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[webText] => This work, along with other sketches of female nudes, was created by Salvador Dalí around 1923, during his second year as a student in the Special School of Painting, Sculpture, and Engraving of the Real Academia de Bellas Artes de San Fernando in Madrid, from which he was expelled for the entire academic year at the end of October 1923. It differs from most of his other studies in its intaglio technique, drypoint on celluloid that the artist printed on cardboard using graphite powder. It seems that Dalí learned this technique after returning to Figueres, where he resumed classes with his former drawing teacher, Juan Núñez. As he would recount years later, he became so passionate about engraving that his father was persuaded to buy him a printing press, which he installed in a room of the family home. This allowed him to learn all the engraving techniques, including – in his own words – ‘several original processes’ (1).
__________
(1) Dalí, S., A. Parinaud, Comment on devient Dalí, Paris, Editions Robert Laffont, 1973, p. 68.
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Dalí created the book’s illustrations using a combination of techniques, alternating ink drawings with drypoint engravings on celluloid. The book was published in 1926 by the Poliglota imprint in Barcelona in a small edition of twenty copies.
There is another proof of this illustration in the collection of the Museo Nacional Centro de Arte Reina Sofía in Madrid. This version was discarded by the artist himself, who wrote ‘NO SIRVE’ (‘no good’) in ink in the centre of the image.
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The work was printed by Dalí himself on laid paper, a support on which he had previously printed, on the reverse, the only known print of Retrat del meu pare (Portrait of My Father) [OG 2].
During this period, Dalí’s sister, Anna Maria, was his principal model, so it is possible that this print is a portrait of her. The work comes from the collection of the French poet Paul Éluard, (1) one of the founders of the Surrealist movement and a renowned art collector.
__________
(1) Lote 435 − Mädchenkopf. Gutekunst & Klipstein, Bern, Switzerland, 13−14.05.1958. In May 1958, the firm of Gutekunst & Klipstein held a major auction mostly comprising books and other materials related to the artistic movements of the early twentieth century, including some sixty items came from the collection of the French poet Paul Éluard, who died in 1952.
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[webText] => Dalí printed this proof on old laid paper. It is a maculature or second impression of an etching, of which this is the only known print. On the front of the sheet, the artist printed Cap de noia [OG 3] (Head of a Girl), signed by him in 1924. The use of both sides of the paper was a common practice during a period of intense experimentation, something also seen in other prints from his early period, such as the 1925 Retrat d’Anna Maria Dalí i el seu pare (Portrait of Anna Maria Dalí and her Father) [OG 4].
The maculature is related to Retrat del pare de l’artista (Portrait of the Artist’s Father), a charcoal drawing of similar composition – the father writing – which is part of the Museu de Montserrat collection (1). Although the drawing is larger than the print, the similarity between the two works bears witness to Dals tendency to work on a given theme using different creative processes at the same time.
__________
(1) Retrat del pare de l’artista (Portrait of the Artist’s Father), 1925 -26, (43.4 x 31.3 cm). This charcoal and pastel drawing on paper from the collection of the Museu de Montserrat formerly belonged to the Cusí family, close friends of the Dalís. Considering the style of the drawing, and the likelihood that Dalí made it during the same period as the discarded work, the drawing can be dated to around 1924.
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[webText] => This work comes from a drypoint etching on celluloid which Dalí printed on paper using graphite powder. The artist retouched the outline of the central figure with a pencil, thus accentuating the sense of movement of the two figures, a dynamism that contrasts with the immobility of the column – an allusion to Antiquity through a modern classicism in alignment with a return to order (rappel à l’ordre) movement. (1) This study is part of a series of works incorporating the figure of the sailor and predates the 1925 painting Venus i un mariner (Homenatge a Salvat-Papasseit) (Venus and a Sailor (Homage to Salvat-Papasseit)) [Cat. P 151].
__________
(1) Espina, A., ‘El paisaje en la pintura moderna”, Alfar, October 1925, pp. 3-7.
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[hierarchy] => Array
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[label] => Graphic Work
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[label] => Graphic Work
[$public] =>
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)
[briefDescription] => Retrat d'Anna Maria Dalí i el seu pare [RETRAT D'ANNA MARIA DALÍ I EL SEU PARE] [prints (visual works)], 1924 - 1925
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[owners] => Array
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[0] => Array
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[href] => /coeli/FGSD/Actor/07483e02-118f-c0a1-7198-1c7f90bf19e6
[label] => Ajuntament de Figueres
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[keepers] => Array
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[0] => Array
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[href] => /coeli/FGSD/Actor/9d49675b-4fcc-ea9a-7deb-167a146a59c9
[label] => Fundació Gala-Salvador Dalí
[$public] =>
[hierarchy] => Array
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[0] => Array
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[label] => Fundació Gala-Salvador Dalí
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)
)
)
[collection] => Array
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[href] => /coeli/FGSD/Collection/45de27f3-5605-9f71-4019-ab4b07a63c18
[label] => Fundació Gala-Salvador Dalí, Figueres
[$public] =>
[hierarchy] => Array
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[0] => Array
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[href] => /coeli/FGSD/Collection/45de27f3-5605-9f71-4019-ab4b07a63c18
[label] => Fundació Gala-Salvador Dalí, Figueres
[$public] =>
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)
)
)
[materialsTechsDisplay] =>
[relatedHistoricalDocuments] => Array
(
[0] => Array
(
[display] => FGSD-D-022769 - Epistolario a Federico García Lorca desde Cataluña, la Comunidad Valenciana y Mallorca, Comares, [2001]: p. 51 [Con dedicatoria a FGL OK]
[document] => Array
(
[bibTex] => @misc{Comares2001, title = {Epistolario a Federico García Lorca desde Cataluña, la Comunidad Valenciana y Mallorca}, publisher = {Comares}, address = {Granada}, year = {2001}, date = {[2001]}, entryorder = {2001-01-01} }
[label] => FGSD-D-022769 - Epistolario a Federico García Lorca desde Cataluña, la Comunidad Valenciana y Mallorca, Comares, [2001]
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/b6b830c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022769 - Epistolario a Federico García Lorca desde Cataluña, la Comunidad Valenciana y Mallorca, Comares, [2001]
[$public] =>
[$slug] => 22769
)
)
[$slug] => 22769
[href] => /coeli/FGSD/HeritageObject/b6b830c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 51
[remarks] => Con dedicatoria a FGL OK
)
[1] => Array
(
[display] => FGSD-D-023140 - Les Essentiels de l'art Dalí, Ludion, 2003: p. 40
[document] => Array
(
[bibTex] => @misc{Ludion2003, title = {Les Essentiels de l'art Dalí}, publisher = {Ludion}, address = {Amsterdam}, year = {2003}, date = {2003}, entryorder = {2003-01-01} }
[label] => FGSD-D-023140 - Les Essentiels de l'art Dalí, Ludion, 2003
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/22ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023140 - Les Essentiels de l'art Dalí, Ludion, 2003
[$public] =>
[$slug] => 23140
)
)
[$slug] => 23140
[href] => /coeli/FGSD/HeritageObject/22ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 40
)
[2] => Array
(
[display] => FGSD-D-015637 - Mentira y verdad de Salvador Dalí, A. Oriol Anguera, Cobalto, 1948: p. 7
[document] => Array
(
[bibTex] => @misc{Oriol1948, title = {Mentira y verdad de Salvador Dalí}, author = {A. Oriol Anguera}, publisher = {Cobalto}, address = {Barcelona}, year = {1948}, date = {1948}, entryorder = {1948-01-01} }
[label] => FGSD-D-015637 - Mentira y verdad de Salvador Dalí, A. Oriol Anguera, Cobalto, 1948
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/4d2db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-015637 - Mentira y verdad de Salvador Dalí, A. Oriol Anguera, Cobalto, 1948
[$public] =>
[$slug] => 15637
)
)
[$slug] => 15637
[href] => /coeli/FGSD/HeritageObject/4d2db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 7
)
[3] => Array
(
[display] => FGSD-D-020064 - On classic ground : Picasso, Léger, de Chirico and the new classicism, 1910-1930, Tate Gallery, 1990: p. 90
[document] => Array
(
[bibTex] => @misc{Tate1990, title = {On classic ground : Picasso, Léger, de Chirico and the new classicism, 1910-1930}, publisher = {Tate Gallery}, address = {London}, year = {1990}, date = {1990}, entryorder = {1990-01-01} }
[label] => FGSD-D-020064 - On classic ground : Picasso, Léger, de Chirico and the new classicism, 1910-1930, Tate Gallery, 1990
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/603eb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-020064 - On classic ground : Picasso, Léger, de Chirico and the new classicism, 1910-1930, Tate Gallery, 1990
[$public] =>
[$slug] => 20064
)
)
[$slug] => 20064
[href] => /coeli/FGSD/HeritageObject/603eb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 90
)
[4] => Array
(
[display] => FGSD-D-021039 - The Persistence of memory : a biography of Dalí, Meredith Etherington-Smith, Random House, 1993: p. 230 - 231
[document] => Array
(
[bibTex] => @misc{Etherington-Smith1993, title = {The Persistence of memory : a biography of Dalí}, author = {Meredith Etherington-Smith}, publisher = {Random House}, address = {New York}, year = {1993}, date = {1993}, entryorder = {1993-01-01} }
[label] => FGSD-D-021039 - The Persistence of memory : a biography of Dalí, Meredith Etherington-Smith, Random House, 1993
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/2442b7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-021039 - The Persistence of memory : a biography of Dalí, Meredith Etherington-Smith, Random House, 1993
[$public] =>
[$slug] => 21039
)
)
[$slug] => 21039
[href] => /coeli/FGSD/HeritageObject/2442b7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 230 - 231
)
[5] => Array
(
[display] => FGSD-D-053423 - Picasso-Dalí, Dalí-Picasso, William Jeffett, Juan José Lahuerta, Museu Picasso, Salvador Dalí Museum, 2014: p. 137
[document] => Array
(
[bibTex] => @misc{Jeffett2014, title = {Picasso-Dalí, Dalí-Picasso}, author = {William Jeffett, Juan José Lahuerta}, publisher = {Museu Picasso, Salvador Dalí Museum}, address = {Sant Petersburg, Barcelona}, year = {2014}, date = {2014}, entryorder = {2014-01-01} }
[label] => FGSD-D-053423 - Picasso-Dalí, Dalí-Picasso, William Jeffett, Juan José Lahuerta, Museu Picasso, Salvador Dalí Museum, 2014
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/ee9772c2-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-053423 - Picasso-Dalí, Dalí-Picasso, William Jeffett, Juan José Lahuerta, Museu Picasso, Salvador Dalí Museum, 2014
[$public] =>
[$slug] => 53423
)
)
[$slug] => 53423
[href] => /coeli/FGSD/HeritageObject/ee9772c2-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 137
)
[6] => Array
(
[display] => FGSD-D-023322 - The Portable Dalí, Universe, 2003: p. 40
[document] => Array
(
[bibTex] => @misc{Universe2003, title = {The Portable Dalí}, publisher = {Universe}, address = {New York}, year = {2003}, date = {2003}, entryorder = {2003-01-01} }
[label] => FGSD-D-023322 - The Portable Dalí, Universe, 2003
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/d7ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023322 - The Portable Dalí, Universe, 2003
[$public] =>
[$slug] => 23322
)
)
[$slug] => 23322
[href] => /coeli/FGSD/HeritageObject/d7ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 40
)
[7] => Array
(
[display] => FGSD-D-023227 - Dalí, Bompiani, 2004: p. 66, 68, 69 [p. 68 (estudi retrat del meu pare, 1925); Text interessant OK]
[document] => Array
(
[bibTex] => @misc{Bompiani2004, title = {Dalí}, publisher = {Bompiani}, address = {[Milà]}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023227 - Dalí, Bompiani, 2004
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/78ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023227 - Dalí, Bompiani, 2004
[$public] =>
[$slug] => 23227
)
)
[$slug] => 23227
[href] => /coeli/FGSD/HeritageObject/78ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 66, 68, 69
[remarks] => p. 68 (estudi retrat del meu pare, 1925); Text interessant OK
)
[8] => Array
(
[display] => FGSD-D-015727 - Dalí de Gala, Robert Descharnes, Edita, 1962: p. 19
[document] => Array
(
[bibTex] => @misc{Descharnes1962, title = {Dalí de Gala}, author = {Robert Descharnes}, publisher = {Edita}, address = {Lausanne}, year = {1962}, date = {1962}, entryorder = {1962-01-01} }
[label] => FGSD-D-015727 - Dalí de Gala, Robert Descharnes, Edita, 1962
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/a52db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-015727 - Dalí de Gala, Robert Descharnes, Edita, 1962
[$public] =>
[$slug] => 15727
)
)
[$slug] => 15727
[href] => /coeli/FGSD/HeritageObject/a52db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 19
)
[9] => Array
(
[display] => FGSD-D-023350 - Fum...damentalment genial, Museu del Tabac, 2004: p. 104
[document] => Array
(
[bibTex] => @misc{Museu2004, title = {Fum...damentalment genial}, publisher = {Museu del Tabac}, address = {Sant Julià de Lòria (Principat d'Andorra)}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023350 - Fum...damentalment genial, Museu del Tabac, 2004
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/f3ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023350 - Fum...damentalment genial, Museu del Tabac, 2004
[$public] =>
[$slug] => 23350
)
)
[$slug] => 23350
[href] => /coeli/FGSD/HeritageObject/f3ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 104
)
[10] => Array
(
[display] => FGSD-D-019775 - Homage to Catalonia - Barcelona art city, Commitee of exhibition (Homage to Catalonia-Barcelona art city), 1987: p. 196
[document] => Array
(
[bibTex] => @misc{Commitee1987, title = {Homage to Catalonia - Barcelona art city}, publisher = {Commitee of exhibition (Homage to Catalonia-Barcelona art city)}, address = {[S.l.]}, year = {1987}, date = {1987}, entryorder = {1987-01-01} }
[label] => FGSD-D-019775 - Homage to Catalonia - Barcelona art city, Commitee of exhibition (Homage to Catalonia-Barcelona art city), 1987
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/3f3db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019775 - Homage to Catalonia - Barcelona art city, Commitee of exhibition (Homage to Catalonia-Barcelona art city), 1987
[$public] =>
[$slug] => 19775
)
)
[$slug] => 19775
[href] => /coeli/FGSD/HeritageObject/3f3db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 196
)
[11] => Array
(
[display] => FGSD-D-023324 - L'Abcdaire de Dalí, Alyse Gaultier, Flammarion, 2004: p. 49
[document] => Array
(
[bibTex] => @misc{Gaultier2004, title = {L'Abcdaire de Dalí}, author = {Alyse Gaultier}, publisher = {Flammarion}, address = {Paris}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023324 - L'Abcdaire de Dalí, Alyse Gaultier, Flammarion, 2004
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/d9ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023324 - L'Abcdaire de Dalí, Alyse Gaultier, Flammarion, 2004
[$public] =>
[$slug] => 23324
)
)
[$slug] => 23324
[href] => /coeli/FGSD/HeritageObject/d9ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 49
)
[12] => Array
(
[display] => FGSD-D-023838 - Salvador Dalí, Robert Descharnes, Nouvelles Editions Françaises, 1973: p. 48
[document] => Array
(
[bibTex] => @misc{Descharnes1973, title = {Salvador Dalí}, author = {Robert Descharnes}, publisher = {Nouvelles Editions Françaises}, address = {Paris}, year = {1973}, date = {1973}, entryorder = {1973-01-01} }
[label] => FGSD-D-023838 - Salvador Dalí, Robert Descharnes, Nouvelles Editions Françaises, 1973
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/d7bc30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023838 - Salvador Dalí, Robert Descharnes, Nouvelles Editions Françaises, 1973
[$public] =>
[$slug] => 23838
)
)
[$slug] => 23838
[href] => /coeli/FGSD/HeritageObject/d7bc30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 48
)
[13] => Array
(
[display] => FGSD-D-021538 - Salvador Dalí : 1904 - 1989, Robert Descharnes, Gilles Néret, Benedikt Taschen, 1990: p. 20
[document] => Array
(
[bibTex] => @misc{Descharnes1990, title = {Salvador Dalí : 1904 - 1989}, author = {Robert Descharnes, Gilles Néret}, publisher = {Benedikt Taschen}, address = {Köln}, year = {1990}, date = {1990}, entryorder = {1990-01-01} }
[label] => FGSD-D-021538 - Salvador Dalí : 1904 - 1989, Robert Descharnes, Gilles Néret, Benedikt Taschen, 1990
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/f1b330c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-021538 - Salvador Dalí : 1904 - 1989, Robert Descharnes, Gilles Néret, Benedikt Taschen, 1990
[$public] =>
[$slug] => 21538
)
)
[$slug] => 21538
[href] => /coeli/FGSD/HeritageObject/f1b330c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 20
)
[14] => Array
(
[display] => FGSD-D-023323 - The Little book of Dalí, Alyse Gaultier, Flammarion, 2004: p. 46
[document] => Array
(
