcdaire de Dalí, Alyse Gaultier, Flammarion, 2004
[$public] =>
[$slug] => 23324
)
)
[$slug] => 23324
[href] => /coeli/FGSD/HeritageObject/d9ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 49
)
[12] => Array
(
[display] => FGSD-D-023838 - Salvador Dalí, Robert Descharnes, Nouvelles Editions Françaises, 1973: p. 48
[document] => Array
(
[bibTex] => @misc{Descharnes1973, title = {Salvador Dalí}, author = {Robert Descharnes}, publisher = {Nouvelles Editions Françaises}, address = {Paris}, year = {1973}, date = {1973}, entryorder = {1973-01-01} }
[label] => FGSD-D-023838 - Salvador Dalí, Robert Descharnes, Nouvelles Editions Françaises, 1973
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/d7bc30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023838 - Salvador Dalí, Robert Descharnes, Nouvelles Editions Françaises, 1973
[$public] =>
[$slug] => 23838
)
)
[$slug] => 23838
[href] => /coeli/FGSD/HeritageObject/d7bc30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 48
)
[13] => Array
(
[display] => FGSD-D-021538 - Salvador Dalí : 1904 - 1989, Robert Descharnes, Gilles Néret, Benedikt Taschen, 1990: p. 20
[document] => Array
(
[bibTex] => @misc{Descharnes1990, title = {Salvador Dalí : 1904 - 1989}, author = {Robert Descharnes, Gilles Néret}, publisher = {Benedikt Taschen}, address = {Köln}, year = {1990}, date = {1990}, entryorder = {1990-01-01} }
[label] => FGSD-D-021538 - Salvador Dalí : 1904 - 1989, Robert Descharnes, Gilles Néret, Benedikt Taschen, 1990
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/f1b330c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-021538 - Salvador Dalí : 1904 - 1989, Robert Descharnes, Gilles Néret, Benedikt Taschen, 1990
[$public] =>
[$slug] => 21538
)
)
[$slug] => 21538
[href] => /coeli/FGSD/HeritageObject/f1b330c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 20
)
[14] => Array
(
[display] => FGSD-D-023323 - The Little book of Dalí, Alyse Gaultier, Flammarion, 2004: p. 46
[document] => Array
(
[bibTex] => @misc{Gaultier2004, title = {The Little book of Dalí}, author = {Alyse Gaultier}, publisher = {Flammarion}, address = {Paris}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023323 - The Little book of Dalí, Alyse Gaultier, Flammarion, 2004
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/d8ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023323 - The Little book of Dalí, Alyse Gaultier, Flammarion, 2004
[$public] =>
[$slug] => 23323
)
)
[$slug] => 23323
[href] => /coeli/FGSD/HeritageObject/d8ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 46
)
[15] => Array
(
[display] => FGSD-D-022637 - Salvador Dalí, René Passeron, Ars Mundi, 1990: p. 11
[document] => Array
(
[bibTex] => @misc{Passeron1990, title = {Salvador Dalí}, author = {René Passeron}, publisher = {Ars Mundi}, address = {[S.l.]}, year = {1990}, date = {1990}, entryorder = {1990-01-01} }
[label] => FGSD-D-022637 - Salvador Dalí, René Passeron, Ars Mundi, 1990
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/33b830c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022637 - Salvador Dalí, René Passeron, Ars Mundi, 1990
[$public] =>
[$slug] => 22637
)
)
[$slug] => 22637
[href] => /coeli/FGSD/HeritageObject/33b830c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 11
)
[16] => Array
(
[display] => FGSD-D-019240 - Salvador Dalí, Cesáreo Rodríguez-Aguilera, Nauta, 1985: p. 97
[document] => Array
(
[bibTex] => @misc{Rodríguez-Aguilera1985, title = {Salvador Dalí}, author = {Cesáreo Rodríguez-Aguilera}, publisher = {Nauta}, address = {Barcelona}, year = {1985}, date = {1985}, entryorder = {1985-01-01} }
[label] => FGSD-D-019240 - Salvador Dalí, Cesáreo Rodríguez-Aguilera, Nauta, 1985
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/2a3bb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019240 - Salvador Dalí, Cesáreo Rodríguez-Aguilera, Nauta, 1985
[$public] =>
[$slug] => 19240
)
)
[$slug] => 19240
[href] => /coeli/FGSD/HeritageObject/2a3bb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 97
)
[17] => Array
(
[display] => FGSD-D-015722 - Salvador Dalí, Juan Antonio Gaya Nuño, Omega, 1950: p. il. 42
[document] => Array
(
[bibTex] => @misc{Gaya1950, title = {Salvador Dalí}, author = {Juan Antonio Gaya Nuño}, publisher = {Omega}, address = {Barcelona}, year = {1950}, date = {1950}, entryorder = {1950-01-01} }
[label] => FGSD-D-015722 - Salvador Dalí, Juan Antonio Gaya Nuño, Omega, 1950
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/a02db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-015722 - Salvador Dalí, Juan Antonio Gaya Nuño, Omega, 1950
[$public] =>
[$slug] => 15722
)
)
[$slug] => 15722
[href] => /coeli/FGSD/HeritageObject/a02db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => il. 42
)
[18] => Array
(
[display] => FGSD-D-022026 - Salvador Dalí, 1904 -1989, Robert Descharnes, Gilles Néret, Benedikt Taschen, 1994: p. 92
[document] => Array
(
[bibTex] => @misc{Descharnes1994, title = {Salvador Dalí, 1904 -1989}, author = {Robert Descharnes, Gilles Néret}, publisher = {Benedikt Taschen}, address = {Köln}, year = {1994}, date = {1994}, entryorder = {1994-01-01} }
[label] => FGSD-D-022026 - Salvador Dalí, 1904 -1989, Robert Descharnes, Gilles Néret, Benedikt Taschen, 1994
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/d4b530c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022026 - Salvador Dalí, 1904 -1989, Robert Descharnes, Gilles Néret, Benedikt Taschen, 1994
[$public] =>
[$slug] => 22026
)
)
[$slug] => 22026
[href] => /coeli/FGSD/HeritageObject/d4b530c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 92
)
[19] => Array
(
[display] => FGSD-D-023545 - El Primer Dalí, 1918-1929 : catálogo razonado, Rafael Santos Torroella, IVAM, Institut Valencià d'Art Modern, Generalitat Valenciana. Conselleria de Cultura, Educació i Esport, Publicaciones de la Residencia de Estudiantes, 2005: p. 255 [p.254 text OK]
[document] => Array
(
[bibTex] => @misc{Santos2005, title = {El Primer Dalí, 1918-1929 : catálogo razonado}, author = {Rafael Santos Torroella}, publisher = {IVAM, Institut Valencià d'Art Modern, Generalitat Valenciana. Conselleria de Cultura, Educació i Esport, Publicaciones de la Residencia de Estudiantes}, address = {[València], [Madrid]}, year = {2005}, date = {2005}, entryorder = {2005-01-01} }
[label] => FGSD-D-023545 - El Primer Dalí, 1918-1929 : catálogo razonado, Rafael Santos Torroella, IVAM, Institut Valencià d'Art Modern, Generalitat Valenciana. Conselleria de Cultura, Educació i Esport, Publicaciones de la Residencia de Estudiantes, 2005
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/b5bb30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023545 - El Primer Dalí, 1918-1929 : catálogo razonado, Rafael Santos Torroella, IVAM, Institut Valencià d'Art Modern, Generalitat Valenciana. Conselleria de Cultura, Educació i Esport, Publicaciones de la Residencia de Estudiantes, 2005
[$public] =>
[$slug] => 23545
)
)
[$slug] => 23545
[href] => /coeli/FGSD/HeritageObject/b5bb30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 255
[remarks] => p.254 text OK
)
[20] => Array
(
[display] => FGSD-D-019832 - Salvador Dalí, 1904-1989, Gerd Hatje, 1989: p. 47
[document] => Array
(
[bibTex] => @misc{Gerd1989, title = {Salvador Dalí, 1904-1989}, publisher = {Gerd Hatje}, address = {Stuttgart}, year = {1989}, date = {1989}, entryorder = {1989-01-01} }
[label] => FGSD-D-019832 - Salvador Dalí, 1904-1989, Gerd Hatje, 1989
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/783db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019832 - Salvador Dalí, 1904-1989, Gerd Hatje, 1989
[$public] =>
[$slug] => 19832
)
)
[$slug] => 19832
[href] => /coeli/FGSD/HeritageObject/783db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 47
)
[21] => Array
(
[display] => FGSD-D-054858 - Salvador Dalí : a guide to his works in public museums, The Dalí Museum, 1973: p. s.p
[document] => Array
(
[bibTex] => @misc{TheDalí1973, title = {Salvador Dalí : a guide to his works in public museums}, publisher = {The Dalí Museum}, address = {Cleveland [Ohio]}, year = {1973}, date = {1973}, entryorder = {1973-01-01} }
[label] => FGSD-D-054858 - Salvador Dalí : a guide to his works in public museums, The Dalí Museum, 1973
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/13052b91-1d8d-e511-9482-00155d647f0b
[label] => FGSD-D-054858 - Salvador Dalí : a guide to his works in public museums, The Dalí Museum, 1973
[$public] =>
[$slug] => 54858
)
)
[$slug] => 54858
[href] => /coeli/FGSD/HeritageObject/13052b91-1d8d-e511-9482-00155d647f0b
[$public] =>
)
[page] => s.p
)
[22] => Array
(
[display] => FGSD-D-022229 - Salvador Dalí: a mythology, Dawn Ades, Fiona Bradley, Tate Gallery Publishing, 1998: p. 37
[document] => Array
(
[bibTex] => @misc{Ades1998, title = {Salvador Dalí: a mythology}, author = {Dawn Ades, Fiona Bradley}, publisher = {Tate Gallery Publishing}, address = {London}, year = {1998}, date = {1998}, entryorder = {1998-01-01} }
[label] => FGSD-D-022229 - Salvador Dalí: a mythology, Dawn Ades, Fiona Bradley, Tate Gallery Publishing, 1998
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/9fb630c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022229 - Salvador Dalí: a mythology, Dawn Ades, Fiona Bradley, Tate Gallery Publishing, 1998
[$public] =>
[$slug] => 22229
)
)
[$slug] => 22229
[href] => /coeli/FGSD/HeritageObject/9fb630c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 37
)
[23] => Array
(
[display] => FGSD-D-019270 - PsicoDálico Dalí, Luis Romero, Mediterranea, 1991: p. 34 [Indica expuesta Galerias Dalmau 1925 OK]
[document] => Array
(
[bibTex] => @misc{Romero1991, title = {PsicoDálico Dalí}, author = {Luis Romero}, publisher = {Mediterranea}, address = {Barcelona}, year = {1991}, date = {1991}, entryorder = {1991-01-01} }
[label] => FGSD-D-019270 - PsicoDálico Dalí, Luis Romero, Mediterranea, 1991
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/483bb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019270 - PsicoDálico Dalí, Luis Romero, Mediterranea, 1991
[$public] =>
[$slug] => 19270
)
)
[$slug] => 19270
[href] => /coeli/FGSD/HeritageObject/483bb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 34
[remarks] => Indica expuesta Galerias Dalmau 1925 OK
)
[24] => Array
(
[display] => FGSD-D-023504 - Salvador Dalí, The Tate Gallery, 1980: p. il. 10
[document] => Array
(
[bibTex] => @misc{TheTate1980, title = {Salvador Dalí}, publisher = {The Tate Gallery}, address = {London}, year = {1980}, date = {1980}, entryorder = {1980-01-01} }
[label] => FGSD-D-023504 - Salvador Dalí, The Tate Gallery, 1980
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/8dbb30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023504 - Salvador Dalí, The Tate Gallery, 1980
[$public] =>
[$slug] => 23504
)
)
[$slug] => 23504
[href] => /coeli/FGSD/HeritageObject/8dbb30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => il. 10
)
[25] => Array
(
[display] => FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994: p. 120
[document] => Array
(
[bibTex] => @misc{South1994, title = {Salvador Dalí: the early years}, publisher = {South Bank Centre}, address = {[London]}, year = {1994}, date = {1994}, entryorder = {1994-01-01} }
[label] => FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/c23db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994
[$public] =>
[$slug] => 19906
)
)
[$slug] => 19906
[href] => /coeli/FGSD/HeritageObject/c23db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 120
)
[26] => Array
(
[display] => FGSD-D-019870 - Salvador Dalí : exhibition - Japan 1964, Mainichi Newspaper, 1964: p. 40
[document] => Array
(
[bibTex] => @misc{Mainichi1964, title = {Salvador Dalí : exhibition - Japan 1964}, publisher = {Mainichi Newspaper}, address = {Tokyo}, year = {1964}, date = {1964}, entryorder = {1964-01-01} }
[label] => FGSD-D-019870 - Salvador Dalí : exhibition - Japan 1964, Mainichi Newspaper, 1964
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/9e3db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019870 - Salvador Dalí : exhibition - Japan 1964, Mainichi Newspaper, 1964
[$public] =>
[$slug] => 19870
)
)
[$slug] => 19870
[href] => /coeli/FGSD/HeritageObject/9e3db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 40
)
[27] => Array
(
[display] => FGSD-D-019597 - Salvador Dalí i el saló de tardor, Rafael Santos Torroella, Reial Acadèmia Catalana de Belles Arts Sant Jordi, 1985: p. s. p. [Antigua Coll. Montserrat Dalí, viuda de Bas, BCN OK]
[document] => Array
(
[bibTex] => @misc{Santos1985, title = {Salvador Dalí i el saló de tardor}, author = {Rafael Santos Torroella}, publisher = {Reial Acadèmia Catalana de Belles Arts Sant Jordi}, address = {Barcelona}, year = {1985}, date = {1985}, entryorder = {1985-01-01} }
[label] => FGSD-D-019597 - Salvador Dalí i el saló de tardor, Rafael Santos Torroella, Reial Acadèmia Catalana de Belles Arts Sant Jordi, 1985
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/8d3cb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019597 - Salvador Dalí i el saló de tardor, Rafael Santos Torroella, Reial Acadèmia Catalana de Belles Arts Sant Jordi, 1985
[$public] =>
[$slug] => 19597
)
)
[$slug] => 19597
[href] => /coeli/FGSD/HeritageObject/8d3cb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => s. p.
