La Madona de Portlligat (primera versió)

© Salvador Dalí, Fundació Gala-Salvador Dalí, Figueres, 2011

Núm. cat. P 643

La Madona de Portlligat (primera versió)

Descripció

Data:
1949
Tècnica:
Oli sobre tela
Dimensions:
49.5 x 38.3 cm
Signatura:
Signat i datat a l'angle inferior dret: Dali 1949
Localització:
Haggerty Museum of Art, Marquette University, Milwaukee. Donació de Mr. i Mrs. Ira Haupt

Procedència

  1. Mr. i Mrs. Ira Haupt

Observacions

Encara que Dalí feia servir la variant Port Lligat, s'ha decidit d'utilitzar la normativa actual del topònim.

Exposicions

  1. 1964, New York, Fine Arts Pavilion New York World's Fair, Mother and Child in Modern Art, 22/04/1964 - 17/10/1965, núm. cat. 5
  2. 1979, Paris, Centre Georges Pompidou, Musée National d'Art Moderne, Salvador Dalí: rétrospective, 1920-1980, 18/12/1979 - 21/04/1980, núm. cat. 311
  3. 1982, Tokyo, Isetan Museum of Art, Rétrospective Salvador Dalí 1982, 28/02/1982 - 06/04/1982, núm. cat.18
  4. 1982, Hiroshima, Hiroshima Prefectural Museum of Art, Rétrospective Salvador Dalí 1982, 11/06/1982 - 11/07/1982, núm. cat. 18
  5. 1983, Madrid, Museo Español de Arte Contemporáneo, 400 obras de Salvador Dalí del 1914 al 1983, 15/04/1983 - 29/05/1983, núm. cat. 380
  6. 1984, New Orleans, New Orleans Vatican Pavillion. Louisiana World Exhibition, Treasures of the Vatican, 12/05/1984 - 11/11/1984
  7. 1989, Stuttgart, Staatsgalerie, Salvador Dalí, 1904-1989, 13/05/1989 - 23/07/1989, núm. cat. 245
  8. 1990, Montréal, Musée des Beaux-Arts, Salvador Dalí, 27/04/1990 - 29/07/1990, núm. cat. 73
  9. 1991, Tokyo, Mitsukoshi Museum of Art, Dalí exhibition, 10/10/1991 - 17/11/1991, núm. cat. 53
  10. 1996, Barcelona, La Pedrera, Dalí. Arquitectura, 19/06/1996 - 25/08/1996, núm. cat. 24
  11. 1998, Liverpool, Tate Gallery Liverpool, Salvador Dalí: a mythology, 21/10/1998 - 31/01/1999, núm. cat. 46
  12. 1998, Rio de Janeiro, Museu Nacional de Belas Artes, Dali Monumental, 25/03/1998 - 27/05/1998, il. 40
  13. 2000, Hartford, Connecticut, Wadsworth Atheneum Museum of Art, Dalí's optical illusions, 21/01/2000 - 26/03/2000, núm. cat. 50
  14. 2004, Venezia, Palazzo Grassi, Dalí, 12/09/2004 - 16/01/2005, núm. cat. 214
  15. 2010, Atlanta, High Museum of Art, Salvador Dalí: The late work, 07/07/2010 - 09/02/2011, núm. cat. 13

