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[webText] => Salvador Dalí a réalisé cette œuvre, ainsi que d’autres esquisses de nus féminins, vers 1923, lors de sa deuxième année d’études à Madrid, à la Escuela Especial de Pintura, Escultura y Grabado de la Real Academia de Bellas Artes de San Fernando (École spéciale de peinture, de sculpture et de gravure de l’Académie royale de San Fernando), dont il a été renvoyé à la fin du mois d’octobre 1923 pour toute l’année scolaire.
Cette œuvre se distingue de la plupart des autres études par sa technique chalcographique : gravée à la pointe sèche sur celluloïd, elle a ensuite été tirée sur carton avec de la poudre de graphite.
Il semble que Dalí ait appris cette technique une fois rentré à Figueres, où il a repris des cours avec Juan Núñez, son ancien professeur de dessin. Comme l’artiste l’a expliqué des années plus tard, il s’était alors passionné pour la gravure, à tel point que son père lui avait acheté une presse, qu’il avait installée dans une pièce de la maison familiale. C’est ainsi qu’il a découvert toutes les techniques de l’estampe, y compris — selon ses propres mots — « plusieurs procédés originaux ».
__________
(1) DALI, Salvador, PARINAUD, André. Comment on devient Dalí. Paris : Robert Laffont, 1973, p. 68.
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Pour cet ouvrage, Dalí a utilisé plusieurs techniques, alternant dessins à l’encre de Chine et gravures à la pointe sèche sur celluloïd. Le livre a été publié en 1926, à Barcelone, par Poliglota, dans une édition confidentielle de vingt exemplaires.
Une autre épreuve de cette illustration est conservée au Museo Nacional Centro de Arte Reina Sofía de Madrid. Elle a été écartée par l’artiste, qui a inscrit à l’encre au centre de l’im age « NO SIRVE » (« NON RETENUE »).
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[label] => C236 - Cap de noia [CAP DE NOIA] [estampa (obra visual)], Salvador Dalí i Domènech, Salvador Dalí i Domènech, Salvador Dalí i Domènech, 1924
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[webText] => Cap de noia (Tête de jeune fille) est la première eau-forte connue de Dalí. Elle a été réalisée en 1924, alors que Dalí revoyait Juan Núñez, son ancien professeur de dessin à Figueres, qui était aussi un graveur expérimenté.
L’œuvre a été imprimée par Dalí lui-même sur papier vergé ; un support au verso duquel il avait déjà imprimé auparavant le seul tirage connu de Retrat del meu pare (Portrait de mon père) [OG 2].
À cette époque, Anna Maria, la sœur de Dalí, était son principal modèle, ce qui laisse penser que ce portrait pourrait la représenter. Cette estampe provient de la collection Paul Éluard, poète français et collectionneur d’art (1), considéré comme l’un des fondateurs du mouvement surréaliste.
__________
(1) Lot 435 – « Mädchenkopf ». Gutekunst & Klipstein, Berne, Suisse, 13-14.05. 1958. En mai 1958, la maison de vente Gutekunst & Klipstein a organisé une vente importante, essentiellement de livres et de documents, liés aux premiers mouvements artistiques du XXe siècle. Près de 60 pièces provenaient de la collection du poète français Paul Éluard, décédé en 1952.
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[webText] => Dalí a imprimé cette épreuve sur papier vergé ancien. Il s’agit d’une maculature (seconde impression) d’une gravure à l’eau-forte, dont cet exemplaire constitue le seul tirage connu. Au recto de la feuille figure Cap de Noia (Tête de jeune fille) [OG 3], une œuvre signée et datée de 1924. Durant cette période d’intense expérimentation, l’utilisation des deux faces du papier est, chez Dalí, une pratique courante. En témoignent d’autres pièces de son œuvre graphique de jeunesse, comme Retrat d’Anna Maria Dalí i el seu pare (Portrait d’Anna Maria Dalí et de son père), datée de 1925 [OG 4].
Cette maculature rappelle le Retrat del pare de l’artista (Portrait du père de l’artiste), un dessin au fusain de composition similaire — le père y est représenté en train d’écrire —, conservé au musée de Montserrat . Le dessin est plus grand que l’estampe, mais la ressemblance entre les deux œuvres est manifeste et montre que Dalí abordait simultanément un même thème en utilisant des procédés de création différents.
__________
(1) Retrat del pare de l’artista (Portrait du père de l’artiste), 1925-1926, (43,4 x 31,3 cm), dessin au fusain et au pastel sur papier, conservé dans la collection du musée de Montserrat et provenant de la famille Cusí, amis proches des Dalí. Compte tenu de son style et de la probabilité qu’il ait été réalisé à la même période que l’épreuve écartée, ce dessin a peut-être plutôt été exécuté vers 1924.
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[catalogNumberDisplay] =>
[webText] => Cette pièce est tirée d’une gravure à la pointe sèche sur celluloïd, que Dalí a imprimée sur papier au moyen de poudre de graphite. L’artiste a retouché au crayon les contours de la figure centrale, accentuant ainsi le mouvement des deux personnages. Ce dynamisme contraste avec l’immobilité de la colonne, allusion à l’Antiquité et exemple de classicisme moderne, dans la lignée du retour à l’ordre (1). Cette épreuve fait partie d’un ensemble d’études autour de la figure du marin, préparatoires au tableau Venus i un mariner (Homenatge a Salvat-Papasseit) [Vénus et un marin (Hommage à Salvat-Papasseit)], de 1925 [Cat. P 151].
__________
(1) Espina, A., « El paisaje en la pintura moderna », Alfar, octobre 1925, pp. 3-7.
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[label] => CFE001 - Retrato de mi padre [RETRATO DE MI PADRE] [estampa (obra visual)], Salvador Dalí i Domènech, Salvador Dalí i Domènech, Salvador Dalí i Domènech, 1924
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Figure centrale dans la vie de Dalí, son père, notaire de profession, l’a soutenu de manière inconditionnelle, tant durant ses années de formation artistique à Figueres que pendant ses études à la Escuela de Bellas Artes de la Real Academia de San Fernando de Madrid (1922-1926). Cette période a été particulièrement marquée par le séjour du jeune artiste à la Residencia de Estudiantes, un foyer d’étudiants qui accueillait des enfants de familles aisées, libérales et progressistes, où Dalí a noué des liens décisifs avec, entre autres, Federico García Lorca, Luís Buñuel, Pepín Bello et Rafael Barradas.
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[$slug] => retrat-danna-maria-dali-i-el-seu-pare-d9ec
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[0] => Array
(
[display] => FGSD-D-022769 - Epistolario a Federico García Lorca desde Cataluña, la Comunidad Valenciana y Mallorca, Comares, [2001]: p. 51 [Con dedicatoria a FGL OK]
[document] => Array
(
[bibTex] => @misc{Comares2001, title = {Epistolario a Federico García Lorca desde Cataluña, la Comunidad Valenciana y Mallorca}, publisher = {Comares}, address = {Granada}, year = {2001}, date = {[2001]}, entryorder = {2001-01-01} }
[label] => FGSD-D-022769 - Epistolario a Federico García Lorca desde Cataluña, la Comunidad Valenciana y Mallorca, Comares, [2001]
[hierarchy] => Array
(
[0] => Array
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[href] => /coeli/FGSD/HeritageObject/b6b830c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022769 - Epistolario a Federico García Lorca desde Cataluña, la Comunidad Valenciana y Mallorca, Comares, [2001]
[$public] =>
[$slug] => 22769
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)
[$slug] => 22769
[href] => /coeli/FGSD/HeritageObject/b6b830c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 51
[remarks] => Con dedicatoria a FGL OK
)
[1] => Array
(
[display] => FGSD-D-023140 - Les Essentiels de l'art Dalí, Ludion, 2003: p. 40
[document] => Array
(
[bibTex] => @misc{Ludion2003, title = {Les Essentiels de l'art Dalí}, publisher = {Ludion}, address = {Amsterdam}, year = {2003}, date = {2003}, entryorder = {2003-01-01} }
[label] => FGSD-D-023140 - Les Essentiels de l'art Dalí, Ludion, 2003
[hierarchy] => Array
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[0] => Array
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[href] => /coeli/FGSD/HeritageObject/22ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023140 - Les Essentiels de l'art Dalí, Ludion, 2003
[$public] =>
[$slug] => 23140
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)
[$slug] => 23140
[href] => /coeli/FGSD/HeritageObject/22ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 40
)
[2] => Array
(
[display] => FGSD-D-015637 - Mentira y verdad de Salvador Dalí, A. Oriol Anguera, Cobalto, 1948: p. 7
[document] => Array
(
[bibTex] => @misc{Oriol1948, title = {Mentira y verdad de Salvador Dalí}, author = {A. Oriol Anguera}, publisher = {Cobalto}, address = {Barcelona}, year = {1948}, date = {1948}, entryorder = {1948-01-01} }
[label] => FGSD-D-015637 - Mentira y verdad de Salvador Dalí, A. Oriol Anguera, Cobalto, 1948
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/4d2db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-015637 - Mentira y verdad de Salvador Dalí, A. Oriol Anguera, Cobalto, 1948
[$public] =>
[$slug] => 15637
)
)
[$slug] => 15637
[href] => /coeli/FGSD/HeritageObject/4d2db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 7
)
[3] => Array
(
[display] => FGSD-D-020064 - On classic ground : Picasso, Léger, de Chirico and the new classicism, 1910-1930, Tate Gallery, 1990: p. 90
[document] => Array
(
[bibTex] => @misc{Tate1990, title = {On classic ground : Picasso, Léger, de Chirico and the new classicism, 1910-1930}, publisher = {Tate Gallery}, address = {London}, year = {1990}, date = {1990}, entryorder = {1990-01-01} }
[label] => FGSD-D-020064 - On classic ground : Picasso, Léger, de Chirico and the new classicism, 1910-1930, Tate Gallery, 1990
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/603eb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-020064 - On classic ground : Picasso, Léger, de Chirico and the new classicism, 1910-1930, Tate Gallery, 1990
[$public] =>
[$slug] => 20064
)
)
[$slug] => 20064
[href] => /coeli/FGSD/HeritageObject/603eb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 90
)
[4] => Array
(
[display] => FGSD-D-021039 - The Persistence of memory : a biography of Dalí, Meredith Etherington-Smith, Random House, 1993: p. 230 - 231
[document] => Array
(
[bibTex] => @misc{Etherington-Smith1993, title = {The Persistence of memory : a biography of Dalí}, author = {Meredith Etherington-Smith}, publisher = {Random House}, address = {New York}, year = {1993}, date = {1993}, entryorder = {1993-01-01} }
[label] => FGSD-D-021039 - The Persistence of memory : a biography of Dalí, Meredith Etherington-Smith, Random House, 1993
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/2442b7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-021039 - The Persistence of memory : a biography of Dalí, Meredith Etherington-Smith, Random House, 1993
[$public] =>
[$slug] => 21039
)
)
[$slug] => 21039
[href] => /coeli/FGSD/HeritageObject/2442b7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 230 - 231
)
[5] => Array
(
[display] => FGSD-D-053423 - Picasso-Dalí, Dalí-Picasso, William Jeffett, Juan José Lahuerta, Museu Picasso, Salvador Dalí Museum, 2014: p. 137
[document] => Array
(
[bibTex] => @misc{Jeffett2014, title = {Picasso-Dalí, Dalí-Picasso}, author = {William Jeffett, Juan José Lahuerta}, publisher = {Museu Picasso, Salvador Dalí Museum}, address = {Sant Petersburg, Barcelona}, year = {2014}, date = {2014}, entryorder = {2014-01-01} }
[label] => FGSD-D-053423 - Picasso-Dalí, Dalí-Picasso, William Jeffett, Juan José Lahuerta, Museu Picasso, Salvador Dalí Museum, 2014
[hierarchy] => Array
(
[0] => Array
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[label] => FGSD-D-053423 - Picasso-Dalí, Dalí-Picasso, William Jeffett, Juan José Lahuerta, Museu Picasso, Salvador Dalí Museum, 2014
[$public] =>
[$slug] => 53423
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)
[$slug] => 53423
[href] => /coeli/FGSD/HeritageObject/ee9772c2-42ec-e411-9471-00155d647f0b
[$public] =>
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[page] => 137
)
[6] => Array
(
[display] => FGSD-D-023322 - The Portable Dalí, Universe, 2003: p. 40
[document] => Array
(
[bibTex] => @misc{Universe2003, title = {The Portable Dalí}, publisher = {Universe}, address = {New York}, year = {2003}, date = {2003}, entryorder = {2003-01-01} }
[label] => FGSD-D-023322 - The Portable Dalí, Universe, 2003
[hierarchy] => Array
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[label] => FGSD-D-023322 - The Portable Dalí, Universe, 2003
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[$slug] => 23322
[href] => /coeli/FGSD/HeritageObject/d7ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
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[page] => 40
)
[7] => Array
(
[display] => FGSD-D-023227 - Dalí, Bompiani, 2004: p. 66, 68, 69 [p. 68 (estudi retrat del meu pare, 1925); Text interessant OK]
[document] => Array
(
[bibTex] => @misc{Bompiani2004, title = {Dalí}, publisher = {Bompiani}, address = {[Milà]}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023227 - Dalí, Bompiani, 2004
[hierarchy] => Array
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[label] => FGSD-D-023227 - Dalí, Bompiani, 2004
[$public] =>
[$slug] => 23227
)
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[$slug] => 23227
[href] => /coeli/FGSD/HeritageObject/78ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 66, 68, 69
[remarks] => p. 68 (estudi retrat del meu pare, 1925); Text interessant OK
)
[8] => Array
(
[display] => FGSD-D-015727 - Dalí de Gala, Robert Descharnes, Edita, 1962: p. 19
[document] => Array
(
[bibTex] => @misc{Descharnes1962, title = {Dalí de Gala}, author = {Robert Descharnes}, publisher = {Edita}, address = {Lausanne}, year = {1962}, date = {1962}, entryorder = {1962-01-01} }
[label] => FGSD-D-015727 - Dalí de Gala, Robert Descharnes, Edita, 1962
[hierarchy] => Array
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[0] => Array
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[label] => FGSD-D-015727 - Dalí de Gala, Robert Descharnes, Edita, 1962
[$public] =>
[$slug] => 15727
)
)
[$slug] => 15727
[href] => /coeli/FGSD/HeritageObject/a52db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 19
)
[9] => Array
(
[display] => FGSD-D-023350 - Fum...damentalment genial, Museu del Tabac, 2004: p. 104
[document] => Array
(
[bibTex] => @misc{Museu2004, title = {Fum...damentalment genial}, publisher = {Museu del Tabac}, address = {Sant Julià de Lòria (Principat d'Andorra)}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023350 - Fum...damentalment genial, Museu del Tabac, 2004
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/f3ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023350 - Fum...damentalment genial, Museu del Tabac, 2004
[$public] =>
[$slug] => 23350
)
)
[$slug] => 23350
[href] => /coeli/FGSD/HeritageObject/f3ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 104
)
[10] => Array
(
[display] => FGSD-D-019775 - Homage to Catalonia - Barcelona art city, Commitee of exhibition (Homage to Catalonia-Barcelona art city), 1987: p. 196
[document] => Array
(
[bibTex] => @misc{Commitee1987, title = {Homage to Catalonia - Barcelona art city}, publisher = {Commitee of exhibition (Homage to Catalonia-Barcelona art city)}, address = {[S.l.]}, year = {1987}, date = {1987}, entryorder = {1987-01-01} }
[label] => FGSD-D-019775 - Homage to Catalonia - Barcelona art city, Commitee of exhibition (Homage to Catalonia-Barcelona art city), 1987
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/3f3db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019775 - Homage to Catalonia - Barcelona art city, Commitee of exhibition (Homage to Catalonia-Barcelona art city), 1987
[$public] =>
[$slug] => 19775
)
)
[$slug] => 19775
[href] => /coeli/FGSD/HeritageObject/3f3db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 196
)
[11] => Array
(
[display] => FGSD-D-023324 - L'Abcdaire de Dalí, Alyse Gaultier, Flammarion, 2004: p. 49
[document] => Array
(
[bibTex] => @misc{Gaultier2004, title = {L'Abcdaire de Dalí}, author = {Alyse Gaultier}, publisher = {Flammarion}, address = {Paris}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023324 - L'Abcdaire de Dalí, Alyse Gaultier, Flammarion, 2004
[hierarchy] => Array
(
[0] => Array
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[href] => /coeli/FGSD/HeritageObject/d9ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023324 - L'Abcdaire de Dalí, Alyse Gaultier, Flammarion, 2004
[$public] =>
[$slug] => 23324
)
)
[$slug] => 23324
[href] => /coeli/FGSD/HeritageObject/d9ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 49
)
[12] => Array
(
[display] => FGSD-D-023838 - Salvador Dalí, Robert Descharnes, Nouvelles Editions Françaises, 1973: p. 48
[document] => Array
(
[bibTex] => @misc{Descharnes1973, title = {Salvador Dalí}, author = {Robert Descharnes}, publisher = {Nouvelles Editions Françaises}, address = {Paris}, year = {1973}, date = {1973}, entryorder = {1973-01-01} }
[label] => FGSD-D-023838 - Salvador Dalí, Robert Descharnes, Nouvelles Editions Françaises, 1973
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/d7bc30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023838 - Salvador Dalí, Robert Descharnes, Nouvelles Editions Françaises, 1973
[$public] =>
[$slug] => 23838
)
)
[$slug] => 23838
[href] => /coeli/FGSD/HeritageObject/d7bc30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 48
)
[13] => Array
(
[display] => FGSD-D-021538 - Salvador Dalí : 1904 - 1989, Robert Descharnes, Gilles Néret, Benedikt Taschen, 1990: p. 20
[document] => Array
(
[bibTex] => @misc{Descharnes1990, title = {Salvador Dalí : 1904 - 1989}, author = {Robert Descharnes, Gilles Néret}, publisher = {Benedikt Taschen}, address = {Köln}, year = {1990}, date = {1990}, entryorder = {1990-01-01} }