[remarks] => Antigua Coll. Montserrat Dalí, viuda de Bas, BCN OK
)
[28] => Array
(
[display] => FGSD-D-023441 - Salvador Dalí i les arts : historiografia i crítica al segle XXI, Publicacions de la Universitat de Barcelona, 2005: p. 27 - 28 [texto interesante ref. Dalmau OK]
[document] => Array
(
[bibTex] => @misc{Publicacions2005, title = {Salvador Dalí i les arts : historiografia i crítica al segle XXI}, publisher = {Publicacions de la Universitat de Barcelona}, address = {Barcelona}, year = {2005}, date = {2005}, entryorder = {2005-01-01} }
[label] => FGSD-D-023441 - Salvador Dalí i les arts : historiografia i crítica al segle XXI, Publicacions de la Universitat de Barcelona, 2005
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/4ebb30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023441 - Salvador Dalí i les arts : historiografia i crítica al segle XXI, Publicacions de la Universitat de Barcelona, 2005
[$public] =>
[$slug] => 23441
)
)
[$slug] => 23441
[href] => /coeli/FGSD/HeritageObject/4ebb30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 27 - 28
[remarks] => texto interesante ref. Dalmau OK
)
[29] => Array
(
[display] => FGSD-D-023697 - Dalí & film, Tate Publishing, 2007: p. 121
[document] => Array
(
[bibTex] => @misc{Tate2007, title = {Dalí & film}, publisher = {Tate Publishing}, address = {London}, year = {2007}, date = {2007}, entryorder = {2007-01-01} }
[label] => FGSD-D-023697 - Dalí & film, Tate Publishing, 2007
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/4cbc30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023697 - Dalí & film, Tate Publishing, 2007
[$public] =>
[$slug] => 23697
)
)
[$slug] => 23697
[href] => /coeli/FGSD/HeritageObject/4cbc30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 121
)
[30] => Array
(
[display] => FGSD-D-022695 - Salvador Dalí, lletres i ninots : fons Dalí del Museu Abelló, Museu Abelló. Fundació Municipal d'Art, 2001: p. 174 [Folleto exposición]
[document] => Array
(
[bibTex] => @misc{Museu2001, title = {Salvador Dalí, lletres i ninots : fons Dalí del Museu Abelló}, publisher = {Museu Abelló. Fundació Municipal d'Art}, address = {Mollet del Vallès}, year = {2001}, date = {2001}, entryorder = {2001-01-01} }
[label] => FGSD-D-022695 - Salvador Dalí, lletres i ninots : fons Dalí del Museu Abelló, Museu Abelló. Fundació Municipal d'Art, 2001
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/6db830c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022695 - Salvador Dalí, lletres i ninots : fons Dalí del Museu Abelló, Museu Abelló. Fundació Municipal d'Art, 2001
[$public] =>
[$slug] => 22695
)
)
[$slug] => 22695
[href] => /coeli/FGSD/HeritageObject/6db830c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 174
[remarks] => Folleto exposición
)
[31] => Array
(
[display] => FGSD-D-024566 - Salvador Dalí : l'invention de soi, Catherine Grenier, Flammarion, 2011: p. 42
[document] => Array
(
[bibTex] => @misc{Grenier2011, title = {Salvador Dalí : l'invention de soi}, author = {Catherine Grenier}, publisher = {Flammarion}, address = {Paris}, year = {2011}, date = {2011}, entryorder = {2011-01-01} }
[label] => FGSD-D-024566 - Salvador Dalí : l'invention de soi, Catherine Grenier, Flammarion, 2011
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/a9bf30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-024566 - Salvador Dalí : l'invention de soi, Catherine Grenier, Flammarion, 2011
[$public] =>
[$slug] => 24566
)
)
[$slug] => 24566
[href] => /coeli/FGSD/HeritageObject/a9bf30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 42
)
[32] => Array
(
[display] => FGSD-D-023524 - Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, Hatje Cantz, 2006: p. 94
[document] => Array
(
[bibTex] => @misc{Hatje2006, title = {Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier}, publisher = {Hatje Cantz}, address = {Ostfildern}, year = {2006}, date = {2006}, entryorder = {2006-01-01} }
[label] => FGSD-D-023524 - Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, Hatje Cantz, 2006
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/a0bb30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023524 - Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, Hatje Cantz, 2006
[$public] =>
[$slug] => 23524
)
)
[$slug] => 23524
[href] => /coeli/FGSD/HeritageObject/a0bb30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 94
)
[33] => Array
(
[display] => FGSD-D-022851 - Dalí, Marco Di Capua, Librairie Gründ, 1994: p. 11
[document] => Array
(
[bibTex] => @misc{DiCapua1994, title = {Dalí}, author = {Marco Di Capua}, publisher = {Librairie Gründ}, address = {Paris}, year = {1994}, date = {1994}, entryorder = {1994-01-01} }
[label] => FGSD-D-022851 - Dalí, Marco Di Capua, Librairie Gründ, 1994
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/06b930c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022851 - Dalí, Marco Di Capua, Librairie Gründ, 1994
[$public] =>
[$slug] => 22851
)
)
[$slug] => 22851
[href] => /coeli/FGSD/HeritageObject/06b930c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 11
)
[34] => Array
(
[display] => FGSD-D-030544 - Exposició S. Dalí, Galeries Dalmau, 1925: p. s.p [Catálogo de la primera Expo BCN, 14-27 noviembre 1925 OK]
[document] => Array
(
[bibTex] => @misc{Galeries1925, title = {Exposició S. Dalí}, publisher = {Galeries Dalmau}, address = {Barcelona}, year = {1925}, date = {1925}, entryorder = {1925-01-01} }
[label] => FGSD-D-030544 - Exposició S. Dalí, Galeries Dalmau, 1925
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/8f97e8b6-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-030544 - Exposició S. Dalí, Galeries Dalmau, 1925
[$public] =>
[$slug] => 30544
)
)
[$slug] => 30544
[href] => /coeli/FGSD/HeritageObject/8f97e8b6-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => s.p
[remarks] => Catálogo de la primera Expo BCN, 14-27 noviembre 1925 OK
)
[35] => Array
(
[display] => FGSD-D-030545 - Exposició S. Dalí, Galeries Dalmau, 1926/1927: p. s.p.
[document] => Array
(
[bibTex] => @misc{Galeries1926, title = {Exposició S. Dalí}, publisher = {Galeries Dalmau}, address = {Barcelona}, year = {1926-1927}, date = {1926/1927}, entryorder = {1926-01-01} }
[label] => FGSD-D-030545 - Exposició S. Dalí, Galeries Dalmau, 1926/1927
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/0897e8b6-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-030545 - Exposició S. Dalí, Galeries Dalmau, 1926/1927
[$public] => 1
[$slug] => 30545
)
)
[$slug] => 30545
[href] => /coeli/FGSD/HeritageObject/0897e8b6-42ec-e411-9471-00155d647f0b
[$public] => 1
)
[page] => s.p.
)
[36] => Array
(
[display] => FGSD-D-032394 - Dalí capital de Figueres, Ajuntament de Figueres, 1984: p. 24 [Única referencia a la obra de la FGSD. Y además Ilustrada!]
[document] => Array
(
[bibTex] => @misc{Ajuntament1984, title = {Dalí capital de Figueres}, publisher = {Ajuntament de Figueres}, address = {Figueres}, year = {1984}, date = {1984}, entryorder = {1984-01-01} }
[label] => FGSD-D-032394 - Dalí capital de Figueres, Ajuntament de Figueres, 1984
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/b3eca7c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-032394 - Dalí capital de Figueres, Ajuntament de Figueres, 1984
[$public] =>
[$slug] => 32394
)
)
[$slug] => 32394
[href] => /coeli/FGSD/HeritageObject/b3eca7c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 24
[remarks] => Única referencia a la obra de la FGSD. Y además Ilustrada!
)
[37] => Array
(
[display] => FGSD-D-020060 - Dalí, els anys joves : 1918-1930, Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí, 1995: p. 170,172
[document] => Array
(
[bibTex] => @misc{Generalitat1995, title = {Dalí, els anys joves : 1918-1930}, publisher = {Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí}, address = {Figueres, [Barcelona]}, year = {1995}, date = {1995}, entryorder = {1995-01-01} }
[label] => FGSD-D-020060 - Dalí, els anys joves : 1918-1930, Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí, 1995
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/5c3eb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-020060 - Dalí, els anys joves : 1918-1930, Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí, 1995
[$public] =>
[$slug] => 20060
)
)
[$slug] => 20060
[href] => /coeli/FGSD/HeritageObject/5c3eb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 170,172
)
[38] => Array
(
[display] => FGSD-D-015618 - Salvador Dalí: retrospektive, 1920-1980, Prestel, 1980: p. 39
[document] => Array
(
[bibTex] => @misc{Prestel1980, title = {Salvador Dalí: retrospektive, 1920-1980}, publisher = {Prestel}, address = {München}, year = {1980}, date = {1980}, entryorder = {1980-01-01} }
[label] => FGSD-D-015618 - Salvador Dalí: retrospektive, 1920-1980, Prestel, 1980
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/3a2db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-015618 - Salvador Dalí: retrospektive, 1920-1980, Prestel, 1980
[$public] =>
[$slug] => 15618
)
)
[$slug] => 15618
[href] => /coeli/FGSD/HeritageObject/3a2db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 39
)
[39] => Array
(
[display] => FGSD-D-019880 - Dalí joven, 1918-1930, Museo Nacional Centro de Arte Reina Sofía, 1994: p. 170,172
[document] => Array
(
[bibTex] => @misc{Museo1994, title = {Dalí joven, 1918-1930}, publisher = {Museo Nacional Centro de Arte Reina Sofía}, address = {[Madrid]}, year = {1994}, date = {1994}, entryorder = {1994-01-01} }
[label] => FGSD-D-019880 - Dalí joven, 1918-1930, Museo Nacional Centro de Arte Reina Sofía, 1994
[hierarchy] => Array
(
[0] => Array
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En 1942, en su autobiografía La Vida Secreta, Dalí describe una versión de esta obra reproducida bajo el título Retrato de mi Padre y Hermana. Según su propio relato, fue realizada tras su expulsión definitiva de la Academia de San Fernando en Madrid en 1926:
“Al llegar a Figueras, hallé a mi padre fulminado por la catástrofe por mi expulsión […] Con mi hermana, posó para un retrato al lápiz que fue uno de mis mejores dibujos de ese período. En la expresión del rostro de mi padre se ven las señales de patética amargura que le había causado mi expulsión de la Academia” (1).
Aunque Dalí asoció esta obra con su expulsión definitiva de la Academia, la documentación de la época indica que con toda probabilidad fue realizada después de su primera expulsión temporal, correspondiente al curso académico 1923 -1924.
Las otras versiones conocidas fueron trabajadas extensamente a lápiz: Retrat del pare i la germana de l’artista (Retrato del padre y la hermana del artista) conservada en el Museo Nacional de Arte de Catalunya (Barcelona) y Retrat del pare de l’artista i germana (Retrato del padre del artista y su hermana) conservada en la Colección Abelló (Madrid).
Una versión de esta obra se presentó en la primera exposición individual de Dalí en las Galerías Dalmau de Barcelona, celebrada entre el 14 y el 27 de noviembre de 1925, tal como indica su reproducción en el pequeño catálogo de la muestra. Asimismo, otra versión aparece reseñada en el folleto de su segunda exposición individual en las Galerías Dalmau, del 31 de diciembre al 14 de enero de 1927.
__________
(1) Dalí. S., Vida secreta de Salvador Dalí, Editorial Poseidón, 1944, p. 286. Ilustrado en blanco y negro entre las páginas 256 y 257, “VII. Mis Obras Raras”. ID 24252
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[label] => C219 - Mariners [MARINERS] [estampas], 1925
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[webText] => Dalí imprimió este grabado a la punta seca sobre celuloide con polvos de grafito sobre papel verjurado en un periodo marcado por su estrecha amistad y profunda compenetración artística con Federico García Lorca, quien realizó su primera visita a Cadaqués durante la Semana Santa de 1925. La estampa forma parte de un conjunto de estudios que reflejan la admiración del artista por Joan Salvat-Papasseit (1894-1924), poeta futurista catalán fallecido en 1924, cuyo segundo libro de poesía, L’irradiador del port i les gavines (1921), destaca por su inspiración marítima. Los versos de Salvat-Papasseit eran considerados vanguardistas por sus recursos visuales y tipográficos, el uso de palabras sueltas y otros elementos de influencia cubista y futurista.
La estampa está dedicada a Néstor Martín-Fernández de la Torre, pintor canario y amigo de Dalí, cuya serie Poema del mar (también conocida como Poema del Atlántico) fue expuesta en Madrid ese mismo año 1925.