[bibTex] => @misc{Gaultier2004, title = {The Little book of Dalí}, author = {Alyse Gaultier}, publisher = {Flammarion}, address = {Paris}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023323 - The Little book of Dalí, Alyse Gaultier, Flammarion, 2004
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/d8ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023323 - The Little book of Dalí, Alyse Gaultier, Flammarion, 2004
[$public] =>
[$slug] => 23323
)
)
[$slug] => 23323
[href] => /coeli/FGSD/HeritageObject/d8ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 46
)
[15] => Array
(
[display] => FGSD-D-022637 - Salvador Dalí, René Passeron, Ars Mundi, 1990: p. 11
[document] => Array
(
[bibTex] => @misc{Passeron1990, title = {Salvador Dalí}, author = {René Passeron}, publisher = {Ars Mundi}, address = {[S.l.]}, year = {1990}, date = {1990}, entryorder = {1990-01-01} }
[label] => FGSD-D-022637 - Salvador Dalí, René Passeron, Ars Mundi, 1990
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/33b830c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022637 - Salvador Dalí, René Passeron, Ars Mundi, 1990
[$public] =>
[$slug] => 22637
)
)
[$slug] => 22637
[href] => /coeli/FGSD/HeritageObject/33b830c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 11
)
[16] => Array
(
[display] => FGSD-D-019240 - Salvador Dalí, Cesáreo Rodríguez-Aguilera, Nauta, 1985: p. 97
[document] => Array
(
[bibTex] => @misc{Rodríguez-Aguilera1985, title = {Salvador Dalí}, author = {Cesáreo Rodríguez-Aguilera}, publisher = {Nauta}, address = {Barcelona}, year = {1985}, date = {1985}, entryorder = {1985-01-01} }
[label] => FGSD-D-019240 - Salvador Dalí, Cesáreo Rodríguez-Aguilera, Nauta, 1985
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/2a3bb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019240 - Salvador Dalí, Cesáreo Rodríguez-Aguilera, Nauta, 1985
[$public] =>
[$slug] => 19240
)
)
[$slug] => 19240
[href] => /coeli/FGSD/HeritageObject/2a3bb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 97
)
[17] => Array
(
[display] => FGSD-D-015722 - Salvador Dalí, Juan Antonio Gaya Nuño, Omega, 1950: p. il. 42
[document] => Array
(
[bibTex] => @misc{Gaya1950, title = {Salvador Dalí}, author = {Juan Antonio Gaya Nuño}, publisher = {Omega}, address = {Barcelona}, year = {1950}, date = {1950}, entryorder = {1950-01-01} }
[label] => FGSD-D-015722 - Salvador Dalí, Juan Antonio Gaya Nuño, Omega, 1950
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/a02db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-015722 - Salvador Dalí, Juan Antonio Gaya Nuño, Omega, 1950
[$public] =>
[$slug] => 15722
)
)
[$slug] => 15722
[href] => /coeli/FGSD/HeritageObject/a02db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => il. 42
)
[18] => Array
(
[display] => FGSD-D-022026 - Salvador Dalí, 1904 -1989, Robert Descharnes, Gilles Néret, Benedikt Taschen, 1994: p. 92
[document] => Array
(
[bibTex] => @misc{Descharnes1994, title = {Salvador Dalí, 1904 -1989}, author = {Robert Descharnes, Gilles Néret}, publisher = {Benedikt Taschen}, address = {Köln}, year = {1994}, date = {1994}, entryorder = {1994-01-01} }
[label] => FGSD-D-022026 - Salvador Dalí, 1904 -1989, Robert Descharnes, Gilles Néret, Benedikt Taschen, 1994
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/d4b530c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022026 - Salvador Dalí, 1904 -1989, Robert Descharnes, Gilles Néret, Benedikt Taschen, 1994
[$public] =>
[$slug] => 22026
)
)
[$slug] => 22026
[href] => /coeli/FGSD/HeritageObject/d4b530c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 92
)
[19] => Array
(
[display] => FGSD-D-023545 - El Primer Dalí, 1918-1929 : catálogo razonado, Rafael Santos Torroella, IVAM, Institut Valencià d'Art Modern, Generalitat Valenciana. Conselleria de Cultura, Educació i Esport, Publicaciones de la Residencia de Estudiantes, 2005: p. 255 [p.254 text OK]
[document] => Array
(
[bibTex] => @misc{Santos2005, title = {El Primer Dalí, 1918-1929 : catálogo razonado}, author = {Rafael Santos Torroella}, publisher = {IVAM, Institut Valencià d'Art Modern, Generalitat Valenciana. Conselleria de Cultura, Educació i Esport, Publicaciones de la Residencia de Estudiantes}, address = {[València], [Madrid]}, year = {2005}, date = {2005}, entryorder = {2005-01-01} }
[label] => FGSD-D-023545 - El Primer Dalí, 1918-1929 : catálogo razonado, Rafael Santos Torroella, IVAM, Institut Valencià d'Art Modern, Generalitat Valenciana. Conselleria de Cultura, Educació i Esport, Publicaciones de la Residencia de Estudiantes, 2005
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/b5bb30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023545 - El Primer Dalí, 1918-1929 : catálogo razonado, Rafael Santos Torroella, IVAM, Institut Valencià d'Art Modern, Generalitat Valenciana. Conselleria de Cultura, Educació i Esport, Publicaciones de la Residencia de Estudiantes, 2005
[$public] =>
[$slug] => 23545
)
)
[$slug] => 23545
[href] => /coeli/FGSD/HeritageObject/b5bb30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 255
[remarks] => p.254 text OK
)
[20] => Array
(
[display] => FGSD-D-019832 - Salvador Dalí, 1904-1989, Gerd Hatje, 1989: p. 47
[document] => Array
(
[bibTex] => @misc{Gerd1989, title = {Salvador Dalí, 1904-1989}, publisher = {Gerd Hatje}, address = {Stuttgart}, year = {1989}, date = {1989}, entryorder = {1989-01-01} }
[label] => FGSD-D-019832 - Salvador Dalí, 1904-1989, Gerd Hatje, 1989
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/783db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019832 - Salvador Dalí, 1904-1989, Gerd Hatje, 1989
[$public] =>
[$slug] => 19832
)
)
[$slug] => 19832
[href] => /coeli/FGSD/HeritageObject/783db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 47
)
[21] => Array
(
[display] => FGSD-D-054858 - Salvador Dalí : a guide to his works in public museums, The Dalí Museum, 1973: p. [no pagination]
[document] => Array
(
[bibTex] => @misc{TheDalí1973, title = {Salvador Dalí : a guide to his works in public museums}, publisher = {The Dalí Museum}, address = {Cleveland [Ohio]}, year = {1973}, date = {1973}, entryorder = {1973-01-01} }
[label] => FGSD-D-054858 - Salvador Dalí : a guide to his works in public museums, The Dalí Museum, 1973
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/13052b91-1d8d-e511-9482-00155d647f0b
[label] => FGSD-D-054858 - Salvador Dalí : a guide to his works in public museums, The Dalí Museum, 1973
[$public] =>
[$slug] => 54858
)
)
[$slug] => 54858
[href] => /coeli/FGSD/HeritageObject/13052b91-1d8d-e511-9482-00155d647f0b
[$public] =>
)
[page] => [no pagination]
)
[22] => Array
(
[display] => FGSD-D-022229 - Salvador Dalí: a mythology, Dawn Ades, Fiona Bradley, Tate Gallery Publishing, 1998: p. 37
[document] => Array
(
[bibTex] => @misc{Ades1998, title = {Salvador Dalí: a mythology}, author = {Dawn Ades, Fiona Bradley}, publisher = {Tate Gallery Publishing}, address = {London}, year = {1998}, date = {1998}, entryorder = {1998-01-01} }
[label] => FGSD-D-022229 - Salvador Dalí: a mythology, Dawn Ades, Fiona Bradley, Tate Gallery Publishing, 1998
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/9fb630c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022229 - Salvador Dalí: a mythology, Dawn Ades, Fiona Bradley, Tate Gallery Publishing, 1998
[$public] =>
[$slug] => 22229
)
)
[$slug] => 22229
[href] => /coeli/FGSD/HeritageObject/9fb630c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 37
)
[23] => Array
(
[display] => FGSD-D-019270 - PsicoDálico Dalí, Luis Romero, Mediterranea, 1991: p. 34 [Indica expuesta Galerias Dalmau 1925 OK]
[document] => Array
(
[bibTex] => @misc{Romero1991, title = {PsicoDálico Dalí}, author = {Luis Romero}, publisher = {Mediterranea}, address = {Barcelona}, year = {1991}, date = {1991}, entryorder = {1991-01-01} }
[label] => FGSD-D-019270 - PsicoDálico Dalí, Luis Romero, Mediterranea, 1991
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/483bb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019270 - PsicoDálico Dalí, Luis Romero, Mediterranea, 1991
[$public] =>
[$slug] => 19270
)
)
[$slug] => 19270
[href] => /coeli/FGSD/HeritageObject/483bb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 34
[remarks] => Indica expuesta Galerias Dalmau 1925 OK
)
[24] => Array
(
[display] => FGSD-D-023504 - Salvador Dalí, The Tate Gallery, 1980: p. il. 10
[document] => Array
(
[bibTex] => @misc{TheTate1980, title = {Salvador Dalí}, publisher = {The Tate Gallery}, address = {London}, year = {1980}, date = {1980}, entryorder = {1980-01-01} }
[label] => FGSD-D-023504 - Salvador Dalí, The Tate Gallery, 1980
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/8dbb30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023504 - Salvador Dalí, The Tate Gallery, 1980
[$public] =>
[$slug] => 23504
)
)
[$slug] => 23504
[href] => /coeli/FGSD/HeritageObject/8dbb30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => il. 10
)
[25] => Array
(
[display] => FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994: p. 120
[document] => Array
(
[bibTex] => @misc{South1994, title = {Salvador Dalí: the early years}, publisher = {South Bank Centre}, address = {[London]}, year = {1994}, date = {1994}, entryorder = {1994-01-01} }
[label] => FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/c23db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994
[$public] =>
[$slug] => 19906
)
)
[$slug] => 19906
[href] => /coeli/FGSD/HeritageObject/c23db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 120
)
[26] => Array
(
[display] => FGSD-D-019870 - Salvador Dalí : exhibition - Japan 1964, Mainichi Newspaper, 1964: p. 40
[document] => Array
(
[bibTex] => @misc{Mainichi1964, title = {Salvador Dalí : exhibition - Japan 1964}, publisher = {Mainichi Newspaper}, address = {Tokyo}, year = {1964}, date = {1964}, entryorder = {1964-01-01} }
[label] => FGSD-D-019870 - Salvador Dalí : exhibition - Japan 1964, Mainichi Newspaper, 1964
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/9e3db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019870 - Salvador Dalí : exhibition - Japan 1964, Mainichi Newspaper, 1964
[$public] =>
[$slug] => 19870
)
)
[$slug] => 19870
[href] => /coeli/FGSD/HeritageObject/9e3db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 40
)
[27] => Array
(
[display] => FGSD-D-019597 - Salvador Dalí i el saló de tardor, Rafael Santos Torroella, Reial Acadèmia Catalana de Belles Arts Sant Jordi, 1985: p. [no pagination] [Antigua Coll. Montserrat Dalí, viuda de Bas, BCN OK]
[document] => Array
(
[bibTex] => @misc{Santos1985, title = {Salvador Dalí i el saló de tardor}, author = {Rafael Santos Torroella}, publisher = {Reial Acadèmia Catalana de Belles Arts Sant Jordi}, address = {Barcelona}, year = {1985}, date = {1985}, entryorder = {1985-01-01} }
[label] => FGSD-D-019597 - Salvador Dalí i el saló de tardor, Rafael Santos Torroella, Reial Acadèmia Catalana de Belles Arts Sant Jordi, 1985
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/8d3cb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019597 - Salvador Dalí i el saló de tardor, Rafael Santos Torroella, Reial Acadèmia Catalana de Belles Arts Sant Jordi, 1985
[$public] =>
[$slug] => 19597
)
)
[$slug] => 19597
[href] => /coeli/FGSD/HeritageObject/8d3cb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => [no pagination]
[remarks] => Antigua Coll. Montserrat Dalí, viuda de Bas, BCN OK
)
[28] => Array
(
[display] => FGSD-D-023441 - Salvador Dalí i les arts : historiografia i crítica al segle XXI, Publicacions de la Universitat de Barcelona, 2005: p. 27 - 28 [texto interesante ref. Dalmau OK]
[document] => Array
(
[bibTex] => @misc{Publicacions2005, title = {Salvador Dalí i les arts : historiografia i crítica al segle XXI}, publisher = {Publicacions de la Universitat de Barcelona}, address = {Barcelona}, year = {2005}, date = {2005}, entryorder = {2005-01-01} }
[label] => FGSD-D-023441 - Salvador Dalí i les arts : historiografia i crítica al segle XXI, Publicacions de la Universitat de Barcelona, 2005
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/4ebb30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023441 - Salvador Dalí i les arts : historiografia i crítica al segle XXI, Publicacions de la Universitat de Barcelona, 2005
[$public] =>
[$slug] => 23441
)
)
[$slug] => 23441
[href] => /coeli/FGSD/HeritageObject/4ebb30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 27 - 28
[remarks] => texto interesante ref. Dalmau OK
)
[29] => Array
(
[display] => FGSD-D-023697 - Dalí & film, Tate Publishing, 2007: p. 121
[document] => Array
(
[bibTex] => @misc{Tate2007, title = {Dalí & film}, publisher = {Tate Publishing}, address = {London}, year = {2007}, date = {2007}, entryorder = {2007-01-01} }
[label] => FGSD-D-023697 - Dalí & film, Tate Publishing, 2007
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/4cbc30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023697 - Dalí & film, Tate Publishing, 2007
[$public] =>
[$slug] => 23697
)
)
[$slug] => 23697
[href] => /coeli/FGSD/HeritageObject/4cbc30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 121
)
[30] => Array
(
[display] => FGSD-D-022695 - Salvador Dalí, lletres i ninots : fons Dalí del Museu Abelló, Museu Abelló. Fundació Municipal d'Art, 2001: p. 174 [Folleto exposición]
[document] => Array
(
[bibTex] => @misc{Museu2001, title = {Salvador Dalí, lletres i ninots : fons Dalí del Museu Abelló}, publisher = {Museu Abelló. Fundació Municipal d'Art}, address = {Mollet del Vallès}, year = {2001}, date = {2001}, entryorder = {2001-01-01} }
[label] => FGSD-D-022695 - Salvador Dalí, lletres i ninots : fons Dalí del Museu Abelló, Museu Abelló. Fundació Municipal d'Art, 2001
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/6db830c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022695 - Salvador Dalí, lletres i ninots : fons Dalí del Museu Abelló, Museu Abelló. Fundació Municipal d'Art, 2001
[$public] =>
[$slug] => 22695
)
)
[$slug] => 22695
[href] => /coeli/FGSD/HeritageObject/6db830c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 174
[remarks] => Folleto exposición
)
[31] => Array
(
[display] => FGSD-D-024566 - Salvador Dalí : l'invention de soi, Catherine Grenier, Flammarion, 2011: p. 42
[document] => Array
(
[bibTex] => @misc{Grenier2011, title = {Salvador Dalí : l'invention de soi}, author = {Catherine Grenier}, publisher = {Flammarion}, address = {Paris}, year = {2011}, date = {2011}, entryorder = {2011-01-01} }
[label] => FGSD-D-024566 - Salvador Dalí : l'invention de soi, Catherine Grenier, Flammarion, 2011
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/a9bf30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-024566 - Salvador Dalí : l'invention de soi, Catherine Grenier, Flammarion, 2011
[$public] =>
[$slug] => 24566
)
)
[$slug] => 24566
[href] => /coeli/FGSD/HeritageObject/a9bf30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 42
)
[32] => Array
(
[display] => FGSD-D-023524 - Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, Hatje Cantz, 2006: p. 94
[document] => Array
(
[bibTex] => @misc{Hatje2006, title = {Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier}, publisher = {Hatje Cantz}, address = {Ostfildern}, year = {2006}, date = {2006}, entryorder = {2006-01-01} }
[label] => FGSD-D-023524 - Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, Hatje Cantz, 2006
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/a0bb30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023524 - Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, Hatje Cantz, 2006
[$public] =>
[$slug] => 23524
)
)
[$slug] => 23524
[href] => /coeli/FGSD/HeritageObject/a0bb30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 94
)
[33] => Array
(
[display] => FGSD-D-022851 - Dalí, Marco Di Capua, Librairie Gründ, 1994: p. 11
[document] => Array
(
[bibTex] => @misc{DiCapua1994, title = {Dalí}, author = {Marco Di Capua}, publisher = {Librairie Gründ}, address = {Paris}, year = {1994}, date = {1994}, entryorder = {1994-01-01} }
[label] => FGSD-D-022851 - Dalí, Marco Di Capua, Librairie Gründ, 1994
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/06b930c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022851 - Dalí, Marco Di Capua, Librairie Gründ, 1994
[$public] =>
[$slug] => 22851
)
)
[$slug] => 22851
[href] => /coeli/FGSD/HeritageObject/06b930c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 11
)
[34] => Array
(
[display] => FGSD-D-030544 - Exposició S. Dalí, Galeries Dalmau, 1925: p. [no pagination] [Catálogo de la primera Expo BCN, 14-27 noviembre 1925 OK]
[document] => Array
(
[bibTex] => @misc{Galeries1925, title = {Exposició S. Dalí}, publisher = {Galeries Dalmau}, address = {Barcelona}, year = {1925}, date = {1925}, entryorder = {1925-01-01} }
[label] => FGSD-D-030544 - Exposició S. Dalí, Galeries Dalmau, 1925
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/8f97e8b6-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-030544 - Exposició S. Dalí, Galeries Dalmau, 1925
[$public] =>
[$slug] => 30544
)
)
[$slug] => 30544
[href] => /coeli/FGSD/HeritageObject/8f97e8b6-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => [no pagination]
[remarks] => Catálogo de la primera Expo BCN, 14-27 noviembre 1925 OK
)
[35] => Array
(
[display] => FGSD-D-030545 - Exposició S. Dalí, Galeries Dalmau, 1926/1927: p. [no pagination]
[document] => Array
(
[bibTex] => @misc{Galeries1926, title = {Exposició S. Dalí}, publisher = {Galeries Dalmau}, address = {Barcelona}, year = {1926-1927}, date = {1926/1927}, entryorder = {1926-01-01} }
[label] => FGSD-D-030545 - Exposició S. Dalí, Galeries Dalmau, 1926/1927
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/0897e8b6-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-030545 - Exposició S. Dalí, Galeries Dalmau, 1926/1927
[$public] => 1
[$slug] => 30545
)
)
[$slug] => 30545
[href] => /coeli/FGSD/HeritageObject/0897e8b6-42ec-e411-9471-00155d647f0b
[$public] => 1
)
[page] => [no pagination]
)
[36] => Array
(
[display] => FGSD-D-032394 - Dalí capital de Figueres, Ajuntament de Figueres, 1984: p. 24 [Única referencia a la obra de la FGSD. Y además Ilustrada!]