[label] => FGSD-D-021538 - Salvador Dalí : 1904 - 1989, Robert Descharnes, Gilles Néret, Benedikt Taschen, 1990
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/f1b330c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-021538 - Salvador Dalí : 1904 - 1989, Robert Descharnes, Gilles Néret, Benedikt Taschen, 1990
[$public] =>
[$slug] => 21538
)
)
[$slug] => 21538
[href] => /coeli/FGSD/HeritageObject/f1b330c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 20
)
[14] => Array
(
[display] => FGSD-D-023323 - The Little book of Dalí, Alyse Gaultier, Flammarion, 2004: p. 46
[document] => Array
(
[bibTex] => @misc{Gaultier2004, title = {The Little book of Dalí}, author = {Alyse Gaultier}, publisher = {Flammarion}, address = {Paris}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023323 - The Little book of Dalí, Alyse Gaultier, Flammarion, 2004
[hierarchy] => Array
(
[0] => Array
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[href] => /coeli/FGSD/HeritageObject/d8ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023323 - The Little book of Dalí, Alyse Gaultier, Flammarion, 2004
[$public] =>
[$slug] => 23323
)
)
[$slug] => 23323
[href] => /coeli/FGSD/HeritageObject/d8ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 46
)
[15] => Array
(
[display] => FGSD-D-022637 - Salvador Dalí, René Passeron, Ars Mundi, 1990: p. 11
[document] => Array
(
[bibTex] => @misc{Passeron1990, title = {Salvador Dalí}, author = {René Passeron}, publisher = {Ars Mundi}, address = {[S.l.]}, year = {1990}, date = {1990}, entryorder = {1990-01-01} }
[label] => FGSD-D-022637 - Salvador Dalí, René Passeron, Ars Mundi, 1990
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/33b830c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022637 - Salvador Dalí, René Passeron, Ars Mundi, 1990
[$public] =>
[$slug] => 22637
)
)
[$slug] => 22637
[href] => /coeli/FGSD/HeritageObject/33b830c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 11
)
[16] => Array
(
[display] => FGSD-D-019240 - Salvador Dalí, Cesáreo Rodríguez-Aguilera, Nauta, 1985: p. 97
[document] => Array
(
[bibTex] => @misc{Rodríguez-Aguilera1985, title = {Salvador Dalí}, author = {Cesáreo Rodríguez-Aguilera}, publisher = {Nauta}, address = {Barcelona}, year = {1985}, date = {1985}, entryorder = {1985-01-01} }
[label] => FGSD-D-019240 - Salvador Dalí, Cesáreo Rodríguez-Aguilera, Nauta, 1985
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/2a3bb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019240 - Salvador Dalí, Cesáreo Rodríguez-Aguilera, Nauta, 1985
[$public] =>
[$slug] => 19240
)
)
[$slug] => 19240
[href] => /coeli/FGSD/HeritageObject/2a3bb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 97
)
[17] => Array
(
[display] => FGSD-D-015722 - Salvador Dalí, Juan Antonio Gaya Nuño, Omega, 1950: p. il. 42
[document] => Array
(
[bibTex] => @misc{Gaya1950, title = {Salvador Dalí}, author = {Juan Antonio Gaya Nuño}, publisher = {Omega}, address = {Barcelona}, year = {1950}, date = {1950}, entryorder = {1950-01-01} }
[label] => FGSD-D-015722 - Salvador Dalí, Juan Antonio Gaya Nuño, Omega, 1950
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/a02db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-015722 - Salvador Dalí, Juan Antonio Gaya Nuño, Omega, 1950
[$public] =>
[$slug] => 15722
)
)
[$slug] => 15722
[href] => /coeli/FGSD/HeritageObject/a02db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => il. 42
)
[18] => Array
(
[display] => FGSD-D-022026 - Salvador Dalí, 1904 -1989, Robert Descharnes, Gilles Néret, Benedikt Taschen, 1994: p. 92
[document] => Array
(
[bibTex] => @misc{Descharnes1994, title = {Salvador Dalí, 1904 -1989}, author = {Robert Descharnes, Gilles Néret}, publisher = {Benedikt Taschen}, address = {Köln}, year = {1994}, date = {1994}, entryorder = {1994-01-01} }
[label] => FGSD-D-022026 - Salvador Dalí, 1904 -1989, Robert Descharnes, Gilles Néret, Benedikt Taschen, 1994
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/d4b530c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022026 - Salvador Dalí, 1904 -1989, Robert Descharnes, Gilles Néret, Benedikt Taschen, 1994
[$public] =>
[$slug] => 22026
)
)
[$slug] => 22026
[href] => /coeli/FGSD/HeritageObject/d4b530c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 92
)
[19] => Array
(
[display] => FGSD-D-023545 - El Primer Dalí, 1918-1929 : catálogo razonado, Rafael Santos Torroella, IVAM, Institut Valencià d'Art Modern, Generalitat Valenciana. Conselleria de Cultura, Educació i Esport, Publicaciones de la Residencia de Estudiantes, 2005: p. 255 [p.254 text OK]
[document] => Array
(
[bibTex] => @misc{Santos2005, title = {El Primer Dalí, 1918-1929 : catálogo razonado}, author = {Rafael Santos Torroella}, publisher = {IVAM, Institut Valencià d'Art Modern, Generalitat Valenciana. Conselleria de Cultura, Educació i Esport, Publicaciones de la Residencia de Estudiantes}, address = {[València], [Madrid]}, year = {2005}, date = {2005}, entryorder = {2005-01-01} }
[label] => FGSD-D-023545 - El Primer Dalí, 1918-1929 : catálogo razonado, Rafael Santos Torroella, IVAM, Institut Valencià d'Art Modern, Generalitat Valenciana. Conselleria de Cultura, Educació i Esport, Publicaciones de la Residencia de Estudiantes, 2005
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/b5bb30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023545 - El Primer Dalí, 1918-1929 : catálogo razonado, Rafael Santos Torroella, IVAM, Institut Valencià d'Art Modern, Generalitat Valenciana. Conselleria de Cultura, Educació i Esport, Publicaciones de la Residencia de Estudiantes, 2005
[$public] =>
[$slug] => 23545
)
)
[$slug] => 23545
[href] => /coeli/FGSD/HeritageObject/b5bb30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 255
[remarks] => p.254 text OK
)
[20] => Array
(
[display] => FGSD-D-019832 - Salvador Dalí, 1904-1989, Gerd Hatje, 1989: p. 47
[document] => Array
(
[bibTex] => @misc{Gerd1989, title = {Salvador Dalí, 1904-1989}, publisher = {Gerd Hatje}, address = {Stuttgart}, year = {1989}, date = {1989}, entryorder = {1989-01-01} }
[label] => FGSD-D-019832 - Salvador Dalí, 1904-1989, Gerd Hatje, 1989
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/783db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019832 - Salvador Dalí, 1904-1989, Gerd Hatje, 1989
[$public] =>
[$slug] => 19832
)
)
[$slug] => 19832
[href] => /coeli/FGSD/HeritageObject/783db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 47
)
[21] => Array
(
[display] => FGSD-D-054858 - Salvador Dalí : a guide to his works in public museums, The Dalí Museum, 1973: p. s.p
[document] => Array
(
[bibTex] => @misc{TheDalí1973, title = {Salvador Dalí : a guide to his works in public museums}, publisher = {The Dalí Museum}, address = {Cleveland [Ohio]}, year = {1973}, date = {1973}, entryorder = {1973-01-01} }
[label] => FGSD-D-054858 - Salvador Dalí : a guide to his works in public museums, The Dalí Museum, 1973
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/13052b91-1d8d-e511-9482-00155d647f0b
[label] => FGSD-D-054858 - Salvador Dalí : a guide to his works in public museums, The Dalí Museum, 1973
[$public] =>
[$slug] => 54858
)
)
[$slug] => 54858
[href] => /coeli/FGSD/HeritageObject/13052b91-1d8d-e511-9482-00155d647f0b
[$public] =>
)
[page] => s.p
)
[22] => Array
(
[display] => FGSD-D-022229 - Salvador Dalí: a mythology, Dawn Ades, Fiona Bradley, Tate Gallery Publishing, 1998: p. 37
[document] => Array
(
[bibTex] => @misc{Ades1998, title = {Salvador Dalí: a mythology}, author = {Dawn Ades, Fiona Bradley}, publisher = {Tate Gallery Publishing}, address = {London}, year = {1998}, date = {1998}, entryorder = {1998-01-01} }
[label] => FGSD-D-022229 - Salvador Dalí: a mythology, Dawn Ades, Fiona Bradley, Tate Gallery Publishing, 1998
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/9fb630c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022229 - Salvador Dalí: a mythology, Dawn Ades, Fiona Bradley, Tate Gallery Publishing, 1998
[$public] =>
[$slug] => 22229
)
)
[$slug] => 22229
[href] => /coeli/FGSD/HeritageObject/9fb630c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 37
)
[23] => Array
(
[display] => FGSD-D-019270 - PsicoDálico Dalí, Luis Romero, Mediterranea, 1991: p. 34 [Indica expuesta Galerias Dalmau 1925 OK]
[document] => Array
(
[bibTex] => @misc{Romero1991, title = {PsicoDálico Dalí}, author = {Luis Romero}, publisher = {Mediterranea}, address = {Barcelona}, year = {1991}, date = {1991}, entryorder = {1991-01-01} }
[label] => FGSD-D-019270 - PsicoDálico Dalí, Luis Romero, Mediterranea, 1991
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/483bb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019270 - PsicoDálico Dalí, Luis Romero, Mediterranea, 1991
[$public] =>
[$slug] => 19270
)
)
[$slug] => 19270
[href] => /coeli/FGSD/HeritageObject/483bb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 34
[remarks] => Indica expuesta Galerias Dalmau 1925 OK
)
[24] => Array
(
[display] => FGSD-D-023504 - Salvador Dalí, The Tate Gallery, 1980: p. il. 10
[document] => Array
(
[bibTex] => @misc{TheTate1980, title = {Salvador Dalí}, publisher = {The Tate Gallery}, address = {London}, year = {1980}, date = {1980}, entryorder = {1980-01-01} }
[label] => FGSD-D-023504 - Salvador Dalí, The Tate Gallery, 1980
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/8dbb30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023504 - Salvador Dalí, The Tate Gallery, 1980
[$public] =>
[$slug] => 23504
)
)
[$slug] => 23504
[href] => /coeli/FGSD/HeritageObject/8dbb30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => il. 10
)
[25] => Array
(
[display] => FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994: p. 120
[document] => Array
(
[bibTex] => @misc{South1994, title = {Salvador Dalí: the early years}, publisher = {South Bank Centre}, address = {[London]}, year = {1994}, date = {1994}, entryorder = {1994-01-01} }
[label] => FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/c23db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994
[$public] =>
[$slug] => 19906
)
)
[$slug] => 19906
[href] => /coeli/FGSD/HeritageObject/c23db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 120
)
[26] => Array
(
[display] => FGSD-D-019870 - Salvador Dalí : exhibition - Japan 1964, Mainichi Newspaper, 1964: p. 40
[document] => Array
(
[bibTex] => @misc{Mainichi1964, title = {Salvador Dalí : exhibition - Japan 1964}, publisher = {Mainichi Newspaper}, address = {Tokyo}, year = {1964}, date = {1964}, entryorder = {1964-01-01} }
[label] => FGSD-D-019870 - Salvador Dalí : exhibition - Japan 1964, Mainichi Newspaper, 1964
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/9e3db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019870 - Salvador Dalí : exhibition - Japan 1964, Mainichi Newspaper, 1964
[$public] =>
[$slug] => 19870
)
)
[$slug] => 19870
[href] => /coeli/FGSD/HeritageObject/9e3db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 40
)
[27] => Array
(
[display] => FGSD-D-019597 - Salvador Dalí i el saló de tardor, Rafael Santos Torroella, Reial Acadèmia Catalana de Belles Arts Sant Jordi, 1985: p. s. p. [Antigua Coll. Montserrat Dalí, viuda de Bas, BCN OK]
[document] => Array
(
[bibTex] => @misc{Santos1985, title = {Salvador Dalí i el saló de tardor}, author = {Rafael Santos Torroella}, publisher = {Reial Acadèmia Catalana de Belles Arts Sant Jordi}, address = {Barcelona}, year = {1985}, date = {1985}, entryorder = {1985-01-01} }
[label] => FGSD-D-019597 - Salvador Dalí i el saló de tardor, Rafael Santos Torroella, Reial Acadèmia Catalana de Belles Arts Sant Jordi, 1985
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/8d3cb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019597 - Salvador Dalí i el saló de tardor, Rafael Santos Torroella, Reial Acadèmia Catalana de Belles Arts Sant Jordi, 1985
[$public] =>
[$slug] => 19597
)
)
[$slug] => 19597
[href] => /coeli/FGSD/HeritageObject/8d3cb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => s. p.
[remarks] => Antigua Coll. Montserrat Dalí, viuda de Bas, BCN OK
)
[28] => Array
(
[display] => FGSD-D-023441 - Salvador Dalí i les arts : historiografia i crítica al segle XXI, Publicacions de la Universitat de Barcelona, 2005: p. 27 - 28 [texto interesante ref. Dalmau OK]
[document] => Array
(
[bibTex] => @misc{Publicacions2005, title = {Salvador Dalí i les arts : historiografia i crítica al segle XXI}, publisher = {Publicacions de la Universitat de Barcelona}, address = {Barcelona}, year = {2005}, date = {2005}, entryorder = {2005-01-01} }
[label] => FGSD-D-023441 - Salvador Dalí i les arts : historiografia i crítica al segle XXI, Publicacions de la Universitat de Barcelona, 2005
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/4ebb30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023441 - Salvador Dalí i les arts : historiografia i crítica al segle XXI, Publicacions de la Universitat de Barcelona, 2005
[$public] =>
[$slug] => 23441
)
)
[$slug] => 23441
[href] => /coeli/FGSD/HeritageObject/4ebb30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 27 - 28
[remarks] => texto interesante ref. Dalmau OK
)
[29] => Array
(
[display] => FGSD-D-023697 - Dalí & film, Tate Publishing, 2007: p. 121
[document] => Array
(
[bibTex] => @misc{Tate2007, title = {Dalí & film}, publisher = {Tate Publishing}, address = {London}, year = {2007}, date = {2007}, entryorder = {2007-01-01} }
[label] => FGSD-D-023697 - Dalí & film, Tate Publishing, 2007
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/4cbc30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023697 - Dalí & film, Tate Publishing, 2007
[$public] =>
[$slug] => 23697
)
)
[$slug] => 23697
[href] => /coeli/FGSD/HeritageObject/4cbc30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 121
)
[30] => Array
(
[display] => FGSD-D-022695 - Salvador Dalí, lletres i ninots : fons Dalí del Museu Abelló, Museu Abelló. Fundació Municipal d'Art, 2001: p. 174 [Folleto exposición]
[document] => Array
(
[bibTex] => @misc{Museu2001, title = {Salvador Dalí, lletres i ninots : fons Dalí del Museu Abelló}, publisher = {Museu Abelló. Fundació Municipal d'Art}, address = {Mollet del Vallès}, year = {2001}, date = {2001}, entryorder = {2001-01-01} }
[label] => FGSD-D-022695 - Salvador Dalí, lletres i ninots : fons Dalí del Museu Abelló, Museu Abelló. Fundació Municipal d'Art, 2001
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/6db830c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022695 - Salvador Dalí, lletres i ninots : fons Dalí del Museu Abelló, Museu Abelló. Fundació Municipal d'Art, 2001
[$public] =>
[$slug] => 22695
)
)
[$slug] => 22695
[href] => /coeli/FGSD/HeritageObject/6db830c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 174
[remarks] => Folleto exposición
)
[31] => Array
(
[display] => FGSD-D-024566 - Salvador Dalí : l'invention de soi, Catherine Grenier, Flammarion, 2011: p. 42
[document] => Array
(
[bibTex] => @misc{Grenier2011, title = {Salvador Dalí : l'invention de soi}, author = {Catherine Grenier}, publisher = {Flammarion}, address = {Paris}, year = {2011}, date = {2011}, entryorder = {2011-01-01} }
[label] => FGSD-D-024566 - Salvador Dalí : l'invention de soi, Catherine Grenier, Flammarion, 2011
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/a9bf30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-024566 - Salvador Dalí : l'invention de soi, Catherine Grenier, Flammarion, 2011
[$public] =>
[$slug] => 24566
)
)
[$slug] => 24566
[href] => /coeli/FGSD/HeritageObject/a9bf30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 42
)
[32] => Array
(
[display] => FGSD-D-023524 - Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, Hatje Cantz, 2006: p. 94
[document] => Array
(
[bibTex] => @misc{Hatje2006, title = {Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier}, publisher = {Hatje Cantz}, address = {Ostfildern}, year = {2006}, date = {2006}, entryorder = {2006-01-01} }
[label] => FGSD-D-023524 - Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, Hatje Cantz, 2006
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/a0bb30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023524 - Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, Hatje Cantz, 2006
[$public] =>
[$slug] => 23524
)
)
[$slug] => 23524
[href] => /coeli/FGSD/HeritageObject/a0bb30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 94
)
[33] => Array
(
[display] => FGSD-D-022851 - Dalí, Marco Di Capua, Librairie Gründ, 1994: p. 11
[document] => Array
(
[bibTex] => @misc{DiCapua1994, title = {Dalí}, author = {Marco Di Capua}, publisher = {Librairie Gründ}, address = {Paris}, year = {1994}, date = {1994}, entryorder = {1994-01-01} }
[label] => FGSD-D-022851 - Dalí, Marco Di Capua, Librairie Gründ, 1994
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/06b930c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022851 - Dalí, Marco Di Capua, Librairie Gründ, 1994
[$public] =>
[$slug] => 22851
)
)
[$slug] => 22851
[href] => /coeli/FGSD/HeritageObject/06b930c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 11
)
[34] => Array
(
[display] => FGSD-D-030544 - Exposició S. Dalí, Galeries Dalmau, 1925: p. s.p [Catálogo de la primera Expo BCN, 14-27 noviembre 1925 OK]
[document] => Array
(
[bibTex] => @misc{Galeries1925, title = {Exposició S. Dalí}, publisher = {Galeries Dalmau}, address = {Barcelona}, year = {1925}, date = {1925}, entryorder = {1925-01-01} }
[label] => FGSD-D-030544 - Exposició S. Dalí, Galeries Dalmau, 1925
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/8f97e8b6-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-030544 - Exposició S. Dalí, Galeries Dalmau, 1925
[$public] =>
[$slug] => 30544
)
)
[$slug] => 30544
[href] => /coeli/FGSD/HeritageObject/8f97e8b6-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => s.p
[remarks] => Catálogo de la primera Expo BCN, 14-27 noviembre 1925 OK
)
[35] => Array
(
[display] => FGSD-D-030545 - Exposició S. Dalí, Galeries Dalmau, 1926/1927: p. s.p.