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[0] => Array
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[display] => FGSD-D-023524 - Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, Hatje Cantz, 2006: p. 192 [Existe PDF adicional en carpeta repetidos con ID23525]
[document] => Array
(
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[label] => FGSD-D-023524 - Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, Hatje Cantz, 2006
[hierarchy] => Array
(
[0] => Array
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[$slug] => 23524
[href] => /coeli/FGSD/HeritageObject/a0bb30c1-42ec-e411-9471-00155d647f0b
[$public] =>
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[page] => 192
[remarks] => Existe PDF adicional en carpeta repetidos con ID23525
)
[1] => Array
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[display] => FGSD-D-022135 - "Los Putrefactos" de Dalí y Lorca : historia y antologia de un libro que no pudo ser, Rafael Santos Torroella, Consejo Superior de Investigaciones Científicas, Amigos de la Residencia de Estudiantes, 1995: p. 142
[document] => Array
(
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[label] => FGSD-D-022135 - "Los Putrefactos" de Dalí y Lorca : historia y antologia de un libro que no pudo ser, Rafael Santos Torroella, Consejo Superior de Investigaciones Científicas, Amigos de la Residencia de Estudiantes, 1995
[hierarchy] => Array
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[$public] =>
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)
[$slug] => 22135
[href] => /coeli/FGSD/HeritageObject/41b630c1-42ec-e411-9471-00155d647f0b
[$public] =>
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[page] => 142
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[2] => Array
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[display] => FGSD-D-024358 - Picasso, Miró, Dalí. Giovani e arrabbiati: la nascita della modernità, Skira, 2011: p. 41 [Se ha utilizado otro ID para PDF. El ID24357]
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(
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[$slug] => 24358
[href] => /coeli/FGSD/HeritageObject/dcbe30c1-42ec-e411-9471-00155d647f0b
[$public] =>
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[page] => 41
[remarks] => Se ha utilizado otro ID para PDF. El ID24357
)
[3] => Array
(
[display] => FGSD-D-023249 - Salvador Dalí i Federico García Lorca : la persistència de la memòria, Viena, Generalitat de Catalunya. Departament de Cultura., 2004: p. 134
[document] => Array
(
[bibTex] => @misc{Viena2004, title = {Salvador Dalí i Federico García Lorca : la persistència de la memòria}, publisher = {Viena, Generalitat de Catalunya. Departament de Cultura.}, address = {Barcelona}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023249 - Salvador Dalí i Federico García Lorca : la persistència de la memòria, Viena, Generalitat de Catalunya. Departament de Cultura., 2004
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[href] => /coeli/FGSD/HeritageObject/8eba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
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[page] => 134
)
[4] => Array
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[display] => FGSD-D-019878 - 400 obras de Salvador Dalí de 1914 a 1983, Obra Cultural de la Caixa de Pensions, 1983: p. 40
[document] => Array
(
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[label] => FGSD-D-019878 - 400 obras de Salvador Dalí de 1914 a 1983, Obra Cultural de la Caixa de Pensions, 1983
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[$public] =>
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[href] => /coeli/FGSD/HeritageObject/a63db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
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[page] => 40
)
[5] => Array
(
[display] => FGSD-D-022669 - Dalí - a genius of the XX Century, China Times, [2001]: p. 116 [Se ha utilizado otro ID para PDF. El ID22686]
[document] => Array
(
[bibTex] => @misc{China2001, title = {Dalí - a genius of the XX Century}, publisher = {China Times}, address = {[Taipei]}, year = {2001}, date = {[2001]}, entryorder = {2001-01-01} }
[label] => FGSD-D-022669 - Dalí - a genius of the XX Century, China Times, [2001]
[hierarchy] => Array
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[label] => FGSD-D-022669 - Dalí - a genius of the XX Century, China Times, [2001]
[$public] =>
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)
)
[$slug] => 22669
[href] => /coeli/FGSD/HeritageObject/53b830c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 116
[remarks] => Se ha utilizado otro ID para PDF. El ID22686
)
[6] => Array
(
[display] => FGSD-D-020060 - Dalí, els anys joves : 1918-1930, Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí, 1995: p. 158
[document] => Array
(
[bibTex] => @misc{Generalitat1995, title = {Dalí, els anys joves : 1918-1930}, publisher = {Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí}, address = {Figueres, [Barcelona]}, year = {1995}, date = {1995}, entryorder = {1995-01-01} }
[label] => FGSD-D-020060 - Dalí, els anys joves : 1918-1930, Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí, 1995
[hierarchy] => Array
(
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[label] => FGSD-D-020060 - Dalí, els anys joves : 1918-1930, Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí, 1995
[$public] =>
[$slug] => 20060
)
)
[$slug] => 20060
[href] => /coeli/FGSD/HeritageObject/5c3eb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 158
)
[7] => Array
(
[display] => FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994: p. 112 [Se ha utilizado otro ID para PDF. El ID19904]
[document] => Array
(
[bibTex] => @misc{South1994, title = {Salvador Dalí: the early years}, publisher = {South Bank Centre}, address = {[London]}, year = {1994}, date = {1994}, entryorder = {1994-01-01} }
[label] => FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994
[hierarchy] => Array
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[label] => FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994
[$public] =>
[$slug] => 19906
)
)
[$slug] => 19906
[href] => /coeli/FGSD/HeritageObject/c23db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 112
[remarks] => Se ha utilizado otro ID para PDF. El ID19904
)
[8] => Array
(
[display] => FGSD-D-019880 - Dalí joven, 1918-1930, Museo Nacional Centro de Arte Reina Sofía, 1994: p. 158
[document] => Array
(
[bibTex] => @misc{Museo1994, title = {Dalí joven, 1918-1930}, publisher = {Museo Nacional Centro de Arte Reina Sofía}, address = {[Madrid]}, year = {1994}, date = {1994}, entryorder = {1994-01-01} }
[label] => FGSD-D-019880 - Dalí joven, 1918-1930, Museo Nacional Centro de Arte Reina Sofía, 1994
[hierarchy] => Array
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[label] => FGSD-D-019880 - Dalí joven, 1918-1930, Museo Nacional Centro de Arte Reina Sofía, 1994
[$public] =>
[$slug] => 19880
)
)
[$slug] => 19880
[href] => /coeli/FGSD/HeritageObject/a83db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 158
)
[9] => Array
(
[display] => FGSD-D-015755 - 400 obres de Salvador Dalí del 1914 al 1983, Obra Cultural de la Caixa de Pensions, 1983: p. 40 [Se ha utilizado otro ID para PDF. El ID19353]
[document] => Array
(
[bibTex] => @misc{Obra1983, title = {400 obres de Salvador Dalí del 1914 al 1983}, publisher = {Obra Cultural de la Caixa de Pensions}, address = {[Madrid]}, year = {1983}, date = {1983}, entryorder = {1983-01-01} }
[label] => FGSD-D-015755 - 400 obres de Salvador Dalí del 1914 al 1983, Obra Cultural de la Caixa de Pensions, 1983
[hierarchy] => Array
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[label] => FGSD-D-015755 - 400 obres de Salvador Dalí del 1914 al 1983, Obra Cultural de la Caixa de Pensions, 1983
[$public] =>
[$slug] => 15755
)
)
[$slug] => 15755
[href] => /coeli/FGSD/HeritageObject/c12db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 40
[remarks] => Se ha utilizado otro ID para PDF. El ID19353
)
[10] => Array
(
[display] => FGSD-D-019390 - Vida secreta de Salvador Dalí, Salvador Dalí, Poseidón, 1944: p. 246 [NO PUBLICAR. Documentación associado texto]
[document] => Array
(
[bibTex] => @misc{Dalí1944, title = {Vida secreta de Salvador Dalí}, author = {Salvador Dalí}, publisher = {Poseidón}, address = {Buenos Aires}, year = {1944}, date = {1944}, entryorder = {1944-01-01} }
[label] => FGSD-D-019390 - Vida secreta de Salvador Dalí, Salvador Dalí, Poseidón, 1944
[hierarchy] => Array
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[label] => FGSD-D-019390 - Vida secreta de Salvador Dalí, Salvador Dalí, Poseidón, 1944
[$public] =>
[$slug] => 19390
)
)
[$slug] => 19390
[href] => /coeli/FGSD/HeritageObject/c03bb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 246
[remarks] => NO PUBLICAR. Documentación associado texto
)
)
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[updatedAt] => 2026-06-17T10:03:31.893513003Z
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[label] => C218 - Pepin Vello [PEPIN VELLO] [estampas], Salvador Dalí i Domènech, Salvador Dalí i Domènech, 1925
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La obra está dedicada “a Pepín Vello afectuosamente Salvador Dalí 1925”. Pepín Vello era el apodo de José Bello Lasierra, amigo íntimo de Dalí, Federico García Lorca y Luís Buñuel (1), un grupo que el propio Dalí recordaría años más tarde como “inconformista, estridente y revolucionario” (2) en su autobiografía La vida secreta. Existen otros dos putrefactos con el apodo de Pepín: A Pepín (3) y Crucifixión I (4), ambos conservados en el Museo Nacional Centro de Arte Reina Sofía de Madrid y fechados el mismo año 1925.
__________
(1) …[y] José María Hinojosa, Juan Vicense, Emilio Prados, entre otros. Querido Salvador, Querido Lorquito, Editorial Elba, Barcelona, 2013, p.17.
(2) Dalí, S., Vida Secreta, Editorial Poseidón, 1944, p. 246.
(3) A Pepín, Serie Putrefactos, 1925, MNCARS.
(4) Crucifixión I, Serie Putrefactos, 1925, MNCARS.
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El dibujo definitivo a tinta china fue reproducido mediante impresión tipográfica en papel cuché en una imprenta local de Figueres.
Josep Puig Pujades, primer mecenas de Dalí, anticipó su éxito en un artículo publicado bajo el pseudónimo Puvis en el Empordà Federal el 11 de enero de 1919, en el que vaticinó un gran futuro para el joven artista (2). Durante la guerra civil española, Puig Pujades fue un destacado líder republicano y, al finalizar el conflicto, se vio forzado a exiliarse en Francia, donde murió en Perpiñán en 1949.
__________
(1) El País de Dalí, Museo del Empordà, Figueres 2004, ills. 29-31, p. 54-55.
(2) Empordà Federal, semanario d’UFNR, 11.01.1919 [Biblioteca de Figueres].
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[page] => 288
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[label] => FGSD-D-047349 - André Breton : 42, rue Fontaine : livres I, Calmels Cohen, 2003
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[display] => FGSD-D-022250 - Cento libri surrealisti, Centro Di, 1996: p. 84
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[bibTex] => @misc{Centro1996, title = {Cento libri surrealisti}, publisher = {Centro Di}, address = {Firenze}, year = {1996}, date = {1996}, entryorder = {1996-01-01} }
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[page] => 84
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[display] => FGSD-D-015745 - Dalí, Dawn Ades, Thames and Hudson, 1982: p. 88
[document] => Array
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[bibTex] => @misc{Ades1982, title = {Dalí}, author = {Dawn Ades}, publisher = {Thames and Hudson}, address = {London}, year = {1982}, date = {1982}, entryorder = {1982-01-01} }
[label] => FGSD-D-015745 - Dalí, Dawn Ades, Thames and Hudson, 1982
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[page] => 88
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[label] => FGSD-D-019886 - Dalí and his books, Generalitat de Catalunya, 1987
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[display] => FGSD-D-019525 - Dalí et les poètes, Salvador Dalí (il.), Filipacchi, 1971: p. 19
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[page] => 19
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[page] => 93
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[document] => Array
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[bibTex] => @misc{Gaillemin2004, title = {Dali : le grand paranoïaque}, author = {Jean-Louis Gaillemin}, publisher = {Découvertes Gallimard Arts}, address = {Paris}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
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[label] => FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994
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[$public] =>
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[page] => 337
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[18] => Array
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[display] => FGSD-D-015724 - Salvador Dalí, James Thrall Soby, The Museum of Modern Art, 1941: p. 77 [Se ha utilizado otro ID para PDF. El ID 23680]
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[bibTex] => @misc{Soby1941, title = {Salvador Dalí}, author = {James Thrall Soby}, publisher = {The Museum of Modern Art}, address = {New York}, year = {1941}, date = {1941}, entryorder = {1941-01-01} }
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[$public] =>
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[$slug] => 15724
[href] => /coeli/FGSD/HeritageObject/a22db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
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[page] => 77
[remarks] => Se ha utilizado otro ID para PDF. El ID 23680
)
[19] => Array
(
[display] => FGSD-D-023653 - Paintings, drawings, and sculpture from the Julien Levy collection, Sotheby's Parke Bernet, 1981: p. 76 [No publicar]
[document] => Array
(
[bibTex] => @misc{Sotheby's1981, title = {Paintings, drawings, and sculpture from the Julien Levy collection}, publisher = {Sotheby's Parke Bernet}, address = {New York}, year = {1981}, date = {1981}, entryorder = {1981-01-01} }
[label] => FGSD-D-023653 - Paintings, drawings, and sculpture from the Julien Levy collection, Sotheby's Parke Bernet, 1981
[hierarchy] => Array
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[$public] =>
[$slug] => 23653
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[$slug] => 23653
[href] => /coeli/FGSD/HeritageObject/20bc30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 76
[remarks] => No publicar
)
[20] => Array
(
[display] => FGSD-D-054858 - Salvador Dalí : a guide to his works in public museums, The Dalí Museum, 1973: p. s. p.
[document] => Array
(
[bibTex] => @misc{TheDalí1973, title = {Salvador Dalí : a guide to his works in public museums}, publisher = {The Dalí Museum}, address = {Cleveland [Ohio]}, year = {1973}, date = {1973}, entryorder = {1973-01-01} }
[label] => FGSD-D-054858 - Salvador Dalí : a guide to his works in public museums, The Dalí Museum, 1973
[hierarchy] => Array
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[label] => FGSD-D-054858 - Salvador Dalí : a guide to his works in public museums, The Dalí Museum, 1973
[$public] =>
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)
)
[$slug] => 54858
[href] => /coeli/FGSD/HeritageObject/13052b91-1d8d-e511-9482-00155d647f0b
[$public] =>
)
[page] => s. p.
)
[21] => Array
(
[display] => FGSD-D-019895 - La Vie publique de Salvador Dalí, Centre Georges Pompidou, Musée National d'Art moderne, 1980: p. 24 [Se ha utilizado otro ID para PDF. El ID15757]
[document] => Array
(
[bibTex] => @misc{Centre1980, title = {La Vie publique de Salvador Dalí}, publisher = {Centre Georges Pompidou, Musée National d'Art moderne}, address = {Paris}, year = {1980}, date = {1980}, entryorder = {1980-01-01} }
[label] => FGSD-D-019895 - La Vie publique de Salvador Dalí, Centre Georges Pompidou, Musée National d'Art moderne, 1980
[hierarchy] => Array
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[label] => C086 - Second Manifeste du Surréalisme [SECOND MANIFESTE DU SURRÉALISME] [Libro], 1930
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[webText] => Salvador Dalí acababa de incorporarse al grupo surrealista cuando recibió el encargo de realizar el frontispicio para el Second Manifeste du Surréalisme del poeta francés André Breton (1). Para esta ilustración, Dalí realizó un dibujo a pluma con tinta china y guache que posteriormente se reprodujo en tipografía y estarcido (pochoir).
En el Second Manifeste du Surréalisme, Breton denuncia la hipocresía de la sociedad y subraya la necesidad de rebelarse contra lo establecido. En su texto, el poeta ensalza la obra de Lautréamont, Les Chants de Maldoror, que tanto inspiró a los surrealistas y reivindica la libertad de la imaginación y del pensamiento, afirmando: “El hombre que se intimidara erróneamente por algunos enormes fracasos históricos todavía es libre de creer en su libertad.(2) ”
El libro fue publicado en una edición limitada para el Club des Soixante por Éditions Kra de París, y según el colofón, se acabó de imprimir el 20 de junio de 1930.
__________
(1) El texto se publicó previamente en el último número de La Révolution surréaliste, n.12, 15 de diciembre de 1929.
(2) P.81-82.
