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[text] => Tècnica: Caixa de fusta amb làmines de vidre col·locades una darrera l'altre i pintades a l'oli. -- Segons catàleg "Rétrospective Salvador Dalí 1982", propietari: Perls Galleries, New York. -- Obra no inclosa al catàleg per ser un objecte. -- Arxius Pompidou. Caixa 5. Prêteurs N-Z : Fulls de préstec: Klaus G. Perls. Perls Galleries, New York de les obres: Vestiges ataviques après la pluie, 1934 (ref. 12344) (cat. núm. 362), Le rêve aproche, 1932-33 (ref.11921) (appartient à Placido Arango -segons nota autògrafa a la carpeta)(cat. núm. 275), Le coiffeur, 1934 (ref. 7282)(Le coiffeur attristé par la persistence du beau temps)- (cat. núm. 339), La tempête, 1932 (ref. 11933) (ou Le coeur volé -segons nota autògrafa a la carpeta) (cat. núm. 316), L'Angélus architectonique de Millet, 1933 (ref. 10994) (cat. núm. 329), Babaouo, 1932 (boite contenant des verres peints) (ref. 11934) (cat. núm. 295), Studies for motion picture scenario, d. 1935 (ref. 11792), Combinaisons, 1931, gouache / papier (ref. 10012) (cat. núm. 512). Permís repro imatge catàleg: sí (totes les obres) // Còpia de la carta de Daniel Abadie a Klaus G. Perls, 7 novembre 1978: que fa referencia a l'obra: Théâtre (ancienne collection Tarica) // Carta de Klaus G. Perls a Daniel Abadie, 13 novembre 1978: "J'ai plusieurs tableaux de Dalí des années 30, et j'ai aussi le PETIT THEATRE (cat. núm. 370), les panneaux de verre peints, et un deuxième boite à verres peints qui s'appelle BABAOUO (cat. núm. 295) j'ai aussi deux grands dessins de 1935: "How super-realist Dalí Saw Broadway" et Studies for Motion Picture Scenario". Les tableaux sont "Le coiffeur", 1934 (339), "L'angelus architectonique de Millet" (329), "Le rêve aproche (275) (repr. Dalí de Draeger 237). Finalement, une gouache datée 1939 "Dragon", 24 x 37 cm // Carta de Daniel Abadie a Klaus G. Perls, 27 novembre 1978, on demana: "si vous pouviez me faire parvenir une photographie en noir et blanc du BABAOUO, 1932 (295) , et de Le rêve aproche, 1932-33 (275) don't je n'ai pas pu retrouver la reproduction dans le Draeger et un ektachrome pour La tempête, 1932 (316) et Dragon, 1939 que je n'ai pas réussi à identifier" // Carta de Klaus G. Perls a Daniel Abadie, 19 desembre 1978. Li fa saber que també té l'obra Combinaisons, 1931 (512) // Carta de Klaus G. Perls a Daniel Abadie, 3 gener 1979. Com resposta d'una anterior, comunica que l'obra PAIN ET OEUFT (292) ha estat venuda a Fuji International Art Co. de Tokyo, febrer de 1973, i que caldrà demanar-los on es troba actualment. Informa també que ha venut l'oli LE SIGNAL DE L'ANGOISSE, venuda el 1974 "huile de 1936 que j'ai vendu en 1974 par l'intermédiaire de la Gallery James Mayor, 22 A Cork Street, Londres W1, qui certainement vous dira volontiers qui en est le propriétaire". Continua així:"VESTIGES ATAVIQUES APRES LA PLUIE ne m'est pas parvenu de la collection Ponti. Je ne connais pas M. Ponti, mais naturellement j'ai entendu parlé de ses difficultés, et je me demande pourquoi vous demandez la question. Est-ce qu'il y a des problèmes vu le fait qu'à un moment donné Ponti, apparemment, était le propriétaire de ce tableau?" // Carta de Klaus G. Perls a Pontius Hulten, 30 maig 1979. Li fa saber que ha venut l'obra Le rêve approche a Plácido Arango de Madrid i que aquest està disposat a deixar la pintura a l'exposició de París // Carta de Daniel Abadie a Klaus G. Perls, 17 juliol 1979. Li comenta que Julien Green que havia estat propietari de l'obra La tempête comenta que es deia Le coeur volé. En carta posterior de Klaus G. Perls a Daniel Abadie, 31 juliol 1979, està d'acord a canviar el títol de l'obra // Carta de Klaus G. Perls a Daniel Abadie, 11 octubre 1979. Li fa saber que el dibuix How Super-Realist Dalí Saw Broadway, 1935 ara pertany a Mademoiselle Caroline Pigozzi (5 Quai aux Fleurs, 75004 Paris) i que està disposada a deixar el dibuix per París & Londres. --
Segons catàleg Le Surréalisme : sources, histoire, affinités -- Paris : Galerie Charpentier, 1964, RI 7961, aquesta obra pertany a Mme. René Laporte, Paris.
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[text] => Per motius de conservació preventiva, l'any 2007 els vidres originals varen ser substituïts per reproduccions sobre metacrilat, amb la finalitat d’evitar el risc de fractura.
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[remarks] => Només tenim una pàgina de les dues de què es compon la carta. Veure R. I. 15757, p. 30
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[label] => [106097] - Surrealisme, be5820af-b87a-ef47-f217-2fda882cde12, Crevel, René, 21-6-1933
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[bibTex] => @misc{Dalí1986, title = {Salvador Dalí corresponsal de J.V. Foix, 1932-1936}, author = {Salvador Dalí, Rafael Santos Torroella}, publisher = {Mediterrània}, address = {Barcelona}, year = {1986}, date = {1986}, entryorder = {1986-01-01} }
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Babaouo
Dalí i Domènech, Salvador
1932