[document] => Array
(
[bibTex] => @misc{Galeries1926, title = {Exposició S. Dalí}, publisher = {Galeries Dalmau}, address = {Barcelona}, year = {1926-1927}, date = {1926/1927}, entryorder = {1926-01-01} }
[label] => FGSD-D-030545 - Exposició S. Dalí, Galeries Dalmau, 1926/1927
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/0897e8b6-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-030545 - Exposició S. Dalí, Galeries Dalmau, 1926/1927
[$public] => 1
[$slug] => 30545
)
)
[$slug] => 30545
[href] => /coeli/FGSD/HeritageObject/0897e8b6-42ec-e411-9471-00155d647f0b
[$public] => 1
)
[page] => s.p.
)
[36] => Array
(
[display] => FGSD-D-032394 - Dalí capital de Figueres, Ajuntament de Figueres, 1984: p. 24 [Única referencia a la obra de la FGSD. Y además Ilustrada!]
[document] => Array
(
[bibTex] => @misc{Ajuntament1984, title = {Dalí capital de Figueres}, publisher = {Ajuntament de Figueres}, address = {Figueres}, year = {1984}, date = {1984}, entryorder = {1984-01-01} }
[label] => FGSD-D-032394 - Dalí capital de Figueres, Ajuntament de Figueres, 1984
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/b3eca7c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-032394 - Dalí capital de Figueres, Ajuntament de Figueres, 1984
[$public] =>
[$slug] => 32394
)
)
[$slug] => 32394
[href] => /coeli/FGSD/HeritageObject/b3eca7c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 24
[remarks] => Única referencia a la obra de la FGSD. Y además Ilustrada!
)
[37] => Array
(
[display] => FGSD-D-020060 - Dalí, els anys joves : 1918-1930, Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí, 1995: p. 170,172
[document] => Array
(
[bibTex] => @misc{Generalitat1995, title = {Dalí, els anys joves : 1918-1930}, publisher = {Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí}, address = {Figueres, [Barcelona]}, year = {1995}, date = {1995}, entryorder = {1995-01-01} }
[label] => FGSD-D-020060 - Dalí, els anys joves : 1918-1930, Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí, 1995
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/5c3eb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-020060 - Dalí, els anys joves : 1918-1930, Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí, 1995
[$public] =>
[$slug] => 20060
)
)
[$slug] => 20060
[href] => /coeli/FGSD/HeritageObject/5c3eb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 170,172
)
[38] => Array
(
[display] => FGSD-D-015618 - Salvador Dalí: retrospektive, 1920-1980, Prestel, 1980: p. 39
[document] => Array
(
[bibTex] => @misc{Prestel1980, title = {Salvador Dalí: retrospektive, 1920-1980}, publisher = {Prestel}, address = {München}, year = {1980}, date = {1980}, entryorder = {1980-01-01} }
[label] => FGSD-D-015618 - Salvador Dalí: retrospektive, 1920-1980, Prestel, 1980
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/3a2db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-015618 - Salvador Dalí: retrospektive, 1920-1980, Prestel, 1980
[$public] =>
[$slug] => 15618
)
)
[$slug] => 15618
[href] => /coeli/FGSD/HeritageObject/3a2db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 39
)
[39] => Array
(
[display] => FGSD-D-019880 - Dalí joven, 1918-1930, Museo Nacional Centro de Arte Reina Sofía, 1994: p. 170,172
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[webText] => Ce portrait du père et de la sœur de l’artiste a été gravé à la pointe sèche sur celluloïd. Il s’agit d’une épreuve, rejetée en raison d’un pli accidentel du papier, survenu lors de l’impression, mais il existe d’autres versions de cette œuvre. En 1942, dans The Secret Life of Salvador Dalí, l’artiste évoque une version de cette œuvre, reproduite dans l’ouvrage sous le titre Retrato de mi Padre y Hermana (Portrait de mon père et de ma sœur). Si l’on en croit le récit de Dalí, ce portrait aurait été réalisé en 1926, après son renvoi définitif de l’école de San Fernando de Madrid :
« À mon arrivée à Figueres, je trouvai mon père accablé par la catastrophe de mon expulsion […] Avec ma sœur, il posa pour un portrait au crayon qui fut l’un de mes meilleurs dessins de cette période. Dans l’expression du visage de mon père se lisent les signes de l’amertume pathétique que lui avait causée mon renvoi de l’Académie (1). »
Cependant, bien que Dalí ait associé cette œuvre à son renvoi définitif de l’école, les documents d’époque montrent qu’elle a probablement été exécutée après son premier renvoi temporaire, lors de l’année scolaire 1923 -1924.
Les autres versions connues ont été largement travaillées au crayon, notamment Retrat del pare i la germana de l’artista (Portrait du père et de la sœur de l’artiste), conservée au Museo Nacional de Arte de Catalunya (Barcelone) et Retrat del pare de l’artista i germana (Portrait du père de l’artiste et de sa sœur), conservée dans la collection Abelló (Madrid).
Une version figurait dans la première exposition individuelle de Dalí aux Galeries Dalmau de Barcelone, du 14 au 27 novembre 1925, comme l’atteste la reproduction publiée dans le catalogue de l’exposition. Une autre version est mentionnée dans la brochure de la seconde exposition individuelle de l’artiste aux Galeries Dalmau, présentée du 31 décembre au 14 janvier 1927.
__________
(1) DALI, Salvador. Vida secreta de Salvador Dalí. Barcelone : Editorial Poseidón, 1944, p. 286. Illustrations en noir et blanc : pages 256-257, chap. « VII. Mis Obras Raras ». (ID 24252)
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[10] => Array
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[display] => Relacionat amb: 7467a - Cap de noia [CAP DE NOIA] [estampa original], Salvador Dalí i Domènech, Salvador Dalí i Domènech, Salvador Dalí i Domènech, 1924
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[$slug] => 9209
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[1] => Array
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[label] => C236 - Cap de noia [CAP DE NOIA] [estampa (obra visual)], Salvador Dalí i Domènech, Salvador Dalí i Domènech, Salvador Dalí i Domènech, 1924
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[$slug] => cap-de-noia-7bad
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[$slug] => 9209
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[11] => Array
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[1] => Array
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[$slug] => sense-titol-retrat-del-pare
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(
[href] => /coeli/FGSD/ObjectRelationshipType/HAS_RELATION
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[$public] => 1
[hierarchy] => Array
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[object] => Array
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[label] => C219 - Mariners [MARINERS] [estampa (obra visual)], 1925
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[webText] => Cette gravure à la pointe sèche sur celluloïd, tirée sur papier vergé avec de la poudre de graphite, a été réalisée à l’époque où Salvador Dalí et Federico García Lorca étaient très proches, liés par une profonde amitié et une grande complicité artistique. Aux vacances de Pâques 1925, le poète s’était rendu à Cadaqués pour la première fois.
Cette œuvre s’inscrit dans un ensemble d’études qui expriment toute l’admiration de Dalí pour Joan Salvat-Papasseit (1894-1924), poète futuriste catalan disparu l’année précédente. Son second recueil, L’irradiador del port i les gavines (1921), fortement imprégné de motifs maritimes, incarnait alors une poésie perçue comme avant-gardiste, tant par sa dimension visuelle et typographique que par l’usage de mots isolés et d’éléments empruntés aux langages cubiste et futuriste.
L’estampe est dédiée à Néstor Martín-Fernández de la Torre, peintre canarien et ami de Dalí, dont la série Poema del mar (également connue sous le titre Poema del Atlántico) avait été exposée à Madrid cette même année 1925.
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[display] => FGSD-D-023524 - Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, Hatje Cantz, 2006: p. 192 [Existe PDF adicional en carpeta repetidos con ID23525]
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[label] => FGSD-D-023524 - Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, Hatje Cantz, 2006
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[href] => /coeli/FGSD/HeritageObject/a0bb30c1-42ec-e411-9471-00155d647f0b
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[page] => 192
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[display] => FGSD-D-022135 - "Los Putrefactos" de Dalí y Lorca : historia y antologia de un libro que no pudo ser, Rafael Santos Torroella, Consejo Superior de Investigaciones Científicas, Amigos de la Residencia de Estudiantes, 1995: p. 142
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[label] => FGSD-D-022135 - "Los Putrefactos" de Dalí y Lorca : historia y antologia de un libro que no pudo ser, Rafael Santos Torroella, Consejo Superior de Investigaciones Científicas, Amigos de la Residencia de Estudiantes, 1995
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[display] => FGSD-D-024358 - Picasso, Miró, Dalí. Giovani e arrabbiati: la nascita della modernità, Skira, 2011: p. 41 [Se ha utilizado otro ID para PDF. El ID24357]
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[page] => 41
[remarks] => Se ha utilizado otro ID para PDF. El ID24357
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[3] => Array
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[display] => FGSD-D-023249 - Salvador Dalí i Federico García Lorca : la persistència de la memòria, Viena, Generalitat de Catalunya. Departament de Cultura., 2004: p. 134
[document] => Array
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[bibTex] => @misc{Viena2004, title = {Salvador Dalí i Federico García Lorca : la persistència de la memòria}, publisher = {Viena, Generalitat de Catalunya. Departament de Cultura.}, address = {Barcelona}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023249 - Salvador Dalí i Federico García Lorca : la persistència de la memòria, Viena, Generalitat de Catalunya. Departament de Cultura., 2004
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[page] => 134
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[4] => Array
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[display] => FGSD-D-019878 - 400 obras de Salvador Dalí de 1914 a 1983, Obra Cultural de la Caixa de Pensions, 1983: p. 40
[document] => Array
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[page] => 40
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[5] => Array
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[display] => FGSD-D-022669 - Dalí - a genius of the XX Century, China Times, [2001]: p. 116 [Se ha utilizado otro ID para PDF. El ID22686]
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[label] => FGSD-D-022669 - Dalí - a genius of the XX Century, China Times, [2001]
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[$public] =>
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[$slug] => 22669
[href] => /coeli/FGSD/HeritageObject/53b830c1-42ec-e411-9471-00155d647f0b
[$public] =>
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[page] => 116
[remarks] => Se ha utilizado otro ID para PDF. El ID22686
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[6] => Array
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[display] => FGSD-D-020060 - Dalí, els anys joves : 1918-1930, Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí, 1995: p. 158
[document] => Array
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[bibTex] => @misc{Generalitat1995, title = {Dalí, els anys joves : 1918-1930}, publisher = {Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí}, address = {Figueres, [Barcelona]}, year = {1995}, date = {1995}, entryorder = {1995-01-01} }
[label] => FGSD-D-020060 - Dalí, els anys joves : 1918-1930, Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí, 1995
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[$slug] => 20060
[href] => /coeli/FGSD/HeritageObject/5c3eb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 158
)
[7] => Array
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[display] => FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994: p. 112 [Se ha utilizado otro ID para PDF. El ID19904]
[document] => Array
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[bibTex] => @misc{South1994, title = {Salvador Dalí: the early years}, publisher = {South Bank Centre}, address = {[London]}, year = {1994}, date = {1994}, entryorder = {1994-01-01} }
[label] => FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994
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)
[$slug] => 19906
[href] => /coeli/FGSD/HeritageObject/c23db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
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[page] => 112
[remarks] => Se ha utilizado otro ID para PDF. El ID19904
)
[8] => Array
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[display] => FGSD-D-019880 - Dalí joven, 1918-1930, Museo Nacional Centro de Arte Reina Sofía, 1994: p. 158
[document] => Array
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[label] => FGSD-D-019880 - Dalí joven, 1918-1930, Museo Nacional Centro de Arte Reina Sofía, 1994
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[$public] =>
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[$slug] => 19880
[href] => /coeli/FGSD/HeritageObject/a83db7c0-42ec-e411-9471-00155d647f0b
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[page] => 158
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[9] => Array
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[display] => FGSD-D-015755 - 400 obres de Salvador Dalí del 1914 al 1983, Obra Cultural de la Caixa de Pensions, 1983: p. 40 [Se ha utilizado otro ID para PDF. El ID19353]
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L’œuvre est dédiée « a Pepín Vello afectuosamente Salvador Dalí 1925 » (« à Pepín Vello affectueusement Salvador Dalí 1925 »). Pepín Vello était le surnom de Bello Lasierra, ami intime de Dalí, de Federico García Lorca et de Luís Buñuel , un groupe que Dalí décrira, des années plus tard dans son autobiographie La Vie secrète, comme « anticonformiste, strident et révolutionnaire ».
Le surnom de « Pepín » apparaît dans deux autres putrefactos : A Pepín et Crucifixión I , tous deux conservés au Museo Nacional Centro de Arte Reina Sofía de Madrid et également datés de 1925.
__________
(1) …[et] José María Hinojosa, Juan Vicense, Emilio Prados, entre autres. Querido Salvador, Querido Lorquito, Ediciones Elba, Barcelone, 2013, p.17.
(2) DALI, Salvador. Vida Secreta, Editorial Poseidón, 1944, p. 246.
(3) A Pepín, Série Putrefactos, 1925, MNCARS.
(4) Crucifixión I, Série Putrefactos, 1925, MNCARS.
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[webText] => L’ex-libris de 1925 est une commande de Josep Puig Pujades (1883-1949), écrivain et homme politique de Figueres. Les études préparatoires qui ont été conservées, certaines étant datées (1), montrent que Dalí a d’abord exécuté plusieurs propositions à l’encre de Chine, avant de s’inspirer des vers de L’Empordà. Cette sardane catalane écrite en 1908 par Joan Maragall sur une musique d’Enric Morera évoque l’amour d’une sirène et d’un berger et est considérée comme l’un des symboles mythiques de la naissance de l’Empordà. Dalí connaissait ces vers par cœur, ses parents étant de grands amateurs de sardanes.
Le dessin définitif à l’encre de Chine a été reproduit par impression typographique sur papier couché par une imprimerie de Figueres.
Josep Puig Pujades, premier mécène de Dalí, avait pressenti le talent du jeune artiste. Dans un article publié dans l’Empordà Federal le 11 janvier 1919 sous le pseudonyme de Puvis, il lui prédisait déjà un grand avenir (2). Pendant la guerre civile espagnole, Puig Pujades s’est imposé comme une figure majeure du mouvement républicain. Contraint de s’exiler en France à la fin du conflit, il est mort à Perpignan en 1949.
__________
(1) El País de Dalí, Museo del Empordà, Figueres 2004, Ills. 29-31, p. 54-55.
(2) Empordà Federal, hebdomadaire de l’UFNR, 11.01.1919 [Bibliothèque de Figueres].
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[display] => FGSD-D-015724 - Salvador Dalí, James Thrall Soby, The Museum of Modern Art, 1941: p. 77 [Se ha utilizado otro ID para PDF. El ID 23680]
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[page] => 77
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[display] => FGSD-D-023653 - Paintings, drawings, and sculpture from the Julien Levy collection, Sotheby's Parke Bernet, 1981: p. 76 [No publicar]
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[webText] => Salvador Dalí venait de rejoindre le groupe surréaliste lorsqu’on lui a demandé de réaliser le frontispice du Second manifeste du surréalisme, rédigé par le poète français André Breton (1) . Pour cette illustration, l’artiste a exécuté un dessin à la plume, à l’encre de Chine et à la gouache, qui a ensuite été reproduit par impression typographique avec rehauts au pochoir.
