1370 results
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[text] => 2015/11/09
"Conocido como "el otro martir (L'autre marty)". Personaje inspirado por un dibujo a carbón de Miguel Angel por "la resurrección de Cristo".
Dalí: "debe ser presentado en díptico con San Sebastián".
2017/09/07: reunió catàleg raonat pintura (Montse Aguer, Fiona Mata, Carme Ruiz) revisió del títol / data
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[bibTex] => @misc{Gianni1984, title = {I Dalì di Salvador Dalì}, publisher = {Gianni Tassinari}, address = {Ferrara}, year = {1984}, date = {1984}, entryorder = {1984-01-01} }
[label] => FGSD-D-016524 - I Dalì di Salvador Dalì, Gianni Tassinari, 1984
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[bibTex] => @misc{Descharnes1994, title = {Salvador Dalí, 1904 -1989}, author = {Robert Descharnes, Gilles Néret}, publisher = {Benedikt Taschen}, address = {Köln}, year = {1994}, date = {1994}, entryorder = {1994-01-01} }
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2017/01/16: títols x idiomes revisats
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[text] => 2016/08/08: Amb motiu de l’exposició DALÍ. IL SOGNO DELLA BELLEZZA CLASSICA a la Fondazione Palazzo Blu, Pisa, Itàlia, revisem/canviem el títol/data d’aquesta obra
2017/01/16: títols x idiomes revisats
2017/09/07: reunió catàleg raonat pintura (Montse Aguer, Fiona Mata, Carme Ruiz) revisió del títol / data
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[text] => 2015/11/09
Anotació al revers de Robert Descharnes a llapis: "Salvador Dalí Fevrier 1983 - Pieta - 60 x 73 cm".
2017/09/07: reunió catàleg raonat pintura (Montse Aguer, Fiona Mata, Carme Ruiz) revisió del títol / data
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Anotació de Robert Descharnes a llapis sobre el bastidor: "Saint Georges terrassant un violoncelle, 1983, 73 x 92 cm. -- Marca tampó sobre el revers de la tela: "Vicente Peira" (i l'adreça!)
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[text] => 2015/11/09
Anotació de Robert Descharnes a llapis sobre el bastidor: "Salvador Dalí 1983 - Lit et deux tables de nuit attaquant ferocement un violoncelle, 1980, 1er de la serie".
Tampó: (c) Salvador Dalí al revers.
2017/09/07: reunió catàleg raonat pintura (Montse Aguer, Fiona Mata, Carme Ruiz) revisió del títol / data
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[text] => 2015/11/10
Anotació de Robert Descharnes a llapis sobre el bastidor: "Chaise, lit et table de nuit attaquant ferocement a un violoncelle". També en el bastidor, escrit amb rotulador vermell: "CS19". Marca de tampó sobre el revers de la tela: "Vicente Peira".
2017/09/07: reunió catàleg raonat pintura (Montse Aguer, Fiona Mata, Carme Ruiz) revisió del títol / data
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[text] => 2016/01/28
Primera versió. Segona cat. raonat 998
2017/09/07: reunió catàleg raonat pintura (Montse Aguer, Fiona Mata, Carme Ruiz) revisió del títol / data
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[text] => 2015/11/10
Anotació de Robert Descharnes a llapis sobre el bastidor: "Cotelette et allumette - Le crab chinois - 16 mars 1983 73 x 72 cm". Marca en el bastidor i sobre la tela (revers): tampó: "Vicente Peira"
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[text] => 2015/11/10
Tal com està escrit en el bastidor, aquesta obra va ser acabada el 17/3/83.
Inscripció matemàtica sobre la capa de pintura: "Queue d'aronde. V=x5/5 V=x5/5+4x3/3+vx2/2+wx"
2017/09/07: reunió catàleg raonat pintura (Montse Aguer, Fiona Mata, Carme Ruiz) revisió del títol / data
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[text] => 2015/11/09
Última obra de la sèrie de les catàstrofe. Obra inacabada -- Última obra pintada per Dalí i acabada el maig del 1983.
2017/09/07: reunió catàleg raonat pintura (Montse Aguer, Fiona Mata, Carme Ruiz) revisió del títol / data
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[text] => 2015/02/13: Amb motiu de l'exposició Què hi ha de nou? Velázquez a la sala de les Loggies del TMD, canviem el títol d'aquesta obra.
2017/09/07: reunió catàleg raonat pintura (Montse Aguer, Fiona Mata, Carme Ruiz) revisió del títol / data
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Untitled. After “Resurrection of Christ” by Michelangelo
Dalí i Domènech, Salvador
c. 1982
Untitled. Composition Inspired by Michelangelo
Dalí i Domènech, Salvador
c. 1982
Untitled. After “Resurrection of Christ” by Michelangelo
Dalí i Domènech, Salvador
c. 1982
Untitled. Moses after the Tomb of Julius II by Michelangelo
Dalí i Domènech, Salvador
c. 1982
Untitled. After “Crouching Boy” by Michelangelo
Dalí i Domènech, Salvador
c. 1982
Untitled. Homage to Michelangelo
Dalí i Domènech, Salvador
c. 1982
La Nit
Pitxot, Antoni
1983
Project for the façade of the Torre Galatea
Dalí i Domènech, Salvador
1983
Untitled. After “David” by Michelangelo
Dalí i Domènech, Salvador
c. 1983
Pietà
Dalí i Domènech, Salvador
c. 1983
Study for “Topological Contortion of a Female Figure Becoming a Cello”
Dalí i Domènech, Salvador
c. 1983
Study for “Bed, Chair and Bedside Table Fiercely Attacking a Cello”
Dalí i Domènech, Salvador
c. 1983
The Pietà of the Cello-Christ
Dalí i Domènech, Salvador
c. 1983
Untitled. Car, Bedside Table and Bed Ferociously Attacking a Cello
Dalí i Domènech, Salvador
c. 1983
Untitled. The Descent from the Cross of a Cello-Christ
Dalí i Domènech, Salvador
c. 1983
Study for Bed and Two Bedside Tables Ferociously Attacking a Cello
Dalí i Domènech, Salvador
c. 1983
Untitled. St. George Overpowering a Cello
Dalí i Domènech, Salvador
1983
Untitled. Figure on an Elephant Attacking a Cello (unfinished)
Dalí i Domènech, Salvador
c. 1983
Bed and Two Bedside Tables Ferociously Attacking a Cello
Dalí i Domènech, Salvador
c. 1983
Untitled. Chair, Bed and Bedside Table Ferociously Attacking a Cello
Dalí i Domènech, Salvador
c. 1983
Untitled. Topological Contortion of a Female Figure
Dalí i Domènech, Salvador
c. 1983
Untitled. Bed and Two Bedside Tables Ferociously Attacking a Cello. Topological Contortion
Dalí i Domènech, Salvador
c. 1983
Bed and Two Bedside Tables Ferociously Attacking a Cello
Dalí i Domènech, Salvador
c. 1983
Cutlet and Match. The Chinese Crab
Dalí i Domènech, Salvador
c. 1983
Topological Abduction of Europe. Homage to René Thom
Dalí i Domènech, Salvador
c. 1983
Untitled. The Catastrophes Series
Dalí i Domènech, Salvador
c. 1983
Untitled. Swallow’s Tail and Cellos. The Catastrophes Series
Dalí i Domènech, Salvador
c. 1983
Esbós per a la instal·lació del Taxi Plujós del Teatre-Museu Dalí
1984
La batalla
Pitxot, Antoni
1988
Autorretrat
Vallès, Evarist
1988