[document] => Array
(
[bibTex] => @misc{Ajuntament1984, title = {Dalí capital de Figueres}, publisher = {Ajuntament de Figueres}, address = {Figueres}, year = {1984}, date = {1984}, entryorder = {1984-01-01} }
[label] => FGSD-D-032394 - Dalí capital de Figueres, Ajuntament de Figueres, 1984
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/b3eca7c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-032394 - Dalí capital de Figueres, Ajuntament de Figueres, 1984
[$public] =>
[$slug] => 32394
)
)
[$slug] => 32394
[href] => /coeli/FGSD/HeritageObject/b3eca7c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 24
[remarks] => Única referencia a la obra de la FGSD. Y además Ilustrada!
)
[37] => Array
(
[display] => FGSD-D-020060 - Dalí, els anys joves : 1918-1930, Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí, 1995: p. 170,172
[document] => Array
(
[bibTex] => @misc{Generalitat1995, title = {Dalí, els anys joves : 1918-1930}, publisher = {Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí}, address = {Figueres, [Barcelona]}, year = {1995}, date = {1995}, entryorder = {1995-01-01} }
[label] => FGSD-D-020060 - Dalí, els anys joves : 1918-1930, Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí, 1995
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/5c3eb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-020060 - Dalí, els anys joves : 1918-1930, Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí, 1995
[$public] =>
[$slug] => 20060
)
)
[$slug] => 20060
[href] => /coeli/FGSD/HeritageObject/5c3eb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 170,172
)
[38] => Array
(
[display] => FGSD-D-015618 - Salvador Dalí: retrospektive, 1920-1980, Prestel, 1980: p. 39
[document] => Array
(
[bibTex] => @misc{Prestel1980, title = {Salvador Dalí: retrospektive, 1920-1980}, publisher = {Prestel}, address = {München}, year = {1980}, date = {1980}, entryorder = {1980-01-01} }
[label] => FGSD-D-015618 - Salvador Dalí: retrospektive, 1920-1980, Prestel, 1980
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/3a2db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-015618 - Salvador Dalí: retrospektive, 1920-1980, Prestel, 1980
[$public] =>
[$slug] => 15618
)
)
[$slug] => 15618
[href] => /coeli/FGSD/HeritageObject/3a2db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 39
)
[39] => Array
(
[display] => FGSD-D-019880 - Dalí joven, 1918-1930, Museo Nacional Centro de Arte Reina Sofía, 1994: p. 170,172
[document] => Array
(
[bibTex] => @misc{Museo1994, title = {Dalí joven, 1918-1930}, publisher = {Museo Nacional Centro de Arte Reina Sofía}, address = {[Madrid]}, year = {1994}, date = {1994}, entryorder = {1994-01-01} }
[label] => FGSD-D-019880 - Dalí joven, 1918-1930, Museo Nacional Centro de Arte Reina Sofía, 1994
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/a83db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019880 - Dalí joven, 1918-1930, Museo Nacional Centro de Arte Reina Sofía, 1994
[$public] =>
[$slug] => 19880
)
)
[$slug] => 19880
[href] => /coeli/FGSD/HeritageObject/a83db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 170,172
)
[40] => Array
(
[display] => FGSD-D-015710 - The Case of Salvador Dalí, Fleur Cowles, Little, Brown, 1959: p. 240-241
[document] => Array
(
[bibTex] => @misc{Cowles1959, title = {The Case of Salvador Dalí}, author = {Fleur Cowles}, publisher = {Little, Brown}, address = {Boston, Toronto}, year = {1959}, date = {1959}, entryorder = {1959-01-01} }
[label] => FGSD-D-015710 - The Case of Salvador Dalí, Fleur Cowles, Little, Brown, 1959
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/942db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-015710 - The Case of Salvador Dalí, Fleur Cowles, Little, Brown, 1959
[$public] =>
[$slug] => 15710
)
)
[$slug] => 15710
[href] => /coeli/FGSD/HeritageObject/942db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 240-241
)
[41] => Array
(
[display] => FGSD-D-018607 - The World of Salvador Dalí, Robert Descharnes, Mcmillan, 1962: p. 19
[document] => Array
(
[bibTex] => @misc{Descharnes1962, title = {The World of Salvador Dalí}, author = {Robert Descharnes}, publisher = {Mcmillan}, address = {London}, year = {1962}, date = {1962}, entryorder = {1962-01-01} }
[label] => FGSD-D-018607 - The World of Salvador Dalí, Robert Descharnes, Mcmillan, 1962
[hierarchy] => Array
(
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[webText] => Dalí engraved this portrait of his father and sister using drypoint on celluloid. This proof was discarded because of an accidental fold in the paper during printing, although other versions of the same work exist.
In 1944, in his autobiography The Secret Life of Salvador Dalí the artist describes a version of this work reproduced under the title Portrait of My Father and Sister. By his own account, it was created after his definitive expulsion from the San Fernando art school in Madrid in 1926:
‘On my arrival in Figueras I found my father thunderstruck by the catastrophe of my expulsion […] With my sister, he posed for a pencil drawing which was one of my most successful of this period. In the expression of my father’s face can be seen the mark of the pathetic bitterness which my expulsion from the Academy had produced in him.’ (1)
Although Dalí associated this work with his definitive expulsion from the San Fernando, documentation from the period indicates that it was most likely created after his first temporary suspension, during the 1923-1924 academic year.
The other known versions were extensively worked in pencil: Retrat del pare i la germana de l’artista (Portrait of the Father and Sister of the Artist), in the Museu Nacional d’Art de Catalunya (Barcelona), and Retrat del pare de l’artista i germana (Portrait of the Artist’s Father and Sister), in the Colección Abelló (Madrid).
A version of this work was shown at Dalí’s first solo exhibition at the Dalmau Galleries in Barcelona, between 14 and 27 November 1925, as evidenced by a reproduction in the small exhibition catalogue. Likewise, another version appears in the brochure for his second solo exhibition at the Galeries Dalmau, from 31 December 1926 to 14 January 1927.
__________
(1) Dalí. S., Vida secreta de Salvador Dalí, Editorial Poseidón, 1944, p. 286. Illustrated in black and white on pages 256 and 257, ‘VII. Mis Obras Raras”. ID 24252
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[label] => C219 - Mariners [MARINERS] [prints (visual works)], 1925
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[webText] => Dalí printed this drypoint etching on celluloid with graphite powder on laid paper during a period marked by his close friendship and profound artistic affinity with Federico García Lorca, who made his first visit to Cadaqués during Holy Week in 1925. The print is part of a series of studies that reflect the artist’s admiration for the Catalan Futurist poet Joan Salvat-Papasseit (1894-1924), who died the previous year. His second collection, L’irradiador del port i les gavines (1921), is notable for its maritime inspiration. Salvat-Papasseit’s poems were considered avant-garde for their visual and typographic resources, use of isolated words, and other traces of Cubist and Futurist influence.
The print is dedicated to Néstor Martín-Fernández de la Torre, a Canarian painter and friend of Dalí, whose series Poema del mar (also known as Poema del Atlántico) was exhibited in Madrid that same year, 1925.
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[1] => Array
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[hierarchy] => Array
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[href] => /coeli/FGSD/SKOSConcept/IMPRESSOR
[display] => Impressor
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)
)
)
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[bc] =>
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)
)
[publishingCollections] => Array
(
[0] => Array
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[hierarchy] => Array
(
[0] => Array
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)
)
[1] => Array
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[0] => Array
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)
)
[representations] => Array
(
[0] => Array
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[digitalAsset] => Array
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[label] => [028146 / Imatge] S/T. Putrefacte dedicat a Pepín Bello
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)
[hierarchy] => Array
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[$public] => 1
[$slug] => pepin-vello-e7fd
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)
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[0] => Array
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[ownership] => Array
(
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[0] => Array
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[keepers] => Array
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[0] => Array
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[display] => FGSD-D-023524 - Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, Hatje Cantz, 2006: p. 192 [Existe PDF adicional en carpeta repetidos con ID23525]
[document] => Array
(
[bibTex] => @misc{Hatje2006, title = {Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier}, publisher = {Hatje Cantz}, address = {Ostfildern}, year = {2006}, date = {2006}, entryorder = {2006-01-01} }
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[hierarchy] => Array
(
[0] => Array
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)
[$slug] => 23524
[href] => /coeli/FGSD/HeritageObject/a0bb30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 192
[remarks] => Existe PDF adicional en carpeta repetidos con ID23525
)
[1] => Array
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[display] => FGSD-D-022135 - "Los Putrefactos" de Dalí y Lorca : historia y antologia de un libro que no pudo ser, Rafael Santos Torroella, Consejo Superior de Investigaciones Científicas, Amigos de la Residencia de Estudiantes, 1995: p. 142
[document] => Array
(
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[label] => FGSD-D-022135 - "Los Putrefactos" de Dalí y Lorca : historia y antologia de un libro que no pudo ser, Rafael Santos Torroella, Consejo Superior de Investigaciones Científicas, Amigos de la Residencia de Estudiantes, 1995
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[$public] =>
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)
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[href] => /coeli/FGSD/HeritageObject/41b630c1-42ec-e411-9471-00155d647f0b
[$public] =>
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[page] => 142
)
[2] => Array
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[display] => FGSD-D-024358 - Picasso, Miró, Dalí. Giovani e arrabbiati: la nascita della modernità, Skira, 2011: p. 41 [Se ha utilizado otro ID para PDF. El ID24357]
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(
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[href] => /coeli/FGSD/HeritageObject/dcbe30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 41
[remarks] => Se ha utilizado otro ID para PDF. El ID24357
)
[3] => Array
(
[display] => FGSD-D-023249 - Salvador Dalí i Federico García Lorca : la persistència de la memòria, Viena, Generalitat de Catalunya. Departament de Cultura., 2004: p. 134
[document] => Array
(
[bibTex] => @misc{Viena2004, title = {Salvador Dalí i Federico García Lorca : la persistència de la memòria}, publisher = {Viena, Generalitat de Catalunya. Departament de Cultura.}, address = {Barcelona}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
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[hierarchy] => Array
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[href] => /coeli/FGSD/HeritageObject/8eba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
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[page] => 134
)
[4] => Array
(
[display] => FGSD-D-019878 - 400 obras de Salvador Dalí de 1914 a 1983, Obra Cultural de la Caixa de Pensions, 1983: p. 40
[document] => Array
(
[bibTex] => @misc{Obra1983, title = {400 obras de Salvador Dalí de 1914 a 1983}, publisher = {Obra Cultural de la Caixa de Pensions}, address = {[Madrid]}, year = {1983}, date = {1983}, entryorder = {1983-01-01} }
[label] => FGSD-D-019878 - 400 obras de Salvador Dalí de 1914 a 1983, Obra Cultural de la Caixa de Pensions, 1983
[hierarchy] => Array
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[$public] =>
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)
[$slug] => 19878
[href] => /coeli/FGSD/HeritageObject/a63db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 40
)
[5] => Array
(
[display] => FGSD-D-022669 - Dalí - a genius of the XX Century, China Times, [2001]: p. 116 [Se ha utilizado otro ID para PDF. El ID22686]
[document] => Array
(
[bibTex] => @misc{China2001, title = {Dalí - a genius of the XX Century}, publisher = {China Times}, address = {[Taipei]}, year = {2001}, date = {[2001]}, entryorder = {2001-01-01} }
[label] => FGSD-D-022669 - Dalí - a genius of the XX Century, China Times, [2001]
[hierarchy] => Array
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[0] => Array
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[label] => FGSD-D-022669 - Dalí - a genius of the XX Century, China Times, [2001]
[$public] =>
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)
)
[$slug] => 22669
[href] => /coeli/FGSD/HeritageObject/53b830c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 116
[remarks] => Se ha utilizado otro ID para PDF. El ID22686
)
[6] => Array
(
[display] => FGSD-D-020060 - Dalí, els anys joves : 1918-1930, Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí, 1995: p. 158
[document] => Array
(
[bibTex] => @misc{Generalitat1995, title = {Dalí, els anys joves : 1918-1930}, publisher = {Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí}, address = {Figueres, [Barcelona]}, year = {1995}, date = {1995}, entryorder = {1995-01-01} }
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[label] => FGSD-D-020060 - Dalí, els anys joves : 1918-1930, Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí, 1995
[$public] =>
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)
)
[$slug] => 20060
[href] => /coeli/FGSD/HeritageObject/5c3eb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 158
)
[7] => Array
(
[display] => FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994: p. 112 [Se ha utilizado otro ID para PDF. El ID19904]
[document] => Array
(
[bibTex] => @misc{South1994, title = {Salvador Dalí: the early years}, publisher = {South Bank Centre}, address = {[London]}, year = {1994}, date = {1994}, entryorder = {1994-01-01} }
[label] => FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994
[hierarchy] => Array
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[label] => FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994
[$public] =>
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)
)
[$slug] => 19906
[href] => /coeli/FGSD/HeritageObject/c23db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 112
[remarks] => Se ha utilizado otro ID para PDF. El ID19904
)
[8] => Array
(
[display] => FGSD-D-019880 - Dalí joven, 1918-1930, Museo Nacional Centro de Arte Reina Sofía, 1994: p. 158
[document] => Array
(
[bibTex] => @misc{Museo1994, title = {Dalí joven, 1918-1930}, publisher = {Museo Nacional Centro de Arte Reina Sofía}, address = {[Madrid]}, year = {1994}, date = {1994}, entryorder = {1994-01-01} }
[label] => FGSD-D-019880 - Dalí joven, 1918-1930, Museo Nacional Centro de Arte Reina Sofía, 1994
[hierarchy] => Array
(
[0] => Array
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[label] => FGSD-D-019880 - Dalí joven, 1918-1930, Museo Nacional Centro de Arte Reina Sofía, 1994
[$public] =>
[$slug] => 19880
)
)
[$slug] => 19880
[href] => /coeli/FGSD/HeritageObject/a83db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 158
)
[9] => Array
(
[display] => FGSD-D-015755 - 400 obres de Salvador Dalí del 1914 al 1983, Obra Cultural de la Caixa de Pensions, 1983: p. 40 [Se ha utilizado otro ID para PDF. El ID19353]
[document] => Array
(
[bibTex] => @misc{Obra1983, title = {400 obres de Salvador Dalí del 1914 al 1983}, publisher = {Obra Cultural de la Caixa de Pensions}, address = {[Madrid]}, year = {1983}, date = {1983}, entryorder = {1983-01-01} }
[label] => FGSD-D-015755 - 400 obres de Salvador Dalí del 1914 al 1983, Obra Cultural de la Caixa de Pensions, 1983
[hierarchy] => Array
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[label] => FGSD-D-015755 - 400 obres de Salvador Dalí del 1914 al 1983, Obra Cultural de la Caixa de Pensions, 1983
[$public] =>
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)
[$slug] => 15755
[href] => /coeli/FGSD/HeritageObject/c12db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 40
[remarks] => Se ha utilizado otro ID para PDF. El ID19353
)
[10] => Array
(
[display] => FGSD-D-019390 - Vida secreta de Salvador Dalí, Salvador Dalí, Poseidón, 1944: p. 246 [NO PUBLICAR. Documentación associado texto]
[document] => Array
(
[bibTex] => @misc{Dalí1944, title = {Vida secreta de Salvador Dalí}, author = {Salvador Dalí}, publisher = {Poseidón}, address = {Buenos Aires}, year = {1944}, date = {1944}, entryorder = {1944-01-01} }
[label] => FGSD-D-019390 - Vida secreta de Salvador Dalí, Salvador Dalí, Poseidón, 1944
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[label] => FGSD-D-019390 - Vida secreta de Salvador Dalí, Salvador Dalí, Poseidón, 1944
[$public] =>
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)
)
[$slug] => 19390
[href] => /coeli/FGSD/HeritageObject/c03bb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 246
[remarks] => NO PUBLICAR. Documentación associado texto
)
)
[$metadata] => Array
(
[updatedAt] => 2026-06-17T10:03:31.893513003Z
[self] => Array
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[version] => 56
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[publishedAt] => 2026-06-10T11:58:22.037883925Z
[type] => HeritageObject
[slugs] => Array
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[collection] => Array
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[label] => OG CONJUNTS
[hierarchy] => Array
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[webText] => Pepín Vello is part of a group of works created from 1925 onwards by Dalí for a book project conceived with Federico García Lorca, entitled Los Putrefactos (The Putrefied), which was never completed. Unlike his other Putrefactos – drawings executed primarily in ink – Dalí incorporated the monotype technique into the creation of this hybrid work on laid paper. To achieve this, he applied a blended, greasy ink to a smooth plate, which he then pressed onto the underlying drawing. This deliberate intervention introduces an enigmatic and evocative element, reminiscent of the hazy, smoky atmosphere of the café gatherings the artist frequented during his ‘Madrid Period’ between 1922 and 1926.