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[href] => /coeli/FGSD/HeritageObject/9fb630c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 43
)
[5] => Array
(
[display] => FGSD-D-022026 - Salvador Dalí, 1904 -1989, Robert Descharnes, Gilles Néret, Benedikt Taschen, 1994: p. 145
[document] => Array
(
[bibTex] => @misc{Descharnes1994, title = {Salvador Dalí, 1904 -1989}, author = {Robert Descharnes, Gilles Néret}, publisher = {Benedikt Taschen}, address = {Köln}, year = {1994}, date = {1994}, entryorder = {1994-01-01} }
[label] => FGSD-D-022026 - Salvador Dalí, 1904 -1989, Robert Descharnes, Gilles Néret, Benedikt Taschen, 1994
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/d4b530c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022026 - Salvador Dalí, 1904 -1989, Robert Descharnes, Gilles Néret, Benedikt Taschen, 1994
[$public] =>
[$slug] => 22026
)
)
[$slug] => 22026
[href] => /coeli/FGSD/HeritageObject/d4b530c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 145
)
[6] => Array
(
[display] => FGSD-D-024250 - Dalí : afinidades electivas, Generalitat de Catalunya. Departament de Cultura., 2004: p. 452, p. 454
[document] => Array
(
[bibTex] => @misc{Generalitat2004, title = {Dalí : afinidades electivas}, publisher = {Generalitat de Catalunya. Departament de Cultura.}, address = {Barcelona}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-024250 - Dalí : afinidades electivas, Generalitat de Catalunya. Departament de Cultura., 2004
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/70be30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-024250 - Dalí : afinidades electivas, Generalitat de Catalunya. Departament de Cultura., 2004
[$public] =>
[$slug] => 24250
)
)
[$slug] => 24250
[href] => /coeli/FGSD/HeritageObject/70be30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 452, p. 454
)
[7] => Array
(
[display] => FGSD-D-019878 - 400 obras de Salvador Dalí de 1914 a 1983, Obra Cultural de la Caixa de Pensions, 1983: p. 93
[document] => Array
(
[bibTex] => @misc{Obra1983, title = {400 obras de Salvador Dalí de 1914 a 1983}, publisher = {Obra Cultural de la Caixa de Pensions}, address = {[Madrid]}, year = {1983}, date = {1983}, entryorder = {1983-01-01} }
[label] => FGSD-D-019878 - 400 obras de Salvador Dalí de 1914 a 1983, Obra Cultural de la Caixa de Pensions, 1983
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/a63db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019878 - 400 obras de Salvador Dalí de 1914 a 1983, Obra Cultural de la Caixa de Pensions, 1983
[$public] =>
[$slug] => 19878
)
)
[$slug] => 19878
[href] => /coeli/FGSD/HeritageObject/a63db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 93
)
[8] => Array
(
[display] => FGSD-D-022810 - Dalí il·lustrador : Salvador Dalí, 1904-1989, Govern d'Andorra. Ministeri de Turisme i Cultura, 2001: p. 68
[document] => Array
(
[bibTex] => @misc{Govern2001, title = {Dalí il·lustrador : Salvador Dalí, 1904-1989}, publisher = {Govern d'Andorra. Ministeri de Turisme i Cultura}, address = {Andorra}, year = {2001}, date = {2001}, entryorder = {2001-01-01} }
[label] => FGSD-D-022810 - Dalí il·lustrador : Salvador Dalí, 1904-1989, Govern d'Andorra. Ministeri de Turisme i Cultura, 2001
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/deb830c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022810 - Dalí il·lustrador : Salvador Dalí, 1904-1989, Govern d'Andorra. Ministeri de Turisme i Cultura, 2001
[$public] =>
[$slug] => 22810
)
)
[$slug] => 22810
[href] => /coeli/FGSD/HeritageObject/deb830c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 68
)
[9] => Array
(
[display] => FGSD-D-015755 - 400 obres de Salvador Dalí del 1914 al 1983, Obra Cultural de la Caixa de Pensions, 1983: p. 93 [Se ha utilizado otro ID para PDF. El ID 19353]
[document] => Array
(
[bibTex] => @misc{Obra1983, title = {400 obres de Salvador Dalí del 1914 al 1983}, publisher = {Obra Cultural de la Caixa de Pensions}, address = {[Madrid]}, year = {1983}, date = {1983}, entryorder = {1983-01-01} }
[label] => FGSD-D-015755 - 400 obres de Salvador Dalí del 1914 al 1983, Obra Cultural de la Caixa de Pensions, 1983
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/c12db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-015755 - 400 obres de Salvador Dalí del 1914 al 1983, Obra Cultural de la Caixa de Pensions, 1983
[$public] =>
[$slug] => 15755
)
)
[$slug] => 15755
[href] => /coeli/FGSD/HeritageObject/c12db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 93
[remarks] => Se ha utilizado otro ID para PDF. El ID 19353
)
[10] => Array
(
[display] => FGSD-D-015759 - Salvador Dalí: rétrospective, 1920-1980, Centre Georges Pompidou, Musée National d'Art moderne, 1979: p. 136
[document] => Array
(
[bibTex] => @misc{Centre1979, title = {Salvador Dalí: rétrospective, 1920-1980}, publisher = {Centre Georges Pompidou, Musée National d'Art moderne}, address = {Paris}, year = {1979}, date = {1979}, entryorder = {1979-01-01} }
[label] => FGSD-D-015759 - Salvador Dalí: rétrospective, 1920-1980, Centre Georges Pompidou, Musée National d'Art moderne, 1979
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/c52db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-015759 - Salvador Dalí: rétrospective, 1920-1980, Centre Georges Pompidou, Musée National d'Art moderne, 1979
[$public] =>
[$slug] => 15759
)
)
[$slug] => 15759
[href] => /coeli/FGSD/HeritageObject/c52db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 136
)
[11] => Array
(
[display] => FGSD-D-019880 - Dalí joven, 1918-1930, Museo Nacional Centro de Arte Reina Sofía, 1994: p. 43
[document] => Array
(
[bibTex] => @misc{Museo1994, title = {Dalí joven, 1918-1930}, publisher = {Museo Nacional Centro de Arte Reina Sofía}, address = {[Madrid]}, year = {1994}, date = {1994}, entryorder = {1994-01-01} }
[label] => FGSD-D-019880 - Dalí joven, 1918-1930, Museo Nacional Centro de Arte Reina Sofía, 1994
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/a83db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019880 - Dalí joven, 1918-1930, Museo Nacional Centro de Arte Reina Sofía, 1994
[$public] =>
[$slug] => 19880
)
)
[$slug] => 19880
[href] => /coeli/FGSD/HeritageObject/a83db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 43
)
[12] => Array
(
[display] => FGSD-D-023453 - Dalí, Rizzoli, 2005: p. 136
[document] => Array
(
[bibTex] => @misc{Rizzoli2005, title = {Dalí}, publisher = {Rizzoli}, address = {New York}, year = {2005}, date = {2005}, entryorder = {2005-01-01} }
[label] => FGSD-D-023453 - Dalí, Rizzoli, 2005
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/5abb30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023453 - Dalí, Rizzoli, 2005
[$public] =>
[$slug] => 23453
)
)
[$slug] => 23453
[href] => /coeli/FGSD/HeritageObject/5abb30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 136
)
[13] => Array
(
[display] => FGSD-D-022095 - ADLAN i el circ frediani (jocs icaris), Patronat Municipal de Cultura de Mataró, 1997: p. 79
[document] => Array
(
[bibTex] => @misc{Patronat1997, title = {ADLAN i el circ frediani (jocs icaris)}, publisher = {Patronat Municipal de Cultura de Mataró}, address = {Mataró}, year = {1997}, date = {1997}, entryorder = {1997-01-01} }
[label] => FGSD-D-022095 - ADLAN i el circ frediani (jocs icaris), Patronat Municipal de Cultura de Mataró, 1997
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/19b630c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022095 - ADLAN i el circ frediani (jocs icaris), Patronat Municipal de Cultura de Mataró, 1997
[$public] =>
[$slug] => 22095
)
)
[$slug] => 22095
[href] => /coeli/FGSD/HeritageObject/19b630c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 79
)
[14] => Array
(
[display] => FGSD-D-022250 - Cento libri surrealisti, Centro Di, 1996: p. 87
[document] => Array
(
[bibTex] => @misc{Centro1996, title = {Cento libri surrealisti}, publisher = {Centro Di}, address = {Firenze}, year = {1996}, date = {1996}, entryorder = {1996-01-01} }
[label] => FGSD-D-022250 - Cento libri surrealisti, Centro Di, 1996
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/b4b630c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022250 - Cento libri surrealisti, Centro Di, 1996
[$public] =>
[$slug] => 22250
)
)
[$slug] => 22250
[href] => /coeli/FGSD/HeritageObject/b4b630c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 87
)
[15] => Array
(
[display] => FGSD-D-023070 - Dalí. Cultura de masses, Fundació La Caixa, Fundació Gala-Salvador Dalí, 2004: p. 20 [Se ha utilizado otro ID para PDF. El ID23484]
[document] => Array
(
[bibTex] => @misc{Fundació2004, title = {Dalí. Cultura de masses}, publisher = {Fundació La Caixa, Fundació Gala-Salvador Dalí}, address = {Figueres, Barcelona}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023070 - Dalí. Cultura de masses, Fundació La Caixa, Fundació Gala-Salvador Dalí, 2004
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/dcb930c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023070 - Dalí. Cultura de masses, Fundació La Caixa, Fundació Gala-Salvador Dalí, 2004
[$public] =>
[$slug] => 23070
)
)
[$slug] => 23070
[href] => /coeli/FGSD/HeritageObject/dcb930c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 20
[remarks] => Se ha utilizado otro ID para PDF. El ID23484
)
[16] => Array
(
[display] => FGSD-D-021647 - Dalí e i libri, Generalitat de Catalunya. Departament de Cultura i Mitjans de Comunicació, 1982: p. 14
[document] => Array
(
[bibTex] => @misc{Generalitat1982, title = {Dalí e i libri}, publisher = {Generalitat de Catalunya. Departament de Cultura i Mitjans de Comunicació}, address = {[Barcelona]}, year = {1982}, date = {1982}, entryorder = {1982-01-01} }
[label] => FGSD-D-021647 - Dalí e i libri, Generalitat de Catalunya. Departament de Cultura i Mitjans de Comunicació, 1982
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/5db430c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-021647 - Dalí e i libri, Generalitat de Catalunya. Departament de Cultura i Mitjans de Comunicació, 1982
[$public] =>
[$slug] => 21647
)
)
[$slug] => 21647
[href] => /coeli/FGSD/HeritageObject/5db430c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 14
)
[17] => Array
(
[display] => FGSD-D-019525 - Dalí et les poètes, Salvador Dalí (il.), Filipacchi, 1971: p. 13
[document] => Array
(
[bibTex] => @misc{Dalí1971, title = {Dalí et les poètes}, author = {Salvador Dalí (il.)}, publisher = {Filipacchi}, address = {Paris}, year = {1971}, date = {1971}, entryorder = {1971-01-01} }
[label] => FGSD-D-019525 - Dalí et les poètes, Salvador Dalí (il.), Filipacchi, 1971
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/453cb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019525 - Dalí et les poètes, Salvador Dalí (il.), Filipacchi, 1971
[$public] =>
[$slug] => 19525
)
)
[$slug] => 19525
[href] => /coeli/FGSD/HeritageObject/453cb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 13
)
[18] => Array
(
[display] => FGSD-D-024203 - Dalís medienspiele: falsche fährten und paranoische selbstinszenierungen in den künsten, Transcript, 2007: p. 166
[document] => Array
(
[bibTex] => @misc{Transcript2007, title = {Dalís medienspiele: falsche fährten und paranoische selbstinszenierungen in den künsten}, publisher = {Transcript}, address = {Bielefeld}, year = {2007}, date = {2007}, entryorder = {2007-01-01} }
[label] => FGSD-D-024203 - Dalís medienspiele: falsche fährten und paranoische selbstinszenierungen in den künsten, Transcript, 2007
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/42be30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-024203 - Dalís medienspiele: falsche fährten und paranoische selbstinszenierungen in den künsten, Transcript, 2007
[$public] =>
[$slug] => 24203
)
)
[$slug] => 24203
[href] => /coeli/FGSD/HeritageObject/42be30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 166
)
[19] => Array
(
[display] => FGSD-D-023333 - Dallibres, Montse Aguer i Teixidor, Distribucions d'Art Surrealista, 2005: p. 118-119 [Se ha utilizado otro ID para PDF. El ID23376. Paginas revisadas JM-19,07,2020]
[document] => Array
(
[bibTex] => @misc{Aguer2005, title = {Dallibres}, author = {Montse Aguer i Teixidor}, publisher = {Distribucions d'Art Surrealista}, address = {[Figueres]}, year = {2005}, date = {2005}, entryorder = {2005-01-01} }
[label] => FGSD-D-023333 - Dallibres, Montse Aguer i Teixidor, Distribucions d'Art Surrealista, 2005
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/e2ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023333 - Dallibres, Montse Aguer i Teixidor, Distribucions d'Art Surrealista, 2005
[$public] =>
[$slug] => 23333
)
)
[$slug] => 23333
[href] => /coeli/FGSD/HeritageObject/e2ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 118-119
[remarks] => Se ha utilizado otro ID para PDF. El ID23376. Paginas revisadas JM-19,07,2020
)
[20] => Array
(
[display] => FGSD-D-023089 - El Fenómeno del éxtasis, Juan José Lahuerta, Siruela, 2004: p. 105
[document] => Array
(
[bibTex] => @misc{Lahuerta2004, title = {El Fenómeno del éxtasis}, author = {Juan José Lahuerta}, publisher = {Siruela}, address = {Madrid}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023089 - El Fenómeno del éxtasis, Juan José Lahuerta, Siruela, 2004
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/efb930c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023089 - El Fenómeno del éxtasis, Juan José Lahuerta, Siruela, 2004
[$public] =>
[$slug] => 23089
)
)
[$slug] => 23089
[href] => /coeli/FGSD/HeritageObject/efb930c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 105
)
[21] => Array
(
[display] => FGSD-D-021812 - Dalí : genius, obsession and lust, Ralf Schiebler, Prestel, 1996: p. 53
[document] => Array
(
[bibTex] => @misc{Schiebler1996, title = {Dalí : genius, obsession and lust}, author = {Ralf Schiebler}, publisher = {Prestel}, address = {Munich - New York}, year = {1996}, date = {1996}, entryorder = {1996-01-01} }
[label] => FGSD-D-021812 - Dalí : genius, obsession and lust, Ralf Schiebler, Prestel, 1996
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/00b530c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-021812 - Dalí : genius, obsession and lust, Ralf Schiebler, Prestel, 1996
[$public] =>
[$slug] => 21812
)
)
[$slug] => 21812
[href] => /coeli/FGSD/HeritageObject/00b530c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 53
)
[22] => Array
(
[display] => FGSD-D-018536 - A history of eroticism, Lo Duca, Jean-Jacques Pauvert, 1961: p. 194
[document] => Array
(
[bibTex] => @misc{LoDuca1961, title = {A history of eroticism}, author = {Lo Duca}, publisher = {Jean-Jacques Pauvert}, address = {Paris}, year = {1961}, date = {1961}, entryorder = {1961-01-01} }
[label] => FGSD-D-018536 - A history of eroticism, Lo Duca, Jean-Jacques Pauvert, 1961
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/7138b7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-018536 - A history of eroticism, Lo Duca, Jean-Jacques Pauvert, 1961
[$public] =>
[$slug] => 18536
)
)
[$slug] => 18536
[href] => /coeli/FGSD/HeritageObject/7138b7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 194
)
[23] => Array
(
[display] => FGSD-D-023227 - Dalí, Bompiani, 2004: p. 136 [Hay 2 PDF's del mismo libro. El ID23228 foto Gala]
[document] => Array
(
[bibTex] => @misc{Bompiani2004, title = {Dalí}, publisher = {Bompiani}, address = {[Milà]}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023227 - Dalí, Bompiani, 2004
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/78ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023227 - Dalí, Bompiani, 2004
