The Pearl. The Infanta Margarita of Austria after “Las Meninas” by Velázquez

c. 1981

Untitled. After “Mercury and Argus” by Velázquez

c. 1981

Gala Contemplating the Apparition of Prince Baltasar Carlos. After “The Prince Baltasar Carlos on Horseback” by Velázquez

c. 1981

Untitled. After “The Jester Don Sebastián de Morra” by Velázquez and Catastropheiform Writing

c. 1982

El dia i la nit

1982

Voluptas

1982

Untitled. After “The Jester Don Sebastián de Morra” by Velázquez in the Courtyard of El Escorial

c. 1982

Velázquez Dying behind the Window on the Left Side out of Which a Spoon Projects

1982

Untitled. After “The Jester Don Sebastián de Morra” by Velázquez and Catastropheiform Writing

c. 1982

Untitled. Escorial and Catastropheiform Writing

c. 1982

Untitled. “Twilight” after the Tomb of Lorenzo de’ Medici by Michelangelo in the Courtyard of El Escorial and Catastrophe-Form Writing

c. 1982

Untitled. “Dawn” after the Tomb of Lorenzo de’ Medici by Michelangelo and Catastrophe-Form Writing

c. 1982

Escorial Contorting Itself Outrageously to Transform into a Woman

c. 1982

Double victory of Gaudí

c. 1982

Study for “Olé!”

c. 1982

Olé!

c. 1982

Untitled. After “The Infanta Margarita of Austria” by Velázquez in the Courtyard of El Escorial

c. 1982

Untitled. After “The Prince Baltasar Carlos on Horseback” by Velázquez

c. 1982

Untitled. The Chamberlain Don José Nieto after “Las Meninas” by Velázquez

c. 1982

Untitled. After “Christ Contemplated by the Christian Soul” By Vélazquez

c. 1982

Topological study for “Exploding Head”

c. 1982

Long Live the Prince of Girona!

c. 1982

Untitled. Knight and King in the Background

c. 1982

Untitled. Seagulls for the King

c. 1982

Untitled. Atmospherocephalic Figures

c. 1982

Untitled. Mirror Heads

c. 1982