The work is dedicated ‘to Pepín Vello, affectionately Salvador Dalí 1925’. Pepín Vello was the nickname of José Bello Lasierra, a close friend of Dalí, Federico García Lorca, and Luis Buñuel – (1) a group that Dalí himself would later describe as ‘nonconformist, strident, and revolutionary’ (2) in his autobiography, The Secret Life. There are two other Putrefactos with the nickname Pepín: A Pepín, (3) and Crucifixión I, (4) both in the Museo Nacional Centro de Arte Reina Sofía in Madrid and dated 1925.
__________
(1) … [and] José María Hinojosa, Juan Vicense, Emilio Prados, among others. Querido Salvador, Querido Lorquito, Barcelona, Editorial Elba, 2013, p. 17.
(2) Dalí, S., Vida Secreta, Editorial Poseidón, 1944, p. 246.
(3) A Pepín, Putrefactos series, 1925, MNCARS.
(4) Crucifixión I, Putrefactos series, 1925, MNCARS.
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[webText] => The 1925 ex libris bookplate was commissioned by Josep Puig Pujades (1883-1949), a writer and politician from Figueres. Dalí produced several proposals in India ink, as shown by the known preliminary studies, some of which are dated. (1) He was ultimately inspired by the words of ‘L’Empordà’, a Catalan sardana from 1908 with music by Enric Morera and lyrics by Joan Maragall, which tells the story of the love between a mermaid and a shepherd and is regarded as a mythic symbol of the birth of the Empordà region. Dalí, whose family were great sardana enthusiasts, knew these lines by heart.
The final ink drawing was reproduced using letterpress printing on coated paper at a local printing firm in Figueres.
Josep Puig Pujades, Dalí’s first patron, anticipated his future success in an article published under the pseudonym Puvis in Empordà Federal on 11 January 1919, in which he predicted a great future for the young artist. (2) Puig Pujades was a prominent Republican leader during the Spanish Civil War. At the end of the conflict he was forced into exile in France, and died in Perpignan in 1949.
__________
(1) El País de Dalí, Figueres, Museo del Empordà, 2004, Ills. 29-31, p. 54-55.
(2) Empordà Federal, weekly paper of the UFNR (Republican Nationalist Federal Union), 11.01.1919 [Biblioteca de Figueres].
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[label] => FGSD-D-024250 - Dalí : afinidades electivas, Generalitat de Catalunya. Departament de Cultura., 2004
[hierarchy] => Array
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[href] => /coeli/FGSD/HeritageObject/70be30c1-42ec-e411-9471-00155d647f0b
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[$public] =>
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[href] => /coeli/FGSD/HeritageObject/70be30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 454
)
[4] => Array
(
[display] => FGSD-D-015759 - Salvador Dalí: rétrospective, 1920-1980, Centre Georges Pompidou, Musée National d'Art moderne, 1979: p. 133
[document] => Array
(
[bibTex] => @misc{Centre1979, title = {Salvador Dalí: rétrospective, 1920-1980}, publisher = {Centre Georges Pompidou, Musée National d'Art moderne}, address = {Paris}, year = {1979}, date = {1979}, entryorder = {1979-01-01} }
[label] => FGSD-D-015759 - Salvador Dalí: rétrospective, 1920-1980, Centre Georges Pompidou, Musée National d'Art moderne, 1979
[hierarchy] => Array
(
[0] => Array
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[href] => /coeli/FGSD/HeritageObject/c52db7c0-42ec-e411-9471-00155d647f0b
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[$public] =>
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[$slug] => 15759
[href] => /coeli/FGSD/HeritageObject/c52db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 133
)
[5] => Array
(
[display] => FGSD-D-019880 - Dalí joven, 1918-1930, Museo Nacional Centro de Arte Reina Sofía, 1994: p. 41
[document] => Array
(
[bibTex] => @misc{Museo1994, title = {Dalí joven, 1918-1930}, publisher = {Museo Nacional Centro de Arte Reina Sofía}, address = {[Madrid]}, year = {1994}, date = {1994}, entryorder = {1994-01-01} }
[label] => FGSD-D-019880 - Dalí joven, 1918-1930, Museo Nacional Centro de Arte Reina Sofía, 1994
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/a83db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019880 - Dalí joven, 1918-1930, Museo Nacional Centro de Arte Reina Sofía, 1994
[$public] =>
[$slug] => 19880
)
)
[$slug] => 19880
[href] => /coeli/FGSD/HeritageObject/a83db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 41
)
[6] => Array
(
[display] => FGSD-D-020109 - André Breton, la beauté convulsive, Centre Georges Pompidou, 1991: p. 288
[document] => Array
(
[bibTex] => @misc{Centre1991, title = {André Breton, la beauté convulsive}, publisher = {Centre Georges Pompidou}, address = {Paris}, year = {1991}, date = {1991}, entryorder = {1991-01-01} }
[label] => FGSD-D-020109 - André Breton, la beauté convulsive, Centre Georges Pompidou, 1991
[hierarchy] => Array
(
[0] => Array
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[href] => /coeli/FGSD/HeritageObject/8d3eb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-020109 - André Breton, la beauté convulsive, Centre Georges Pompidou, 1991
[$public] =>
[$slug] => 20109
)
)
[$slug] => 20109
[href] => /coeli/FGSD/HeritageObject/8d3eb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 288
)
[7] => Array
(
[display] => FGSD-D-047349 - André Breton : 42, rue Fontaine : livres I, Calmels Cohen, 2003: p. 71
[document] => Array
(
[bibTex] => @misc{Calmels2003, title = {André Breton : 42, rue Fontaine : livres I}, publisher = {Calmels Cohen}, address = {Paris}, year = {2003}, date = {2003}, entryorder = {2003-01-01} }
[label] => FGSD-D-047349 - André Breton : 42, rue Fontaine : livres I, Calmels Cohen, 2003
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/114a13c2-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-047349 - André Breton : 42, rue Fontaine : livres I, Calmels Cohen, 2003
[$public] =>
[$slug] => 47349
)
)
[$slug] => 47349
[href] => /coeli/FGSD/HeritageObject/114a13c2-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 71
)
[8] => Array
(
[display] => FGSD-D-022250 - Cento libri surrealisti, Centro Di, 1996: p. 84
[document] => Array
(
[bibTex] => @misc{Centro1996, title = {Cento libri surrealisti}, publisher = {Centro Di}, address = {Firenze}, year = {1996}, date = {1996}, entryorder = {1996-01-01} }
[label] => FGSD-D-022250 - Cento libri surrealisti, Centro Di, 1996
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/b4b630c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022250 - Cento libri surrealisti, Centro Di, 1996
[$public] =>
[$slug] => 22250
)
)
[$slug] => 22250
[href] => /coeli/FGSD/HeritageObject/b4b630c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 84
)
[9] => Array
(
[display] => FGSD-D-015745 - Dalí, Dawn Ades, Thames and Hudson, 1982: p. 88
[document] => Array
(
[bibTex] => @misc{Ades1982, title = {Dalí}, author = {Dawn Ades}, publisher = {Thames and Hudson}, address = {London}, year = {1982}, date = {1982}, entryorder = {1982-01-01} }
[label] => FGSD-D-015745 - Dalí, Dawn Ades, Thames and Hudson, 1982
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/b72db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-015745 - Dalí, Dawn Ades, Thames and Hudson, 1982
[$public] =>
[$slug] => 15745
)
)
[$slug] => 15745
[href] => /coeli/FGSD/HeritageObject/b72db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 88
)
[10] => Array
(
[display] => FGSD-D-019886 - Dalí and his books, Generalitat de Catalunya, 1987: p. 37
[document] => Array
(
[bibTex] => @misc{Generalitat1987, title = {Dalí and his books}, publisher = {Generalitat de Catalunya}, address = {[Barcelona]}, year = {1987}, date = {1987}, entryorder = {1987-01-01} }
[label] => FGSD-D-019886 - Dalí and his books, Generalitat de Catalunya, 1987
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/ae3db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019886 - Dalí and his books, Generalitat de Catalunya, 1987
[$public] =>
[$slug] => 19886
)
)
[$slug] => 19886
[href] => /coeli/FGSD/HeritageObject/ae3db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 37
)
[11] => Array
(
[display] => FGSD-D-019525 - Dalí et les poètes, Salvador Dalí (il.), Filipacchi, 1971: p. 19
[document] => Array
(
[bibTex] => @misc{Dalí1971, title = {Dalí et les poètes}, author = {Salvador Dalí (il.)}, publisher = {Filipacchi}, address = {Paris}, year = {1971}, date = {1971}, entryorder = {1971-01-01} }
[label] => FGSD-D-019525 - Dalí et les poètes, Salvador Dalí (il.), Filipacchi, 1971
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/453cb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019525 - Dalí et les poètes, Salvador Dalí (il.), Filipacchi, 1971
[$public] =>
[$slug] => 19525
)
)
[$slug] => 19525
[href] => /coeli/FGSD/HeritageObject/453cb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 19
)
[12] => Array
(
[display] => FGSD-D-023089 - El Fenómeno del éxtasis, Juan José Lahuerta, Siruela, 2004: p. 93
[document] => Array
(
[bibTex] => @misc{Lahuerta2004, title = {El Fenómeno del éxtasis}, author = {Juan José Lahuerta}, publisher = {Siruela}, address = {Madrid}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023089 - El Fenómeno del éxtasis, Juan José Lahuerta, Siruela, 2004
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/efb930c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023089 - El Fenómeno del éxtasis, Juan José Lahuerta, Siruela, 2004
[$public] =>
[$slug] => 23089
)
)
[$slug] => 23089
[href] => /coeli/FGSD/HeritageObject/efb930c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 93
)
[13] => Array
(
[display] => FGSD-D-022811 - La Révolution surréaliste, Éditions du Centre Pompidou, 2002: p. 190
[document] => Array
(
[bibTex] => @misc{Éditions2002, title = {La Révolution surréaliste}, publisher = {Éditions du Centre Pompidou}, address = {Paris}, year = {2002}, date = {2002}, entryorder = {2002-01-01} }
[label] => FGSD-D-022811 - La Révolution surréaliste, Éditions du Centre Pompidou, 2002
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/dfb830c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022811 - La Révolution surréaliste, Éditions du Centre Pompidou, 2002
[$public] =>
[$slug] => 22811
)
)
[$slug] => 22811
[href] => /coeli/FGSD/HeritageObject/dfb830c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 190
)
[14] => Array
(
[display] => FGSD-D-023682 - Salvador Dalí: an illustrated life, Tate Publishing, Fundació Gala-Salvador Dalí, Sociedad Estatal de Conmemoraciones Culturales - Ministerio de Cultura, 2007: p. 73
[document] => Array
(
[bibTex] => @misc{Tate2007, title = {Salvador Dalí: an illustrated life}, publisher = {Tate Publishing, Fundació Gala-Salvador Dalí, Sociedad Estatal de Conmemoraciones Culturales - Ministerio de Cultura}, address = {[Madrid], [Figueres], London}, year = {2007}, date = {2007}, entryorder = {2007-01-01} }
[label] => FGSD-D-023682 - Salvador Dalí: an illustrated life, Tate Publishing, Fundació Gala-Salvador Dalí, Sociedad Estatal de Conmemoraciones Culturales - Ministerio de Cultura, 2007
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/3dbc30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023682 - Salvador Dalí: an illustrated life, Tate Publishing, Fundació Gala-Salvador Dalí, Sociedad Estatal de Conmemoraciones Culturales - Ministerio de Cultura, 2007
[$public] =>
[$slug] => 23682
)
)
[$slug] => 23682
[href] => /coeli/FGSD/HeritageObject/3dbc30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 73
)
[15] => Array
(
[display] => FGSD-D-023131 - Dali : le grand paranoïaque, Jean-Louis Gaillemin, Découvertes Gallimard Arts, 2004: p. 59
[document] => Array
(
[bibTex] => @misc{Gaillemin2004, title = {Dali : le grand paranoïaque}, author = {Jean-Louis Gaillemin}, publisher = {Découvertes Gallimard Arts}, address = {Paris}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023131 - Dali : le grand paranoïaque, Jean-Louis Gaillemin, Découvertes Gallimard Arts, 2004
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/19ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023131 - Dali : le grand paranoïaque, Jean-Louis Gaillemin, Découvertes Gallimard Arts, 2004
[$public] =>
[$slug] => 23131
)
)
[$slug] => 23131
[href] => /coeli/FGSD/HeritageObject/19ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 59
)
[16] => Array
(
[display] => FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994: p. 45, 187
[document] => Array
(
[bibTex] => @misc{South1994, title = {Salvador Dalí: the early years}, publisher = {South Bank Centre}, address = {[London]}, year = {1994}, date = {1994}, entryorder = {1994-01-01} }
[label] => FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/c23db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994
[$public] =>
[$slug] => 19906
)
)
[$slug] => 19906
[href] => /coeli/FGSD/HeritageObject/c23db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 45, 187
)
[17] => Array
(
[display] => FGSD-D-019315 - El Caso Salvador Dalí, Fleur Cowles, Noguer, 1959: p. 337
[document] => Array
(
[bibTex] => @misc{Cowles1959, title = {El Caso Salvador Dalí}, author = {Fleur Cowles}, publisher = {Noguer}, address = {Barcelona - México}, year = {1959}, date = {1959}, entryorder = {1959-01-01} }
[label] => FGSD-D-019315 - El Caso Salvador Dalí, Fleur Cowles, Noguer, 1959
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/753bb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019315 - El Caso Salvador Dalí, Fleur Cowles, Noguer, 1959
[$public] =>
[$slug] => 19315
)
)
[$slug] => 19315
[href] => /coeli/FGSD/HeritageObject/753bb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 337
)
[18] => Array
(
[display] => FGSD-D-015724 - Salvador Dalí, James Thrall Soby, The Museum of Modern Art, 1941: p. 77 [Se ha utilizado otro ID para PDF. El ID 23680]
[document] => Array
(
[bibTex] => @misc{Soby1941, title = {Salvador Dalí}, author = {James Thrall Soby}, publisher = {The Museum of Modern Art}, address = {New York}, year = {1941}, date = {1941}, entryorder = {1941-01-01} }
[label] => FGSD-D-015724 - Salvador Dalí, James Thrall Soby, The Museum of Modern Art, 1941
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/a22db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-015724 - Salvador Dalí, James Thrall Soby, The Museum of Modern Art, 1941
[$public] =>
[$slug] => 15724
)
)
[$slug] => 15724
[href] => /coeli/FGSD/HeritageObject/a22db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 77
[remarks] => Se ha utilizado otro ID para PDF. El ID 23680
)
[19] => Array
(
[display] => FGSD-D-023653 - Paintings, drawings, and sculpture from the Julien Levy collection, Sotheby's Parke Bernet, 1981: p. 76 [No publicar]
[document] => Array
(
[bibTex] => @misc{Sotheby's1981, title = {Paintings, drawings, and sculpture from the Julien Levy collection}, publisher = {Sotheby's Parke Bernet}, address = {New York}, year = {1981}, date = {1981}, entryorder = {1981-01-01} }
[label] => FGSD-D-023653 - Paintings, drawings, and sculpture from the Julien Levy collection, Sotheby's Parke Bernet, 1981
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/20bc30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023653 - Paintings, drawings, and sculpture from the Julien Levy collection, Sotheby's Parke Bernet, 1981
[$public] =>
[$slug] => 23653
)
)
[$slug] => 23653
[href] => /coeli/FGSD/HeritageObject/20bc30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 76
[remarks] => No publicar
)
[20] => Array
(
[display] => FGSD-D-054858 - Salvador Dalí : a guide to his works in public museums, The Dalí Museum, 1973: p. s. p.
