Catalogue Raisonné of Sculpture and Three-dimensional Work by Salvador Dalí Go to the artwork index
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Billet d’autobus roulé « symétriquement », forme très rare d’automatisme morphologique avec germes évidents de stéréotypie

«Symmetrically» rolled-up bus ticket, forming a rare mechanism of automatism with evident germs of stereotypes

«Symmetrically» rolled-up bus ticket, forming a rare mechanism of automatism with evident germs of stereotypes
© Salvador Dalí, Fundació Gala-Salvador Dalí, VEGAP, Figueres, 2019 Brassaï © Estate Brassaï-RMN-Grand Palais

Cat. no. OE 3

Billet d’autobus roulé « symétriquement », forme très rare d’automatisme morphologique avec germes évidents de stéréotypie

«Symmetrically» rolled-up bus ticket, forming a rare mechanism of automatism with evident germs of stereotypes

Unique Original Work

Description

Author:
Salvador Dalí i Domènech - Gyula Halász, alias Brassaï
Date:
1932-1933
Technique:
Photograph and found object or object of automatic origin
Gelatin silver print
Dimensions:
17 x 23,5 cm
The dimensions correspond to the original print run of the photograph
Inscriptions:
On the back: (Faite en / collaboration / avec Dali / en 1932.)
On the back: billet d'autobus roulé
Location:
Centre Pompidou - Musée national d'art moderne - Centre de création industrielle, Paris

Between 1932-1933, Dalí took on the artistic direction of a series of photographs made with Gyula Halász, alias Brassaï (1899-1984), in which certain objects, probably of automatic origin, acquire a new conceptual and artistic dimension, grounded in the essence of the photographic image. Several of these photographs were published anonymously in 1933 in the magazine Minotaure, under the heading ‘Sculptures involontaires’, each with a descriptive title drawing attention to details of the work. In this instance, the piece presented is a bus ticket, which has acquired through a process of automatism some of the properties of a stereotype. Dalí identified the stereotype as one of the characteristics of Art Nouveau in his article ‘Concerning the Terrifying and Edible Beauty of Art Nouveau Architecture’, published in the same issue of Minotaure.

Observations

The dimensions and the inscriptions correspond to the original print run of this photograph, which is conserved at the Centre de création industrielle in Paris.