Dans le Second manifeste du surréalisme, Breton dénonce l’hypocrisie de la société et souligne la nécessité de se révolter contre l’ordre établi. Le poète y salue l’œuvre de Lautréamont, Les Chants de Maldoror, qui a tant inspiré les surréalistes. Il revendique aussi le droit à l’imagination et à la liberté de pensée : « L’homme, qui s’intimiderait à tort de quelques monstrueux échecs historiques, est encore libre de croire à sa liberté (2). »
Le texte a été publié en édition limitée pour le Club des Soixante par les Éditions Kra, à Paris. Le colophon indique qu’il a été achevé d’imprimer le 20 juin 1930.
__________
(1) Le texte avait déjà été publié dans le dernier numéro de La Révolution surréaliste, n° 12, 15 décembre 1929.
(2) P. 80-81.
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[display] => FGSD-D-024077 - Dalí et le dynamisme des formes : l'élaboration de l'activité "paranoïaque-critique" dans le contexte socioculturel des années 1920-1930, Astrid Ruffa, Les Presses du réel, 2009: p. 206
[document] => Array
(
[bibTex] => @misc{Ruffa2009, title = {Dalí et le dynamisme des formes : l'élaboration de l'activité "paranoïaque-critique" dans le contexte socioculturel des années 1920-1930}, author = {Astrid Ruffa}, publisher = {Les Presses du réel}, address = {France}, year = {2009}, date = {2009}, entryorder = {2009-01-01} }
[label] => FGSD-D-024077 - Dalí et le dynamisme des formes : l'élaboration de l'activité "paranoïaque-critique" dans le contexte socioculturel des années 1920-1930, Astrid Ruffa, Les Presses du réel, 2009
[hierarchy] => Array
(
[0] => Array
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[href] => /coeli/FGSD/HeritageObject/c5bd30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-024077 - Dalí et le dynamisme des formes : l'élaboration de l'activité "paranoïaque-critique" dans le contexte socioculturel des années 1920-1930, Astrid Ruffa, Les Presses du réel, 2009
[$public] =>
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)
[$slug] => 24077
[href] => /coeli/FGSD/HeritageObject/c5bd30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 206
)
[4] => Array
(
[display] => FGSD-D-022229 - Salvador Dalí: a mythology, Dawn Ades, Fiona Bradley, Tate Gallery Publishing, 1998: p. 43
[document] => Array
(
[bibTex] => @misc{Ades1998, title = {Salvador Dalí: a mythology}, author = {Dawn Ades, Fiona Bradley}, publisher = {Tate Gallery Publishing}, address = {London}, year = {1998}, date = {1998}, entryorder = {1998-01-01} }
[label] => FGSD-D-022229 - Salvador Dalí: a mythology, Dawn Ades, Fiona Bradley, Tate Gallery Publishing, 1998
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/9fb630c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022229 - Salvador Dalí: a mythology, Dawn Ades, Fiona Bradley, Tate Gallery Publishing, 1998
[$public] =>
[$slug] => 22229
)
)
[$slug] => 22229
[href] => /coeli/FGSD/HeritageObject/9fb630c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 43
)
[5] => Array
(
[display] => FGSD-D-022026 - Salvador Dalí, 1904 -1989, Robert Descharnes, Gilles Néret, Benedikt Taschen, 1994: p. 145
[document] => Array
(
[bibTex] => @misc{Descharnes1994, title = {Salvador Dalí, 1904 -1989}, author = {Robert Descharnes, Gilles Néret}, publisher = {Benedikt Taschen}, address = {Köln}, year = {1994}, date = {1994}, entryorder = {1994-01-01} }
[label] => FGSD-D-022026 - Salvador Dalí, 1904 -1989, Robert Descharnes, Gilles Néret, Benedikt Taschen, 1994
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/d4b530c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022026 - Salvador Dalí, 1904 -1989, Robert Descharnes, Gilles Néret, Benedikt Taschen, 1994
[$public] =>
[$slug] => 22026
)
)
[$slug] => 22026
[href] => /coeli/FGSD/HeritageObject/d4b530c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 145
)
[6] => Array
(
[display] => FGSD-D-024250 - Dalí : afinidades electivas, Generalitat de Catalunya. Departament de Cultura., 2004: p. 452, p. 454
[document] => Array
(
[bibTex] => @misc{Generalitat2004, title = {Dalí : afinidades electivas}, publisher = {Generalitat de Catalunya. Departament de Cultura.}, address = {Barcelona}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-024250 - Dalí : afinidades electivas, Generalitat de Catalunya. Departament de Cultura., 2004
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/70be30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-024250 - Dalí : afinidades electivas, Generalitat de Catalunya. Departament de Cultura., 2004
[$public] =>
[$slug] => 24250
)
)
[$slug] => 24250
[href] => /coeli/FGSD/HeritageObject/70be30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 452, p. 454
)
[7] => Array
(
[display] => FGSD-D-019878 - 400 obras de Salvador Dalí de 1914 a 1983, Obra Cultural de la Caixa de Pensions, 1983: p. 93
[document] => Array
(
[bibTex] => @misc{Obra1983, title = {400 obras de Salvador Dalí de 1914 a 1983}, publisher = {Obra Cultural de la Caixa de Pensions}, address = {[Madrid]}, year = {1983}, date = {1983}, entryorder = {1983-01-01} }
[label] => FGSD-D-019878 - 400 obras de Salvador Dalí de 1914 a 1983, Obra Cultural de la Caixa de Pensions, 1983
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/a63db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019878 - 400 obras de Salvador Dalí de 1914 a 1983, Obra Cultural de la Caixa de Pensions, 1983
[$public] =>
[$slug] => 19878
)
)
[$slug] => 19878
[href] => /coeli/FGSD/HeritageObject/a63db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 93
)
[8] => Array
(
[display] => FGSD-D-022810 - Dalí il·lustrador : Salvador Dalí, 1904-1989, Govern d'Andorra. Ministeri de Turisme i Cultura, 2001: p. 68
[document] => Array
(
[bibTex] => @misc{Govern2001, title = {Dalí il·lustrador : Salvador Dalí, 1904-1989}, publisher = {Govern d'Andorra. Ministeri de Turisme i Cultura}, address = {Andorra}, year = {2001}, date = {2001}, entryorder = {2001-01-01} }
[label] => FGSD-D-022810 - Dalí il·lustrador : Salvador Dalí, 1904-1989, Govern d'Andorra. Ministeri de Turisme i Cultura, 2001
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/deb830c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022810 - Dalí il·lustrador : Salvador Dalí, 1904-1989, Govern d'Andorra. Ministeri de Turisme i Cultura, 2001
[$public] =>
[$slug] => 22810
)
)
[$slug] => 22810
[href] => /coeli/FGSD/HeritageObject/deb830c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 68
)
[9] => Array
(
[display] => FGSD-D-015755 - 400 obres de Salvador Dalí del 1914 al 1983, Obra Cultural de la Caixa de Pensions, 1983: p. 93 [Se ha utilizado otro ID para PDF. El ID 19353]
[document] => Array
(
[bibTex] => @misc{Obra1983, title = {400 obres de Salvador Dalí del 1914 al 1983}, publisher = {Obra Cultural de la Caixa de Pensions}, address = {[Madrid]}, year = {1983}, date = {1983}, entryorder = {1983-01-01} }
[label] => FGSD-D-015755 - 400 obres de Salvador Dalí del 1914 al 1983, Obra Cultural de la Caixa de Pensions, 1983
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/c12db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-015755 - 400 obres de Salvador Dalí del 1914 al 1983, Obra Cultural de la Caixa de Pensions, 1983
[$public] =>
[$slug] => 15755
)
)
[$slug] => 15755
[href] => /coeli/FGSD/HeritageObject/c12db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 93
[remarks] => Se ha utilizado otro ID para PDF. El ID 19353
)
[10] => Array
(
[display] => FGSD-D-015759 - Salvador Dalí: rétrospective, 1920-1980, Centre Georges Pompidou, Musée National d'Art moderne, 1979: p. 136
[document] => Array
(
[bibTex] => @misc{Centre1979, title = {Salvador Dalí: rétrospective, 1920-1980}, publisher = {Centre Georges Pompidou, Musée National d'Art moderne}, address = {Paris}, year = {1979}, date = {1979}, entryorder = {1979-01-01} }
[label] => FGSD-D-015759 - Salvador Dalí: rétrospective, 1920-1980, Centre Georges Pompidou, Musée National d'Art moderne, 1979
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/c52db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-015759 - Salvador Dalí: rétrospective, 1920-1980, Centre Georges Pompidou, Musée National d'Art moderne, 1979
[$public] =>
[$slug] => 15759
)
)
[$slug] => 15759
[href] => /coeli/FGSD/HeritageObject/c52db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 136
)
[11] => Array
(
[display] => FGSD-D-019880 - Dalí joven, 1918-1930, Museo Nacional Centro de Arte Reina Sofía, 1994: p. 43
[document] => Array
(
[bibTex] => @misc{Museo1994, title = {Dalí joven, 1918-1930}, publisher = {Museo Nacional Centro de Arte Reina Sofía}, address = {[Madrid]}, year = {1994}, date = {1994}, entryorder = {1994-01-01} }
[label] => FGSD-D-019880 - Dalí joven, 1918-1930, Museo Nacional Centro de Arte Reina Sofía, 1994
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/a83db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019880 - Dalí joven, 1918-1930, Museo Nacional Centro de Arte Reina Sofía, 1994
[$public] =>
[$slug] => 19880
)
)
[$slug] => 19880
[href] => /coeli/FGSD/HeritageObject/a83db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 43
)
[12] => Array
(
[display] => FGSD-D-023453 - Dalí, Rizzoli, 2005: p. 136
[document] => Array
(
[bibTex] => @misc{Rizzoli2005, title = {Dalí}, publisher = {Rizzoli}, address = {New York}, year = {2005}, date = {2005}, entryorder = {2005-01-01} }
[label] => FGSD-D-023453 - Dalí, Rizzoli, 2005
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/5abb30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023453 - Dalí, Rizzoli, 2005
[$public] =>
[$slug] => 23453
)
)
[$slug] => 23453
[href] => /coeli/FGSD/HeritageObject/5abb30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 136
)
[13] => Array
(
[display] => FGSD-D-022095 - ADLAN i el circ frediani (jocs icaris), Patronat Municipal de Cultura de Mataró, 1997: p. 79
[document] => Array
(
[bibTex] => @misc{Patronat1997, title = {ADLAN i el circ frediani (jocs icaris)}, publisher = {Patronat Municipal de Cultura de Mataró}, address = {Mataró}, year = {1997}, date = {1997}, entryorder = {1997-01-01} }
[label] => FGSD-D-022095 - ADLAN i el circ frediani (jocs icaris), Patronat Municipal de Cultura de Mataró, 1997
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/19b630c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022095 - ADLAN i el circ frediani (jocs icaris), Patronat Municipal de Cultura de Mataró, 1997
[$public] =>
[$slug] => 22095
)
)
[$slug] => 22095
[href] => /coeli/FGSD/HeritageObject/19b630c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 79
)
[14] => Array
(
[display] => FGSD-D-022250 - Cento libri surrealisti, Centro Di, 1996: p. 87
[document] => Array
(
[bibTex] => @misc{Centro1996, title = {Cento libri surrealisti}, publisher = {Centro Di}, address = {Firenze}, year = {1996}, date = {1996}, entryorder = {1996-01-01} }
[label] => FGSD-D-022250 - Cento libri surrealisti, Centro Di, 1996
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/b4b630c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022250 - Cento libri surrealisti, Centro Di, 1996
[$public] =>
[$slug] => 22250
)
)
[$slug] => 22250
[href] => /coeli/FGSD/HeritageObject/b4b630c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 87
)
[15] => Array
(
[display] => FGSD-D-023070 - Dalí. Cultura de masses, Fundació La Caixa, Fundació Gala-Salvador Dalí, 2004: p. 20 [Se ha utilizado otro ID para PDF. El ID23484]
[document] => Array
(
[bibTex] => @misc{Fundació2004, title = {Dalí. Cultura de masses}, publisher = {Fundació La Caixa, Fundació Gala-Salvador Dalí}, address = {Figueres, Barcelona}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023070 - Dalí. Cultura de masses, Fundació La Caixa, Fundació Gala-Salvador Dalí, 2004
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/dcb930c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023070 - Dalí. Cultura de masses, Fundació La Caixa, Fundació Gala-Salvador Dalí, 2004
[$public] =>
[$slug] => 23070
)
)
[$slug] => 23070
[href] => /coeli/FGSD/HeritageObject/dcb930c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 20
[remarks] => Se ha utilizado otro ID para PDF. El ID23484
)
[16] => Array
(
[display] => FGSD-D-021647 - Dalí e i libri, Generalitat de Catalunya. Departament de Cultura i Mitjans de Comunicació, 1982: p. 14
[document] => Array
(
[bibTex] => @misc{Generalitat1982, title = {Dalí e i libri}, publisher = {Generalitat de Catalunya. Departament de Cultura i Mitjans de Comunicació}, address = {[Barcelona]}, year = {1982}, date = {1982}, entryorder = {1982-01-01} }
[label] => FGSD-D-021647 - Dalí e i libri, Generalitat de Catalunya. Departament de Cultura i Mitjans de Comunicació, 1982
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/5db430c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-021647 - Dalí e i libri, Generalitat de Catalunya. Departament de Cultura i Mitjans de Comunicació, 1982
[$public] =>
[$slug] => 21647
)
)
[$slug] => 21647
[href] => /coeli/FGSD/HeritageObject/5db430c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 14
)
[17] => Array
(
[display] => FGSD-D-019525 - Dalí et les poètes, Salvador Dalí (il.), Filipacchi, 1971: p. 13
[document] => Array
(
[bibTex] => @misc{Dalí1971, title = {Dalí et les poètes}, author = {Salvador Dalí (il.)}, publisher = {Filipacchi}, address = {Paris}, year = {1971}, date = {1971}, entryorder = {1971-01-01} }
[label] => FGSD-D-019525 - Dalí et les poètes, Salvador Dalí (il.), Filipacchi, 1971
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/453cb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019525 - Dalí et les poètes, Salvador Dalí (il.), Filipacchi, 1971
[$public] =>
[$slug] => 19525
)
)
[$slug] => 19525
[href] => /coeli/FGSD/HeritageObject/453cb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 13
)
[18] => Array
(
[display] => FGSD-D-024203 - Dalís medienspiele: falsche fährten und paranoische selbstinszenierungen in den künsten, Transcript, 2007: p. 166
[document] => Array
(
[bibTex] => @misc{Transcript2007, title = {Dalís medienspiele: falsche fährten und paranoische selbstinszenierungen in den künsten}, publisher = {Transcript}, address = {Bielefeld}, year = {2007}, date = {2007}, entryorder = {2007-01-01} }
[label] => FGSD-D-024203 - Dalís medienspiele: falsche fährten und paranoische selbstinszenierungen in den künsten, Transcript, 2007
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/42be30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-024203 - Dalís medienspiele: falsche fährten und paranoische selbstinszenierungen in den künsten, Transcript, 2007
[$public] =>
[$slug] => 24203
)
)
[$slug] => 24203
[href] => /coeli/FGSD/HeritageObject/42be30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 166
)
[19] => Array
(
[display] => FGSD-D-023333 - Dallibres, Montse Aguer i Teixidor, Distribucions d'Art Surrealista, 2005: p. 118-119 [Se ha utilizado otro ID para PDF. El ID23376. Paginas revisadas JM-19,07,2020]
[document] => Array
(
[bibTex] => @misc{Aguer2005, title = {Dallibres}, author = {Montse Aguer i Teixidor}, publisher = {Distribucions d'Art Surrealista}, address = {[Figueres]}, year = {2005}, date = {2005}, entryorder = {2005-01-01} }
[label] => FGSD-D-023333 - Dallibres, Montse Aguer i Teixidor, Distribucions d'Art Surrealista, 2005
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/e2ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023333 - Dallibres, Montse Aguer i Teixidor, Distribucions d'Art Surrealista, 2005
[$public] =>
[$slug] => 23333
)
)
[$slug] => 23333
[href] => /coeli/FGSD/HeritageObject/e2ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 118-119
[remarks] => Se ha utilizado otro ID para PDF. El ID23376. Paginas revisadas JM-19,07,2020
)
[20] => Array
(
[display] => FGSD-D-023089 - El Fenómeno del éxtasis, Juan José Lahuerta, Siruela, 2004: p. 105
[document] => Array
(
[bibTex] => @misc{Lahuerta2004, title = {El Fenómeno del éxtasis}, author = {Juan José Lahuerta}, publisher = {Siruela}, address = {Madrid}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023089 - El Fenómeno del éxtasis, Juan José Lahuerta, Siruela, 2004
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/efb930c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023089 - El Fenómeno del éxtasis, Juan José Lahuerta, Siruela, 2004
[$public] =>
[$slug] => 23089
)
)
[$slug] => 23089
[href] => /coeli/FGSD/HeritageObject/efb930c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 105
)
[21] => Array
(
[display] => FGSD-D-021812 - Dalí : genius, obsession and lust, Ralf Schiebler, Prestel, 1996: p. 53
[document] => Array
(
[bibTex] => @misc{Schiebler1996, title = {Dalí : genius, obsession and lust}, author = {Ralf Schiebler}, publisher = {Prestel}, address = {Munich - New York}, year = {1996}, date = {1996}, entryorder = {1996-01-01} }
[label] => FGSD-D-021812 - Dalí : genius, obsession and lust, Ralf Schiebler, Prestel, 1996
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/00b530c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-021812 - Dalí : genius, obsession and lust, Ralf Schiebler, Prestel, 1996
[$public] =>
[$slug] => 21812
)
)
[$slug] => 21812
[href] => /coeli/FGSD/HeritageObject/00b530c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 53
)
[22] => Array
(
[display] => FGSD-D-018536 - A history of eroticism, Lo Duca, Jean-Jacques Pauvert, 1961: p. 194
[document] => Array
(
[bibTex] => @misc{LoDuca1961, title = {A history of eroticism}, author = {Lo Duca}, publisher = {Jean-Jacques Pauvert}, address = {Paris}, year = {1961}, date = {1961}, entryorder = {1961-01-01} }
[label] => FGSD-D-018536 - A history of eroticism, Lo Duca, Jean-Jacques Pauvert, 1961
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/7138b7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-018536 - A history of eroticism, Lo Duca, Jean-Jacques Pauvert, 1961
[$public] =>
[$slug] => 18536
)
)
[$slug] => 18536
[href] => /coeli/FGSD/HeritageObject/7138b7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 194
)
[23] => Array
(
[display] => FGSD-D-023227 - Dalí, Bompiani, 2004: p. 136 [Hay 2 PDF's del mismo libro. El ID23228 foto Gala]
[document] => Array
(
[bibTex] => @misc{Bompiani2004, title = {Dalí}, publisher = {Bompiani}, address = {[Milà]}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023227 - Dalí, Bompiani, 2004
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/78ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023227 - Dalí, Bompiani, 2004
[$public] =>
[$slug] => 23227
)
)
[$slug] => 23227
[href] => /coeli/FGSD/HeritageObject/78ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 136
[remarks] => Hay 2 PDF's del mismo libro. El ID23228 foto Gala
)
[24] => Array
(
[display] => FGSD-D-023838 - Salvador Dalí, Robert Descharnes, Nouvelles Editions Françaises, 1973: p. 50
[document] => Array
(
[bibTex] => @misc{Descharnes1973, title = {Salvador Dalí}, author = {Robert Descharnes}, publisher = {Nouvelles Editions Françaises}, address = {Paris}, year = {1973}, date = {1973}, entryorder = {1973-01-01} }