Bibliografia

  1. "Dali «Returns to Religion» After Audience With Pope", Times Herald, 24/11/1949, Dallas, Tex., s. p.
  2. Barrett Mcgurn, "Dali Shows Pope New Painting: Surrealist Madonna and Child", Herald Tribune, 24/11/1949, New York, s. p.
  3. Barrett Mcgurn, "Dali Displays Lastest Painting Of Madonna, Child To Pontiff", Journal Herald, 24/11/1949, Dayton, O, s. p.
  4. Barrett Mcgurn, "Dali Visits Pope, Shows Him Surrealist Madonna and Child", Herald Tribune, 24/11/1949, New York, p. 1-2
  5. "Dali Changes Artistic Style", Tribune, 25/11/1949, Lawrence, Mass, s. p.
  6. "Dali back with surrealist Madonna he showed to the Pope", Herald Tribune, 22/12/1949, s. l., s. p. (image indirecte)
  7. [Surrealist Madonna (il)], Post, 26/12/1949, Houston, Tex, s. p. (imatge indirecta)
  8. "Du surréalisme à l' art sacré", L'aurore, 26/12/1949, Paris, s. p. (imatge indirecta)
  9. "«La Madone» de Salvador Dali (il)", France, 27/12/1949, Marseille, s. p. (imatge indirecta)
  10. [Salvador Dali l'un des peintres...(il)], Sud-ouest, 27/12/1949, Bordeaux, s. p. (imatge indirecta)
  11. "Le roi des surrealistes se lance dans la peinture religieuse (il)", Midi Libre, 27/12/1949, Montpellier, s. p. (imatge indirecta)
  12. "Madone surréaliste", La Montagne, 27/12/1949, Clermont, s. p. (imatge indirecta)
  13. Louis Pauwels, "Salvador Dali a fait au pape une visite «de politese», dit-il", Le Figaro Litteraire, 31/12/1949, Paris, s. p. (imatge indirecta)
  14. Panorama dell'arte italiana, Lattes, Torino, 1950, p. 107 (imatge indirecta)
  15. Michel Tapié, Le coeur: extrait des Études Carmélitaines, [Desclée de Brouwer], [Bruges], [1950], p. 287
  16. H. L. Dungan, "Three New Exhibitions at DeYoung", Tribune, 29/01/1950, Oakland, Cal., s. p. (imatge indirecta)
  17. "[Surrealist exhibits work...] ( il )", Herald, 15/02/1950, Canova, S.d., s. p. (imatge indirecta)
  18. Jose Mª Massip, "Dali hoy", Destino, 01/04/1950, Barcelona, p. 3
  19. "First color presentation of Salvador Dalí's Port Lligat Madonna", Los Angeles Times, 09/04/1950, Los Angeles, s. p.
  20. "First color presentation of Salvador Dalí's Port Lligat Madonna", Los Angeles Times, 09/04/1950, Los Angeles, s. p. (detall)
  21. Emily Genauer, "The Salvador Dali Madonna", This Week Magazine. New York Herald Tribune, 09/04/1950, New York, NY, coberta
  22. "Toward Raphael", Time, 17/04/1950, New York, p. 66
  23. Emily Genauer, "La pintura religiosa de Dali", El Tiempo, 17/04/1950, Madrid, s. p.
  24. Michael Tapié, "Encounter With Dali", Paris News Post, 31/07/1950, Paris, s. p.
  25. "Dali mustachioes a-down, arriving with 'madonna'", Star, 05/11/1950, Wilmington, Del., s. p.
  26. "Dali likes Dali", Newsweek, 20/11/1950, New York, s. p.
  27. Wambly Bald, "Dali suggests dreams as cure for worries", New York Post, 21/12/1950, New York, s. p. (imatge indirecta)
  28. Salvador Dalí, 50 secretos mágicos para pintar, Luis de Caralt, Barcelona, 1951, p. 160
  29. "Pintura. Caos internacional", Semana, 13/01/1951, Bogotá, p. 25 (imatge indirecta)
  30. Manuel del Arco, Salvador Dalí, Dalí al desnudo, José Janés, Barcelona, 1952, s. p.