Bibliography

  1. "Sculptures Involontaires", Minotaure, 12/1933, Paris, p. [68], ill., indirect image
  2. Brassaï, Conversations avec Picasso, Gallimard, [Paris], 1964, p. 49
  3. Brassaï, Picasso and company, Doubleday, New York, 1966, p. 36
  4. Salvador Dalí, Oui : méthode paranoïaque-critique et autres textes, Denoël, Gonthier, Paris, 1971, between pp. 96-97, ill.
  5. Rosalind Krauss, "The Photographic Conditions of Surrealism", October, vol. 19, Winter 1981, New York, NY, pp. [30]-31, ill., indirect image
  6. Brassaï, Les Artistes de ma vie, Denoël, Paris, 1982, pp. 29, 34
  7. Paul Éluard, Lettres à Gala: 1924-1948, Gallimard, [Paris], 1984, pp. 222, 226-227
  8. Rosalind E. Krauss, Jane Livingston, L'Amour fou : photography & surrealism, The Corcoran Gallery of Art, Abbeville, Washington, D. C., New York, London, 1985, pp. 19, 39, ill.
  9. Paul Richard, "Twist of the Lens. Funny and Provocative Surrealistic Photos at the Corcoran", The Washington Post, 14/09/1985, Washington, D.C.
  10. Paul Éluard, Cartas a Gala: 1924-1948, Tusquets, Barcelona, 1986, pp. 189, 191-192
  11. Regards sur Minotaure : la revue à tête de bête, Musée d'art et d'histoire de Genève, Genève, 1987, pp. 213, 265, ill.
  12. Briony Fer, David Batchelor, Paul Wood, Realism, rationalism, surrealism : art between the wars, Yale University Press in association with the Open University, New Haven & London, 1993, pp. 209-210, ill., indirect image
  13. Dalí joven, 1918-1930, Museo Nacional Centro de Arte Reina Sofía, [Madrid], 1994, p. 276, ill.
  14. Dalí, els anys joves : 1918-1930, Generalitat de Catalunya. Departament de Cultura, Fundació Gala-Salvador Dalí, [Barcelona], Figueres, 1995, p. 276, ill.
  15. Matthew Gale, Dada & surrealism, Phaidon, London, 1997, p. 294
  16. Gérard Durozoi, Histoire du mouvement surréaliste, Hazan, Paris, 1997, p. [245], ill., indirect image
  17. Surrealism: two private eyes, the Nesuhi Ertegun and Daniel Filipacchi collections, Guggenheim Museum Publications, New York, 1999, p. 723
  18. Brassaï, Centre Pompidou, Seuil, Paris, 2000, p. 135, ill.
  19. Christopher Green, Art in France : 1900- 1940, Yale University Press, New Haven and London, 2000, pp. 136-137, ill., indirect image
  20. La Révolution surréaliste, Éditions du Centre Pompidou, Paris, 2002, pp. 196, 431, ill.
  21. Rosalind E. Krauss, Jane Livingston, Dawn Ades, Explosante - fixe : photographie & surréalisme, Hazan, [S.l.], 2002, pp. 19, 39, ill.
  22. Gérard Durozoi, History of the surrealist movement, The University of Chicago Press, Chicago, London, 2002, p. [242], ill., indirect image
  23. Surrealismus 1914 - 1944 : Dalí, Max Ernst, Magritte, Miró, Picasso..., K20 Kunstsammlung Nordrhein-Westfalen, Hatje Cantz, Düsseldorf, Ostfildern-Ruit, 2002, pp. [200], [452] ill.
  24. Joan R. Kropf, Dalí objects / Dalí fetishes, Salvador Dalí Museum, Florida, 2002, pp. 11-12, ill., indirect image
  25. Dalí. Cultura de masses, Fundació La Caixa, Fundació Gala-Salvador Dalí, Barcelona, Figueres, 2004, p. 180, ill.
  26. Dalí. Mass Culture, Fundació La Caixa, Fundació Gala-Salvador Dalí, Barcelona, Figueres, 2004, p. 180, ill.
  27. Dalí Gaudí : La revolución del sentimiento de originalidad, Fundació Caixa Catalunya, Fundació Gala-Salvador Dalí, Barcelona, Figueres, 2004, p. 43, ill., indirect image
  28. Dalí Gaudí : The revolution of the sentiment of originality, Fundació Caixa Catalunya, Fundació Gala-Salvador Dalí, Barcelona, Figueres, 2004, p. 43, ill., indirect image
  29. Dalí Gaudí : La revolució del sentiment d'originalitat, Fundació Caixa Catalunya, Fundació Gala-Salvador Dalí, Barcelona, Figueres, 2004, p. 43, ill., indirect image
  30. Dalí. Cultura de masas, Fundación La Caixa, Fundació Gala-Salvador Dalí, Barcelona, Figueres, 2004, p. 180, ill.
  31. Mary Ann Caws, Surrealism, Phaidon, London, 2004, p. 98, ill.
  32. David Bates, Photography and surrealism: sexuality, colonialism and social dissent, I. B. Tauris, London, New York, 2004, pp. 84-85, ill.
