Untitled. Plan and Architectural Structure

Dalí i Domènech, Salvador

c. 1930

Untitled. Furniture for a Surrealist Apartment

Dalí i Domènech, Salvador

c. 1930s

Untitled. Twisted Pillars and Soft Architecture

Dalí i Domènech, Salvador

c. 1930s

Untitled. Soft Furniture

Dalí i Domènech, Salvador

c. 1930s

La Femme visible(The visible Woman)Sketch of Female nude

Dalí i Domènech, Salvador

c. 1930

Study for “Dormeuse – cheval – lion invisibles”

Dalí i Domènech, Salvador

c. 1930

typical surrealistic obgect, made to provoke special discomfort by use of flies drawn and stuckin various places by sugary substances. I have amused myself, all my life, by playing with flies, rather than chasing them away. Illustration for “The Secret Life of Salvador Dalí”

Dalí i Domènech, Salvador

[c. 1939-41]

André Breton Le Tamanoir. Original for the exlibris of André Breton

Dalí i Domènech, Salvador

c. 1931

Two studies for “The Old Age of William Tell”

Dalí i Domènech, Salvador

c. 1931

Untitled. Erotic Scene

Dalí i Domènech, Salvador

1932

Original for a Poster for “Babaouo c’est un film surrealiste”

Dalí i Domènech, Salvador

1932

Paranoiac Metamorphosis of Gala’s Face

Dalí i Domènech, Salvador

1932

Le couple

Dalí i Domènech, Salvador

1933

“Reflet de crane dans un miroir deforman”. Study of illustration for “The Chants de Maldoror”

Dalí i Domènech, Salvador

1933

Study for “Atavism at twilight (Obsessional Phenomenon)”

Dalí i Domènech, Salvador

c. 1933

Study for “Pablo Picasso, Salvador Dalí – Surrealist Figures”

Dalí i Domènech, Salvador

c. 1933

Possible study for “Two Faces of Gala”

Dalí i Domènech, Salvador

c. 1933-34

Sketches and study for “Surrealist Object Functioning Symbolically” and an illustration of “Les Chants de Maldoror”

Dalí i Domènech, Salvador

c. 1933

Study for scenography “Admosferic – Animals – Tragedie. Espectacle surrealiste”

Dalí i Domènech, Salvador

c. 1933