  31. William E. Barlow, "El Cristo de Dalí", Visión, 01/04/1952, New York, p. 2 (imatge indirecta)
  32. Michael Deon, P. Roumeguere, "Salvador Dali", Reforme, 24/05/1952, Paris, s. p. (detall)
  33. Armand Lanoux, "Salvador Dali «monstre sacré»", Jardin Des Arts, 30/09/1955, Paris, p. 685 (imatge indirecta)
  34. "Dans le cadre du IX Destival belge d'été, 90 oeuvres de Salvador Dali au Casino de Knokke du 30 juin au 10 septembre", Beaux Arts, 22/06/1956, Bruxelles, s. p. (imatge indirecta) (detall)
  35. "Les Métamorphoses de Dali", Le Soir, 04/07/1956, Bruxelles, s. p.
  36. A. Reynolds Morse, Michel Tapié, Dalí: a study of his life and work, New York graphic Society, Greenwich [Connecticut], 1958, p. 62
  37. Sanka Knox, "Global Art Shows Opens Here Today", New York Times, 29/10/1958, New York, s. p. (imatge indirecta)
  38. "Marquette Is Given a Painting by Dali", Journal, 13/10/1959, Milwaukee, Wis., s. p. (imatge indirecta)
  39. Margaret Fish, "Beauty, Dignity Of Mosaic Win Praise For Lewandowski", Sentinel, 22/11/1959, Milwaukee, Wis., s. p. (detall)
  40. "Dali painting given to University", Press, 26/12/1959, Asbury Park, N.j., s. p. (imatge indirecta)
  41. 100 aquarelles pour la Divine Comédie de Dante Alighieri par Salvador Dalí, Joseph Foret, Les Heures Claires, Paris, 1960, p. 18
  42. Gustav René Hocke, El Manierismo en el arte europeo de 1520 a 1650 y en el actual, Guadarrama, Madrid, 1961, s. p. (detall)
  43. Gordon Muck, "The «Mother and Child Exhibit»", The Post - Standard Sunday Magazine, 22/12/1963, Syracuse, N.y., coberta (detall)
  44. Mother and child in modern art, Duell, Sloan and Pearce, New York, [1964], il. 5
  45. "Mother through artists'.....", Ames Daily Tribune, 09/05/1964, Ames, IA, p. 3 (detall)
  46. "Madonna of Portlligat, Salvador Dali. (il.)", Pageant Magazine, 31/05/1964, New York, N.y., s. p.
  47. "Mother and Child Theme Dominates Art Exhibition", Star, 18/12/1964, Minneapolis, Minn., s. p. (detall)
  48. [The subject is...], Journal, 08/05/1965, Milwaukee, Wis., s. p.
  49. "Mother's Day in Modern Art", Register, 09/05/1965, New Haven, Conn., s. p.
  50. "Artists Take A Modern Art Look At the Perennial Pair That Has Fascinated Them For Centuries: Mother and Child", Post-times-herald, 09/05/1965, Washington, D. C., s. p. (detall)
  51. "Tree traffic", Inquirer, 09/05/1965, Philadelphia, Pa., s. p. (detall)
  52. "Mother's day art", Evening Globe, 09/05/1965, Boston, Mass., p. 31 (imatge indirecta)
  53. "Mother and child in Moderna Art", The Washington Post, 09/06/1965, Washington, s. p. (detall)
  54. "Mother and child in modern art", Post-times-herald, 09/06/1965, Washington, D.c., s. p. (detall)
  55. Pamela Howard, "Museum proves all the world loves a mother", News, 11/06/1965, Washington, D.c., s. p.
  56. Elisabeth Stevens, "Stickiness of momism smothers the good", Post-times-herald, 13/06/1965, Washington, D.c., s. p.
  57. Joseph R. Hertzi, "Art exhibit opens at institute today", Repository, 24/10/1965, Canton, Ohio, s. p. (detall)
  58. "Art Museum Has Christmas Fare", News-sentinel, 02/12/1966, Ft. Wayne, Ind., s. p.