[$public] =>
[$slug] => 23227
)
)
[$slug] => 23227
[href] => /coeli/FGSD/HeritageObject/78ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 136
[remarks] => Hay 2 PDF's del mismo libro. El ID23228 foto Gala
)
[24] => Array
(
[display] => FGSD-D-023838 - Salvador Dalí, Robert Descharnes, Nouvelles Editions Françaises, 1973: p. 50
[document] => Array
(
[bibTex] => @misc{Descharnes1973, title = {Salvador Dalí}, author = {Robert Descharnes}, publisher = {Nouvelles Editions Françaises}, address = {Paris}, year = {1973}, date = {1973}, entryorder = {1973-01-01} }
[label] => FGSD-D-023838 - Salvador Dalí, Robert Descharnes, Nouvelles Editions Françaises, 1973
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/d7bc30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023838 - Salvador Dalí, Robert Descharnes, Nouvelles Editions Françaises, 1973
[$public] =>
[$slug] => 23838
)
)
[$slug] => 23838
[href] => /coeli/FGSD/HeritageObject/d7bc30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 50
)
[25] => Array
(
[display] => FGSD-D-019832 - Salvador Dalí, 1904-1989, Gerd Hatje, 1989: p. 415 [Hay texto p.76 y 414. Y hay PDF adicionales en carpeta repetidos con ID21475 y ID19867]
[document] => Array
(
[bibTex] => @misc{Gerd1989, title = {Salvador Dalí, 1904-1989}, publisher = {Gerd Hatje}, address = {Stuttgart}, year = {1989}, date = {1989}, entryorder = {1989-01-01} }
[label] => FGSD-D-019832 - Salvador Dalí, 1904-1989, Gerd Hatje, 1989
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/783db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019832 - Salvador Dalí, 1904-1989, Gerd Hatje, 1989
[$public] =>
[$slug] => 19832
)
)
[$slug] => 19832
[href] => /coeli/FGSD/HeritageObject/783db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 415
[remarks] => Hay texto p.76 y 414. Y hay PDF adicionales en carpeta repetidos con ID21475 y ID19867
)
[26] => Array
(
[display] => FGSD-D-023916 - Salvador Dalí and the magazines, Montse Aguer i Teixidor, Juan José Lahuerta, Distribucions d'Art Surrealista, 2008: p. 73
[document] => Array
(
[bibTex] => @misc{Aguer2008, title = {Salvador Dalí and the magazines}, author = {Montse Aguer i Teixidor, Juan José Lahuerta}, publisher = {Distribucions d'Art Surrealista}, address = {[Figueres]}, year = {2008}, date = {2008}, entryorder = {2008-01-01} }
[label] => FGSD-D-023916 - Salvador Dalí and the magazines, Montse Aguer i Teixidor, Juan José Lahuerta, Distribucions d'Art Surrealista, 2008
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/25bd30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023916 - Salvador Dalí and the magazines, Montse Aguer i Teixidor, Juan José Lahuerta, Distribucions d'Art Surrealista, 2008
[$public] =>
[$slug] => 23916
)
)
[$slug] => 23916
[href] => /coeli/FGSD/HeritageObject/25bd30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 73
)
[27] => Array
(
[display] => FGSD-D-019895 - La Vie publique de Salvador Dalí, Centre Georges Pompidou, Musée National d'Art moderne, 1980: p. 25 [Se ha utilizado otro ID para PDF. El ID19896]
[document] => Array
(
[bibTex] => @misc{Centre1980, title = {La Vie publique de Salvador Dalí}, publisher = {Centre Georges Pompidou, Musée National d'Art moderne}, address = {Paris}, year = {1980}, date = {1980}, entryorder = {1980-01-01} }
[label] => FGSD-D-019895 - La Vie publique de Salvador Dalí, Centre Georges Pompidou, Musée National d'Art moderne, 1980
[hierarchy] => Array
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[0] => Array
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[href] => /coeli/FGSD/HeritageObject/b73db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019895 - La Vie publique de Salvador Dalí, Centre Georges Pompidou, Musée National d'Art moderne, 1980
[$public] =>
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)
)
[$slug] => 19895
[href] => /coeli/FGSD/HeritageObject/b73db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 25
[remarks] => Se ha utilizado otro ID para PDF. El ID19896
)
[28] => Array
(
[display] => FGSD-D-021886 - Le Surréalisme et l'amour, Gallimard / Electa, Paris-Musées, 1997: p. 57
[document] => Array
(
[bibTex] => @misc{Gallimard1997, title = {Le Surréalisme et l'amour}, publisher = {Gallimard / Electa, Paris-Musées}, address = {Paris, [París], [S.l.]}, year = {1997}, date = {1997}, entryorder = {1997-01-01} }
[label] => FGSD-D-021886 - Le Surréalisme et l'amour, Gallimard / Electa, Paris-Musées, 1997
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/48b530c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-021886 - Le Surréalisme et l'amour, Gallimard / Electa, Paris-Musées, 1997
[$public] =>
[$slug] => 21886
)
)
[$slug] => 21886
[href] => /coeli/FGSD/HeritageObject/48b530c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 57
)
[29] => Array
(
[display] => FGSD-D-020093 - Les Femmes dans le mouvement surréaliste, Whitney Chadwick, Chêne, 1986: p. 38
[document] => Array
(
[bibTex] => @misc{Chadwick1986, title = {Les Femmes dans le mouvement surréaliste}, author = {Whitney Chadwick}, publisher = {Chêne}, address = {Paris}, year = {1986}, date = {1986}, entryorder = {1986-01-01} }
[label] => FGSD-D-020093 - Les Femmes dans le mouvement surréaliste, Whitney Chadwick, Chêne, 1986
[hierarchy] => Array
(
[0] => Array
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[href] => /coeli/FGSD/HeritageObject/7d3eb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-020093 - Les Femmes dans le mouvement surréaliste, Whitney Chadwick, Chêne, 1986
[$public] =>
[$slug] => 20093
)
)
[$slug] => 20093
[href] => /coeli/FGSD/HeritageObject/7d3eb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 38
)
[30] => Array
(
[display] => FGSD-D-047004 - Les Mots et les images, Ceuleers & Van de Velde Booksellers, 2004: p. il. 73
[document] => Array
(
[bibTex] => @misc{Ceuleers2004, title = {Les Mots et les images}, publisher = {Ceuleers & Van de Velde Booksellers}, address = {Antwerpen}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-047004 - Les Mots et les images, Ceuleers & Van de Velde Booksellers, 2004
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/b94813c2-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-047004 - Les Mots et les images, Ceuleers & Van de Velde Booksellers, 2004
[$public] =>
[$slug] => 47004
)
)
[$slug] => 47004
[href] => /coeli/FGSD/HeritageObject/b94813c2-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => il. 73
)
[31] => Array
(
[display] => FGSD-D-020198 - Paul, Max et les autres : Paul Eluard et les surréalistes, L'Albaron, Musée d'Art et d´Histoire, 1993: p. 66
[document] => Array
(
[bibTex] => @misc{L'Albaron1993, title = {Paul, Max et les autres : Paul Eluard et les surréalistes}, publisher = {L'Albaron, Musée d'Art et d´Histoire}, address = {Thonon-les-Bains [Haute-Savoie], Saint-Denis}, year = {1993}, date = {1993}, entryorder = {1993-01-01} }
[label] => FGSD-D-020198 - Paul, Max et les autres : Paul Eluard et les surréalistes, L'Albaron, Musée d'Art et d´Histoire, 1993
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/e63eb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-020198 - Paul, Max et les autres : Paul Eluard et les surréalistes, L'Albaron, Musée d'Art et d´Histoire, 1993
[$public] =>
[$slug] => 20198
)
)
[$slug] => 20198
[href] => /coeli/FGSD/HeritageObject/e63eb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 66
)
[32] => Array
(
[display] => FGSD-D-023257 - Dalí una vida de llibre = Dalí a life in books, Destino [etc.], 2004: p. 118
[document] => Array
(
[bibTex] => @misc{Destino2004, title = {Dalí una vida de llibre = Dalí a life in books}, publisher = {Destino [etc.]}, address = {Barcelona}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023257 - Dalí una vida de llibre = Dalí a life in books, Destino [etc.], 2004
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/96ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023257 - Dalí una vida de llibre = Dalí a life in books, Destino [etc.], 2004
[$public] =>
[$slug] => 23257
)
)
[$slug] => 23257
[href] => /coeli/FGSD/HeritageObject/96ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 118
)
[33] => Array
(
[display] => FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994: p. 48
[document] => Array
(
[bibTex] => @misc{South1994, title = {Salvador Dalí: the early years}, publisher = {South Bank Centre}, address = {[London]}, year = {1994}, date = {1994}, entryorder = {1994-01-01} }
[label] => FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/c23db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994
[$public] =>
[$slug] => 19906
)
)
[$slug] => 19906
[href] => /coeli/FGSD/HeritageObject/c23db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 48
)
[34] => Array
(
[display] => FGSD-D-023518 - Surrealism: two private eyes, the Nesuhi Ertegun and Daniel Filipacchi collections, Guggenheim Museum Publications, 1999: p. 456-459 [dibujos originales y otros relacionados por estar di. bujados en un ejemplar]
[document] => Array
(
[bibTex] => @misc{Guggenheim1999, title = {Surrealism: two private eyes, the Nesuhi Ertegun and Daniel Filipacchi collections}, publisher = {Guggenheim Museum Publications}, address = {New York}, year = {1999}, date = {1999}, entryorder = {1999-01-01} }
[label] => FGSD-D-023518 - Surrealism: two private eyes, the Nesuhi Ertegun and Daniel Filipacchi collections, Guggenheim Museum Publications, 1999
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/9bbb30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023518 - Surrealism: two private eyes, the Nesuhi Ertegun and Daniel Filipacchi collections, Guggenheim Museum Publications, 1999
[$public] =>
[$slug] => 23518
)
)
[$slug] => 23518
[href] => /coeli/FGSD/HeritageObject/9bbb30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 456-459
[remarks] => dibujos originales y otros relacionados por estar di. bujados en un ejemplar
)
[35] => Array
(
[display] => FGSD-D-023335 - It's all Dalí, Museum Boijmans Van Beuningen, 2005: p. 20
[document] => Array
(
[bibTex] => @misc{Museum2005, title = {It's all Dalí}, publisher = {Museum Boijmans Van Beuningen}, address = {Rotterdam}, year = {2005}, date = {2005}, entryorder = {2005-01-01} }
[label] => FGSD-D-023335 - It's all Dalí, Museum Boijmans Van Beuningen, 2005
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/e4ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023335 - It's all Dalí, Museum Boijmans Van Beuningen, 2005
[$public] =>
[$slug] => 23335
)
)
[$slug] => 23335
[href] => /coeli/FGSD/HeritageObject/e4ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 20
)
[36] => Array
(
[display] => FGSD-D-022834 - Salvador Dalí : désirs inassouvis du purisme au surréalisme, 1925-1935, Jean-Louis Gaillemin, La Passage, 2002: p. il. 42, il. 43
[document] => Array
(
[bibTex] => @misc{Gaillemin2002, title = {Salvador Dalí : désirs inassouvis du purisme au surréalisme, 1925-1935}, author = {Jean-Louis Gaillemin}, publisher = {La Passage}, address = {Paris-New York}, year = {2002}, date = {2002}, entryorder = {2002-01-01} }
[label] => FGSD-D-022834 - Salvador Dalí : désirs inassouvis du purisme au surréalisme, 1925-1935, Jean-Louis Gaillemin, La Passage, 2002
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/f6b830c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022834 - Salvador Dalí : désirs inassouvis du purisme au surréalisme, 1925-1935, Jean-Louis Gaillemin, La Passage, 2002
[$public] =>
[$slug] => 22834
)
)
[$slug] => 22834
[href] => /coeli/FGSD/HeritageObject/f6b830c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => il. 42, il. 43
)
[37] => Array
(
[display] => FGSD-D-022288 - Salvador Dalí, la construcción de la imagen : 1925-1930, Fèlix Fanés, Electa, 1999: p. 173 [Se ha utilizado otro ID para PDF. ID22289]
[document] => Array
(
[bibTex] => @misc{Fanés1999, title = {Salvador Dalí, la construcción de la imagen : 1925-1930}, author = {Fèlix Fanés}, publisher = {Electa}, address = {[Madrid]}, year = {1999}, date = {1999}, entryorder = {1999-01-01} }
[label] => FGSD-D-022288 - Salvador Dalí, la construcción de la imagen : 1925-1930, Fèlix Fanés, Electa, 1999
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/dab630c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022288 - Salvador Dalí, la construcción de la imagen : 1925-1930, Fèlix Fanés, Electa, 1999
[$public] =>
[$slug] => 22288
)
)
[$slug] => 22288
[href] => /coeli/FGSD/HeritageObject/dab630c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 173
[remarks] => Se ha utilizado otro ID para PDF. ID22289
)
[38] => Array
(
[display] => FGSD-D-015936 - Dalí i els llibres, Generalitat de Catalunya. Departament de Cultura., 1982: p. 30 [Se ha utilizado otro ID para PDF. El ID18634]
[document] => Array
(
[bibTex] => @misc{Generalitat1982, title = {Dalí i els llibres}, publisher = {Generalitat de Catalunya. Departament de Cultura.}, address = {Barcelona}, year = {1982}, date = {1982}, entryorder = {1982-01-01} }
[label] => FGSD-D-015936 - Dalí i els llibres, Generalitat de Catalunya. Departament de Cultura., 1982
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/632eb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-015936 - Dalí i els llibres, Generalitat de Catalunya. Departament de Cultura., 1982
[$public] =>
[$slug] => 15936-23f7
)
)
[$slug] => 15936-23f7
[href] => /coeli/FGSD/HeritageObject/632eb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 30
[remarks] => Se ha utilizado otro ID para PDF. El ID18634
)
[39] => Array
(
[display] => FGSD-D-022271 - Dalí a knihy, Generalitat de Catalunya. Departament de Cultura., Mediterrània, 1992: p. 14
[document] => Array
(
[bibTex] => @misc{Generalitat1992, title = {Dalí a knihy}, publisher = {Generalitat de Catalunya. Departament de Cultura., Mediterrània}, address = {Barcelona}, year = {1992}, date = {1992}, entryorder = {1992-01-01} }
[label] => FGSD-D-022271 - Dalí a knihy, Generalitat de Catalunya. Departament de Cultura., Mediterrània, 1992
[hierarchy] => Array
(
[0] => Array
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[href] => /coeli/FGSD/HeritageObject/c9b630c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022271 - Dalí a knihy, Generalitat de Catalunya. Departament de Cultura., Mediterrània, 1992
[$public] =>
[$slug] => 22271
)
)
[$slug] => 22271
[href] => /coeli/FGSD/HeritageObject/c9b630c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 14
)
[40] => Array
(
[display] => FGSD-D-023362 - Dalí, icono y personaje, Laia Rosa Armengol, Cátedra, 2003: p. 185
[document] => Array
(
[bibTex] => @misc{Armengol2003, title = {Dalí, icono y personaje}, author = {Laia Rosa Armengol}, publisher = {Cátedra}, address = {Madrid}, year = {2003}, date = {2003}, entryorder = {2003-01-01} }
[label] => FGSD-D-023362 - Dalí, icono y personaje, Laia Rosa Armengol, Cátedra, 2003
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/ffba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023362 - Dalí, icono y personaje, Laia Rosa Armengol, Cátedra, 2003
[$public] =>
[$slug] => 23362
)
)
[$slug] => 23362
[href] => /coeli/FGSD/HeritageObject/ffba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 185
)
[41] => Array
(
[display] => FGSD-D-019887 - Dalí y los libros, Mediterrània, 1985: p. 26
[document] => Array
(
[bibTex] => @misc{Mediterrània1985, title = {Dalí y los libros}, publisher = {Mediterrània}, address = {[Barcelona]}, year = {1985}, date = {1985}, entryorder = {1985-01-01} }
[label] => FGSD-D-019887 - Dalí y los libros, Mediterrània, 1985
[hierarchy] => Array
(