[document] => Array
(
[bibTex] => @misc{TheDalí1973, title = {Salvador Dalí : a guide to his works in public museums}, publisher = {The Dalí Museum}, address = {Cleveland [Ohio]}, year = {1973}, date = {1973}, entryorder = {1973-01-01} }
[label] => FGSD-D-054858 - Salvador Dalí : a guide to his works in public museums, The Dalí Museum, 1973
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/13052b91-1d8d-e511-9482-00155d647f0b
[label] => FGSD-D-054858 - Salvador Dalí : a guide to his works in public museums, The Dalí Museum, 1973
[$public] =>
[$slug] => 54858
)
)
[$slug] => 54858
[href] => /coeli/FGSD/HeritageObject/13052b91-1d8d-e511-9482-00155d647f0b
[$public] =>
)
[page] => s. p.
)
[21] => Array
(
[display] => FGSD-D-019895 - La Vie publique de Salvador Dalí, Centre Georges Pompidou, Musée National d'Art moderne, 1980: p. 24 [Se ha utilizado otro ID para PDF. El ID15757]
[document] => Array
(
[bibTex] => @misc{Centre1980, title = {La Vie publique de Salvador Dalí}, publisher = {Centre Georges Pompidou, Musée National d'Art moderne}, address = {Paris}, year = {1980}, date = {1980}, entryorder = {1980-01-01} }
[label] => FGSD-D-019895 - La Vie publique de Salvador Dalí, Centre Georges Pompidou, Musée National d'Art moderne, 1980
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/b73db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019895 - La Vie publique de Salvador Dalí, Centre Georges Pompidou, Musée National d'Art moderne, 1980
[$public] =>
[$slug] => 19895
)
)
[$slug] => 19895
[href] => /coeli/FGSD/HeritageObject/b73db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 24
[remarks] => Se ha utilizado otro ID para PDF. El ID15757
)
[22] => Array
(
[display] => FGSD-D-020060 - Dalí, els anys joves : 1918-1930, Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí, 1995: p. 41
[document] => Array
(
[bibTex] => @misc{Generalitat1995, title = {Dalí, els anys joves : 1918-1930}, publisher = {Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí}, address = {Figueres, [Barcelona]}, year = {1995}, date = {1995}, entryorder = {1995-01-01} }
[label] => FGSD-D-020060 - Dalí, els anys joves : 1918-1930, Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí, 1995
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/5c3eb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-020060 - Dalí, els anys joves : 1918-1930, Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí, 1995
[$public] =>
[$slug] => 20060
)
)
[$slug] => 20060
[href] => /coeli/FGSD/HeritageObject/5c3eb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 41
)
[23] => Array
(
[display] => FGSD-D-019832 - Salvador Dalí, 1904-1989, Gerd Hatje, 1989: p. 80, p. 470 [Existe PDF adicionales en carpeta repetidos con ID21475]
[document] => Array
(
[bibTex] => @misc{Gerd1989, title = {Salvador Dalí, 1904-1989}, publisher = {Gerd Hatje}, address = {Stuttgart}, year = {1989}, date = {1989}, entryorder = {1989-01-01} }
[label] => FGSD-D-019832 - Salvador Dalí, 1904-1989, Gerd Hatje, 1989
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/783db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019832 - Salvador Dalí, 1904-1989, Gerd Hatje, 1989
[$public] =>
[$slug] => 19832
)
)
[$slug] => 19832
[href] => /coeli/FGSD/HeritageObject/783db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 80, p. 470
[remarks] => Existe PDF adicionales en carpeta repetidos con ID21475
)
[24] => Array
(
[display] => FGSD-D-015618 - Salvador Dalí: retrospektive, 1920-1980, Prestel, 1980: p. 133
[document] => Array
(
[bibTex] => @misc{Prestel1980, title = {Salvador Dalí: retrospektive, 1920-1980}, publisher = {Prestel}, address = {München}, year = {1980}, date = {1980}, entryorder = {1980-01-01} }
[label] => FGSD-D-015618 - Salvador Dalí: retrospektive, 1920-1980, Prestel, 1980
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/3a2db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-015618 - Salvador Dalí: retrospektive, 1920-1980, Prestel, 1980
[$public] =>
[$slug] => 15618
)
)
[$slug] => 15618
[href] => /coeli/FGSD/HeritageObject/3a2db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 133
)
[25] => Array
(
[display] => FGSD-D-015710 - The Case of Salvador Dalí, Fleur Cowles, Little, Brown, 1959: p. 240 i 241
[document] => Array
(
[bibTex] => @misc{Cowles1959, title = {The Case of Salvador Dalí}, author = {Fleur Cowles}, publisher = {Little, Brown}, address = {Boston, Toronto}, year = {1959}, date = {1959}, entryorder = {1959-01-01} }
[label] => FGSD-D-015710 - The Case of Salvador Dalí, Fleur Cowles, Little, Brown, 1959
[hierarchy] => Array
(
[0] => Array
(
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[webText] => Soon after Salvador Dalí joined the Surrealist group he was commissioned to create the frontispiece for the Second manifeste du surréalisme by the French poet André Breton. (1) For this illustration, Dalí made a drawing in pen and India ink and gouache, which was later reproduced in typography with stencil (pochoir) highlights.
In the Second manifeste du surréalisme, Breton denounces the hypocrisy of society and asserts the need to rebel against the established order. In his text, the poet praises Lautréamont’s prose poem, Les Chants de Maldoror, which so inspired the Surrealists, and champions the freedom of imagination and thought, declaring: ‘The man who was mistakenly intimidated by a few monstrous historical failures is still free to believe in his freedom.’ (2)
The book was published in a limited edition for the Club des Soixante by Éditions Kra of Paris, and according to the colophon, it was printed on June 20, 1930.
__________
(1) The text was previously published in the twelfth and final issue of La Révolution surréaliste, 15 December 1929.
(2) P.81-82.
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[label] => FGSD-D-024077 - Dalí et le dynamisme des formes : l'élaboration de l'activité "paranoïaque-critique" dans le contexte socioculturel des années 1920-1930, Astrid Ruffa, Les Presses du réel, 2009
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[label] => FGSD-D-022026 - Salvador Dalí, 1904 -1989, Robert Descharnes, Gilles Néret, Benedikt Taschen, 1994
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[display] => FGSD-D-024250 - Dalí : afinidades electivas, Generalitat de Catalunya. Departament de Cultura., 2004: p. 452, p. 454
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[label] => FGSD-D-024250 - Dalí : afinidades electivas, Generalitat de Catalunya. Departament de Cultura., 2004
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[display] => FGSD-D-019878 - 400 obras de Salvador Dalí de 1914 a 1983, Obra Cultural de la Caixa de Pensions, 1983: p. 93
[document] => Array
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[bibTex] => @misc{Obra1983, title = {400 obras de Salvador Dalí de 1914 a 1983}, publisher = {Obra Cultural de la Caixa de Pensions}, address = {[Madrid]}, year = {1983}, date = {1983}, entryorder = {1983-01-01} }
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[page] => 93
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[display] => FGSD-D-022810 - Dalí il·lustrador : Salvador Dalí, 1904-1989, Govern d'Andorra. Ministeri de Turisme i Cultura, 2001: p. 68
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[document] => Array
(
[bibTex] => @misc{Obra1983, title = {400 obres de Salvador Dalí del 1914 al 1983}, publisher = {Obra Cultural de la Caixa de Pensions}, address = {[Madrid]}, year = {1983}, date = {1983}, entryorder = {1983-01-01} }
[label] => FGSD-D-015755 - 400 obres de Salvador Dalí del 1914 al 1983, Obra Cultural de la Caixa de Pensions, 1983
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/c12db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-015755 - 400 obres de Salvador Dalí del 1914 al 1983, Obra Cultural de la Caixa de Pensions, 1983
[$public] =>
[$slug] => 15755
)
)
[$slug] => 15755
[href] => /coeli/FGSD/HeritageObject/c12db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 93
[remarks] => Se ha utilizado otro ID para PDF. El ID 19353
)
[10] => Array
(
[display] => FGSD-D-015759 - Salvador Dalí: rétrospective, 1920-1980, Centre Georges Pompidou, Musée National d'Art moderne, 1979: p. 136
[document] => Array
(
[bibTex] => @misc{Centre1979, title = {Salvador Dalí: rétrospective, 1920-1980}, publisher = {Centre Georges Pompidou, Musée National d'Art moderne}, address = {Paris}, year = {1979}, date = {1979}, entryorder = {1979-01-01} }
[label] => FGSD-D-015759 - Salvador Dalí: rétrospective, 1920-1980, Centre Georges Pompidou, Musée National d'Art moderne, 1979
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/c52db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-015759 - Salvador Dalí: rétrospective, 1920-1980, Centre Georges Pompidou, Musée National d'Art moderne, 1979
[$public] =>
[$slug] => 15759
)
)
[$slug] => 15759
[href] => /coeli/FGSD/HeritageObject/c52db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 136
)
[11] => Array
(
[display] => FGSD-D-019880 - Dalí joven, 1918-1930, Museo Nacional Centro de Arte Reina Sofía, 1994: p. 43
[document] => Array
(
[bibTex] => @misc{Museo1994, title = {Dalí joven, 1918-1930}, publisher = {Museo Nacional Centro de Arte Reina Sofía}, address = {[Madrid]}, year = {1994}, date = {1994}, entryorder = {1994-01-01} }
[label] => FGSD-D-019880 - Dalí joven, 1918-1930, Museo Nacional Centro de Arte Reina Sofía, 1994
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/a83db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019880 - Dalí joven, 1918-1930, Museo Nacional Centro de Arte Reina Sofía, 1994
[$public] =>
[$slug] => 19880
)
)
[$slug] => 19880
[href] => /coeli/FGSD/HeritageObject/a83db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 43
)
[12] => Array
(
[display] => FGSD-D-023453 - Dalí, Rizzoli, 2005: p. 136
[document] => Array
(
[bibTex] => @misc{Rizzoli2005, title = {Dalí}, publisher = {Rizzoli}, address = {New York}, year = {2005}, date = {2005}, entryorder = {2005-01-01} }
[label] => FGSD-D-023453 - Dalí, Rizzoli, 2005
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/5abb30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023453 - Dalí, Rizzoli, 2005
[$public] =>
[$slug] => 23453
)
)
[$slug] => 23453
[href] => /coeli/FGSD/HeritageObject/5abb30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 136
)
[13] => Array
(
[display] => FGSD-D-022095 - ADLAN i el circ frediani (jocs icaris), Patronat Municipal de Cultura de Mataró, 1997: p. 79
[document] => Array
(
[bibTex] => @misc{Patronat1997, title = {ADLAN i el circ frediani (jocs icaris)}, publisher = {Patronat Municipal de Cultura de Mataró}, address = {Mataró}, year = {1997}, date = {1997}, entryorder = {1997-01-01} }
[label] => FGSD-D-022095 - ADLAN i el circ frediani (jocs icaris), Patronat Municipal de Cultura de Mataró, 1997
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/19b630c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022095 - ADLAN i el circ frediani (jocs icaris), Patronat Municipal de Cultura de Mataró, 1997
[$public] =>
[$slug] => 22095
)
)
[$slug] => 22095
[href] => /coeli/FGSD/HeritageObject/19b630c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 79
)
[14] => Array
(
[display] => FGSD-D-022250 - Cento libri surrealisti, Centro Di, 1996: p. 87
[document] => Array
(
[bibTex] => @misc{Centro1996, title = {Cento libri surrealisti}, publisher = {Centro Di}, address = {Firenze}, year = {1996}, date = {1996}, entryorder = {1996-01-01} }
[label] => FGSD-D-022250 - Cento libri surrealisti, Centro Di, 1996
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/b4b630c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022250 - Cento libri surrealisti, Centro Di, 1996
[$public] =>
[$slug] => 22250
)
)
[$slug] => 22250
[href] => /coeli/FGSD/HeritageObject/b4b630c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 87
)
[15] => Array
(
[display] => FGSD-D-023070 - Dalí. Cultura de masses, Fundació La Caixa, Fundació Gala-Salvador Dalí, 2004: p. 20 [Se ha utilizado otro ID para PDF. El ID23484]
[document] => Array
(
[bibTex] => @misc{Fundació2004, title = {Dalí. Cultura de masses}, publisher = {Fundació La Caixa, Fundació Gala-Salvador Dalí}, address = {Figueres, Barcelona}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023070 - Dalí. Cultura de masses, Fundació La Caixa, Fundació Gala-Salvador Dalí, 2004
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/dcb930c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023070 - Dalí. Cultura de masses, Fundació La Caixa, Fundació Gala-Salvador Dalí, 2004
[$public] =>
[$slug] => 23070
)
)
[$slug] => 23070
[href] => /coeli/FGSD/HeritageObject/dcb930c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 20
[remarks] => Se ha utilizado otro ID para PDF. El ID23484
)
[16] => Array
(
[display] => FGSD-D-021647 - Dalí e i libri, Generalitat de Catalunya. Departament de Cultura i Mitjans de Comunicació, 1982: p. 14
[document] => Array
(
[bibTex] => @misc{Generalitat1982, title = {Dalí e i libri}, publisher = {Generalitat de Catalunya. Departament de Cultura i Mitjans de Comunicació}, address = {[Barcelona]}, year = {1982}, date = {1982}, entryorder = {1982-01-01} }
[label] => FGSD-D-021647 - Dalí e i libri, Generalitat de Catalunya. Departament de Cultura i Mitjans de Comunicació, 1982
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/5db430c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-021647 - Dalí e i libri, Generalitat de Catalunya. Departament de Cultura i Mitjans de Comunicació, 1982
[$public] =>
[$slug] => 21647
)
)
[$slug] => 21647
[href] => /coeli/FGSD/HeritageObject/5db430c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 14
)
[17] => Array
(
[display] => FGSD-D-019525 - Dalí et les poètes, Salvador Dalí (il.), Filipacchi, 1971: p. 13
[document] => Array
(
[bibTex] => @misc{Dalí1971, title = {Dalí et les poètes}, author = {Salvador Dalí (il.)}, publisher = {Filipacchi}, address = {Paris}, year = {1971}, date = {1971}, entryorder = {1971-01-01} }
[label] => FGSD-D-019525 - Dalí et les poètes, Salvador Dalí (il.), Filipacchi, 1971
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/453cb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019525 - Dalí et les poètes, Salvador Dalí (il.), Filipacchi, 1971
[$public] =>
[$slug] => 19525
)
)
[$slug] => 19525
[href] => /coeli/FGSD/HeritageObject/453cb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 13
)
[18] => Array
(
[display] => FGSD-D-024203 - Dalís medienspiele: falsche fährten und paranoische selbstinszenierungen in den künsten, Transcript, 2007: p. 166
[document] => Array
(
[bibTex] => @misc{Transcript2007, title = {Dalís medienspiele: falsche fährten und paranoische selbstinszenierungen in den künsten}, publisher = {Transcript}, address = {Bielefeld}, year = {2007}, date = {2007}, entryorder = {2007-01-01} }
[label] => FGSD-D-024203 - Dalís medienspiele: falsche fährten und paranoische selbstinszenierungen in den künsten, Transcript, 2007
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/42be30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-024203 - Dalís medienspiele: falsche fährten und paranoische selbstinszenierungen in den künsten, Transcript, 2007
[$public] =>
[$slug] => 24203
)
)
[$slug] => 24203
[href] => /coeli/FGSD/HeritageObject/42be30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 166
)
[19] => Array
(
[display] => FGSD-D-023333 - Dallibres, Montse Aguer i Teixidor, Distribucions d'Art Surrealista, 2005: p. 118-119 [Se ha utilizado otro ID para PDF. El ID23376. Paginas revisadas JM-19,07,2020]
[document] => Array
(
[bibTex] => @misc{Aguer2005, title = {Dallibres}, author = {Montse Aguer i Teixidor}, publisher = {Distribucions d'Art Surrealista}, address = {[Figueres]}, year = {2005}, date = {2005}, entryorder = {2005-01-01} }