  59. Barbara Thexton, "Art Exhibit Features Christmas Story Paintings", Journal-gazette, 08/12/1966, Ft. Wayne, Ind., s. p.
  60. "Dali painting", Manitowoc Herald-Times, 18/04/1972, Herald, p. 3
  61. Salvador Dalí : a guide to his works in public museums, The Dali Museum, Cleveland [Ohio], 1973, p. [23]
  62. Antonio D. Olano, Dalí, secreto, Dopesa, Barcelona, 1975, s. p.
  63. Salvador Dalí: rétrospective, 1920-1980, Centre Georges Pompidou, Musée National d'Art moderne, Paris, 1979, p. 375
  64. Claude Pallene, "Comment les servitudes de son inspiration ont amené Dali à la grandeure", journal de l'amateur d'art, 01/12/1979, Paris, Fr, p. 15
  65. Salvador Dalí, The Tate Gallery, London, 1980, il. 213
  66. Richard Roud, "A man for bright ideas", The Guardian, 05/01/1980, Manchester, p. 10 (detall)
  67. Hugh Adams, "In Praise of Folly", Art And Artists, 31/03/1980, London, s. p. (detall)
  68. -, Michael Gibson, "The disguises and dilemmas of Dalí (coberta) / Dalí: «The difference between a madman and myself is that I am not mad»", Art News, 30/04/1980, New York, p. 91
  69. Josep Pla, Salvador Dalí (il.), Obres de museu, DASA, Figueres, 1981, p. 123
  70. Guglielmo Bernardi, "Salvador Dalí", Pan, 04/1981, Offenburgh, p. 14 (detall)
  71. Dawn Ades, Dalí and surrealism, Harper & Row, New York, 1982, p. 187
  72. Rétrospective Salvador Dalí 1982, Edition Art Life, [S.l.], 1982, núm. cat. 18
  73. "Ha muerto Gala, esposa y musa de Salvador Dalí", El Correo Catalán, 11/06/1982, Barce Lona, p. 32
  74. Narcís Genís, "«Juro davant de Déu, de la Gala i dels espanyols honrats, que aquest quadreés completament fals»", Punt Diari, 19/08/1982, Girona, p. 3 (detall)
  75. Narcís Genís, "«Tinc moltes ganes d'anar al Museu de Figueres, amb en Pitxot, així que pugui»", El Punt, 19/08/1982, Girona, p. 3 (detall)
  76. "La Generalitat quiere adquirir una «Madonna» de Dalí", El Correo Catalán, 14/09/1982, Barcelona, s. p.
  77. "«La Madona de Port Lligat a Catalunya»", Los Sitios, 17/09/1982, Girona, s. p. (detall)
  78. "«La madona de Port Lligat» a Catalunya", Los Sitios, 17/09/1982, Girona, s. p.
  79. 400 obres de Salvador Dalí del 1914 al 1983, Obra Cultural de la Caixa de Pensions, [Madrid], 1983, p. 217
  80. Ignacio Gómez de Liaño, Dalí, Polígrafa, Barcelona, 1983, il. 99
  81. Clarà, Dalí, Monturiol, Pla, Vayreda, Diputació Provincial de Girona, Nou Art Thor, Girona, Barcelona, 1983, p. 26 (detall)
  82. Jaume Socias, Dalí, Nou Art, Barcelona, 1983, p. 26 (detall)
  83. "Llega a Madrid la «Madona de Port Lligat», de Dalí", Informaciones, 16/03/1983, Madrid, s. p.
  84. "«La Madona de Port Lligat»", Información, 16/03/1983, Alicante, s. p.
  85. "Dalí, ochenta años", Abc, 12/05/1984, Madrid, p. 96
  86. Solennità dell'Immacolata Concezione della beata Vergine Maria, Basilica Vaticana, [Ciutat del Vaticà], 1985, coberta
  87. Josep Vallès i Rovira, Dalí delit Empordà, Carles Vallès, Figueres, 1987, p. 153
  88. Agustín Sánchez Vidal, Buñuel, Lorca y Dalí: el enigma sin fin, Planeta, Barcelona, 1988, p. 313