[0] => Array
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[href] => /coeli/FGSD/HeritageObject/af3db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019887 - Dalí y los libros, Mediterrània, 1985
[$public] =>
[$slug] => 19887
)
)
[$slug] => 19887
[href] => /coeli/FGSD/HeritageObject/af3db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 26
)
[42] => Array
(
[display] => FGSD-D-022020 - Surrealist prints, Harry N. Abrams, 1997: p. 25
[document] => Array
(
[bibTex] => @misc{Harry1997, title = {Surrealist prints}, publisher = {Harry N. Abrams}, address = {New York}, year = {1997}, date = {1997}, entryorder = {1997-01-01} }
[label] => FGSD-D-022020 - Surrealist prints, Harry N. Abrams, 1997
[hierarchy] => Array
(
[0] => Array
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[href] => /coeli/FGSD/HeritageObject/ceb530c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022020 - Surrealist prints, Harry N. Abrams, 1997
[$public] =>
[$slug] => 22020
)
)
[$slug] => 22020
[href] => /coeli/FGSD/HeritageObject/ceb530c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 25
)
[43] => Array
(
[display] => FGSD-D-023035 - Dalí : afinitats electives, Generalitat de Catalunya. Departament de Cultura., 2004: p. 452, p. 454
[document] => Array
(
[bibTex] => @misc{Generalitat2004, title = {Dalí : afinitats electives}, publisher = {Generalitat de Catalunya. Departament de Cultura.}, address = {Barcelona}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023035 - Dalí : afinitats electives, Generalitat de Catalunya. Departament de Cultura., 2004
[hierarchy] => Array
(
[0] => Array
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[href] => /coeli/FGSD/HeritageObject/b9b930c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023035 - Dalí : afinitats electives, Generalitat de Catalunya. Departament de Cultura., 2004
[$public] =>
[$slug] => 23035
)
)
[$slug] => 23035
[href] => /coeli/FGSD/HeritageObject/b9b930c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 452, p. 454
)
[44] => Array
(
[display] => FGSD-D-022811 - La Révolution surréaliste, Éditions du Centre Pompidou, 2002: p. 65, p. 191
[document] => Array
(
[bibTex] => @misc{Éditions2002, title = {La Révolution surréaliste}, publisher = {Éditions du Centre Pompidou}, address = {Paris}, year = {2002}, date = {2002}, entryorder = {2002-01-01} }
[label] => FGSD-D-022811 - La Révolution surréaliste, Éditions du Centre Pompidou, 2002
[hierarchy] => Array
(
[0] => Array
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[href] => /coeli/FGSD/HeritageObject/dfb830c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022811 - La Révolution surréaliste, Éditions du Centre Pompidou, 2002
[$public] =>
[$slug] => 22811
)
)
[$slug] => 22811
[href] => /coeli/FGSD/HeritageObject/dfb830c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 65, p. 191
)
[45] => Array
(
[display] => FGSD-D-020060 - Dalí, els anys joves : 1918-1930, Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí, 1995: p. 43, p.250
[document] => Array
(
[bibTex] => @misc{Generalitat1995, title = {Dalí, els anys joves : 1918-1930}, publisher = {Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí}, address = {Figueres, [Barcelona]}, year = {1995}, date = {1995}, entryorder = {1995-01-01} }
[label] => FGSD-D-020060 - Dalí, els anys joves : 1918-1930, Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí, 1995
[hierarchy] => Array
(
[0] => Array
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[href] => /coeli/FGSD/HeritageObject/5c3eb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-020060 - Dalí, els anys joves : 1918-1930, Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí, 1995
[$public] =>
[$slug] => 20060
)
)
[$slug] => 20060
[href] => /coeli/FGSD/HeritageObject/5c3eb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 43, p.250
)
[46] => Array
(
[display] => FGSD-D-020857 - Dalí : la obra y el hombre, Robert Descharnes, Tusquets / Edita, 1984: p. 105 [ver también otro Pdf: 19363. Falta la imagen pdf del p.113 dibujo asociado, La Caza de mariposas]
[document] => Array
(
[bibTex] => @misc{Descharnes1984, title = {Dalí : la obra y el hombre}, author = {Robert Descharnes}, publisher = {Tusquets / Edita}, address = {Lausanne, Barcelona}, year = {1984}, date = {1984}, entryorder = {1984-01-01} }
[label] => FGSD-D-020857 - Dalí : la obra y el hombre, Robert Descharnes, Tusquets / Edita, 1984
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/6f41b7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-020857 - Dalí : la obra y el hombre, Robert Descharnes, Tusquets / Edita, 1984
[$public] =>
[$slug] => 20857
)
)
[$slug] => 20857
[href] => /coeli/FGSD/HeritageObject/6f41b7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 105
[remarks] => ver también otro Pdf: 19363. Falta la imagen pdf del p.113 dibujo asociado, La Caza de mariposas
)
[47] => Array
(
[display] => FGSD-D-022871 - Surrealismus 1919 - 1944 : Dalí, Max Ernst, Magritte, Miró, Picasso..., K20 Kunstsammlung Nordrhein-Westfalen, Hatje Cantz, 2002: p. 65
[document] => Array
(
[bibTex] => @misc{K20Kunstsammlung2002, title = {Surrealismus 1919 - 1944 : Dalí, Max Ernst, Magritte, Miró, Picasso...}, publisher = {K20 Kunstsammlung Nordrhein-Westfalen, Hatje Cantz}, address = {Ostfildern-Ruit, Düsseldorf}, year = {2002}, date = {2002}, entryorder = {2002-01-01} }
[label] => FGSD-D-022871 - Surrealismus 1919 - 1944 : Dalí, Max Ernst, Magritte, Miró, Picasso..., K20 Kunstsammlung Nordrhein-Westfalen, Hatje Cantz, 2002
[hierarchy] => Array
(
[0] => Array
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[webText] => La Femme visible, primer libro de Dalí, fue publicado por Éditions Surréalistes de París en diciembre de 1930, cuando el artista tenía veintiséis años. Dalí dedicó la obra íntegramente a Gala Diakonova, quien participó activamente en su realización durante un periodo de profundos cambios, tal como el propio artista explicaría más tarde en La vida secreta (1942) (1). El libro se inscribe dentro de la original línea editorial de Éditions Surréalistes, un proyecto colectivo del grupo surrealista iniciado en 1925 (2) .
El frontispicio, realizado en heliograbado, procede de un dibujo a pluma con tinta china del artista. Tanto esta estampa como los dos dibujos reproducidos en fototipia −Grupo alegórico y La caza de mariposas− están estrechamente relacionados con la pintura L’homme invisible, obra que Dalí comenzó en 1929 y dejó inacabada.
El frontispicio incluye una dedicatoria manuscrita a Gala, su musa, grabada directamente en la plancha. En letra minúscula reproduce versos extraídos del poema El Gran Masturbador: “en los crueles ornamentos de oro falso / que recubren sus sienes delicadas y blandas / e imitan / la forma de una corona imperial / cuyas finas hojas de acanto bronceado / se prolongan / hasta las mejillas rosadas e imberbes / y continúan sus fibras duras / hasta fundirlas / en el alabastro claro de su nuca / para Gala Diacanova Salvador Dalí 1930” (3) .
Según documentación no verificada, el trabajo de impresión del frontispicio estuvo a cargo de Roger Lacourière (4), mientras que la impresión del libro fue realizada por la imprenta Ducros et Colas de París (5). Cada uno de los diez primeros ejemplares, impresos en papel japonés nacarado, incluye un dibujo original a tinta del artista en el margen de una de las páginas del libro.
Los textos teóricos −El asno podrido, La cabra sanitaria, El amor y el poema El Gran Masturbador− fueron escritos durante 1930 . En El asno podrido, publicado previamente en el primer número de Le Surréalisme au service de la révolution en julio del mismo año, Dalí expone su teoría paranoico-crítica: “Creo que se acerca el tiempo en que, a través de un proceso de pensamiento paranoico y activo, será posible (simultáneamente con el automatismo y otros estados pasivos) sistematizar la confusión y contribuir al desprestigio total del mundo de la realidad. Los nuevos simulacros que el pensamiento paranoico puede hacer aparecer de repente no sólo tendrán su origen en el inconsciente, sino que la fuerza del poder paranoico se pondrá a su servicio”(7).
El libro incluye además cinco ilustraciones adicionales: una fotografía de Gala tomada por Man Ray en 1925, un óleo del propio Dalí del año 1930 (6), Durmiente caballo león invisibles, y tres fotografías de edificios. De estos últimos, dos construcciones modernistas aún existen se conservan: la Casa Lleó Morera, en el Paseo de Gracia de Barcelona, diseñada por Lluís Domènech i Montaner, y la Casa Geli Vergés, obra del arquitecto Antonio Alcaide, situada en el número 58 de la calle Sant Llàtzer de Figueres.
__________
(1) Dalí, S., The Secret Life of Salvador Dalí, Dial Press New York, 1942, p. 250.
(2) Sebbag, G., Les Éditions surréalistes : 1926-1968, Institut Mémoires de l'édition contemporaine, París, 1993, p. 7.
(3) “dans les cruels ornements en faux or / qui recoubrent (sic) ses tempes delicates et molles / en imitant/ la forme d'une courone imperialle / dont les fines feuilles d'acante bronzé / se prolongent /jusqu'aux joues roses et imberbes / et continuant ses fibres dures / jusqu’à se fondre / dans l'alabastre claire de sa nuque / pour Gala Diacanova Salvador Dalí 1930”. (Traducción de Aldo Pelegrini, Antología de poesía surrealista, Compañía General Fabril Editora, 1961.)
(4) Michler, R., Löpsinger, L.W., Catalogue Raisonné of Etchings and Mixed-Media Prints 1924-1980, Prestel-Verlag, Múnic, 1994, p. 126.
(5) La Femme visible, “Épreuves ou tirage non relié d'un texte de Salvador Dali publié aux Éditions surréalistes en 1930”, © Association Atelier André Breton 2005 - 2022. La Femme visible (André Breton) (andrebreton.fr). Consultado el 31/08/2023.
(6) “L’Âne Pourri”, “La Chèvre Sanitaire”, “Le Grand Masturbateur” y “L’Amour”, en el orden del libro.
(7) “Je crois qu’est proche le moment où, par un processus de caractère paranoïaque et actif de la pensé, il sera possible (simultanément à l’automatisme et autres états passifs) de systématiser la confusion et de contribuer au discrédit total du monde de la réalité. Les nouveaux simulacres que la pensé paranoïaque peut subitement faire apparaître, non seulement auront leur origine dans l’inconscient, mais aussi la forcé du pouvoir paranoïaque sera mise au Service de celui-ci.”
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[label] => C088 - L'Immaculée Conception [L'IMMACULÉE CONCEPTION] [Libro], Salvador Dalí i Domènech, André Breton, Paul Éluard, Éditions Surréalistes, 1930
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[webText] => El libro L’Immaculée conception de André Breton y Paul Éluard, con un frontispicio de Dalí se acabó de imprimir el 24 de noviembre de 1930 en la imprenta Ducros et Colas, a por encargo de Éditions Surréalistes de París, según consta en el colofón. La ilustración de Dalí fue reproducida en heliograbado con remarques a punta seca a partir de un dibujo a pluma con tinta china. El artista también diseñó la viñeta que se reprodujo en la cubierta y en la portada del libro.
Los textos, que aparecen estructurados en cuatro secciones −L’Homme (El hombre), Les Possesions (Las posesiones), Les Médiations (Las mediaciones) y Le Jugement Original (El juicio original)−, fueron concebidos con la intención de romper con las fórmulas literarias tradicionales y están inspirados en la simulación de delirios. El texto L’Homme se había publicado un mes antes en Le Surréalisme au Service de la révolution nº 2, octubre de 1930, acompañado de otras viñetas realizadas por Dalí a petición de Breton y Éluard, quienes advirtieron al artista −aunque disculpándose de antemano− de la necesidad de moderar el contenido de sus ilustraciones para evitar que la revista fuera retirada por “obscenidad” por parte de los censores (1).
Dalí redactó además la hoja volante (Prière d’insérer) del libro, en la que afirmaba: “Si el Primero y el Segundo Manifiesto fueron la declaración del contenido manifiesto del sueño surrealista, LA IMMACULADA CONCEPCIÓN es la exposición de su contenido latente” (2).
El frontispicio de Dalí alude de forma literal a uno de los aforismos incluidos en Le Jugement Original. Así lo reconocen André Breton y Paul Éluard en la dedicatoria dirigida al artista, en la que se transcriben las mismas palabras: “Ejemplar de Salvador Dalí / Hasta el nuevo orden, hasta la nueva orden / monástica, es decir, hasta que las / más hermosas jóvenes adopten el escote / en cruz: las dos ramas horizontales descubriendo / los senos, el pie de la cruz desnuda / al pie del vientre, levemente chamuscados. / la muestra más grande de nuestro / afecto, / Paul Éluard André Breton” (3).
__________
(1) Carta de Paul Éluard y André Breton a [Salvador] Dalí, c. 1930. CED. ID 40445.
(2) ID38978 Prière d’insérer.
(3) “Exemplaire de Salvador Dali /Jusqu'à nouvel ordre, jusqu'au nouvel ordre / monastique, c'est à dire jusqu'à ce que les / plus belles jeunes femmes adoptent le décolleté / en croix : les deux branches horizontales décou- / vrant les seins, le pied de la croix nue / au bas du ventre, légèrement roussi". / le plus clair de notre / affection, / Paul Eluard André Breton”. (Todas las traducciones con nuestras excepto cuando se indica en nota.)
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[webText] => El poema Artine, de René Char, fue publicado por Éditions Surréalistes de París con un frontispicio de Dalí realizado a partir de un dibujo a lápiz y tinta china reproducido en heliograbado en los treinta primeros ejemplares. Las alusiones figurativas del artista remiten a los grandes interrogantes metafísicos sobre el amor y la muerte evocados en el poema, dedicado “Au silence de celle qui laisse rêveur” (Al silencio del soñador).
René Char escribió Artine entre septiembre y octubre de 1930 en el hotel-restaurante 3 Moulins, situado en el 8 ter, rue Saules en París. Sobre su creación, comentó: “Artine se realizó a partir de dos personajes: esta joven ahogada, Lola Abba, y la joven que yo había encontrado, tres o cuatro años antes, en el césped de un hipódromo que frecuentaba como una tierra magnética” (1).
El colofón del libro indica que la imprenta Ducros et Colas de París terminó de imprimir el libro el 25 de noviembre de 1930, apenas un día después de la edición de L’Immaculée conception por la misma editorial e imprenta. Este ejemplar nominativo, impreso para Gala, está firmado por el autor y contiene una dedicatoria en la portadilla: “A Gala / a Gala que se encuentra en / la noche del tiempo espléndido, / del tiempo surrealista: el tiempo / de Gala, mi única amiga / René Char / 12 de enero de 1931” (2).
__________
(1) Sebbag, G., Les Éditions surréalistes : 1926-1968, Institut Mémoires de l'édition contemporaine, p. 60 : “Artine s’est fait à partir de deux personnages : cette jeune femme morte noyée, Lola Abba, et la jeune fille que j’avais rencontrée, trois ou quatre ans auparavant, sur la pelouse d’un hippodrome, lieu fascinant entre tous, que je fréquentais comme une terre magnétique." [ID53616]
(2) “à Gala/ à Gala qui se retrouve dans / la nuit du temps splendide, / du temps surréel : le temps / de Gala, ma seule amie / René Char / 12 Janvier 1931”.
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[webText] => El exlibris del poeta francés André Breton fue encargado probablemente durante el otoño de 1930. Dalí realizó un dibujo a tinta china en el que representa a Breton como un oso hormiguero cuya cabeza evoca la figura del Gran Masturbador, rodeada de hormigas, insectos que, al parecer, ambos detestaban.