[label] => FGSD-D-023838 - Salvador Dalí, Robert Descharnes, Nouvelles Editions Françaises, 1973
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/d7bc30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023838 - Salvador Dalí, Robert Descharnes, Nouvelles Editions Françaises, 1973
[$public] =>
[$slug] => 23838
)
)
[$slug] => 23838
[href] => /coeli/FGSD/HeritageObject/d7bc30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 50
)
[25] => Array
(
[display] => FGSD-D-019832 - Salvador Dalí, 1904-1989, Gerd Hatje, 1989: p. 415 [Hay texto p.76 y 414. Y hay PDF adicionales en carpeta repetidos con ID21475 y ID19867]
[document] => Array
(
[bibTex] => @misc{Gerd1989, title = {Salvador Dalí, 1904-1989}, publisher = {Gerd Hatje}, address = {Stuttgart}, year = {1989}, date = {1989}, entryorder = {1989-01-01} }
[label] => FGSD-D-019832 - Salvador Dalí, 1904-1989, Gerd Hatje, 1989
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/783db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019832 - Salvador Dalí, 1904-1989, Gerd Hatje, 1989
[$public] =>
[$slug] => 19832
)
)
[$slug] => 19832
[href] => /coeli/FGSD/HeritageObject/783db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 415
[remarks] => Hay texto p.76 y 414. Y hay PDF adicionales en carpeta repetidos con ID21475 y ID19867
)
[26] => Array
(
[display] => FGSD-D-023916 - Salvador Dalí and the magazines, Montse Aguer i Teixidor, Juan José Lahuerta, Distribucions d'Art Surrealista, 2008: p. 73
[document] => Array
(
[bibTex] => @misc{Aguer2008, title = {Salvador Dalí and the magazines}, author = {Montse Aguer i Teixidor, Juan José Lahuerta}, publisher = {Distribucions d'Art Surrealista}, address = {[Figueres]}, year = {2008}, date = {2008}, entryorder = {2008-01-01} }
[label] => FGSD-D-023916 - Salvador Dalí and the magazines, Montse Aguer i Teixidor, Juan José Lahuerta, Distribucions d'Art Surrealista, 2008
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/25bd30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023916 - Salvador Dalí and the magazines, Montse Aguer i Teixidor, Juan José Lahuerta, Distribucions d'Art Surrealista, 2008
[$public] =>
[$slug] => 23916
)
)
[$slug] => 23916
[href] => /coeli/FGSD/HeritageObject/25bd30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 73
)
[27] => Array
(
[display] => FGSD-D-019895 - La Vie publique de Salvador Dalí, Centre Georges Pompidou, Musée National d'Art moderne, 1980: p. 25 [Se ha utilizado otro ID para PDF. El ID19896]
[document] => Array
(
[bibTex] => @misc{Centre1980, title = {La Vie publique de Salvador Dalí}, publisher = {Centre Georges Pompidou, Musée National d'Art moderne}, address = {Paris}, year = {1980}, date = {1980}, entryorder = {1980-01-01} }
[label] => FGSD-D-019895 - La Vie publique de Salvador Dalí, Centre Georges Pompidou, Musée National d'Art moderne, 1980
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/b73db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019895 - La Vie publique de Salvador Dalí, Centre Georges Pompidou, Musée National d'Art moderne, 1980
[$public] =>
[$slug] => 19895
)
)
[$slug] => 19895
[href] => /coeli/FGSD/HeritageObject/b73db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 25
[remarks] => Se ha utilizado otro ID para PDF. El ID19896
)
[28] => Array
(
[display] => FGSD-D-021886 - Le Surréalisme et l'amour, Gallimard / Electa, Paris-Musées, 1997: p. 57
[document] => Array
(
[bibTex] => @misc{Gallimard1997, title = {Le Surréalisme et l'amour}, publisher = {Gallimard / Electa, Paris-Musées}, address = {Paris, [París], [S.l.]}, year = {1997}, date = {1997}, entryorder = {1997-01-01} }
[label] => FGSD-D-021886 - Le Surréalisme et l'amour, Gallimard / Electa, Paris-Musées, 1997
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/48b530c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-021886 - Le Surréalisme et l'amour, Gallimard / Electa, Paris-Musées, 1997
[$public] =>
[$slug] => 21886
)
)
[$slug] => 21886
[href] => /coeli/FGSD/HeritageObject/48b530c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 57
)
[29] => Array
(
[display] => FGSD-D-020093 - Les Femmes dans le mouvement surréaliste, Whitney Chadwick, Chêne, 1986: p. 38
[document] => Array
(
[bibTex] => @misc{Chadwick1986, title = {Les Femmes dans le mouvement surréaliste}, author = {Whitney Chadwick}, publisher = {Chêne}, address = {Paris}, year = {1986}, date = {1986}, entryorder = {1986-01-01} }
[label] => FGSD-D-020093 - Les Femmes dans le mouvement surréaliste, Whitney Chadwick, Chêne, 1986
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/7d3eb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-020093 - Les Femmes dans le mouvement surréaliste, Whitney Chadwick, Chêne, 1986
[$public] =>
[$slug] => 20093
)
)
[$slug] => 20093
[href] => /coeli/FGSD/HeritageObject/7d3eb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 38
)
[30] => Array
(
[display] => FGSD-D-047004 - Les Mots et les images, Ceuleers & Van de Velde Booksellers, 2004: p. il. 73
[document] => Array
(
[bibTex] => @misc{Ceuleers2004, title = {Les Mots et les images}, publisher = {Ceuleers & Van de Velde Booksellers}, address = {Antwerpen}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-047004 - Les Mots et les images, Ceuleers & Van de Velde Booksellers, 2004
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/b94813c2-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-047004 - Les Mots et les images, Ceuleers & Van de Velde Booksellers, 2004
[$public] =>
[$slug] => 47004
)
)
[$slug] => 47004
[href] => /coeli/FGSD/HeritageObject/b94813c2-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => il. 73
)
[31] => Array
(
[display] => FGSD-D-020198 - Paul, Max et les autres : Paul Eluard et les surréalistes, L'Albaron, Musée d'Art et d´Histoire, 1993: p. 66
[document] => Array
(
[bibTex] => @misc{L'Albaron1993, title = {Paul, Max et les autres : Paul Eluard et les surréalistes}, publisher = {L'Albaron, Musée d'Art et d´Histoire}, address = {Thonon-les-Bains [Haute-Savoie], Saint-Denis}, year = {1993}, date = {1993}, entryorder = {1993-01-01} }
[label] => FGSD-D-020198 - Paul, Max et les autres : Paul Eluard et les surréalistes, L'Albaron, Musée d'Art et d´Histoire, 1993
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/e63eb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-020198 - Paul, Max et les autres : Paul Eluard et les surréalistes, L'Albaron, Musée d'Art et d´Histoire, 1993
[$public] =>
[$slug] => 20198
)
)
[$slug] => 20198
[href] => /coeli/FGSD/HeritageObject/e63eb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 66
)
[32] => Array
(
[display] => FGSD-D-023257 - Dalí una vida de llibre = Dalí a life in books, Destino [etc.], 2004: p. 118
[document] => Array
(
[bibTex] => @misc{Destino2004, title = {Dalí una vida de llibre = Dalí a life in books}, publisher = {Destino [etc.]}, address = {Barcelona}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023257 - Dalí una vida de llibre = Dalí a life in books, Destino [etc.], 2004
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/96ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023257 - Dalí una vida de llibre = Dalí a life in books, Destino [etc.], 2004
[$public] =>
[$slug] => 23257
)
)
[$slug] => 23257
[href] => /coeli/FGSD/HeritageObject/96ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 118
)
[33] => Array
(
[display] => FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994: p. 48
[document] => Array
(
[bibTex] => @misc{South1994, title = {Salvador Dalí: the early years}, publisher = {South Bank Centre}, address = {[London]}, year = {1994}, date = {1994}, entryorder = {1994-01-01} }
[label] => FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/c23db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994
[$public] =>
[$slug] => 19906
)
)
[$slug] => 19906
[href] => /coeli/FGSD/HeritageObject/c23db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 48
)
[34] => Array
(
[display] => FGSD-D-023518 - Surrealism: two private eyes, the Nesuhi Ertegun and Daniel Filipacchi collections, Guggenheim Museum Publications, 1999: p. 456-459 [dibujos originales y otros relacionados por estar di. bujados en un ejemplar]
[document] => Array
(
[bibTex] => @misc{Guggenheim1999, title = {Surrealism: two private eyes, the Nesuhi Ertegun and Daniel Filipacchi collections}, publisher = {Guggenheim Museum Publications}, address = {New York}, year = {1999}, date = {1999}, entryorder = {1999-01-01} }
[label] => FGSD-D-023518 - Surrealism: two private eyes, the Nesuhi Ertegun and Daniel Filipacchi collections, Guggenheim Museum Publications, 1999
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/9bbb30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023518 - Surrealism: two private eyes, the Nesuhi Ertegun and Daniel Filipacchi collections, Guggenheim Museum Publications, 1999
[$public] =>
[$slug] => 23518
)
)
[$slug] => 23518
[href] => /coeli/FGSD/HeritageObject/9bbb30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 456-459
[remarks] => dibujos originales y otros relacionados por estar di. bujados en un ejemplar
)
[35] => Array
(
[display] => FGSD-D-023335 - It's all Dalí, Museum Boijmans Van Beuningen, 2005: p. 20
[document] => Array
(
[bibTex] => @misc{Museum2005, title = {It's all Dalí}, publisher = {Museum Boijmans Van Beuningen}, address = {Rotterdam}, year = {2005}, date = {2005}, entryorder = {2005-01-01} }
[label] => FGSD-D-023335 - It's all Dalí, Museum Boijmans Van Beuningen, 2005
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/e4ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023335 - It's all Dalí, Museum Boijmans Van Beuningen, 2005
[$public] =>
[$slug] => 23335
)
)
[$slug] => 23335
[href] => /coeli/FGSD/HeritageObject/e4ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 20
)
[36] => Array
(
[display] => FGSD-D-022834 - Salvador Dalí : désirs inassouvis du purisme au surréalisme, 1925-1935, Jean-Louis Gaillemin, La Passage, 2002: p. il. 42, il. 43
[document] => Array
(
[bibTex] => @misc{Gaillemin2002, title = {Salvador Dalí : désirs inassouvis du purisme au surréalisme, 1925-1935}, author = {Jean-Louis Gaillemin}, publisher = {La Passage}, address = {Paris-New York}, year = {2002}, date = {2002}, entryorder = {2002-01-01} }
[label] => FGSD-D-022834 - Salvador Dalí : désirs inassouvis du purisme au surréalisme, 1925-1935, Jean-Louis Gaillemin, La Passage, 2002
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/f6b830c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022834 - Salvador Dalí : désirs inassouvis du purisme au surréalisme, 1925-1935, Jean-Louis Gaillemin, La Passage, 2002
[$public] =>
[$slug] => 22834
)
)
[$slug] => 22834
[href] => /coeli/FGSD/HeritageObject/f6b830c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => il. 42, il. 43
)
[37] => Array
(
[display] => FGSD-D-022288 - Salvador Dalí, la construcción de la imagen : 1925-1930, Fèlix Fanés, Electa, 1999: p. 173 [Se ha utilizado otro ID para PDF. ID22289]
[document] => Array
(
[bibTex] => @misc{Fanés1999, title = {Salvador Dalí, la construcción de la imagen : 1925-1930}, author = {Fèlix Fanés}, publisher = {Electa}, address = {[Madrid]}, year = {1999}, date = {1999}, entryorder = {1999-01-01} }
[label] => FGSD-D-022288 - Salvador Dalí, la construcción de la imagen : 1925-1930, Fèlix Fanés, Electa, 1999
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/dab630c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022288 - Salvador Dalí, la construcción de la imagen : 1925-1930, Fèlix Fanés, Electa, 1999
[$public] =>
[$slug] => 22288
)
)
[$slug] => 22288
[href] => /coeli/FGSD/HeritageObject/dab630c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 173
[remarks] => Se ha utilizado otro ID para PDF. ID22289
)
[38] => Array
(
[display] => FGSD-D-015936 - Dalí i els llibres, Generalitat de Catalunya. Departament de Cultura., 1982: p. 30 [Se ha utilizado otro ID para PDF. El ID18634]
[document] => Array
(
[bibTex] => @misc{Generalitat1982, title = {Dalí i els llibres}, publisher = {Generalitat de Catalunya. Departament de Cultura.}, address = {Barcelona}, year = {1982}, date = {1982}, entryorder = {1982-01-01} }
[label] => FGSD-D-015936 - Dalí i els llibres, Generalitat de Catalunya. Departament de Cultura., 1982
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/632eb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-015936 - Dalí i els llibres, Generalitat de Catalunya. Departament de Cultura., 1982
[$public] =>
[$slug] => 15936-23f7
)
)
[$slug] => 15936-23f7
[href] => /coeli/FGSD/HeritageObject/632eb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 30
[remarks] => Se ha utilizado otro ID para PDF. El ID18634
)
[39] => Array
(
[display] => FGSD-D-022271 - Dalí a knihy, Generalitat de Catalunya. Departament de Cultura., Mediterrània, 1992: p. 14
[document] => Array
(
[bibTex] => @misc{Generalitat1992, title = {Dalí a knihy}, publisher = {Generalitat de Catalunya. Departament de Cultura., Mediterrània}, address = {Barcelona}, year = {1992}, date = {1992}, entryorder = {1992-01-01} }
[label] => FGSD-D-022271 - Dalí a knihy, Generalitat de Catalunya. Departament de Cultura., Mediterrània, 1992
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/c9b630c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022271 - Dalí a knihy, Generalitat de Catalunya. Departament de Cultura., Mediterrània, 1992
[$public] =>
[$slug] => 22271
)
)
[$slug] => 22271
[href] => /coeli/FGSD/HeritageObject/c9b630c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 14
)
[40] => Array
(
[display] => FGSD-D-023362 - Dalí, icono y personaje, Laia Rosa Armengol, Cátedra, 2003: p. 185
[document] => Array
(
[bibTex] => @misc{Armengol2003, title = {Dalí, icono y personaje}, author = {Laia Rosa Armengol}, publisher = {Cátedra}, address = {Madrid}, year = {2003}, date = {2003}, entryorder = {2003-01-01} }
[label] => FGSD-D-023362 - Dalí, icono y personaje, Laia Rosa Armengol, Cátedra, 2003
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/ffba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023362 - Dalí, icono y personaje, Laia Rosa Armengol, Cátedra, 2003
[$public] =>
[$slug] => 23362
)
)
[$slug] => 23362
[href] => /coeli/FGSD/HeritageObject/ffba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 185
)
[41] => Array
(
[display] => FGSD-D-019887 - Dalí y los libros, Mediterrània, 1985: p. 26
[document] => Array
(
[bibTex] => @misc{Mediterrània1985, title = {Dalí y los libros}, publisher = {Mediterrània}, address = {[Barcelona]}, year = {1985}, date = {1985}, entryorder = {1985-01-01} }
[label] => FGSD-D-019887 - Dalí y los libros, Mediterrània, 1985
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/af3db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019887 - Dalí y los libros, Mediterrània, 1985
[$public] =>
[$slug] => 19887
)
)
[$slug] => 19887
[href] => /coeli/FGSD/HeritageObject/af3db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 26
)
[42] => Array
(
[display] => FGSD-D-022020 - Surrealist prints, Harry N. Abrams, 1997: p. 25
[document] => Array
(
[bibTex] => @misc{Harry1997, title = {Surrealist prints}, publisher = {Harry N. Abrams}, address = {New York}, year = {1997}, date = {1997}, entryorder = {1997-01-01} }
[label] => FGSD-D-022020 - Surrealist prints, Harry N. Abrams, 1997
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/ceb530c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022020 - Surrealist prints, Harry N. Abrams, 1997
[$public] =>
[$slug] => 22020
)
)
[$slug] => 22020
[href] => /coeli/FGSD/HeritageObject/ceb530c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 25
)
[43] => Array
(
[display] => FGSD-D-023035 - Dalí : afinitats electives, Generalitat de Catalunya. Departament de Cultura., 2004: p. 452, p. 454
[document] => Array
(
[bibTex] => @misc{Generalitat2004, title = {Dalí : afinitats electives}, publisher = {Generalitat de Catalunya. Departament de Cultura.}, address = {Barcelona}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023035 - Dalí : afinitats electives, Generalitat de Catalunya. Departament de Cultura., 2004
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/b9b930c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023035 - Dalí : afinitats electives, Generalitat de Catalunya. Departament de Cultura., 2004
[$public] =>
[$slug] => 23035
)
)
[$slug] => 23035
[href] => /coeli/FGSD/HeritageObject/b9b930c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 452, p. 454
)
[44] => Array
(
[display] => FGSD-D-022811 - La Révolution surréaliste, Éditions du Centre Pompidou, 2002: p. 65, p. 191
[document] => Array
(
[bibTex] => @misc{Éditions2002, title = {La Révolution surréaliste}, publisher = {Éditions du Centre Pompidou}, address = {Paris}, year = {2002}, date = {2002}, entryorder = {2002-01-01} }
[label] => FGSD-D-022811 - La Révolution surréaliste, Éditions du Centre Pompidou, 2002
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/dfb830c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022811 - La Révolution surréaliste, Éditions du Centre Pompidou, 2002
[$public] =>
[$slug] => 22811
)
)
[$slug] => 22811
[href] => /coeli/FGSD/HeritageObject/dfb830c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 65, p. 191
)
[45] => Array
(
[display] => FGSD-D-020060 - Dalí, els anys joves : 1918-1930, Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí, 1995: p. 43, p.250
[document] => Array
(
[bibTex] => @misc{Generalitat1995, title = {Dalí, els anys joves : 1918-1930}, publisher = {Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí}, address = {Figueres, [Barcelona]}, year = {1995}, date = {1995}, entryorder = {1995-01-01} }
[label] => FGSD-D-020060 - Dalí, els anys joves : 1918-1930, Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí, 1995
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/5c3eb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-020060 - Dalí, els anys joves : 1918-1930, Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí, 1995
[$public] =>
[$slug] => 20060
)
)
[$slug] => 20060
[href] => /coeli/FGSD/HeritageObject/5c3eb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 43, p.250
)
[46] => Array
(
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[label] => C002 - La Femme Visible [LA FEMME VISIBLE ] [Livre], Salvador Dalí i Domènech, Salvador Dalí i Domènech, Éditions Surréalistes, Roger Lacourière, Ducros et Colas, 1930
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[webText] => La Femme visible, le premier livre de Dalí, a paru aux Éditions surréalistes, à Paris, en décembre 1930. L’artiste, qui avait alors 26 ans, l’a dédié dans son intégralité à Gala Diakonova, celle-ci ayant joué un rôle actif dans son élaboration durant une période de profonds bouleversements, comme Dalí l’expliquera plus tard dans La Vie secrète (1942) (1) . Cet ouvrage s’inscrit dans la ligne éditoriale originale des Éditions surréalistes, un projet collectif du groupe surréaliste, initié en 1925 (2).