  89. Salvador Dalí, 1904-1989, Gerd Hatje, Stuttgart, 1989, p. 319
  90. Entender la pintura : Dalí, Orbis - Fabri, Barcelona, 1989, p. 27
  91. Leticia Azcue Brea, Salvador Dalí, Colegio de España, Salamanca, 1990, p. 71
  92. Paul Moorhouse, Dalí, Magna Books, Wigston [Anglaterra], 1990, p. 12 (imatge indirecta)
  93. Salvador Dalí, Musée des Beaux-Arts, Montréal, 1990, p. 131
  94. René Passeron, Salvador Dalí, Ars Mundi, [S.l.], 1990, p. 84
  95. Dalí exhibition, Mitsukoshi Museum of Art, Tokyo, 1991, p. 105
  96. Eric Shanes, Dalí, Debate, Madrid, 1991, p. 121
  97. Luis Romero, PsicoDálico Dalí, Mediterranea, Barcelona, 1991, p. 158
  98. Jaime Brihuega, Miró y Dalí: los grandes surrealistas, Anaya, Madrid, 1993, p. 78
  99. A. Reynolds Morse, Dali's animal crackers, Salvador Dalí Museum, St. Petersburg, Florida, 1993, p. 208
  100. Robert Descharnes, Gilles Néret, Salvador Dalí, 1904 -1989, Benedikt Taschen, Köln, 1994, p. 426
  101. Salvador Dalí, Polígrafa, Barcelona, 1994, il. 53
  102. Nathaniel Harris, The Life and works of Dalí, Parragon, [Regne Unit], 1994, p. 66, p. 67 (detall)
  103. Dalí, Cercle d'Art, Paris, 1994, il. 53
  104. Jessica Hodge, Salvador Dali, Barnes & Noble, New York, 1994, p. 107 (detall)
  105. Gilles Néret, Salvador Dalí : 1904-1989, Evergreen (Benedikt Taschen), [Köln], 1996, p. 70 (imatge directa i indirecta)
  106. Christopher Masters, Dalí, Phaidon, London, 1996, p. 109
  107. Dalí. Arquitectura, Fundació Gala-Salvador Dalí, Fundació Caixa de Catalunya, [Figueres], [Barcelona], 1996, p. 157
  108. Ralf Schiebler, Dalí : genius, obsession and lust, Prestel, Munich - New York, 1996, p. 88
  109. New history of world art, Shogakukan, [S.l.], 1996, il. 33
  110. Robert Radford, Dalí, Phaidon, London, 1997, p. 241
  111. Ian Gibson, The Shameful life of Salvador Dalí, Faber and Faber, London, 1997, il. XXXIV
  112. A door to the dream world, Korinsha Press, Kyoto, 1998, p. 186 (detall)
  113. Dalí monumental, Museu de Arte de Sao Paulo Assis Chateaubriand, Sao Paulo, 1998, p. 51
  114. Dawn Ades, Fiona Bradley, Salvador Dalí: a mythology, Tate Gallery Publishing, London, 1998, p. 73
  115. Dalí insights, Wadsworth Atheneum Museum of Art, Hartford, 1999, s. p.
  116. Salvador Dalí, Parkstone, England, 1999, p. 139
  117. Robert S. Lubar, The Salvador Dalí Museum collection, Bulfinch, Boston - New York - London, 2000, p. XV
  118. Wadsworth Atheneum Museum of Art. What's on calendar, Wadswoth Ahteneum Museum of Art, Hartford, CT, 2000, p. 7
  119. Dalí's Optical Illusions, Smithsonian Institution, Washington DC, 2000, s. p.
  120. Warum tut das Loch in meiner Hand nicht weh?, Tympano, München, 2000, p. 60
  121. Dalí's optical illusions, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 2000, p. 159, p. 157 (detall)
  122. Lluís Llongueras, Todo Dalí : vida y obra del personaje más genial y espectacular del siglo XX, Generalitat de Catalunya, [Barcelona], 2003, p. LXXVI
  123. Sebastià Roig, Jordi Puig, Dalí : el triangle de l'Empordà, Fundació Gala-Salvador Dalí, Triangle Postals, Figueres, Menorca, 2003, p. 121
  124. Les Essentiels de l'art Dalí, Ludion, Amsterdam, 2003, p. 279