  33. Cathrin Klingsöhr-Leroy, Surrealismo, Taschen, Köln, [etc.], 2004, p. 30, ill.
  34. París i els surrealistes, Centre de Cultura Contemporània de Barcelona, Institut d'Edicions de la Diputació de Barcelona, Barcelona, 2005, p. 155, ill.
  35. Salvador Dalí i les arts : historiografia i crítica al segle XXI, Publicacions de la Universitat de Barcelona, Barcelona, 2005, pp. 93-94
  36. It's all Dalí, Museum Boijmans Van Beuningen, Rotterdam, 2005, p. 289, ill.
  37. Surreal things : surrealism and design, Victoria and Albert Museum, London, 2007, p. 62, ill., indirect image
  38. Guillermo Carnero, Salvador Dalí y otros estudios sobre arte y vanguardia, Institució Alfons el Magnànim - Diputació de València, [València], 2007, pp. 41, 54, 208
  39. Cosas del surrealismo : surrealismo y diseño, Victoria and Albert Museum, Guggenheim Bilbao, London, Bilbao, 2007, p. 62, ill., indirect image
  40. Ángel González García, Pintar sin tener ni idea : y otros ensayos sobre arte, Lampreave y Millán, Madrid, 2007, p. 196
  41. Modern sculpture reader, Henry Moore Institute, Leeds, 2007, p. 96
  42. Claude Gautrand, Brassaï Paris : 1899-1984, Taschen, Hong Kong, Köln, London, etc., 2008, p. 25, ill.
  43. La Subversion des images : surrealisme, photographie, film, Centre Pompidou, Paris, 2009, pp. 346, 348, 461, ill.
  44. Roxana Marcoci, Geoffrey Batchen, Tobia Bezzola, The Original copy : photography of sculpture, 1839 to today, The Museum of Modern Art, New York, 2010, p. 172, ill.
  45. Surreal objects : three-dimensional works from Dalí to Man Ray, Hatje Cantz, Schirn Kunsthalle, Ostfildern, Frankfurt, 2011, p. 133, ill.
  46. Salvador Dalí. Ritratto di un genio, Abscondita, Milano, 2011, p. 119
  47. Catherine Grenier, Salvador Dalí : l'invention de soi, Flammarion, París, 2011, p. 196, ill.
  48. Anna Dezeuze, Julia Kelly, Found sculpture and photography from surrealism to contemporary art, Ashgate, Farnham, UK, Burlington, VT, 2013, pp. [1]-3, 5-9, [13]-18, 30, 40, 50, 61, 99-102, ill., indirect image
  49. Marc Aufraise, Salvador Dalí et la photographie: portraits du surréalisme, 1927-1942, Université Paris 1 Panthéon-Sorbonne, Paris, 2013, pp. 4, 14, 130, 145, 193-195, 204
  50. Didier Ottinger, Dictionnaire de l'objet surréaliste, Gallimard, Centre Pompidou, Paris, 2013, pp. [245], 246, [307], ill.
  51. William Jeffett, Juan José Lahuerta, Picasso-Dalí, Dalí-Picasso, Museu Picasso, Salvador Dalí Museum, Barcelona, Sant Petersburg, 2014, p. 40, ill., indirect image
  52. Montse Aguer, Jean-Michel Bouhours, Laura Bartolomé, Bust de dona retrospectiu 1933/1976-1977, Fundació Gala-Salvador Dalí, Figueres, 2015, p. 19, ill., indirect image
  53. Montse Aguer, Jean-Michel Bouhours, Laura Bartolomé, Busto de mujer retrospectivo 1933/1976-1977, Fundació Gala-Salvador Dalí, Figueres, 2015, p. 18, ill., indirect image
  54. Montse Aguer, Jean-Michel Bouhours, Laura Bartolomé, Buste de femme rétrospectif 1933/1976-1977, Fundació Gala-Salvador Dalí, Figueres, 2015, p. 18, ill., indirect image
  55. Montse Aguer, Jean-Michel Bouhours, Laura Bartolomé, Retrospective bust of a woman 1933/1976-1977, Fundació Gala-Salvador Dalí, Figueres, 2015, p. 19, ill., indirect image
  56. Dawn Ades, Writings on art and anti-art, Ridinghouse, London, 2015, pp. 537-540, ill., indirect image
  57. Laura Bartolomé, "La bellesa involuntària de les escultures Dalí-Brassaï", La Vanguardia, Cultura/s, 02-08/04/2016, Barcelona, pp. 28, 30, 31, ill., indirect image
  58. Dalí / Duchamp, Royal Academy of Arts, The Dalí Museum, London, St. Petersburg, FL, 2017, p. 122, ill., indirect image

Related works

Related content

  1. 1. Laura Bartolomé, Clara Silvestre, "La belleza involuntaria de las esculturas Dalí-Brassaï", La Vanguardia, Cultura/s, 02-08/04/2016, Barcelona.

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Last update: 29/8/2019

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