La documentación de la época muestra que, un año antes, Dalí como Breton habían utilizado la imagen del oso hormiguero en sus respectivas obras. El 24 de octubre de 1929, el periódico Mirador de Barcelona publicó un artículo sobre Un chien andalou, recién estrenada en París y a punto de presentarse en Barcelona, donde Dalí indicó que la película era una “simple anotació, constatació de fets” (simple anotación, constatación de hechos). Para ilustrar esta idea con claridad ofrecía como ejemplo el oso hormiguero: “…llega a tamaños superiores al caballo, posee una ferocidad enorme, tiene una fuerza muscular excepcional, es un animal terrible. El oso hormiguero come hormigas únicamente utilizando una lengua de medio metro de largo, fina como un hilo’” (1).
Un mes después, André Breton comparó a Dalí con un oso hormiguero. En el prefacio del catálogo de la primera exposición del artista en París, inaugurada el 25 de noviembre de 1929 en la Galería Goemans −una muestra que incluía el óleo El Gran Masturbador (Cat. P 235)−, Breton escribió: “La vida se da al hombre con seducciones comparables a las que la lengua del oso hormiguero debe ofrecer a las hormigas”(2).
Otra muestra de la estrecha complicidad entre ambos se refleja en la carta que Breton envió a Dalí el 10 de enero de 1931, poco antes de llevar el dibujo a imprenta, en la cual pide una rectificación final: “…si aún hay tiempo […] cambiar la banderola del exlibris de ‘André le fourmilier’ a ‘André le tamanoir’”(3). Así es como aparece en el exlibris definitivo de Dalí, reproducido en heliograbado en una imprenta parisina.
El poema de Breton, Après le Grand Tamanoir fechado en Lyons-la-Forêt el 20 de mayo de 1931, fue publicado en Le Surréalisme au service de la Revolution nº 3 en diciembre del mismo año (4). Posteriormente, Breton lo incluyó en Le Revolver à cheveux blancs, volumen publicado en junio de 1932 e ilustrado con un frontispicio de Dalí.
__________
(1) Biblioteca Virtual de Prensa Histórica > Lista de Números (mcu.es)
(2) “André Breton : 42, rue Fontaine : tableaux modernes, sculptures, estampes, tableaux anciens”, Calmels Cohen, París, 2003, p. 141. “La vie est donnée à l'homme avec des séductions comparables à celles que doit offrir aux fourmis la langue du fourmilier.” (ID 47343)
(3) Memoria de los sueños: Salvador Dalí, 1904-1989, MUVIM 2001, p. 95.
(4) Bonnet, M. (ed.), André Breton Oeuvres complètes II, Éditions Gallimard, 1992, p. 1333. Marguerite Bonnet indica que “La imagen del oso hormiguero […] representa la espera a la vez neutra y atenta frente a seres y cosas, que es para Breton lo esencial de la actitud poética.”
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[document] => Array
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[page] => 76
[remarks] => Ed. Mediterrània / The Kobe Shimbum
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[display] => FGSD-D-019525 - Dalí et les poètes, Salvador Dalí (il.), Filipacchi, 1971: p. 23
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[webText] => La antología de poemas de André Breton Le Revolver à cheveux blancs está dedicada a Paul Éluard. Los diez primeros ejemplares fueron ilustrados con un frontispicio de Salvador Dalí reproducido en heliograbado y aguafuerte en papel Japón. Según el colofón, el libro se terminó de imprimir el 25 de junio de 1932 en la Imprimerie Union, por encargo de Éditions des Cahiers Libres de París.
Este ejemplar en particular presenta remarques en el margen inferior de la plancha, la anotación “imprimé par Lacourière” (impreso por Lacourière) y las iniciales del artista en el bisel. Se trata del ejemplar perteneciente al propio ilustrador, Salvador Dalí, e incluye una dedicatoria de André Breton en la portadilla: “A Salvador Dalí / al gran maestro de los encantos / a quien debo ver con mis ojos / lo que adoro / y que es el ser que dispone de todo / de mi poder de asombro / desde el fondo de mi corazón / su amigo / André Breton” (1) . La estampa de Dalí, cargada de misterio y erotismo, parece captar la esencia poética del libro, cuyo desarrollo lírico se concibe como un “itinerario natural del abrazo amoroso” (2).
Le Revolver à cheveux blancs forma parte de un conjunto de tres libros de poesía surrealista publicados simultáneamente por la editorial Éditions des Cahiers Libres bajo el lema “Le sujet de ce libre est un être mobile” (El tema de este libro es un ser móvil)(3). Los otros dos volúmenes de la trilogía, La Vie immédiate de Paul Éluard y Où boivent les loups de Tristan Tzara, incluyen ambos un frontispicio de Max Ernst impreso por Roger Lacourière.
__________
(1) “A Salvador Dali / au grand maître des charmes / à qui je dois de voir de mes yeux / ce que j'adore / et qui est l'être disposant entre tous / de ma puissance d'émerveillements / du plus profond du coeur / son ami / André Breton".
(2) Bonnet, M. (ed.), André Breton Oeuvres complètes II, Éditions Gallimard, 1992, p. 1336, cita la obra de Christine Martineau-Geniez para quien el poema está “calquée sur l’itinéraire naturel de l’étreinte amoureuse".
(3) Op.cit., p. 1312-1313. Marguerite Bonnet indica que los tres libros se publicaron bajo el mismo lema: “Le sujet de ce libre est un être mobile”.
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[webText] => Esta estampa, fechada en 1933-1934, corresponde a un periodo en el que Dalí trabajaba en las 30 estampas de Les Chants de Maldoror [OG18-47], realizadas para el editor Albert Skira, cuya editorial se encontraba junto al estudio de Picasso, en la rue de la Boétie de París. Cabe recordar que Picasso había ilustrado el primer proyecto editorial de Skira, Les Métamorphoses de Ovidio, publicado en 1931, con 30 ilustraciones originales.
Un pequeño dibujo perteneciente a la colección guarda una estrecha relación con esta estampa. Se trata de un esbozo sobre papel vegetal semitranslúcido que Dalí conservó junto a pruebas de estado de Les Chants de Maldoror en una carpeta en su taller de Portlligat. El artista transfirió este esbozo a una plancha de celuloide y, a continuación, lo incorporó sobre una estampa ya existente de Picasso, Trois baigneuses II.
Se presume que Picasso no fue informado previamente de esta intervención, que transformó la obra original en una estampa de tipo cadavre exquis, resultado de una creación a cuatro manos entre ambos artistas.
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[label] => C181 - L'Enfant-sauterelle [L'ENFANT-SAUTERELLE] [estampas], Salvador Dalí i Domènech, (M. Czar o M. Cazou), Les Sources, París, Roger Lacourière, 1933
[catalogNumberDisplay] =>
[webText] => El grabado al buril L’Enfant-sauterelle tiene su origen en un dibujo a tinta china y lápiz de Salvador Dalí. Se trata de la primera edición limitada de una estampa individual del artista, cuyo título nos remite a su infancia y a la fobia a los saltamontes que él mismo relata en su autobiografía La vida secreta (1942) (1). Según la documentación existente, la estampación fue realizada por Roger Lacourière en París entre 1932 y 1933. La nitidez de la estampa se debe a la técnica empleada, el grabado al buril.
La obra se relaciona estrechamente con varias pinturas de Dalí del mismo periodo, en especial con el óleo sobre madera de c. 1933, Moi-même à 10 ans quand j'étais l'enfant-sauterelle (complexe de castration) (Cat. P 208).
__________
(1) Dalí, S., The Secret Life of Salvador Dalí, Dial Press New York, 1942, p. 128-131.
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[text] => L'Enfant-sauterelle
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[text] => L'ENFANT-SAUTERELLE
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[webText] => Esta estampa ilustra un folleto conmemorativo impreso en honor al “Ciudadano Sade” (el marqués de Sade), realizado con motivo de una cena celebrada el 2 de diciembre de 1933, al cumplirse ciento diecinueve años de su muerte. Un dibujo previo de Dalí realizado a tinta china y lápiz y dedicado de Dalí a Gala con la inscripción “Dessein especialement fait pour Gala Salvador Dalí 1932” (dibujo realizado especialmente para Gala), sirvió de base para el encargo. Varias pruebas de estado en aguafuerte documentan el proceso de elaboración de la estampa, mostrando cómo la plancha fue finalmente recortada de manera fiel al dibujo original y reproducida en heliograbado con remarques al aguafuerte, adaptándose al formato del folleto.
La ilustración de Dalí despertó un notable interés entre los miembros de la Société du Roman Philosophique, tal como revela una carta enviada al artista por Maurice Heine, escritor y editor francés, fechada el 31 de octubre de 1933, en la que le comunicaba el interés general por conocer su obra y satisfacer la curiosidad de sus colegas (1).
La fecha de realización de la ilustración coincide con los años en que Maurice Heine dedicó sus estudios y ediciones a la obra del marqués de Sade. Entre 1931 y 1935 transcribió la escritura microscópica de Les 120 Journées de Sodome, manuscrito redactado en un rollo de doce metros por Sade durante su encarcelamiento en La Bastilla de París en 1785.
El folleto de la cena iba dirigido a “los Ciudadanos y las Ciudadanas activos” de la asociación Société du Roman Philosophique, y exaltaba el republicanismo de Sade, quien había sido nombrado secretario de los Piques en 1792, en plena Revolución Francesa. Sade murió el “12 Frimaire an XXIII” (2 de diciembre de 1814), fecha expresada según el calendario republicano vigente en aquella época (2).
__________
(1) ID39174, CED, Fundación Gala-Salvador Dalí.
(2) En el calendario republicano francés, los días se asociaron a plantas, animales, minerales o herramientas, y el 12 Frimaire corresponde a Armoracia rusticana, un rábano picante.
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[display] => FGSD-D-015622 - Dalí, Museum Boymans-van Beuningen, 1970: p. 161 [Explicación Dalí sobre referencias a Angelus de Millet en C de M]
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[label] => FGSD-D-015622 - Dalí, Museum Boymans-van Beuningen, 1970
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[display] => FGSD-D-021556 - Salvador Dalí, 200 gravures, Ville de Paris (Marie annexe du 5e arrondissement), 1982: p. 2
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[display] => FGSD-D-024250 - Dalí : afinidades electivas, Generalitat de Catalunya. Departament de Cultura., 2004: p. p. 352, p. 367-414
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[display] => FGSD-D-022207 - Livres modernes illustrés, Librairie André Cottet, 1966: p. 24
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[label] => FGSD-D-022207 - Livres modernes illustrés, Librairie André Cottet, 1966
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[18] => Array
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[display] => FGSD-D-020857 - Dalí : la obra y el hombre, Robert Descharnes, Tusquets / Edita, 1984: p. 144-145 [p.131, pintura associada, p. 154 folleto de promoción]
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[bibTex] => @misc{Descharnes1984, title = {Dalí : la obra y el hombre}, author = {Robert Descharnes}, publisher = {Tusquets / Edita}, address = {Lausanne, Barcelona}, year = {1984}, date = {1984}, entryorder = {1984-01-01} }
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[display] => FGSD-D-022810 - Dalí il·lustrador : Salvador Dalí, 1904-1989, Govern d'Andorra. Ministeri de Turisme i Cultura, 2001: p. 78-79
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[display] => FGSD-D-019831 - Salvador Dalí, Musée des Beaux-Arts, 1990: p. 65-79 [p. 64 texto]
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[label] => FGSD-D-019831 - Salvador Dalí, Musée des Beaux-Arts, 1990
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[display] => FGSD-D-020042 - Salvador Dalí, Pablo Picasso, Pablo Picasso, Salvador Dalí : a preliminary study in their similarities and contrast, A. Reynolds Morse, The Salvador Dalí Museum, 1973: p. 16
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[display] => FGSD-D-022142 - Dalí monumental, Museu de Arte de Sao Paulo Assis Chateaubriand, 1998: p. 63-77
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[display] => FGSD-D-023542 - Dali's universe and masterpieces of surrealists, The Museum of Art, [2006]: p. 47-57
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[bibTex] => @misc{TheMuseum2006, title = {Dali's universe and masterpieces of surrealists}, publisher = {The Museum of Art}, address = {Ehime (Japó)}, year = {2006}, date = {[2006]}, entryorder = {2006-01-01} }
[label] => FGSD-D-023542 - Dali's universe and masterpieces of surrealists, The Museum of Art, [2006]
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[display] => FGSD-D-023227 - Dalí, Bompiani, 2004: p. 213-219
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[bibTex] => @misc{Bompiani2004, title = {Dalí}, publisher = {Bompiani}, address = {[Milà]}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023227 - Dalí, Bompiani, 2004
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[page] => 213-219
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[display] => FGSD-D-021574 - Salvador Dalí : oeuvres anciennes, Galerie André-François Petit, [1970]: p. 14-23
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[bibTex] => @misc{Galerie1970, title = {Salvador Dalí : oeuvres anciennes}, publisher = {Galerie André-François Petit}, address = {Paris}, year = {1970}, date = {[1970]}, entryorder = {1970-01-01} }
[label] => FGSD-D-021574 - Salvador Dalí : oeuvres anciennes, Galerie André-François Petit, [1970]
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[26] => Array
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[display] => FGSD-D-015721 - Salvador Dalí, Städtische Galerie und Städelsche Kunstinstitut, 1974: p. 55 [Celuloide (?) de nariz. Estudi preliminar]
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[bibTex] => @misc{Städtische1974, title = {Salvador Dalí}, publisher = {Städtische Galerie und Städelsche Kunstinstitut}, address = {Frankfurt am main}, year = {1974}, date = {1974}, entryorder = {1974-01-01} }
[label] => FGSD-D-015721 - Salvador Dalí, Städtische Galerie und Städelsche Kunstinstitut, 1974
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[$slug] => 15721
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[page] => 55
[remarks] => Celuloide (?) de nariz. Estudi preliminar
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[27] => Array
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[display] => FGSD-D-015748 - A new introduction to Salvador Dalí, A. Reynolds Morse, Reynolds Morse, 1960: p. 61 [p. 60 dibujo asociado]
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[28] => Array
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[display] => FGSD-D-023457 - Persistence and memory : new critical perspectives on Dalí centennial, Bompiani, 2004: p. 83-84
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[label] => FGSD-D-023457 - Persistence and memory : new critical perspectives on Dalí centennial, Bompiani, 2004
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[display] => FGSD-D-021699 - Dalí. Arquitectura, Fundació Gala-Salvador Dalí, Fundació Caixa de Catalunya, 1996: p. 199
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[bibTex] => @misc{Fundació1996, title = {Dalí. Arquitectura}, publisher = {Fundació Gala-Salvador Dalí, Fundació Caixa de Catalunya}, address = {[Barcelona], [Figueres]}, year = {1996}, date = {1996}, entryorder = {1996-01-01} }
[label] => FGSD-D-021699 - Dalí. Arquitectura, Fundació Gala-Salvador Dalí, Fundació Caixa de Catalunya, 1996
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[$slug] => 21699
[href] => /coeli/FGSD/HeritageObject/91b430c1-42ec-e411-9471-00155d647f0b
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[page] => 199
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[display] => FGSD-D-022425 - Memòria dels somnis: Salvador Dalí, 1904-1989, Govern d'Andorra. Ministeri de Turisme i Cultura, 1999: p. 62-106
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[label] => FGSD-D-022425 - Memòria dels somnis: Salvador Dalí, 1904-1989, Govern d'Andorra. Ministeri de Turisme i Cultura, 1999
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[display] => FGSD-D-023257 - Dalí una vida de llibre = Dalí a life in books, Destino [etc.], 2004: p. 102-103, 129
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[display] => FGSD-D-023518 - Surrealism: two private eyes, the Nesuhi Ertegun and Daniel Filipacchi collections, Guggenheim Museum Publications, 1999: p. 462-465
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[bibTex] => @misc{Guggenheim1999, title = {Surrealism: two private eyes, the Nesuhi Ertegun and Daniel Filipacchi collections}, publisher = {Guggenheim Museum Publications}, address = {New York}, year = {1999}, date = {1999}, entryorder = {1999-01-01} }
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[page] => 462-465
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[display] => FGSD-D-023335 - It's all Dalí, Museum Boijmans Van Beuningen, 2005: p. 300 [Dibujos preparatorios FGSD]
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[display] => FGSD-D-019870 - Salvador Dalí : exhibition - Japan 1964, Mainichi Newspaper, 1964: p. 49, 51-53, 56 [celuloides y dibujos preparatorios ]
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[display] => FGSD-D-053055 - Salvador Dali "Hommage à Albrecht Dürer" : gravures, Hautil, 1971: p. 20-23
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[display] => FGSD-D-024214 - Salvador Dalí : Les Chants de Maldoror, 1934, Distribucions d'Art Surrealista (DAS), 2010: p. 21-127
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[bibTex] => @misc{Distribucions2010, title = {Salvador Dalí : Les Chants de Maldoror, 1934}, publisher = {Distribucions d'Art Surrealista (DAS)}, address = {[Figueres]}, year = {2010}, date = {2010}, entryorder = {2010-01-01} }
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[display] => FGSD-D-023524 - Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, Hatje Cantz, 2006: p. 66-67
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[bibTex] => @misc{Hatje2006, title = {Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier}, publisher = {Hatje Cantz}, address = {Ostfildern}, year = {2006}, date = {2006}, entryorder = {2006-01-01} }
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[page] => 66-67
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[90] => Array
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[display] => FGSD-D-020178 - Der Surrealismus : 1919 - 1939, Gaëtan Picon, Skira, Wasmuth, 1988: p. 21
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[page] => 21
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[91] => Array
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[display] => FGSD-D-023682 - Salvador Dalí: an illustrated life, Tate Publishing, Fundació Gala-Salvador Dalí, Sociedad Estatal de Conmemoraciones Culturales - Ministerio de Cultura, 2007: p. 95
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[bibTex] => @misc{Viena2004, title = {Salvador Dalí i Federico García Lorca : la persistència de la memòria}, publisher = {Viena, Generalitat de Catalunya. Departament de Cultura.}, address = {Barcelona}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
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[page] => 128
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[display] => FGSD-D-021526 - Dalí : peintures, sculptures, dessins, [Salon de Montrouge], 1977: p. 2
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[$slug] => 21526
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[display] => FGSD-D-023409 - Dalí aranykor = Dalí golden age, Mücsarnok Kunsthalle, 2005: p. s.n.