[label] => FGSD-D-023333 - Dallibres, Montse Aguer i Teixidor, Distribucions d'Art Surrealista, 2005
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/e2ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023333 - Dallibres, Montse Aguer i Teixidor, Distribucions d'Art Surrealista, 2005
[$public] =>
[$slug] => 23333
)
)
[$slug] => 23333
[href] => /coeli/FGSD/HeritageObject/e2ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 118-119
[remarks] => Se ha utilizado otro ID para PDF. El ID23376. Paginas revisadas JM-19,07,2020
)
[20] => Array
(
[display] => FGSD-D-023089 - El Fenómeno del éxtasis, Juan José Lahuerta, Siruela, 2004: p. 105
[document] => Array
(
[bibTex] => @misc{Lahuerta2004, title = {El Fenómeno del éxtasis}, author = {Juan José Lahuerta}, publisher = {Siruela}, address = {Madrid}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023089 - El Fenómeno del éxtasis, Juan José Lahuerta, Siruela, 2004
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/efb930c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023089 - El Fenómeno del éxtasis, Juan José Lahuerta, Siruela, 2004
[$public] =>
[$slug] => 23089
)
)
[$slug] => 23089
[href] => /coeli/FGSD/HeritageObject/efb930c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 105
)
[21] => Array
(
[display] => FGSD-D-021812 - Dalí : genius, obsession and lust, Ralf Schiebler, Prestel, 1996: p. 53
[document] => Array
(
[bibTex] => @misc{Schiebler1996, title = {Dalí : genius, obsession and lust}, author = {Ralf Schiebler}, publisher = {Prestel}, address = {Munich - New York}, year = {1996}, date = {1996}, entryorder = {1996-01-01} }
[label] => FGSD-D-021812 - Dalí : genius, obsession and lust, Ralf Schiebler, Prestel, 1996
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/00b530c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-021812 - Dalí : genius, obsession and lust, Ralf Schiebler, Prestel, 1996
[$public] =>
[$slug] => 21812
)
)
[$slug] => 21812
[href] => /coeli/FGSD/HeritageObject/00b530c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 53
)
[22] => Array
(
[display] => FGSD-D-018536 - A history of eroticism, Lo Duca, Jean-Jacques Pauvert, 1961: p. 194
[document] => Array
(
[bibTex] => @misc{LoDuca1961, title = {A history of eroticism}, author = {Lo Duca}, publisher = {Jean-Jacques Pauvert}, address = {Paris}, year = {1961}, date = {1961}, entryorder = {1961-01-01} }
[label] => FGSD-D-018536 - A history of eroticism, Lo Duca, Jean-Jacques Pauvert, 1961
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/7138b7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-018536 - A history of eroticism, Lo Duca, Jean-Jacques Pauvert, 1961
[$public] =>
[$slug] => 18536
)
)
[$slug] => 18536
[href] => /coeli/FGSD/HeritageObject/7138b7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 194
)
[23] => Array
(
[display] => FGSD-D-023227 - Dalí, Bompiani, 2004: p. 136 [Hay 2 PDF's del mismo libro. El ID23228 foto Gala]
[document] => Array
(
[bibTex] => @misc{Bompiani2004, title = {Dalí}, publisher = {Bompiani}, address = {[Milà]}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023227 - Dalí, Bompiani, 2004
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/78ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023227 - Dalí, Bompiani, 2004
[$public] =>
[$slug] => 23227
)
)
[$slug] => 23227
[href] => /coeli/FGSD/HeritageObject/78ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 136
[remarks] => Hay 2 PDF's del mismo libro. El ID23228 foto Gala
)
[24] => Array
(
[display] => FGSD-D-023838 - Salvador Dalí, Robert Descharnes, Nouvelles Editions Françaises, 1973: p. 50
[document] => Array
(
[bibTex] => @misc{Descharnes1973, title = {Salvador Dalí}, author = {Robert Descharnes}, publisher = {Nouvelles Editions Françaises}, address = {Paris}, year = {1973}, date = {1973}, entryorder = {1973-01-01} }
[label] => FGSD-D-023838 - Salvador Dalí, Robert Descharnes, Nouvelles Editions Françaises, 1973
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/d7bc30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023838 - Salvador Dalí, Robert Descharnes, Nouvelles Editions Françaises, 1973
[$public] =>
[$slug] => 23838
)
)
[$slug] => 23838
[href] => /coeli/FGSD/HeritageObject/d7bc30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 50
)
[25] => Array
(
[display] => FGSD-D-019832 - Salvador Dalí, 1904-1989, Gerd Hatje, 1989: p. 415 [Hay texto p.76 y 414. Y hay PDF adicionales en carpeta repetidos con ID21475 y ID19867]
[document] => Array
(
[bibTex] => @misc{Gerd1989, title = {Salvador Dalí, 1904-1989}, publisher = {Gerd Hatje}, address = {Stuttgart}, year = {1989}, date = {1989}, entryorder = {1989-01-01} }
[label] => FGSD-D-019832 - Salvador Dalí, 1904-1989, Gerd Hatje, 1989
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/783db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019832 - Salvador Dalí, 1904-1989, Gerd Hatje, 1989
[$public] =>
[$slug] => 19832
)
)
[$slug] => 19832
[href] => /coeli/FGSD/HeritageObject/783db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 415
[remarks] => Hay texto p.76 y 414. Y hay PDF adicionales en carpeta repetidos con ID21475 y ID19867
)
[26] => Array
(
[display] => FGSD-D-023916 - Salvador Dalí and the magazines, Montse Aguer i Teixidor, Juan José Lahuerta, Distribucions d'Art Surrealista, 2008: p. 73
[document] => Array
(
[bibTex] => @misc{Aguer2008, title = {Salvador Dalí and the magazines}, author = {Montse Aguer i Teixidor, Juan José Lahuerta}, publisher = {Distribucions d'Art Surrealista}, address = {[Figueres]}, year = {2008}, date = {2008}, entryorder = {2008-01-01} }
[label] => FGSD-D-023916 - Salvador Dalí and the magazines, Montse Aguer i Teixidor, Juan José Lahuerta, Distribucions d'Art Surrealista, 2008
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/25bd30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023916 - Salvador Dalí and the magazines, Montse Aguer i Teixidor, Juan José Lahuerta, Distribucions d'Art Surrealista, 2008
[$public] =>
[$slug] => 23916
)
)
[$slug] => 23916
[href] => /coeli/FGSD/HeritageObject/25bd30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 73
)
[27] => Array
(
[display] => FGSD-D-019895 - La Vie publique de Salvador Dalí, Centre Georges Pompidou, Musée National d'Art moderne, 1980: p. 25 [Se ha utilizado otro ID para PDF. El ID19896]
[document] => Array
(
[bibTex] => @misc{Centre1980, title = {La Vie publique de Salvador Dalí}, publisher = {Centre Georges Pompidou, Musée National d'Art moderne}, address = {Paris}, year = {1980}, date = {1980}, entryorder = {1980-01-01} }
[label] => FGSD-D-019895 - La Vie publique de Salvador Dalí, Centre Georges Pompidou, Musée National d'Art moderne, 1980
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/b73db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019895 - La Vie publique de Salvador Dalí, Centre Georges Pompidou, Musée National d'Art moderne, 1980
[$public] =>
[$slug] => 19895
)
)
[$slug] => 19895
[href] => /coeli/FGSD/HeritageObject/b73db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 25
[remarks] => Se ha utilizado otro ID para PDF. El ID19896
)
[28] => Array
(
[display] => FGSD-D-021886 - Le Surréalisme et l'amour, Gallimard / Electa, Paris-Musées, 1997: p. 57
[document] => Array
(
[bibTex] => @misc{Gallimard1997, title = {Le Surréalisme et l'amour}, publisher = {Gallimard / Electa, Paris-Musées}, address = {Paris, [París], [S.l.]}, year = {1997}, date = {1997}, entryorder = {1997-01-01} }
[label] => FGSD-D-021886 - Le Surréalisme et l'amour, Gallimard / Electa, Paris-Musées, 1997
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/48b530c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-021886 - Le Surréalisme et l'amour, Gallimard / Electa, Paris-Musées, 1997
[$public] =>
[$slug] => 21886
)
)
[$slug] => 21886
[href] => /coeli/FGSD/HeritageObject/48b530c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 57
)
[29] => Array
(
[display] => FGSD-D-020093 - Les Femmes dans le mouvement surréaliste, Whitney Chadwick, Chêne, 1986: p. 38
[document] => Array
(
[bibTex] => @misc{Chadwick1986, title = {Les Femmes dans le mouvement surréaliste}, author = {Whitney Chadwick}, publisher = {Chêne}, address = {Paris}, year = {1986}, date = {1986}, entryorder = {1986-01-01} }
[label] => FGSD-D-020093 - Les Femmes dans le mouvement surréaliste, Whitney Chadwick, Chêne, 1986
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/7d3eb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-020093 - Les Femmes dans le mouvement surréaliste, Whitney Chadwick, Chêne, 1986
[$public] =>
[$slug] => 20093
)
)
[$slug] => 20093
[href] => /coeli/FGSD/HeritageObject/7d3eb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 38
)
[30] => Array
(
[display] => FGSD-D-047004 - Les Mots et les images, Ceuleers & Van de Velde Booksellers, 2004: p. il. 73
[document] => Array
(
[bibTex] => @misc{Ceuleers2004, title = {Les Mots et les images}, publisher = {Ceuleers & Van de Velde Booksellers}, address = {Antwerpen}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-047004 - Les Mots et les images, Ceuleers & Van de Velde Booksellers, 2004
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/b94813c2-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-047004 - Les Mots et les images, Ceuleers & Van de Velde Booksellers, 2004
[$public] =>
[$slug] => 47004
)
)
[$slug] => 47004
[href] => /coeli/FGSD/HeritageObject/b94813c2-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => il. 73
)
[31] => Array
(
[display] => FGSD-D-020198 - Paul, Max et les autres : Paul Eluard et les surréalistes, L'Albaron, Musée d'Art et d´Histoire, 1993: p. 66
[document] => Array
(
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[label] => FGSD-D-020198 - Paul, Max et les autres : Paul Eluard et les surréalistes, L'Albaron, Musée d'Art et d´Histoire, 1993
[hierarchy] => Array
(
[0] => Array
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[label] => FGSD-D-020198 - Paul, Max et les autres : Paul Eluard et les surréalistes, L'Albaron, Musée d'Art et d´Histoire, 1993
[$public] =>
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)
)
[$slug] => 20198
[href] => /coeli/FGSD/HeritageObject/e63eb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 66
)
[32] => Array
(
[display] => FGSD-D-023257 - Dalí una vida de llibre = Dalí a life in books, Destino [etc.], 2004: p. 118
[document] => Array
(
[bibTex] => @misc{Destino2004, title = {Dalí una vida de llibre = Dalí a life in books}, publisher = {Destino [etc.]}, address = {Barcelona}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023257 - Dalí una vida de llibre = Dalí a life in books, Destino [etc.], 2004
[hierarchy] => Array
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[0] => Array
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[href] => /coeli/FGSD/HeritageObject/96ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023257 - Dalí una vida de llibre = Dalí a life in books, Destino [etc.], 2004
[$public] =>
[$slug] => 23257
)
)
[$slug] => 23257
[href] => /coeli/FGSD/HeritageObject/96ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 118
)
[33] => Array
(
[display] => FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994: p. 48
[document] => Array
(
[bibTex] => @misc{South1994, title = {Salvador Dalí: the early years}, publisher = {South Bank Centre}, address = {[London]}, year = {1994}, date = {1994}, entryorder = {1994-01-01} }
[label] => FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994
[hierarchy] => Array
(
[0] => Array
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[href] => /coeli/FGSD/HeritageObject/c23db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994
[$public] =>
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)
)
[$slug] => 19906
[href] => /coeli/FGSD/HeritageObject/c23db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 48
)
[34] => Array
(
[display] => FGSD-D-023518 - Surrealism: two private eyes, the Nesuhi Ertegun and Daniel Filipacchi collections, Guggenheim Museum Publications, 1999: p. 456-459 [dibujos originales y otros relacionados por estar di. bujados en un ejemplar]
[document] => Array
(
[bibTex] => @misc{Guggenheim1999, title = {Surrealism: two private eyes, the Nesuhi Ertegun and Daniel Filipacchi collections}, publisher = {Guggenheim Museum Publications}, address = {New York}, year = {1999}, date = {1999}, entryorder = {1999-01-01} }
[label] => FGSD-D-023518 - Surrealism: two private eyes, the Nesuhi Ertegun and Daniel Filipacchi collections, Guggenheim Museum Publications, 1999
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/9bbb30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023518 - Surrealism: two private eyes, the Nesuhi Ertegun and Daniel Filipacchi collections, Guggenheim Museum Publications, 1999
[$public] =>
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)
)
[$slug] => 23518
[href] => /coeli/FGSD/HeritageObject/9bbb30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 456-459
[remarks] => dibujos originales y otros relacionados por estar di. bujados en un ejemplar
)
[35] => Array
(
[display] => FGSD-D-023335 - It's all Dalí, Museum Boijmans Van Beuningen, 2005: p. 20
[document] => Array
(
[bibTex] => @misc{Museum2005, title = {It's all Dalí}, publisher = {Museum Boijmans Van Beuningen}, address = {Rotterdam}, year = {2005}, date = {2005}, entryorder = {2005-01-01} }
[label] => FGSD-D-023335 - It's all Dalí, Museum Boijmans Van Beuningen, 2005
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/e4ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023335 - It's all Dalí, Museum Boijmans Van Beuningen, 2005
[$public] =>
[$slug] => 23335
)
)
[$slug] => 23335
[href] => /coeli/FGSD/HeritageObject/e4ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 20
)
[36] => Array
(
[display] => FGSD-D-022834 - Salvador Dalí : désirs inassouvis du purisme au surréalisme, 1925-1935, Jean-Louis Gaillemin, La Passage, 2002: p. il. 42, il. 43
[document] => Array
(
[bibTex] => @misc{Gaillemin2002, title = {Salvador Dalí : désirs inassouvis du purisme au surréalisme, 1925-1935}, author = {Jean-Louis Gaillemin}, publisher = {La Passage}, address = {Paris-New York}, year = {2002}, date = {2002}, entryorder = {2002-01-01} }
[label] => FGSD-D-022834 - Salvador Dalí : désirs inassouvis du purisme au surréalisme, 1925-1935, Jean-Louis Gaillemin, La Passage, 2002
[hierarchy] => Array
(
[0] => Array
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[href] => /coeli/FGSD/HeritageObject/f6b830c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022834 - Salvador Dalí : désirs inassouvis du purisme au surréalisme, 1925-1935, Jean-Louis Gaillemin, La Passage, 2002
[$public] =>
[$slug] => 22834
)
)
[$slug] => 22834
[href] => /coeli/FGSD/HeritageObject/f6b830c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => il. 42, il. 43
)
[37] => Array
(
[display] => FGSD-D-022288 - Salvador Dalí, la construcción de la imagen : 1925-1930, Fèlix Fanés, Electa, 1999: p. 173 [Se ha utilizado otro ID para PDF. ID22289]
[document] => Array
(
[bibTex] => @misc{Fanés1999, title = {Salvador Dalí, la construcción de la imagen : 1925-1930}, author = {Fèlix Fanés}, publisher = {Electa}, address = {[Madrid]}, year = {1999}, date = {1999}, entryorder = {1999-01-01} }
[label] => FGSD-D-022288 - Salvador Dalí, la construcción de la imagen : 1925-1930, Fèlix Fanés, Electa, 1999
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/dab630c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022288 - Salvador Dalí, la construcción de la imagen : 1925-1930, Fèlix Fanés, Electa, 1999
[$public] =>
[$slug] => 22288
)
)
[$slug] => 22288
[href] => /coeli/FGSD/HeritageObject/dab630c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 173