  125. Ricard Mas Peinado, Universdalí, Lunwerg, Barcelona, Madrid, 2003, p. 79, p. 154
  126. Modernismo e avanguardia : Picasso, Miró, Dalí e la pittura catalana, Skira, Milano, 2003, p. 220
  127. The Portable Dalí, Universe, New York, 2003, p. 279
  128. Jean-Louis Gaillemin, Dali : le grand paranoïaque, Découvertes Gallimard Arts, París, 2004, p. 119
  129. Enric Bou, Daliccionario : objetos, mitos y símbolos de Salvador Dalí, Tusquets, Barcelona, 2004, p. 29
  130. Jean-Louis Gaillemin, Dalí : master of fantasies, Harry N. Abrams, New York, 2004, p. 119 (detall)
  131. Salvador Dalí, Obra completa : Ensayos 2, Destino, Fundació Gala-Salvador Dalí, Sociedad Estatal de Conmemoraciones Culturales, Barcelona, [Figueres], [Madrid], 2005, p. 268
  132. Lucía García de Carpi, Salvador Dalí, Ambos Mundos, Salamanca, 2005, p. 113, p. 131 (detall)
  133. "The Grand Master of Surrealism Salvador Dali", Usa today magazine, 31/05/2005, McLean, VA, p. 36
  134. Torsten Otte, Salvador Dalí : Eine Biographie mit Selbstzeugnissen des Künstlers, Königshausen & Neumann, Würzburg, 2006, p. 94
  135. Marta Luna, Toni Matas, Dalí i els altres secrets, Distribucions d'Art Surrealista, Figueres, 2006, p. 23
  136. Carmen Giménez, Francisco Calvo Serraller, Pintura española de El Greco a Picasso : el tiempo, la verdad y la historia., Sociedad Estatal para la Acción Cultural Exterior (SEACEX), Guggenheim Museum, Tf. editores, Madrid, Nueva York, Madrid, 2006, p. 255
  137. Dalís medienspiele: falsche fährten und paranoische selbstinszenierungen in den künsten, Transcript, Bielefeld, 2007, p. 130 (Abb. 2)
  138. Gavin Parkinson, Surrealism, art and modern science : relativity, quantum mechanics, epistemology, Yale University, New Haven & London, 2008, p. 208
  139. The Dalí renaissance : new perspectives on his life and art after 1940, Philadelphia Museum of Art, Philadelphia, 2008, p. 8
  140. Mary Ann Caws, Salvador Dalí, Reaktion Books, London, 2008, p. 125
  141. Montse Aguer i Teixidor, Los tesoros de Salvador Dalí, Librería Universitaria, Barcelona, 2009, p. 43
  142. Francesca Adamo, Caterina Pennestrì, Il Destino di un incontro : Salvador Dalì e Walt Disney, Mimesis, Milano, 2010, p. 84
  143. Salvador Dalí : the late work, High Museum of Art, Yale University Press, Atlanta, New Haven and London, 2010, p. 70
  144. Ralf Schiebler, Dalí : the reality of dreams, Prestel, Munich, London, New York, 2011, p. 88
  145. Dalí un artista un genio, Skira, Milano, 2012, p. 170, p. 173 (detall)
  146. Gabriel Montua, Dalís 20. Jahrhundert : die westliche Kunst zwischen Politik, Markt und Medien, De Gruyter, Boston, Berlin, 2015, il. XXXVIII
  147. Daniel R. Caruncho, Salvador Dalí, las obras de su vida, Dos de Arte, Barcelona, 2015, p. 62
  148. Dalí: Il sogno del Classico, Skira, Milano, 2016, p. 33
  149. Dalí Pitxot : Une amitié au cœur du surréalisme, Marot S.A., Musée de Beaux -Arts, [S.l.], Tournai, 2017, p. 133 (detall)
  150. Dalí atómico, Fundación Bancaria "la Caixa", [Barcelona], 2018, p. 146

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