Le frontispice en héliogravure est issu d’un dessin à la plume à l’encre de Chine de l’artiste. Cette estampe et les deux dessins reproduits par phototypie — Grupo alegórico (Groupe allégorique) et La caza de mariposas (La Chasse aux papillons) — sont à rapprocher de L’Homme invisible, un tableau commencé par Dalí en 1929 et demeuré inachevé.
Le frontispice présente une dédicace manuscrite à Gala, la muse de Dalí, gravée directement sur la planche. Elle reprend, en lettres minuscules, quelques vers du poème El Gran Masturbador (Le Grand Masturbateur) : « dans les cruels ornements en faux or / qui recoubrent ses tempes délicates et molles / en imitant/ la forme d'une courone imperialle / dont les fines feuilles d'acante bronzé / se prolongent /jusqu'aux joues roses et imberbes / et continuant ses fibres dures / jusqu’à se fondre / dans l'alabastre claire de sa nuque / pour Gala Diacanova Salvador Dalí 1930 (3) ».
Selon une information non confirmée, le frontispice aurait été imprimé par Roger Lacourière (4) et le livre par l’imprimerie Ducros et Colas, à Paris (5). Les dix premiers exemplaires, imprimés sur Japon nacré, comportent, dans la marge de l’une des pages, un dessin original de l’artiste, exécuté à l’encre.
Les textes théoriques — L’Âne pourri, La Chèvre sanitaire, L’Amour et le poème Le Grand Masturbateur — ont été écrits durant l’année 1930 6) . Dans L’Âne pourri, publié quelque temps plus tôt, en juillet de la même année, dans le premier numéro de la revue Le Surréalisme au service de la révolution, Dalí présente sa théorie paranoïaque-critique : « Je crois qu’est proche le moment où, par un processus de caractère paranoïaque et actif de la pensé, il sera possible (simultanément à l’automatisme et autres états passifs) de systématiser la confusion et de contribuer au discrédit total du monde de la réalité. Les nouveaux simulacres que la pensée paranoïaque peut subitement faire apparaître, non seulement auront leur origine dans l’inconscient, mais aussi la force du pouvoir paranoïaque sera mise au service de celui-ci (7) ».
Le livre comprend cinq illustrations supplémentaires : une photo de Gala prise par Man Ray en 1925, une huile sur toile de Dalí datée de 1930 — Dormeuse, cheval, lion invisibles — et trois photos de bâtiments. Deux de ces édifices modernistes existent toujours : la Casa Lleó Morera, conçue par Lluís Domènech i Montaner et située sur le Paseo de Gracia à Barcelone, et la Casa Geli Vergés, œuvre de l’architecte Antonio Alcaide, située au numéro 58 de la rue Sant Llàtzer à Figueres.
__________
(1) DALI, Salvador. The Secret Life of Salvador Dalí. New York: Dial press,1942, p. 250.
(2) SEBBAG, Georges. Les Éditions surréalistes : 1926-1968. Paris : Institut Mémoires de l'édition contemporaine, Paris, p. 7.
(3) Le texte de Dalí est reproduit dans sa graphie originale, sans correction.
(4) MICHLER, Rainer et LÖPSINGER, Lothar W. Catalogue Raisonné of Etchings and Mixed-Media Prints 1924-1980. Munich : Prestel-Verlag, 1994, p. 126.
(5) La Femme visible, « Épreuves ou tirage non relié d'un texte de Salvador Dali publié aux Éditions surréalistes en 1930 », © Association Atelier André Breton 2005 - 2022. La Femme visible (André Breton) (andrebreton.fr). Consulté le 31/08/2023.
(6) « L’Âne pourri », « La Chèvre sanitaire », « Le Grand Masturbateur » et « L’Amour », dans l’ordre du livre.
(7) DALI, Salvador. « L’Âne pourri ». Le Surréalisme au service de la révolution, n° 1, Paris, juillet 1930.
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[display] => FGSD-D-022250 - Cento libri surrealisti, Centro Di, 1996: p. 85
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[bibTex] => @misc{Centro1996, title = {Cento libri surrealisti}, publisher = {Centro Di}, address = {Firenze}, year = {1996}, date = {1996}, entryorder = {1996-01-01} }
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[webText] => Comme l’indique le colophon, L’Immaculée Conception, ouvrage d’André Breton et de Paul Éluard illustré d’un frontispice de Dalí, a été achevé d’imprimer le 24 novembre 1930, à Paris, par l’imprimerie Ducros et Colas, sur commande des Éditions surréalistes. L’illustration de Dalí a été reproduite par héliogravure, avec remarques à la pointe sèche, d’après un dessin à la plume à l’encre de Chine. L’artiste a également signé la vignette figurant en couverture et sur la page de titre de l’ouvrage.
Le recueil, ainsi conçu dans l’intention de rompre avec les formules littéraires traditionnelles, se compose de quatre sections, inspirées de la simulation de délires : « L’Homme », « Les Possessions », « Les Médiations » et « Le Jugement originel ». Le texte intitulé « L’Homme » avait été publié un mois plus tôt, en octobre 1930, dans Le Surréalisme au service de la révolution, nº 2. Il était accompagné d’autres vignettes que Breton et Éluard avaient commandées à Dalí en lui conseillant, tout en s’excusant par avance, de modérer le contenu de ses illustrations pour éviter que la revue ne soit censurée pour « obscénité (1)».
Dalí a également rédigé le texte du feuillet volant (prière d’insérer) de cet ouvrage : « Si le Premier et le Second Manifestes étaient l’exposé du contenu manifeste du rêve surréaliste, L’IMMACULÉE CONCEPTION est l’exposé de son contenu latent (2) ».
Le frontispice de Dalí fait directement référence à l’un des aphorismes de la dernière partie du recueil, « Le Jugement originel ». En témoigne la dédicace adressée à l’artiste par André Breton et Paul Éluard, qui en reprennent les mots exacts : « Exemplaire de Salvador Dalí / Jusqu’à nouvel ordre, jusqu’au nouvel ordre / monastique, c’est-à-dire jusqu’à ce que les / plus belles jeunes femmes adoptent le décolleté / en croix : les deux branches horizontales décou- / vrant les seins, le pied de la croix nue / au bas du ventre, légèrement roussi. / le plus clair de notre / affection, / Paul Éluard André Breton ».
__________
(1) Lettre de Paul Éluard et d’André Breton à [Salvador] Dalí, c. 1930. CED. ID 40445.
(2) ID38978, prière d’insérer.
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[webText] => Artine, le poème de René Char, a paru aux Éditions surréalistes, à Paris. Les trente premiers exemplaires comportaient un frontispice de Dalí dessiné au crayon et à l’encre de Chine, reproduit par héliogravure. Les éléments figuratifs de cette composition renvoient aux questionnements métaphysiques sur l’amour et sur la mort exprimés dans le poème, par ailleurs dédié « Au silence de celle qui laisse rêveur ».
René Char a écrit Artine entre septembre et octobre 1930, à l’hôtel-restaurant des Trois Moulins, situé au n° 8 ter de la rue des Saules, à Paris. Parlant de ce poème, il déclarait : « Artine s’est fait à partir de deux personnages : cette jeune femme morte noyée, Lola Abba, et la jeune fille que j’avais rencontrée, trois ou quatre ans auparavant, sur la pelouse d’un hippodrome, lieu fascinant entre tous, que je fréquentais comme une terre magnétique (1)».
Le colophon indique que le livre a été achevé d’imprimer par l’imprimerie Ducros et Colas, à Paris, le 25 novembre 1930, soit le lendemain de la parution de L’Immaculée Conception, ouvrage publié chez le même éditeur et imprimé par le même imprimeur. Cet exemplaire nominatif, destiné à Gala, est signé par l’auteur et comporte une dédicace sur la page de faux-titre : « À Gala / à Gala qui se retrouve dans / la nuit du temps splendide, / du temps surréel : le temps / de Gala, ma seule amie / René Char / 12 Janvier 1931 ».
__________
(1) SEBBAG, Georges. Les Éditions surréalistes : 1926-1968. Paris : Institut Mémoires de l'édition contemporaine, 1993, p. 60. [ID53616]
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[label] => C179 - André Breton, Le Tamanoir [ANDRÉ BRETON, LE TAMANOIR] [REMPLACEMENT DE LIVRES], 1931
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[webText] => L’ex-libris du poète français André Breton a probablement été commandé à l’automne 1930. Dans ce dessin à l’encre de Chine, Dalí a représenté Breton sous la forme d’un tamanoir, dont la tête rappelle la figure du Grand Masturbateur. Elle est entourée de fourmis, un insecte que, semble-t-il, Dalí et Breton détestaient.
Des documents d’époque nous apprennent qu’un an auparavant, Dalí et Breton avaient déjà utilisé l’image du tamanoir dans leurs œuvres respectives. Le 24 octobre 1929, le journal barcelonais Mirador publiait un article sur le film Un chien andalou, récemment présenté à Paris et sur le point d’être projeté à Barcelone. Dans cet article, Dalí expliquait que le film était une « simple annotation, constatation de faits ». Pour illustrer cette idée, il donnait l’exemple du tamanoir : « …il est plus grand qu’un cheval, fait preuve d’une férocité terrible, possède une force musculaire hors norme, c’est un animal terrifiant. Le tamanoir ne se nourrit que de fourmis, au moyen d’une langue longue de 50 cm, fine comme un fil (1). »
Un mois plus tard, André Breton comparait Dalí à un tamanoir. Dans la préface du catalogue de la première exposition parisienne de l’artiste, inaugurée le 25 novembre 1929 à la galerie Goemans — où le tableau Visage du Grand Masturbateur (Cat. P 235) était présenté —, Breton écrivait : « La vie est donnée à l'homme avec des séductions comparables à celles que doit offrir aux fourmis la langue du fourmilier (2). »
La complicité entre les deux hommes transparait aussi dans la lettre que Breton a adressée à Dalí le 10 janvier 1931, peu avant que le dessin ne soit mis sous presse. Il y demandait une ultime correction : « …s’il en est encore temps […] l’expression à faire figurer en banderole sur l’ex-libris serait de préférence à “André le fourmilier”, “André le tamanoir”(3). » C’est cette formulation qui figure sur l’ex-libris définitif de Dalí, reproduit par héliogravure par une imprimerie parisienne.
Le poème de Breton, Après le grand tamanoir, écrit à Lyons-la-Forêt le 20 mai 1931, a été publié dans le numéro 3 du Surréalisme au service de la révolution en décembre de la même année (4). Par la suite, Breton l’a inclus dans Le Revolver à cheveux blancs, recueil paru en juin 1932 et illustré d’un frontispice de Dalí.
__________
(1) Traduit par nos soins. Biblioteca Virtual de Prensa Histórica > Lista de Números (mcu.es)
(2) (ID 47343) « André Breton : 42, rue Fontaine : tableaux modernes, sculptures, estampes, tableaux anciens ». Paris : Calmels Cohen, 2003, p. 141.
(3) Memoria de los sueños : Salvador Dalí, 1904-1989, MUVIM 2001, p. 95.
(4) BRETON, André. Œuvres complètes, tome II, édition établie par Marguerite Bonnet. Paris : Gallimard, Bibliothèque de la Pléiade, 1992, p. 1333. Marguerite Bonnet écrit que « l’image du fourmilier-tamanoir […] représente l’attente à la fois neutre et alertée devant les êtres et les choses, qui est pour Breton l’essentiel de l’attitude poétique ».
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[page] => 135
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[11] => Array
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[document] => Array
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[page] => 37
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[bibTex] => @misc{Mediterrània1987, title = {Dalí y los libros}, publisher = {Mediterrània, The Kobe Shimbum}, address = {[Barcelona], [Tokyo]}, year = {1987}, date = {1987}, entryorder = {1987-01-01} }
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[label] => C089 - Le Revolver à cheveux blancs [LE REVOLVER À CHEVEUX BLANCS] [Livre], Salvador Dalí i Domènech, André Breton, Éditions des Cahiers Libres, 1932
[catalogNumberDisplay] =>
[webText] => Le Revolver à cheveux blancs, recueil de poèmes d’André Breton, est dédié à Paul Éluard. Les dix premiers exemplaires sont illustrés d’un frontispice de Salvador Dalí gravé à l’eau-forte et reproduit par héliogravure sur papier Japon. Le colophon indique que l’ouvrage a été achevé d’imprimer le 25 juin 1932, à Paris, par l’imprimerie Union, pour le compte des Éditions des Cahiers libres.
Cet exemplaire présente des remarques dans la marge inférieure de la planche, la mention « imprimé par Lacourière » et les initiales de l’artiste sur le biseau. Il s’agit de l’exemplaire ayant appartenu à Salvador Dalí. Il comporte une dédicace d’André Breton sur la page de faux-titre : « À Salvador Dali / au grand maître des charmes / à qui je dois de voir de mes yeux / ce que j'adore / et qui est l'être disposant entre tous / de ma puissance d'émerveillement / du plus profond du cœur / son ami / André Breton. » L’estampe de Dalí, empreinte de mystère et d’érotisme, semble cristalliser l’essence même du recueil, dont le déploiement poétique reproduirait « l’itinéraire naturel de l’étreinte amoureuse (1) ».