[remarks] => Se ha utilizado otro ID para PDF. ID22289
)
[38] => Array
(
[display] => FGSD-D-015936 - Dalí i els llibres, Generalitat de Catalunya. Departament de Cultura., 1982: p. 30 [Se ha utilizado otro ID para PDF. El ID18634]
[document] => Array
(
[bibTex] => @misc{Generalitat1982, title = {Dalí i els llibres}, publisher = {Generalitat de Catalunya. Departament de Cultura.}, address = {Barcelona}, year = {1982}, date = {1982}, entryorder = {1982-01-01} }
[label] => FGSD-D-015936 - Dalí i els llibres, Generalitat de Catalunya. Departament de Cultura., 1982
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/632eb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-015936 - Dalí i els llibres, Generalitat de Catalunya. Departament de Cultura., 1982
[$public] =>
[$slug] => 15936-23f7
)
)
[$slug] => 15936-23f7
[href] => /coeli/FGSD/HeritageObject/632eb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 30
[remarks] => Se ha utilizado otro ID para PDF. El ID18634
)
[39] => Array
(
[display] => FGSD-D-022271 - Dalí a knihy, Generalitat de Catalunya. Departament de Cultura., Mediterrània, 1992: p. 14
[document] => Array
(
[bibTex] => @misc{Generalitat1992, title = {Dalí a knihy}, publisher = {Generalitat de Catalunya. Departament de Cultura., Mediterrània}, address = {Barcelona}, year = {1992}, date = {1992}, entryorder = {1992-01-01} }
[label] => FGSD-D-022271 - Dalí a knihy, Generalitat de Catalunya. Departament de Cultura., Mediterrània, 1992
[hierarchy] => Array
(
[0] => Array
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[href] => /coeli/FGSD/HeritageObject/c9b630c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022271 - Dalí a knihy, Generalitat de Catalunya. Departament de Cultura., Mediterrània, 1992
[$public] =>
[$slug] => 22271
)
)
[$slug] => 22271
[href] => /coeli/FGSD/HeritageObject/c9b630c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 14
)
[40] => Array
(
[display] => FGSD-D-023362 - Dalí, icono y personaje, Laia Rosa Armengol, Cátedra, 2003: p. 185
[document] => Array
(
[bibTex] => @misc{Armengol2003, title = {Dalí, icono y personaje}, author = {Laia Rosa Armengol}, publisher = {Cátedra}, address = {Madrid}, year = {2003}, date = {2003}, entryorder = {2003-01-01} }
[label] => FGSD-D-023362 - Dalí, icono y personaje, Laia Rosa Armengol, Cátedra, 2003
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/ffba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023362 - Dalí, icono y personaje, Laia Rosa Armengol, Cátedra, 2003
[$public] =>
[$slug] => 23362
)
)
[$slug] => 23362
[href] => /coeli/FGSD/HeritageObject/ffba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 185
)
[41] => Array
(
[display] => FGSD-D-019887 - Dalí y los libros, Mediterrània, 1985: p. 26
[document] => Array
(
[bibTex] => @misc{Mediterrània1985, title = {Dalí y los libros}, publisher = {Mediterrània}, address = {[Barcelona]}, year = {1985}, date = {1985}, entryorder = {1985-01-01} }
[label] => FGSD-D-019887 - Dalí y los libros, Mediterrània, 1985
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/af3db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019887 - Dalí y los libros, Mediterrània, 1985
[$public] =>
[$slug] => 19887
)
)
[$slug] => 19887
[href] => /coeli/FGSD/HeritageObject/af3db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 26
)
[42] => Array
(
[display] => FGSD-D-022020 - Surrealist prints, Harry N. Abrams, 1997: p. 25
[document] => Array
(
[bibTex] => @misc{Harry1997, title = {Surrealist prints}, publisher = {Harry N. Abrams}, address = {New York}, year = {1997}, date = {1997}, entryorder = {1997-01-01} }
[label] => FGSD-D-022020 - Surrealist prints, Harry N. Abrams, 1997
[hierarchy] => Array
(
[0] => Array
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[href] => /coeli/FGSD/HeritageObject/ceb530c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022020 - Surrealist prints, Harry N. Abrams, 1997
[$public] =>
[$slug] => 22020
)
)
[$slug] => 22020
[href] => /coeli/FGSD/HeritageObject/ceb530c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 25
)
[43] => Array
(
[display] => FGSD-D-023035 - Dalí : afinitats electives, Generalitat de Catalunya. Departament de Cultura., 2004: p. 452, p. 454
[document] => Array
(
[bibTex] => @misc{Generalitat2004, title = {Dalí : afinitats electives}, publisher = {Generalitat de Catalunya. Departament de Cultura.}, address = {Barcelona}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023035 - Dalí : afinitats electives, Generalitat de Catalunya. Departament de Cultura., 2004
[hierarchy] => Array
(
[0] => Array
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[href] => /coeli/FGSD/HeritageObject/b9b930c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023035 - Dalí : afinitats electives, Generalitat de Catalunya. Departament de Cultura., 2004
[$public] =>
[$slug] => 23035
)
)
[$slug] => 23035
[href] => /coeli/FGSD/HeritageObject/b9b930c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 452, p. 454
)
[44] => Array
(
[display] => FGSD-D-022811 - La Révolution surréaliste, Éditions du Centre Pompidou, 2002: p. 65, p. 191
[document] => Array
(
[bibTex] => @misc{Éditions2002, title = {La Révolution surréaliste}, publisher = {Éditions du Centre Pompidou}, address = {Paris}, year = {2002}, date = {2002}, entryorder = {2002-01-01} }
[label] => FGSD-D-022811 - La Révolution surréaliste, Éditions du Centre Pompidou, 2002
[hierarchy] => Array
(
[0] => Array
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[href] => /coeli/FGSD/HeritageObject/dfb830c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022811 - La Révolution surréaliste, Éditions du Centre Pompidou, 2002
[$public] =>
[$slug] => 22811
)
)
[$slug] => 22811
[href] => /coeli/FGSD/HeritageObject/dfb830c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 65, p. 191
)
[45] => Array
(
[display] => FGSD-D-020060 - Dalí, els anys joves : 1918-1930, Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí, 1995: p. 43, p.250
[document] => Array
(
[bibTex] => @misc{Generalitat1995, title = {Dalí, els anys joves : 1918-1930}, publisher = {Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí}, address = {Figueres, [Barcelona]}, year = {1995}, date = {1995}, entryorder = {1995-01-01} }
[label] => FGSD-D-020060 - Dalí, els anys joves : 1918-1930, Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí, 1995
[hierarchy] => Array
(
[0] => Array
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[href] => /coeli/FGSD/HeritageObject/5c3eb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-020060 - Dalí, els anys joves : 1918-1930, Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí, 1995
[$public] =>
[$slug] => 20060
)
)
[$slug] => 20060
[href] => /coeli/FGSD/HeritageObject/5c3eb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 43, p.250
)
[46] => Array
(
[display] => FGSD-D-020857 - Dalí : la obra y el hombre, Robert Descharnes, Tusquets / Edita, 1984: p. 105 [ver también otro Pdf: 19363. Falta la imagen pdf del p.113 dibujo asociado, La Caza de mariposas]
[document] => Array
(
[bibTex] => @misc{Descharnes1984, title = {Dalí : la obra y el hombre}, author = {Robert Descharnes}, publisher = {Tusquets / Edita}, address = {Lausanne, Barcelona}, year = {1984}, date = {1984}, entryorder = {1984-01-01} }
[label] => FGSD-D-020857 - Dalí : la obra y el hombre, Robert Descharnes, Tusquets / Edita, 1984
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/6f41b7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-020857 - Dalí : la obra y el hombre, Robert Descharnes, Tusquets / Edita, 1984
[$public] =>
[$slug] => 20857
)
)
[$slug] => 20857
[href] => /coeli/FGSD/HeritageObject/6f41b7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 105
[remarks] => ver también otro Pdf: 19363. Falta la imagen pdf del p.113 dibujo asociado, La Caza de mariposas
)
[47] => Array
(
[display] => FGSD-D-022871 - Surrealismus 1919 - 1944 : Dalí, Max Ernst, Magritte, Miró, Picasso..., K20 Kunstsammlung Nordrhein-Westfalen, Hatje Cantz, 2002: p. 65
[document] => Array
(
[bibTex] => @misc{K20Kunstsammlung2002, title = {Surrealismus 1919 - 1944 : Dalí, Max Ernst, Magritte, Miró, Picasso...}, publisher = {K20 Kunstsammlung Nordrhein-Westfalen, Hatje Cantz}, address = {Ostfildern-Ruit, Düsseldorf}, year = {2002}, date = {2002}, entryorder = {2002-01-01} }
[label] => FGSD-D-022871 - Surrealismus 1919 - 1944 : Dalí, Max Ernst, Magritte, Miró, Picasso..., K20 Kunstsammlung Nordrhein-Westfalen, Hatje Cantz, 2002
[hierarchy] => Array
(
[0] => Array
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[href] => /coeli/FGSD/HeritageObject/1ab930c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022871 - Surrealismus 1919 - 1944 : Dalí, Max Ernst, Magritte, Miró, Picasso..., K20 Kunstsammlung Nordrhein-Westfalen, Hatje Cantz, 2002
[$public] =>
[$slug] => 22871
)
)
[$slug] => 22871
[href] => /coeli/FGSD/HeritageObject/1ab930c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 65
)
[48] => Array
(
[display] => FGSD-D-015618 - Salvador Dalí: retrospektive, 1920-1980, Prestel, 1980: p. 421 [Se ha utilizado otro ID para PDF. El ID19898]
[document] => Array
(
[bibTex] => @misc{Prestel1980, title = {Salvador Dalí: retrospektive, 1920-1980}, publisher = {Prestel}, address = {München}, year = {1980}, date = {1980}, entryorder = {1980-01-01} }
[label] => FGSD-D-015618 - Salvador Dalí: retrospektive, 1920-1980, Prestel, 1980
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/3a2db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-015618 - Salvador Dalí: retrospektive, 1920-1980, Prestel, 1980
[$public] =>
[$slug] => 15618
)
)
[$slug] => 15618
[href] => /coeli/FGSD/HeritageObject/3a2db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 421
[remarks] => Se ha utilizado otro ID para PDF. El ID19898
)
[49] => Array
(
[display] => FGSD-D-018935 - Dalí und die Bücher, Generalitat de Catalunya. Departament de Cultura., 1983: p. 16
[document] => Array
(
[bibTex] => @misc{Generalitat1983, title = {Dalí und die Bücher}, publisher = {Generalitat de Catalunya. Departament de Cultura.}, address = {[Barcelona]}, year = {1983}, date = {1983}, entryorder = {1983-01-01} }
[label] => FGSD-D-018935 - Dalí und die Bücher, Generalitat de Catalunya. Departament de Cultura., 1983
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/fa39b7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-018935 - Dalí und die Bücher, Generalitat de Catalunya. Departament de Cultura., 1983
[$public] =>
[$slug] => 18935
)
)
[$slug] => 18935
[href] => /coeli/FGSD/HeritageObject/fa39b7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 16
)
[50] => Array
(
[display] => FGSD-D-022759 - Surrealism desire unbound, Tate Publishing, 2001: p. 149
[document] => Array
(
[bibTex] => @misc{Tate2001, title = {Surrealism desire unbound}, publisher = {Tate Publishing}, address = {London}, year = {2001}, date = {2001}, entryorder = {2001-01-01} }
[label] => FGSD-D-022759 - Surrealism desire unbound, Tate Publishing, 2001
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/acb830c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022759 - Surrealism desire unbound, Tate Publishing, 2001
[$public] =>
[$slug] => 22759
)
)
[$slug] => 22759
[href] => /coeli/FGSD/HeritageObject/acb830c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 149
)
[51] => Array
(
[display] => FGSD-D-024494 - La Femme visible : La Dona visible, Salvador Dalí, Fundació Gala-Salvador Dalí, Edicions i Propostes Culturals Andana, 2011: p. s.p.
[document] => Array
(
[bibTex] => @misc{Dalí2011, title = {La Femme visible : La Dona visible}, author = {Salvador Dalí}, publisher = {Fundació Gala-Salvador Dalí, Edicions i Propostes Culturals Andana}, address = {Figueres, Vilafranca del Penedés}, year = {2011}, date = {2011}, entryorder = {2011-01-01} }
[label] => FGSD-D-024494 - La Femme visible : La Dona visible, Salvador Dalí, Fundació Gala-Salvador Dalí, Edicions i Propostes Culturals Andana, 2011
[hierarchy] => Array
(
[0] => Array
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[href] => /coeli/FGSD/HeritageObject/61bf30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-024494 - La Femme visible : La Dona visible, Salvador Dalí, Fundació Gala-Salvador Dalí, Edicions i Propostes Culturals Andana, 2011
[$public] =>
[$slug] => 24494
)
)
[$slug] => 24494
[href] => /coeli/FGSD/HeritageObject/61bf30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => s.p.
)
[52] => Array
(
[display] => FGSD-D-053616 - Les Éditions surréalistes : 1926-1968, Georges Sebbag, Institut Mémoires de l'édition contemporaine, 1993: p. p.65
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[webText] => La Femme visible, Dalí’s first book, was published by Éditions Surréalistes in Paris in December 1930, when the artist was twenty-six years old. Dalí dedicated the work entirely to Gala Diakonova, who actively participated in its creation during a period of profound change, as the artist himself would later explain in The Secret Life of Salvador Dalí (1942).(1) The book is in step with the original editorial line of Éditions Surréalistes, a collective project of the Surrealist group launched in 1925. (2)
The frontispiece, a heliogravure, is based on a pen and ink drawing by the artist. Both this print and the two phototype drawings – Grupo alegórico and La caza de mariposas – are closely related to the painting The Invisible Man, which Dalí began in 1929 and left unfinished.
The frontispiece includes Dalí’s handwritten dedication to Gala, his muse, engraved directly onto the printing plate. In minuscule letters, it quotes lines from his poem ‘The Great Masturbator’: ‘[…] in the cruel ornaments of false gold / that cover her soft and delicate breasts / and imitate / the form of an imperial crown / whose fine leaves of bronzed acanthus / extend / to her pink and beardless cheeks / and continue their hard fibres / until they melt / into the clear alabaster of her nape / for Gala Diacanova Salvador Dalí 1930’. (3)
As yet unverified documentation indicates that the frontispiece was printed by Roger Lacourière, (4) while the book itself was printed by the Ducros et Colas printing house in Paris. (5) Each of the first ten copies, printed on pearlescent Japanese paper, includes an original ink drawing by the artist in the margin of one of the pages.
The theoretical texts – ‘The Rotting Donkey’, ‘The Sanitary Goat’, ‘Love’ – and the poem ‘The Great Masturbator’ were written during 1930. In ‘The Rotting Donkey’, previously published in the first issue of Le Surréalisme au service de la révolution in July of that year, Dalí expounds his paranoiac-critical theory: ‘I believe that the time is near when, by a process of active paranoid thought, it will be possible (simultaneously with automatism and other passive states) to systematise confusion and contribute to the total discrediting of the world of reality. Not only will the new simulacra that paranoiac thought can suddenly cause to appear originate in the unconscious, but the force of paranoiac power will be placed at its service’. (7)
The book also includes five additional illustrations: a photograph of Gala taken by Man Ray in 1925; an oil painting by Dalí from 1930, (6) Invisible Sleeping Woman, Horse, Lion; and three photographs of buildings. Of these last, two Modernista buildings are still standing: Casa Lleó Morera, on Passeig de Gràcia in Barcelona, designed by Lluís Domènech i Montaner, and Casa Geli Vergés, by the architect Antonio Alcaide, at number 58 Carrer Sant Llàtzer in Figueres.
__________
(1) Dalí, S., The Secret Life of Salvador Dalí, New York, Dial Press, 1942, p. 250.
(2) Sebbag, G., Les Éditions surréalistes : 1926-1968, Paris, Institut Mémoires de l’édition contemporaine, 1993, p. 7.