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[display] => FGSD-D-022020 - Surrealist prints, Harry N. Abrams, 1997: p. p. 24, p.50 i p.51
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[bibTex] => @misc{Harry1997, title = {Surrealist prints}, publisher = {Harry N. Abrams}, address = {New York}, year = {1997}, date = {1997}, entryorder = {1997-01-01} }
[label] => FGSD-D-022020 - Surrealist prints, Harry N. Abrams, 1997
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[webText] => El libro de Les Chants de Maldoror, ilustrado por Salvador Dalí, data de 1934 y fue fruto del encargo del editor suizo Albert Skiraen plena época surrealista del artista. Los treinta heliograbados y doce viñetas que lo acompañan revelan la profunda sintonía entre el joven artista y el malogrado poeta Isidore Ducasse, autoproclamado conde de Lautréamont (1846-1870), quien murió en el anonimato a los veinticuatro años.
La obra más conocida de Lautréamont, Les Chants de Maldoror, fue ensalzada por los surrealistas tanto por su espíritu de rebelión frente a la sociedad como por la originalidad de su lenguaje poético. La estructura rítmica y lírica del texto encuentra su equivalente visual en las asociaciones repetitivas y simbólicas presentes en las estampas de Dalí. La edición final, obra maestra de la ilustración surrealista, se considera una obra seminal en la trayectoria del artista.
Las numerosas pruebas conservadas en el legado de Dalí documentan el largo proceso de creación y evolución de las estampas, cuya impresión se llevó a cabo en París por Roger Lacourière (grabado) y Philippe Gonin (tipografía).
Sin embargo, los problemas financieros del editor en 1934 afectaron la producción: la tirada final se redujo a unos 120 ejemplares, en lugar de los 210 ejemplares previstos según el colofón del libro.
Una segunda edición de Les Chants de Maldoror, concebida para completar la impresión de los ejemplares pendientes desde 1934, fue finalmente publicada en 1973.
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[distinguishingFeatures] => Ejemplar núm. 52, con 30 estampas principales.
Para mostrar el trabajo de realización de la edición, se ha asociado a este ejemplar un conjunto de pruebas previas. Éstas proceden de la carpeta de época que Dalí hizo servir y que tenía guardado en su taller en Portlligat.
El conjunto de pruebas muestra el desarrollo de la imagen, referenciando distintos estados y versiones, hasta llegar a la estampa definitiva.
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[webText] => En 1934 se publicó el libro Onan, del poeta Georges Hugnet (1906-1974), editado por Éditions Surréalistes de París. De la tirada total, setenta y siete ejemplares fueron ilustrados con un frontispicio de Salvador Dalí reproducido en heliograbado e impreso por Ateliers Lacourière. Según el colofón, el libro se terminó de imprimir el 10 de junio de 1934 en la imprenta Grou-Radenez.
El título del libro hace referencia a un episodio del Génesis (Antiguo Testamento). Onán, un personaje rebelde, es condenado a muerte por la justicia divina por desperdiciar su descendencia y negarse a casarse con la viuda de su hermano Er (1). En este heliograbado, Dalí refleja su afinidad con los versos de Hugnet, marcados por el deseo sexual, la soledad y la exclusión. En una plancha cargada de “espasmo-grafismos”, el artista inscribió la frase: “’ESPASMO-GRAFISME’ OBTENU AVEC LA MAIN GAUCHE PENDANT / QU'AVEC LA MAIN DROITE JE ME MASTURBE JUSQU'AU SANG / JUSQU'AU L'OS JUSQU'AU HÈLICES DU / CALICE’”. (“Espasmo-grafismo” obtenido con la mano izquierda mientras / con la mano derecha me masturbo hasta la sangre / hasta el hueso hasta las hélices del / cáliz).
El tema del onanismo, ya presente en la obra pictórica del artista desde 1927, aparece de forma velada en Aparato y mano (Cat. P 195) y se expone abiertamente en 1930 tanto en su poema El Gran Masturbador como en el óleo Rostro del Gran Masturbador (Cat. P 235).
__________
(1) Biblia Reina Valera [1909] El Génesis. 38.9-10: “Y sabiendo Onán que la simiente no había de ser suya, sucedía que cuando entraba á la mujer de su hermano vertí en tierra, por no dar simiente a su hermano.”
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[webText] => El libro Grains et Issues −subtitulado Rêve Expérimental− del poeta rumano Tristan Tzara (1896-1963), uno de los fundadores del movimiento Dadá, fue publicado por Les Éditions Denoël et Steele de París. Según el colofón, el libro se terminó de imprimir el 20 de febrero de 1935 en la Imprimerie de Charles Bulens. El volumen incluye un frontispicio de Salvador Dalí, reproducido en heliograbado y aguafuerte en los quince primeros ejemplares y una dedicatoria en la portadilla a Louis Broder, figura destacada del mundo editorial de la época.
De modo análogo al método paranoico-crítico de Dalí, Tzara propone que la actividad delirante sustituya conscientemente a la inspiración poética . En su narrativa, el autor describe “una superestructura lírica, cuyos elementos derivan de la estructura misma y que, tan pronto como se realiza, actúa sobre ésta desde la altura de su nuevo poder. Sabe desarrollar en ocasiones su virulencia, hasta el punto de socavar el sentido de esta estructura, corromperla, levantarla y destruirla en su esencia” .
El texto de Tzara encuentra su correspondencia visual en la estampa de Dalí, cuyo ritmo acelerado remite a los dibujos realizados durante su primera visita en los Estados Unidos, en noviembre de 1934. No obstante, el trasfondo destructivo que se percibe en la obra coincide con el clima europeo de la época, al que también alude Tzara en su texto.
__________
(1) p. 213.
(2) “Rêve Expérimental, est ‘une superstructure lyrique, dont les éléments dérivent de la structure même et qui, aussitôt réalisée, agit sur cette dernière du haut de sa nouvelle puissance. Elle sait à l’occasion développer sa virulence, au point de miner la signification de cette structure, de la corrompre, de la soulever et de l’anéantir dans son essence.”, p. 210.
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Edward F.W. James (1907-1984), excéntrico filántropo inglés, además de poeta y coleccionista de arte surrealista, conoció a Dalí en 1935 [ver OG 026] y se convirtió en uno de sus principales mecenas.
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La hoja volante de Cours naturel fue redactada por André Breton, quien escribió: “Desatar, librar en la cúspide de la vida y la conciencia […] en el gran polvorín del mediodía sobre el ala de la mariposa ‘flambeada’, hacia y contra la inmensa lástima de este tiempo sordo a los gritos desgarradores que vienen de la España republicana y de muchos en otros lugares, de este tiempo, −¡el nuestro!− enterrándose bajo las ruinas de la libertad y la esperanza de lo mejor, así como de la más elemental justicia y dignidad; desatar, librar, hacer resplandecer lo que queda y quedará para siempre intacto hasta lo más profundo del corazón […] por un COURS NATUREL que nada puede interrumpir…” (1)
Este ejemplar, el número 7, impreso sobre papel Hollande, incluye una dedicatoria en la portadilla “à Louis Broder / qui aime les libres / encore plus que moi, / Paul Éluard” (A Louis Broder / a quien le gustan los libros / aún más que a mí, / Paul Éluard). En la página de cortesía figura además un exlibris del artista francés Benjamin Vautier.
__________
(1) Bonnet, M. (ed.), André Breton Oeuvres complètes II, Editions Gallimard, 1992, París, p. 1220: “Délier, délivrer au faîte de la vie et de la conscience, comme un grand poète le peut à deux fois vingt ans, non seulement de leurs sens impur les mots de la tribu encore sauvage mais aussi les actes humains de ce qu’ils comportent d’arbitraire, de combustión irréparable et à tout le moins de vanité, dans le grand pudrouiement de midi sur l’aile du papillon ‘flambé’, envers et contre l’immense pitié de ce temps sourde aux cris déchirents qui viennent de l’Espagne républicaine et de plusieurs ailleurs, de ce temps, − le nôtre! − s’ensevelissant sous les ruines de la liberté et de l’espoir du mieux aussi bien que de la justice et de la dignité les plus élémentaires ; délier, délivrer, faire étinceler ce qui subsiste et subsistera à jamais d’intact au plus profond du coeur […] par un COURS NATUREL que rien ne peut interrompre…”.
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Estudi de nu femení en repòs
Salvador Dalí i Domènech
1923-24
Il·lustració per «l’oncle Vicens»
Salvador Dalí i Domènech · Salvador Dalí i Domènech · Salvador Dalí i Domènech
1924 – 1925
Cap de noia
Salvador Dalí i Domènech · Salvador Dalí i Domènech · Salvador Dalí i Domènech
1924
Sense títol. Retrat del pare
Salvador Dalí i Domènech · Salvador Dalí i Domènech
c. 1924
Parella «Venus i mariner»
Salvador Dalí i Domènech · Salvador Dalí i Domènech · Salvador Dalí i Domènech
c. 1925
Retrato de mi padre
Salvador Dalí i Domènech · Salvador Dalí i Domènech · Salvador Dalí i Domènech
1924
Retrat d’Anna Maria Dalí i el seu pare
1924 – 1925
Cap de noia
Salvador Dalí i Domènech · Salvador Dalí i Domènech · Salvador Dalí i Domènech
1924
Mariners
1925
Pepin Vello
Salvador Dalí i Domènech · Salvador Dalí i Domènech
1925
Ex-libris Puig Pujades
Salvador Dalí i Domènech · Salvador Dalí i Domènech · Salvador Dalí i Domènech
1925
Mujer
Salvador Dalí i Domènech · Salvador Dalí i Domènech · Salvador Dalí i Domènech
1925
Second Manifeste du Surréalisme
1930
La Femme Visible
Salvador Dalí i Domènech · Salvador Dalí i Domènech · Éditions Surréalistes · Roger Lacourière · Ducros et Colas
1930
L’Immaculée Conception
Salvador Dalí i Domènech · André Breton · Paul Éluard · Éditions Surréalistes
1930
Artine
Salvador Dalí i Domènech · René Char · Éditions Surréalistes · Ducros et Colas
1930
André Breton, Le Tamanoir
1931
Le Revolver à cheveux blancs
Salvador Dalí i Domènech · André Breton · Éditions des Cahiers Libres
1932
Cadavre exquis
Salvador Dalí i Domènech · Pablo Picasso
1933 – 1934
Objet cannibaliste
1933
L’Enfant-sauterelle
Salvador Dalí i Domènech · (M. Czar o M. Cazou), Les Sources, París · Roger Lacourière
1933
Invitation au souper de la Société du Roman Philosophique
Salvador Dalí i Domènech · A.R.P. · Atelier Lacourière et Frélaut
1933
Les Chants de Maldoror
Salvador Dalí i Domènech · Isidore Ducasse, comte de Lautréamont · Albert Skira · Roger Lacourière · Philippe Gonin
1934
Onan
Salvador Dalí i Domènech · Georges Hugnet · Éditions Surréalistes · Roger Lacourière · Imprimerie Grou-Radenez
1934
Fantastic beach scene
1935
Grains et Issues
Salvador Dalí i Domènech · Tristan Tzara · Les Editions Denoël et Steele · Imprimeries Charles Bulens
1935
Crânes mous et harpe crânienne
Salvador Dalí i Domènech
1935
Cours naturel
Salvador Dalí i Domènech · Paul Éluard · Editions du Sagittaire · Henri Jourde
1938
LA DIVINE COMÉDIE
LA VIE EST UN SONGE
LES SONGES DRÔLATIQUES DE PANTAGRUEL
DIX RECETTES D’IMMORTALITÉ
MOÏSE ET LE MONOTHÉISME
HOMMAGE À QUEVEDO
RHINOCÉROS
MOI AUSSI J’AI CONNU L’EMPEREUR
ARTISTES HISTÒRICS
MYTHOLOGIE
CEL DE L’EMPORDÀ
ULL DE TEMPS AMB RAÏMS D’IMMORTALITAT
SUITE MYTHOLOGIQUE NOUVELLE
(Cartell W.F.U.N.A)
SAINTE ANNE
St. GEORGE AND THE DRAGON
LA DÉROUTE DE SAN ROMANO