Le Revolver à cheveux blancs fait partie d’un ensemble de trois recueils de poèmes surréalistes réunis sous l’intitulé « Le sujet de ce livre est un être mobile (2) », publiés simultanément par les Éditions des Cahiers libres. Les deux autres volumes de cette trilogie — La Vie immédiate de Paul Éluard et Où boivent les loups de Tristan Tzara — comportent un frontispice de Max Ernst, imprimé par Roger Lacourière.
__________
(1) BRETON, André. Œuvres complètes, tome II, édition établie par Marguerite Bonnet. Paris : Gallimard, Bibliothèque de la Pléiade, 1992, p. 1336. Marguerite Bonnet évoquant l’interprétation de Christine Martineau-Geniez « qui s’attache à décrire la marche du poème comme calquée sur l’itinéraire naturel de l’étreinte amoureuse ».
(2) Op.cit., p. 1312-1313. Marguerite Bonnet indique que les trois recueils ont été publiés sous cet intitulé.
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Un petit dessin conservé dans la collection Dalí présente une forte ressemblance avec cette estampe. Il s’agit d’un croquis sur papier végétal semi-translucide que Dalí avait rangé, dans son atelier de Portlligat, dans la chemise des épreuves d’état des Chants de Maldoror. L’artiste a transféré ce croquis sur une plaque en celluloïd qu’il a ensuite superposée à une estampe existante de Picasso, Trois baigneuses II.
Picasso n’a probablement pas été informé au préalable de cette intervention, qui transforme l’œuvre originale en une estampe de type cadavre exquis, résultat d’une création à quatre mains entre les deux artistes.
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[display] => FGSD-D-021781 - The Official catalog of the graphic works of Salvador Dalí, Albert Field, The Salvador Dalí Archives, 1996: p. 15
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[label] => FGSD-D-023227 - Dalí, Bompiani, 2004
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[page] => 206
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[display] => FGSD-D-020857 - Dalí : la obra y el hombre, Robert Descharnes, Tusquets / Edita, 1984: p. 132 [Dibujo original]
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[bibTex] => @misc{Descharnes1984, title = {Dalí : la obra y el hombre}, author = {Robert Descharnes}, publisher = {Tusquets / Edita}, address = {Lausanne, Barcelona}, year = {1984}, date = {1984}, entryorder = {1984-01-01} }
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[page] => 132
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[display] => FGSD-D-021138 - Hommage à Dalí, Vilo, 1980: p. 135 [Dibujo]
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[label] => FGSD-D-021138 - Hommage à Dalí, Vilo, 1980
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[page] => 135
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[display] => FGSD-D-023453 - Dalí, Rizzoli, 2005: p. 206 [Dibujo preliminar]
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[page] => 24
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[display] => FGSD-D-020031 - Dalí verdadero / grabado falso : la obra impresa 1930-1934, Mason, Rainer Michael, IVAM. Centre Julio González, 1992: p. 19
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[label] => FGSD-D-020031 - Dalí verdadero / grabado falso : la obra impresa 1930-1934, Mason, Rainer Michael, IVAM. Centre Julio González, 1992
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[page] => 19
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[label] => C181 - L'Enfant-sauterelle [L'ENFANT-SAUTERELLE] [estampa (obra visual)], Salvador Dalí i Domènech, (M. Czar o M. Cazou), Les Sources, París, Roger Lacourière, 1933
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Cette œuvre est étroitement liée à plusieurs tableaux peints par Dalí à la même époque, notamment une huile sur bois intitulée Moi-même à 10 ans quand j'étais l'enfant-sauterelle (complexe de castration) (Cat. P 208), exécutée vers 1933.
__________
(1) DALÍ, Salvador., The Secret Life of Salvador Dalí. New York : Dial Press, 1942, p. 128-131.
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[webText] => Cette estampe illustrait un livret imprimé en l’honneur du « Citoyen Sade » (marquis de Sade) à l’occasion d’un dîner commémoratif organisé le 2 décembre 1933 pour le 119e anniversaire de sa mort. Pour cette commande, Dalí a repris un dessin à l’encre de Chine et au crayon qu’il avait exécuté antérieurement et dédié à Gala, avec la mention suivante : « Dessein especialement fait pour Gala Salvador Dalí 1932 » (sic).
Plusieurs épreuves d’état à l’eau-forte documentent le processus de réalisation de cette estampe. Elles montrent comment la planche a été progressivement découpée et ajustée au dessin original pour correspondre au format du livret et reproduite par héliogravure avec des remarques à l’eau-forte.
L’illustration de Dalí avait suscité un vif intérêt parmi les membres de la Société du roman philosophique, comme le révèle la lettre adressée à l’artiste le 31 octobre 1933 par Maurice Heine, écrivain et éditeur français, dans laquelle l’homme lui demandait s’il serait possible de bientôt montrer l’eau forte à ses collègues pour satisfaire leur curiosité (1).
À cette époque, Maurice Heine était plongé dans l’étude de l’œuvre de Sade, qu’il avait entrepris d’éditer. Entre 1931 et 1935, il a transcrit le rouleau de douze mètres des 120 Journées de Sodome, manuscrit à l’écriture microscopique que Sade avait rédigé durant son emprisonnement à la Bastille, à Paris, en 1785.
Le livret du dîner était destiné aux « citoyens et citoyennes actifs » de la Société du roman philosophique. Il célébrait le républicanisme de Sade qui, en 1792, en pleine Révolution française, avait été nommé secrétaire de la section des Piques. Sade est décédé le « 12 frimaire an XXIII » (2 décembre 1814), la date étant exprimée selon le calendrier républicain alors en vigueur (2).
__________
(1) ID39174, CED, Fondation Gala-Salvador Dalí.
(2) Dans le calendrier républicain français, chaque jour était associé à une plante, un animal, un minéral ou un outil. Le 12 frimaire correspond à l’Armoracia rusticana, le raifort, un radis piquant.
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[page] => 25-49
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[display] => FGSD-D-015744 - Vingt ans d'activité, Skira, Albert, Albert Skira, 1948: p. 67 [sugerencia de René Crevel a Skira]
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[label] => FGSD-D-015744 - Vingt ans d'activité, Skira, Albert, Albert Skira, 1948
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[10] => Array
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[display] => FGSD-D-016166 - Les Peintres et le livre, Benno Schwabe, 1957: p. 195 [Tirada y precio]
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[label] => FGSD-D-016166 - Les Peintres et le livre, Benno Schwabe, 1957
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[page] => 195
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[11] => Array
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[display] => FGSD-D-019895 - La Vie publique de Salvador Dalí, Centre Georges Pompidou, Musée National d'Art moderne, 1980: p. 38 [anuncio edición/ solamente refiere a la edicion - sin ilustraciones del libro]
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[bibTex] => @misc{Centre1980, title = {La Vie publique de Salvador Dalí}, publisher = {Centre Georges Pompidou, Musée National d'Art moderne}, address = {Paris}, year = {1980}, date = {1980}, entryorder = {1980-01-01} }
[label] => FGSD-D-019895 - La Vie publique de Salvador Dalí, Centre Georges Pompidou, Musée National d'Art moderne, 1980
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[page] => 38
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[display] => FGSD-D-015622 - Dalí, Museum Boymans-van Beuningen, 1970: p. 161 [Explicación Dalí sobre referencias a Angelus de Millet en C de M]
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[bibTex] => @misc{Museum1970, title = {Dalí}, publisher = {Museum Boymans-van Beuningen}, address = {Rotterdam}, year = {1970}, date = {1970}, entryorder = {1970-01-01} }
[label] => FGSD-D-015622 - Dalí, Museum Boymans-van Beuningen, 1970
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[page] => 161
[remarks] => Explicación Dalí sobre referencias a Angelus de Millet en C de M
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[13] => Array
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[display] => FGSD-D-021556 - Salvador Dalí, 200 gravures, Ville de Paris (Marie annexe du 5e arrondissement), 1982: p. 2
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[bibTex] => @misc{Ville1982, title = {Salvador Dalí, 200 gravures}, publisher = {Ville de Paris (Marie annexe du 5e arrondissement)}, address = {Paris}, year = {1982}, date = {1982}, entryorder = {1982-01-01} }
[label] => FGSD-D-021556 - Salvador Dalí, 200 gravures, Ville de Paris (Marie annexe du 5e arrondissement), 1982
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[page] => 2
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[14] => Array
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[display] => FGSD-D-024250 - Dalí : afinidades electivas, Generalitat de Catalunya. Departament de Cultura., 2004: p. p. 352, p. 367-414
[document] => Array
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[label] => FGSD-D-024250 - Dalí : afinidades electivas, Generalitat de Catalunya. Departament de Cultura., 2004
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[display] => FGSD-D-021908 - Dalí à Clermont-Ferrand, Musée Bargoin, Pierre Argilet, 1989: p. s.p.
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[label] => FGSD-D-021908 - Dalí à Clermont-Ferrand, Musée Bargoin, Pierre Argilet, 1989
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[page] => s.p.
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[16] => Array
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[display] => FGSD-D-022207 - Livres modernes illustrés, Librairie André Cottet, 1966: p. 24
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[label] => FGSD-D-022207 - Livres modernes illustrés, Librairie André Cottet, 1966
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[page] => 24
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[17] => Array
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[display] => FGSD-D-019878 - 400 obras de Salvador Dalí de 1914 a 1983, Obra Cultural de la Caixa de Pensions, 1983: p. 107 [Texto rel. p.108]
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[bibTex] => @misc{Obra1983, title = {400 obras de Salvador Dalí de 1914 a 1983}, publisher = {Obra Cultural de la Caixa de Pensions}, address = {[Madrid]}, year = {1983}, date = {1983}, entryorder = {1983-01-01} }
[label] => FGSD-D-019878 - 400 obras de Salvador Dalí de 1914 a 1983, Obra Cultural de la Caixa de Pensions, 1983
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[$public] =>
[$slug] => 19878
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[$slug] => 19878
[href] => /coeli/FGSD/HeritageObject/a63db7c0-42ec-e411-9471-00155d647f0b
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[page] => 107
[remarks] => Texto rel. p.108
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[18] => Array
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[display] => FGSD-D-020857 - Dalí : la obra y el hombre, Robert Descharnes, Tusquets / Edita, 1984: p. 144-145 [p.131, pintura associada, p. 154 folleto de promoción]
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[bibTex] => @misc{Descharnes1984, title = {Dalí : la obra y el hombre}, author = {Robert Descharnes}, publisher = {Tusquets / Edita}, address = {Lausanne, Barcelona}, year = {1984}, date = {1984}, entryorder = {1984-01-01} }
[label] => FGSD-D-020857 - Dalí : la obra y el hombre, Robert Descharnes, Tusquets / Edita, 1984
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[page] => 144-145
[remarks] => p.131, pintura associada, p. 154 folleto de promoción
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[19] => Array
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[display] => FGSD-D-022810 - Dalí il·lustrador : Salvador Dalí, 1904-1989, Govern d'Andorra. Ministeri de Turisme i Cultura, 2001: p. 78-79
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[bibTex] => @misc{Govern2001, title = {Dalí il·lustrador : Salvador Dalí, 1904-1989}, publisher = {Govern d'Andorra. Ministeri de Turisme i Cultura}, address = {Andorra}, year = {2001}, date = {2001}, entryorder = {2001-01-01} }
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[page] => 78-79
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[display] => FGSD-D-019831 - Salvador Dalí, Musée des Beaux-Arts, 1990: p. 65-79 [p. 64 texto]
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[bibTex] => @misc{Musée1990, title = {Salvador Dalí}, publisher = {Musée des Beaux-Arts}, address = {Montréal}, year = {1990}, date = {1990}, entryorder = {1990-01-01} }
[label] => FGSD-D-019831 - Salvador Dalí, Musée des Beaux-Arts, 1990
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[page] => 65-79
[remarks] => p. 64 texto
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[display] => FGSD-D-020042 - Salvador Dalí, Pablo Picasso, Pablo Picasso, Salvador Dalí : a preliminary study in their similarities and contrast, A. Reynolds Morse, The Salvador Dalí Museum, 1973: p. 16
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[page] => 16
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[display] => FGSD-D-022142 - Dalí monumental, Museu de Arte de Sao Paulo Assis Chateaubriand, 1998: p. 63-77
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[label] => FGSD-D-022142 - Dalí monumental, Museu de Arte de Sao Paulo Assis Chateaubriand, 1998
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[page] => 63-77
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[display] => FGSD-D-023542 - Dali's universe and masterpieces of surrealists, The Museum of Art, [2006]: p. 47-57
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[bibTex] => @misc{TheMuseum2006, title = {Dali's universe and masterpieces of surrealists}, publisher = {The Museum of Art}, address = {Ehime (Japó)}, year = {2006}, date = {[2006]}, entryorder = {2006-01-01} }
[label] => FGSD-D-023542 - Dali's universe and masterpieces of surrealists, The Museum of Art, [2006]
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[$slug] => 23542
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[page] => 47-57
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[display] => FGSD-D-023227 - Dalí, Bompiani, 2004: p. 213-219
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[bibTex] => @misc{Bompiani2004, title = {Dalí}, publisher = {Bompiani}, address = {[Milà]}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023227 - Dalí, Bompiani, 2004
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[$slug] => 23227
[href] => /coeli/FGSD/HeritageObject/78ba30c1-42ec-e411-9471-00155d647f0b
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[page] => 213-219
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[25] => Array
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[display] => FGSD-D-021574 - Salvador Dalí : oeuvres anciennes, Galerie André-François Petit, [1970]: p. 14-23
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[bibTex] => @misc{Galerie1970, title = {Salvador Dalí : oeuvres anciennes}, publisher = {Galerie André-François Petit}, address = {Paris}, year = {1970}, date = {[1970]}, entryorder = {1970-01-01} }
[label] => FGSD-D-021574 - Salvador Dalí : oeuvres anciennes, Galerie André-François Petit, [1970]
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[$public] =>
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[$slug] => 21574
[href] => /coeli/FGSD/HeritageObject/14b430c1-42ec-e411-9471-00155d647f0b
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[26] => Array
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[display] => FGSD-D-015721 - Salvador Dalí, Städtische Galerie und Städelsche Kunstinstitut, 1974: p. 55 [Celuloide (?) de nariz. Estudi preliminar]
[document] => Array
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[bibTex] => @misc{Städtische1974, title = {Salvador Dalí}, publisher = {Städtische Galerie und Städelsche Kunstinstitut}, address = {Frankfurt am main}, year = {1974}, date = {1974}, entryorder = {1974-01-01} }
[label] => FGSD-D-015721 - Salvador Dalí, Städtische Galerie und Städelsche Kunstinstitut, 1974
[hierarchy] => Array
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[$public] =>
[$slug] => 15721
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[$slug] => 15721
[href] => /coeli/FGSD/HeritageObject/9f2db7c0-42ec-e411-9471-00155d647f0b
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[page] => 55
[remarks] => Celuloide (?) de nariz. Estudi preliminar
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[27] => Array
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[display] => FGSD-D-015748 - A new introduction to Salvador Dalí, A. Reynolds Morse, Reynolds Morse, 1960: p. 61 [p. 60 dibujo asociado]
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[bibTex] => @misc{Morse1960, title = {A new introduction to Salvador Dalí}, author = {A. Reynolds Morse}, publisher = {Reynolds Morse}, address = {Cleveland}, year = {1960}, date = {1960}, entryorder = {1960-01-01} }
[label] => FGSD-D-015748 - A new introduction to Salvador Dalí, A. Reynolds Morse, Reynolds Morse, 1960
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[$slug] => 15748
[href] => /coeli/FGSD/HeritageObject/ba2db7c0-42ec-e411-9471-00155d647f0b
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[page] => 61
[remarks] => p. 60 dibujo asociado
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[28] => Array
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[display] => FGSD-D-023457 - Persistence and memory : new critical perspectives on Dalí centennial, Bompiani, 2004: p. 83-84
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[bibTex] => @misc{Bompiani2004, title = {Persistence and memory : new critical perspectives on Dalí centennial}, publisher = {Bompiani}, address = {[Milà]}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023457 - Persistence and memory : new critical perspectives on Dalí centennial, Bompiani, 2004
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[$public] =>
[$slug] => 23457
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[$slug] => 23457
[href] => /coeli/FGSD/HeritageObject/5ebb30c1-42ec-e411-9471-00155d647f0b
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[page] => 83-84
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[29] => Array
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[display] => FGSD-D-021699 - Dalí. Arquitectura, Fundació Gala-Salvador Dalí, Fundació Caixa de Catalunya, 1996: p. 199
[document] => Array
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[bibTex] => @misc{Fundació1996, title = {Dalí. Arquitectura}, publisher = {Fundació Gala-Salvador Dalí, Fundació Caixa de Catalunya}, address = {[Barcelona], [Figueres]}, year = {1996}, date = {1996}, entryorder = {1996-01-01} }
[label] => FGSD-D-021699 - Dalí. Arquitectura, Fundació Gala-Salvador Dalí, Fundació Caixa de Catalunya, 1996
[hierarchy] => Array
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[label] => FGSD-D-021699 - Dalí. Arquitectura, Fundació Gala-Salvador Dalí, Fundació Caixa de Catalunya, 1996
[$public] =>
[$slug] => 21699
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[page] => 161
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[display] => FGSD-D-023257 - Dalí una vida de llibre = Dalí a life in books, Destino [etc.], 2004: p. 102-103, 129
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[page] => 102-103, 129
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[84] => Array
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[display] => FGSD-D-023518 - Surrealism: two private eyes, the Nesuhi Ertegun and Daniel Filipacchi collections, Guggenheim Museum Publications, 1999: p. 462-465
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[page] => 462-465
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[display] => FGSD-D-023335 - It's all Dalí, Museum Boijmans Van Beuningen, 2005: p. 300 [Dibujos preparatorios FGSD]
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[display] => FGSD-D-019870 - Salvador Dalí : exhibition - Japan 1964, Mainichi Newspaper, 1964: p. 49, 51-53, 56 [celuloides y dibujos preparatorios ]
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[display] => FGSD-D-053055 - Salvador Dali "Hommage à Albrecht Dürer" : gravures, Hautil, 1971: p. 20-23
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[page] => 20-23
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[88] => Array
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[display] => FGSD-D-024214 - Salvador Dalí : Les Chants de Maldoror, 1934, Distribucions d'Art Surrealista (DAS), 2010: p. 21-127
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[bibTex] => @misc{Distribucions2010, title = {Salvador Dalí : Les Chants de Maldoror, 1934}, publisher = {Distribucions d'Art Surrealista (DAS)}, address = {[Figueres]}, year = {2010}, date = {2010}, entryorder = {2010-01-01} }
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[display] => FGSD-D-023524 - Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, Hatje Cantz, 2006: p. 66-67
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[bibTex] => @misc{Hatje2006, title = {Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier}, publisher = {Hatje Cantz}, address = {Ostfildern}, year = {2006}, date = {2006}, entryorder = {2006-01-01} }
[label] => FGSD-D-023524 - Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, Hatje Cantz, 2006
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[page] => 66-67
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[90] => Array
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[display] => FGSD-D-020178 - Der Surrealismus : 1919 - 1939, Gaëtan Picon, Skira, Wasmuth, 1988: p. 21
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[bibTex] => @misc{Picon1988, title = {Der Surrealismus : 1919 - 1939}, author = {Gaëtan Picon}, publisher = {Skira, Wasmuth}, address = {Tübingen, Genève}, year = {1988}, date = {1988}, entryorder = {1988-01-01} }
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[page] => 21
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[91] => Array
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[display] => FGSD-D-023682 - Salvador Dalí: an illustrated life, Tate Publishing, Fundació Gala-Salvador Dalí, Sociedad Estatal de Conmemoraciones Culturales - Ministerio de Cultura, 2007: p. 95
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[bibTex] => @misc{Tate2007, title = {Salvador Dalí: an illustrated life}, publisher = {Tate Publishing, Fundació Gala-Salvador Dalí, Sociedad Estatal de Conmemoraciones Culturales - Ministerio de Cultura}, address = {[Madrid], [Figueres], London}, year = {2007}, date = {2007}, entryorder = {2007-01-01} }
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[page] => 95
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[92] => Array
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[display] => FGSD-D-023249 - Salvador Dalí i Federico García Lorca : la persistència de la memòria, Viena, Generalitat de Catalunya. Departament de Cultura., 2004: p. 128
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[bibTex] => @misc{Viena2004, title = {Salvador Dalí i Federico García Lorca : la persistència de la memòria}, publisher = {Viena, Generalitat de Catalunya. Departament de Cultura.}, address = {Barcelona}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
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[page] => 128
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[93] => Array
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[display] => FGSD-D-021526 - Dalí : peintures, sculptures, dessins, [Salon de Montrouge], 1977: p. 2
[document] => Array
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[bibTex] => @misc{[Salon1977, title = {Dalí : peintures, sculptures, dessins}, publisher = {[Salon de Montrouge]}, address = {[Montrouge]}, year = {1977}, date = {1977}, entryorder = {1977-01-01} }
[label] => FGSD-D-021526 - Dalí : peintures, sculptures, dessins, [Salon de Montrouge], 1977
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[$public] =>
[$slug] => 21526
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[$slug] => 21526
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[page] => 2
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[94] => Array
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[display] => FGSD-D-023409 - Dalí aranykor = Dalí golden age, Mücsarnok Kunsthalle, 2005: p. s.n.
[document] => Array
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[label] => FGSD-D-023409 - Dalí aranykor = Dalí golden age, Mücsarnok Kunsthalle, 2005
[hierarchy] => Array
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[$slug] => 23409
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[$slug] => 23409
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Dossier d'époque avec épreuves préparatoires.
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[label] => C007 - Les Chants de Maldoror [LES CHANTS DE MALDOROR] [DOSSIER, prova, Livre, estampa (obra visual)], Salvador Dalí i Domènech, Isidore Ducasse, comte de Lautréamont, Albert Skira, Roger Lacourière, Philippe Gonin, 1934
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[webText] => L’édition des Chants de Maldoror, illustrée par Salvador Dalí au cœur de sa période surréaliste et publiée en 1934, est une commande de l’éditeur suisse Albert Skira. Les trente héliogravures et douze vignettes de cet ouvrage témoignent de la profonde affinité artistique entre le jeune peintre et Isidore Ducasse (1846-1870) — qui écrivait sous le nom de « comte de Lautréamont » —, figure du poète maudit, mort dans l’anonymat à l’âge de 24 ans.
Les Chants de Maldoror est l’œuvre la plus célèbre de Lautréamont. Elle a été célébrée par les surréalistes pour son esprit de révolte et l’originalité de son langage poétique. La structure rythmique et lyrique du texte trouve un écho dans les associations répétitives et symboliques des estampes de Dalí. Aujourd’hui considérée comme un chef-d’œuvre de l’illustration surréaliste, cette édition définitive occupe une place majeure dans le parcours artistique de Dalí.
Les nombreuses épreuves conservées dans le fonds Dalí documentent le long processus de création et d’évolution de ces estampes, imprimées à Paris par Roger Lacourière (gravure) et Philippe Gonin (impression typographique).
Cependant, les difficultés financières rencontrées par l’éditeur en 1934 ont réduit le tirage final à environ 120 exemplaires, au lieu des 210 initialement prévus, comme le précise le colophon.
Une seconde édition des Chants de Maldoror, destinée à compléter le tirage prévu en 1934, a finalement été publiée en 1973.
[$slug] => LES CHANTS DE MALDOROR
[distinguishingFeatures] => Exemplaire n° 52, comprenant 30 estampes principales.
Afin de mettre en lumière le travail d'élaboration de cette édition, un ensemble d'épreuves d'artiste accompagne cet exemplaire. Celles-ci proviennent du portfolio utilisé par Dalí et qu'il conservait dans son atelier de Portlligat.
Cet ensemble d'épreuves illustre l'évolution de l'image, en présentant différents états et versions, jusqu'à l'obtention du tirage final.
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[label] => C091 - Onan [ONAN] [Livre], Salvador Dalí i Domènech, Georges Hugnet, Éditions Surréalistes, Roger Lacourière, Imprimerie Grou-Radenez, 1934
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[webText] => Onan, livre du poète Georges Hugnet (1906-1974), a paru en 1934 aux Éditions surréalistes, à Paris. Sur l’ensemble du tirage, 77 exemplaires étaient illustrés d’un frontispice de Salvador Dalí, reproduit par héliogravure et imprimé par les Ateliers Lacourière. Le colophon indique que l’ouvrage a été achevé d’imprimer le 10 juin 1934, par l’imprimerie Grou-Radenez.
Le titre de l’ouvrage fait référence à un épisode de la Genèse (Ancien Testament). Onan, personnage rebelle, est condamné à mort par la justice divine pour avoir gaspillé sa semence et refusé d’épouser la veuve de son frère Er (1).
Avec cette héliogravure, Dalí entre en résonnance avec les vers de Hugnet, marqués par le désir sexuel, la solitude et l’exclusion. Sur une matrice couverte de « spasmo-graphismes », l’artiste a inscrit cette phrase : « “ESPASMO-GRAFIFISME” OBTENU AVEC LA MAIN GAUCHE PENDANT / QU'AVEC LA MAIN DROITE JE ME MASTURBE JUSQU'AU SANG / JUSQU'AU L'OS JUSQU'AU HÈLICES DU / CALICE » (sic).
Le thème de l’onanisme est présent dans l’œuvre picturale de l’artiste dès 1927. Il apparaît de manière voilée dans Aparell i mà (Appareil et main) (Cat. P 195), avant de s’exprimer ouvertement, en 1930, dans le poème Le Grand Masturbateur et l’huile sur toile Visage du grand masturbateur (Cat. P 235).
__________
(1) « Mais Onan savait que la descendance ne serait pas à lui. Aussi, quand il s’unissait à la femme de son frère, il laissait la semence se perdre à terre, pour ne pas donner de descendance à son frère. » La Bible, traduction liturgique officielle de l’AELF (Association épiscopale liturgique pour les pays francophones), édition numérique. Paris : Cerf, 2013. Gn 38,8-10.
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[webText] => Cette gravure témoigne de la complicité naissante entre Salvador Dalí et le poète anglais Edward James. Les deux hommes se sont rencontrés à l’été 1935 à Mas Juny, la demeure estivale du peintre catalan de renommée internationale José María Sert i Badia (1874-1945), située à Palamós, sur la Costa Brava.
La dédicace « À Edward James » et la composition — mêlant des motifs inspirés des Chants de Maldoror et du paysage de la côte catalane — suggèrent que cette estampe a été réalisée au tout début de leur relation, avant qu’elle ne se transforme en une profonde amitié et qu’Edward James ne devienne l’un des mécènes de Dalí [ver OG 020].
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[webText] => Grains et issues − Rêve expérimental, du poète roumain Tristan Tzara (1896-1963), l’un des fondateurs du mouvement Dada, a été publié à Paris, aux Éditions Denoël et Steele. Le colophon indique que l’ouvrage a été achevé d’imprimer le 20 février 1935, par l’imprimerie Charles Bulens. Les quinze premiers exemplaires comprennent un frontispice de Salvador Dalí, reproduit par héliogravure et eau-forte et, sur la page de faux-titre, une dédicace à Louis Broder, figure majeure du monde éditorial de l’époque.
Tzara propose qu’à l’instar de la méthode paranoïaque-critique de Dalí, l’activité délirante viennent se substituer consciemment à l’inspiration poétique . Dans son texte, il évoque « une superstructure lyrique, dont les éléments dérivent de la structure même et qui, aussitôt réalisée, agit sur cette dernière du haut de sa nouvelle puissance. Elle sait à l’occasion développer sa virulence, au point de miner la signification de cette structure, de la corrompre, de la soulever et de l’anéantir dans son essence ».
L’estampe de Dalí fait écho à ces propositions poétiques. Marquée par un rythme frénétique, elle rappelle les dessins réalisés par l’artiste lors de son premier voyage aux États-Unis, en novembre 1934. Cependant, la tension destructrice sous-jacente renvoie également au climat européen de l’époque, auquel Tzara fait aussi allusion dans son texte.
__________
(1) p. 213
(2) TZARA, Tristan. Grains et issues − Rêve expérimental. Paris : Denoël et Steele, 1935, p. 210.
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Edward F.W. James (1907-1984), philanthrope anglais excentrique, mais aussi poète et collectionneur d’art surréaliste, a rencontré Dalí en 1935 [voir OG 026], avant de devenir l’un de ses principaux mécènes.
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[display] => FGSD-D-019348 - Salvador Dalí, catalogue raisonné of etchings and mixed-media prints 1924-1980, Prestel, 1994: p. 135
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[page] => 96
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[display] => FGSD-D-022250 - Cento libri surrealisti, Centro Di, 1996: p. 159
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[bibTex] => @misc{Centro1996, title = {Cento libri surrealisti}, publisher = {Centro Di}, address = {Firenze}, year = {1996}, date = {1996}, entryorder = {1996-01-01} }
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[page] => 159
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[display] => FGSD-D-022271 - Dalí a knihy, Generalitat de Catalunya. Departament de Cultura., Mediterrània, 1992: p. 40
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L’ouvrage comprend également un prière d’insérer rédigé par André Breton : « Délier, délivrer au faîte de la vie et de la conscience, […] dans le grand poudroiement de midi sur l’aile du papillon “flambé”, envers et contre l’immense pitié de ce temps sourde aux cris déchirants qui viennent de l’Espagne républicaine et de plusieurs ailleurs, de ce temps, − le nôtre ! − s’ensevelissant sous les ruines de la liberté et de l’espoir du mieux aussi bien que de la justice et de la dignité les plus élémentaires ; délier, délivrer, faire étinceler ce qui subsiste et subsistera à jamais d’intact au plus profond du cœur […] par un COURS NATUREL que rien ne peut interrompre… (1) »
Cet exemplaire, le n° 7, imprimé sur papier Hollande, présente sur la page de faux-titre une dédicace de Paul Éluard : « à Louis Broder / qui aime les libres / encore plus que moi, / Paul Éluard. » La page de garde porte en outre un ex-libris de l’artiste français Benjamin Vautier.
__________
(1) BRETON, André. Œuvres complètes, tome II, édition établie par Marguerite BONNET. Paris : Gallimard, Bibliothèque de la Pléiade, 1992, p. 1220.
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Estudi de nu femení en repòs
Salvador Dalí i Domènech
1923-24
Il·lustració per « l’oncle Vicens »
Salvador Dalí i Domènech · Salvador Dalí i Domènech · Salvador Dalí i Domènech
1924 – 1925
Cap de noia
Salvador Dalí i Domènech · Salvador Dalí i Domènech · Salvador Dalí i Domènech
1924
Sense títol. Retrat del pare
Salvador Dalí i Domènech · Salvador Dalí i Domènech
c. 1924
Parella « Venus i mariner »
Salvador Dalí i Domènech · Salvador Dalí i Domènech · Salvador Dalí i Domènech
c. 1925
Retrato de mi padre
Salvador Dalí i Domènech · Salvador Dalí i Domènech · Salvador Dalí i Domènech
1924
Retrat d’Anna Maria Dalí i el seu pare
1924 – 1925
Cap de noia
Salvador Dalí i Domènech · Salvador Dalí i Domènech · Salvador Dalí i Domènech
1924
Mariners
1925
Pepin Vello
Salvador Dalí i Domènech · Salvador Dalí i Domènech
1925
Ex-libris Puig Pujades
Salvador Dalí i Domènech · Salvador Dalí i Domènech · Salvador Dalí i Domènech
1925
Mujer
Salvador Dalí i Domènech · Salvador Dalí i Domènech · Salvador Dalí i Domènech
1925
Second Manifeste du Surréalisme
1930
La Femme Visible
Salvador Dalí i Domènech · Salvador Dalí i Domènech · Éditions Surréalistes · Roger Lacourière · Ducros et Colas
1930
L’Immaculée Conception
Salvador Dalí i Domènech · André Breton · Paul Éluard · Éditions Surréalistes
1930
Artine
Salvador Dalí i Domènech · René Char · Éditions Surréalistes · Ducros et Colas
1930
André Breton, Le Tamanoir
1931
Le Revolver à cheveux blancs
Salvador Dalí i Domènech · André Breton · Éditions des Cahiers Libres
1932
Cadavre exquis
Salvador Dalí i Domènech · Pablo Picasso
1933 – 1934
Objet cannibaliste
1933
L’Enfant-sauterelle
Salvador Dalí i Domènech · (M. Czar o M. Cazou), Les Sources, París · Roger Lacourière
1933
Invitation au souper de la Société du Roman Philosophique
Salvador Dalí i Domènech · A.R.P. · Atelier Lacourière et Frélaut
1933
Les Chants de Maldoror
Salvador Dalí i Domènech · Isidore Ducasse, comte de Lautréamont · Albert Skira · Roger Lacourière · Philippe Gonin
1934
Onan
Salvador Dalí i Domènech · Georges Hugnet · Éditions Surréalistes · Roger Lacourière · Imprimerie Grou-Radenez
1934
Fantastic beach scene
1935
Grains et Issues
Salvador Dalí i Domènech · Tristan Tzara · Les Editions Denoël et Steele · Imprimeries Charles Bulens
1935
Crânes mous et harpe crânienne
Salvador Dalí i Domènech
1935
Cours naturel
Salvador Dalí i Domènech · Paul Éluard · Editions du Sagittaire · Henri Jourde
1938
LA DIVINE COMÉDIE
LA VIE EST UN SONGE
LES SONGES DRÔLATIQUES DE PANTAGRUEL
DIX RECETTES D’IMMORTALITÉ
MOÏSE ET LE MONOTHÉISME
HOMMAGE À QUEVEDO
RHINOCÉROS
MOI AUSSI J’AI CONNU L’EMPEREUR
ARTISTES HISTÒRICS
MYTHOLOGIE
CEL DE L’EMPORDÀ
ULL DE TEMPS AMB RAÏMS D’IMMORTALITAT
SUITE MYTHOLOGIQUE NOUVELLE
(Cartell W.F.U.N.A)
SAINTE ANNE
St. GEORGE AND THE DRAGON
LA DÉROUTE DE SAN ROMANO