(3) ‘[…] dans les cruels ornements en faux or / qui recoubrent [sic] ses tempes delicates et molles / en imitant/ la forme d'une courone imperialle / dont les fines feuilles d'acante bronzé / se prolongent /jusqu'aux joues roses et imberbes / et continuant ses fibres dures / jusqu’à se fondre / dans l'alabastre claire de sa nuque / pour Gala Diacanova Salvador Dalí 1930.’
(4) Michler, R., L.W. Löpsinger, Catalogue Raisonné of Etchings and Mixed-Media Prints 1924-1980, Munich, Prestel-Verlag, 1994, p. 126.
(5) La Femme visible, ‘Épreuves ou tirage non relié d’un texte de Salvador Dali publié aux Éditions surréalistes en 1930’, © Association Atelier André Breton 2005 - 2022. La Femme visible (André Breton) (andrebreton.fr). Last accessed 31.08.2023.
(6) ‘L’Âne Pourri’, ‘La Chèvre Sanitaire’, ‘Le Grand Masturbateur’ and ‘L’Amour’, in the order adopted in the book.
(7) ‘Je crois qu’est proche le moment où, par un processus de caractère paranoïaque et actif de la pensé, il sera possible (simultanément à l’automatisme et autres états passifs) de systématiser la confusion et de contribuer au discrédit total du monde de la réalité. Les nouveaux simulacres que la pensé paranoïaque peut subitement faire apparaître, non seulement auront leur origine dans l’inconscient, mais aussi la forcé du pouvoir paranoïaque sera mise au Service de celui-ci.
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[label] => C088 - L'Immaculée Conception [L'IMMACULÉE CONCEPTION] [Book], Salvador Dalí i Domènech, André Breton, Paul Éluard, Éditions Surréalistes, 1930
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[webText] => L’Immaculée conception, a volume of poems by André Breton and Paul Éluard, with a frontispiece by Dalí, printed on 24 November 1930, at the Ducros et Colas printing house, was commissioned by Éditions Surréalistes in Paris, as stated in the colophon. Dalí’s illustration was reproduced using heliogravure retouched in drypoint, based on a pen-and-ink drawing. The artist also designed the vignette that appeared on the book’s cover and title page.
The book’s four sections – ‘L’Homme’ (Man), ‘Les Possessions’ (Possessions), ‘Les Méditations’ (Meditations), and ‘Le Jugement Original’ (The Original Judgment) – were conceived with the intention of breaking with traditional literary formulas and inspired by the simulation of delusions. The text ‘L’Homme’ had been published a month earlier in Le Surréalisme au service de la révolution No. 2, October 1930, accompanied by other vignettes created by Dalí at the request of Breton and Éluard, who warned the artist – while apologising in advance – of the need to moderate the content of his illustrations to prevent the magazine from being withdrawn for ‘obscenity’ by the censors.
Dalí also wrote the please-insert leaflet (prière d’insérer) for the book, in which he declared: ‘If the First and Second Manifestos were the declaration of the manifest content of the surrealist dream, THE IMMACULATE CONCEPTION is the exposition of its latent content.’
Dalí’s frontispiece alludes literally to one of the aphorisms included in ‘Le Jugement Original’. This is acknowledged by André Breton and Paul Éluard in the dedication addressed to the artist, in which the same words are transcribed: ‘Salvador Dalí’s copy / Until the new order, until the new monastic order, that is, until the / most beautiful young women adopt the cross-shaped neckline: the two horizontal branches revealing / the breasts, the foot of the bare cross / at the foot of the belly, slightly singed. / The greatest token of our / affection, / Paul Éluard André Breton’.
__________
(1) Letter from Paul Éluard and André Breton to [Salvador] Dalí, c. 1930. CED. ID 40445.
(2) ID38978 Prière d’insérer.
(3) ‘Exemplaire de Salvador Dalí / Jusqu’à nouvel ordre, jusqu’au nouvel ordre / monastique, c’est-à-dire jusqu’à ce que les / plus belles jeunes femmes adoptent le décolleté / en croix : les deux branches horizontales décou- / vrant les seins, le pied de la croix nue / au bas du ventre, légèrement roussi. / le plus clair de notre / affection, / Paul Éluard André Breton.
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[webText] => René Char’s poem Artine was published by Éditions Surréalistes in Paris with a frontispiece by Dalí, based on a pencil and India ink drawing reproduced in rotogravure on the first thirty copies. The artist’s figurative allusions refer to the great metaphysical questions concerning love and death evoked in the poem, dedicated ‘Au silence de celle qui laisse rêveur’ (To the silence of she who leaves one dreaming).
René Char wrote Artine during September and October 1930 at the 3 Moulins hotel-restaurant, located at 8 ter, rue des Saules in Paris. Regarding its creation, he commented: ‘Artine was based on two characters: this young woman who drowned, Lola Abba, and the young girl I had met three or four years before on the lawn of a racetrack […] which I frequented as if it were magnetic ground.’ (1)
The book’s colophon indicates that the firm of Ducros et Colas in Paris finished printing the book on 25 November 1930, just one day after the publication of L’Immaculée conception by the same publisher and printing house. This nominative copy, printed for Gala, is signed by the author and contains a dedication on the half-title page: ‘[T]o Gala / to Gala who turns up in / the night of splendid weather, / of surreal weather: the weather / of Gala, my only friend / René Char / January 12, 1931.’ (2)
__________
(1) Sebbag, G., Les Éditions surréalistes : 1926-1968, Institut Mémoires de l’édition contemporaine, p. 60 : ‘Artine s’est fait à partir de deux personnages : cette jeune femme morte noyée, Lola Abba, et la jeune fille que j’avais rencontrée, trois ou quatre ans auparavant, sur la pelouse d’un hippodrome, lieu fascinant entre tous, que je fréquentais comme une terre magnétique.’ [ID53616]
(2) ‘À Gala / à Gala qui se retrouve dans / la nuit du temps splendide, / du temps surréel : le temps / de Gala, ma seule amie / René Char / 12 Janvier 1931”.
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[page] => 125
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[page] => 31
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[display] => FGSD-D-023486 - La Pintura y sus sombras : cuatro estudios sobre Salvador Dalí, Fèlix Fanés, Museo de Teruel, 2004: p. 82
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[page] => 57
[remarks] => Se ha utilizado otro ID para PDF. El ID74352
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[display] => FGSD-D-023257 - Dalí una vida de llibre = Dalí a life in books, Destino [etc.], 2004: p. 119
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[page] => 158
[remarks] => Se ha utilizado otro ID para PDF. ID22289
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[page] => 190
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[remarks] => Se ha utilizado otro ID para PDF. El ID19898
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[display] => FGSD-D-020857 - Dalí : la obra y el hombre, Robert Descharnes, Tusquets / Edita, 1984: p. 94-95 [listed in RMM. But NOT correct. Rev.20220316]
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[page] => 94-95
[remarks] => listed in RMM. But NOT correct. Rev.20220316
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[webText] => The bookplate for the French poet André Breton was probably commissioned during the autumn of 1930. Dalí created an ink drawing depicting Breton as an anteater whose head evokes the figure of the Great Masturbator, surrounded by ants, insects that, it seems, both men detested.
Documents from the period show that, a year earlier, both Dalí and Breton had used the image of the anteater in their respective works. On October 24, 1929, the Barcelona newspaper Mirador published an article about Un Chien Andalou, recently premiered in Paris and about to be shown in Barcelona, in which Dalí stated that the film was a ‘simple anotació, constatació de fets’ (simple annotation, confirmation of facts). To illustrate this idea clearly, he offered the anteater as an example: ‘…it can grow larger than a horse, possesses enormous ferocity, has exceptional muscular strength, is a terrible animal. The anteater eats only ants, using a tongue half a metre long, as thin as a wire.’ (1)
A month later, André Breton compared Dalí to an anteater. In the preface to the catalogue of the artist’s first exhibition in Paris, which opened on 25 November 1929, at the Galerie Goemans – a show that included the oil painting The Great Masturbator (Cat. P 235) – Breton wrote: ‘Life presents itself to man with seductions comparable to those that the anteater’s tongue must offer to ants.’ (2)
Another instance of the close collaboration between the two can be seen in the letter Breton sent to Dalí on 10 January 1931, shortly before taking the drawing to the printer, in which he asks for one last correction: ‘…if there is still time […] change the banner on the bookplate from ‘André le fourmilier’ to ‘André le tamanoir’.’ (3) This is how it appears in Dalí’s final bookplate, reproduced using rotogravure at a Parisian printing house.
Breton’s poem, ‘Après le Grand Tamanoir’, dated in Lyons-la-Forêt on May 20, 1931, was published in Le Surréalisme au service de la révolution no. 3 in December of the same year. (4) Later, Breton included it in Le Revolver à cheveux blancs, a volume of poems published in June 1932 and illustrated with a frontispiece by Dalí.
__________
(1) Biblioteca Virtual de Prensa Histórica > Lista de Números (mcu.es)
(2) (ID 47343) ‘André Breton : 42, rue Fontaine : tableaux modernes, scuptures, estampes, tableaux anciens’, Calmels Cohen, Paris, 2003, p. 141. ‘La vie est donnée à l’homme avec des séductions comparables à celles que doit offrir aux fourmis la langue du fourmilier.’
(3) Memoria de los sueños: Salvador Dalí, 1904-1989, MUVIM 2001, p. 95.
(4) Bonnet, M. (ed.), André Breton Oeuvres complètes II, Paris, Éditions Gallimard, 1992, p. 1333. Marguerite Bonnet suggests that: ‘The image of the anteater […] represents the waiting, at once neutral and attentive, before beings and things, which for Breton is the essence of the poetic attitude.’
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[$public] =>
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[page] => 413
[remarks] => Existe PDF adicionales en carpeta repetidos con ID21475 y 19867
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[4] => Array
(
[display] => FGSD-D-020031 - Dalí verdadero / grabado falso : la obra impresa 1930-1934, Mason, Rainer Michael, IVAM. Centre Julio González, 1992: p. 15
[document] => Array
(
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[href] => /coeli/FGSD/HeritageObject/3f3eb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 15
)
[5] => Array
(
[display] => FGSD-D-020110 - André Breton y el surrealismo, Ministerio de Cultura, 1991: p. 184
[document] => Array
(
[bibTex] => @misc{Ministerio1991, title = {André Breton y el surrealismo}, publisher = {Ministerio de Cultura}, address = {[Madrid]}, year = {1991}, date = {1991}, entryorder = {1991-01-01} }
[label] => FGSD-D-020110 - André Breton y el surrealismo, Ministerio de Cultura, 1991
[hierarchy] => Array
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[$public] =>
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[$slug] => 20110
[href] => /coeli/FGSD/HeritageObject/8e3eb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 184
)
[6] => Array
(
[display] => FGSD-D-021699 - Dalí. Arquitectura, Fundació Gala-Salvador Dalí, Fundació Caixa de Catalunya, 1996: p. 40 [Se ha utilizado otro ID para PDF. El ID21712]
[document] => Array
(
[bibTex] => @misc{Fundació1996, title = {Dalí. Arquitectura}, publisher = {Fundació Gala-Salvador Dalí, Fundació Caixa de Catalunya}, address = {[Barcelona], [Figueres]}, year = {1996}, date = {1996}, entryorder = {1996-01-01} }
[label] => FGSD-D-021699 - Dalí. Arquitectura, Fundació Gala-Salvador Dalí, Fundació Caixa de Catalunya, 1996
[hierarchy] => Array
(
[0] => Array
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[label] => FGSD-D-021699 - Dalí. Arquitectura, Fundació Gala-Salvador Dalí, Fundació Caixa de Catalunya, 1996
[$public] =>
[$slug] => 21699
)
)
[$slug] => 21699
[href] => /coeli/FGSD/HeritageObject/91b430c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 40
[remarks] => Se ha utilizado otro ID para PDF. El ID21712
)
[7] => Array
(
[display] => FGSD-D-023035 - Dalí : afinitats electives, Generalitat de Catalunya. Departament de Cultura., 2004: p. 462
[document] => Array
(
[bibTex] => @misc{Generalitat2004, title = {Dalí : afinitats electives}, publisher = {Generalitat de Catalunya. Departament de Cultura.}, address = {Barcelona}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023035 - Dalí : afinitats electives, Generalitat de Catalunya. Departament de Cultura., 2004
[hierarchy] => Array
(
[0] => Array
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[$public] =>
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)
)
[$slug] => 23035
[href] => /coeli/FGSD/HeritageObject/b9b930c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 462
)
[8] => Array
(
[display] => FGSD-D-019887 - Dalí y los libros, Mediterrània, 1985: p. 89
[document] => Array
(
[bibTex] => @misc{Mediterrània1985, title = {Dalí y los libros}, publisher = {Mediterrània}, address = {[Barcelona]}, year = {1985}, date = {1985}, entryorder = {1985-01-01} }
[label] => FGSD-D-019887 - Dalí y los libros, Mediterrània, 1985
[hierarchy] => Array
(
[0] => Array
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[$public] =>
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)
)
[$slug] => 19887
[href] => /coeli/FGSD/HeritageObject/af3db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 89
)
[9] => Array
(
[display] => FGSD-D-015618 - Salvador Dalí: retrospektive, 1920-1980, Prestel, 1980: p. 135
[document] => Array
(
[bibTex] => @misc{Prestel1980, title = {Salvador Dalí: retrospektive, 1920-1980}, publisher = {Prestel}, address = {München}, year = {1980}, date = {1980}, entryorder = {1980-01-01} }
[label] => FGSD-D-015618 - Salvador Dalí: retrospektive, 1920-1980, Prestel, 1980
[hierarchy] => Array
(
[0] => Array
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[$public] =>
[$slug] => 15618
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)
[$slug] => 15618
[href] => /coeli/FGSD/HeritageObject/3a2db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 135
)
[10] => Array
(
[display] => FGSD-D-015759 - Salvador Dalí: rétrospective, 1920-1980, Centre Georges Pompidou, Musée National d'Art moderne, 1979: p. 135
[document] => Array
(
[bibTex] => @misc{Centre1979, title = {Salvador Dalí: rétrospective, 1920-1980}, publisher = {Centre Georges Pompidou, Musée National d'Art moderne}, address = {Paris}, year = {1979}, date = {1979}, entryorder = {1979-01-01} }
[label] => FGSD-D-015759 - Salvador Dalí: rétrospective, 1920-1980, Centre Georges Pompidou, Musée National d'Art moderne, 1979
[hierarchy] => Array
(
[0] => Array
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[href] => /coeli/FGSD/HeritageObject/c52db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-015759 - Salvador Dalí: rétrospective, 1920-1980, Centre Georges Pompidou, Musée National d'Art moderne, 1979
[$public] =>
[$slug] => 15759
)
)
[$slug] => 15759
[href] => /coeli/FGSD/HeritageObject/c52db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 135
)
[11] => Array
(
[display] => FGSD-D-023453 - Dalí, Rizzoli, 2005: p. 207
[document] => Array
(
[bibTex] => @misc{Rizzoli2005, title = {Dalí}, publisher = {Rizzoli}, address = {New York}, year = {2005}, date = {2005}, entryorder = {2005-01-01} }
[label] => FGSD-D-023453 - Dalí, Rizzoli, 2005
[hierarchy] => Array
(
[0] => Array
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[href] => /coeli/FGSD/HeritageObject/5abb30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023453 - Dalí, Rizzoli, 2005
[$public] =>
[$slug] => 23453
)
)
[$slug] => 23453
[href] => /coeli/FGSD/HeritageObject/5abb30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 207
)
[12] => Array
(
[display] => FGSD-D-020109 - André Breton, la beauté convulsive, Centre Georges Pompidou, 1991: p. 205
[document] => Array
(
[bibTex] => @misc{Centre1991, title = {André Breton, la beauté convulsive}, publisher = {Centre Georges Pompidou}, address = {Paris}, year = {1991}, date = {1991}, entryorder = {1991-01-01} }
[label] => FGSD-D-020109 - André Breton, la beauté convulsive, Centre Georges Pompidou, 1991
[hierarchy] => Array
(
[0] => Array
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[href] => /coeli/FGSD/HeritageObject/8d3eb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-020109 - André Breton, la beauté convulsive, Centre Georges Pompidou, 1991
[$public] =>
[$slug] => 20109
)
)
[$slug] => 20109
[href] => /coeli/FGSD/HeritageObject/8d3eb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 205
)
[13] => Array
(
[display] => FGSD-D-047343 - André Breton : 42, rue Fontaine : tableaux modernes, scuptures, estampes, tableaux anciens, Calmels Cohen, 2003: p. 140
[document] => Array
(
[bibTex] => @misc{Calmels2003, title = {André Breton : 42, rue Fontaine : tableaux modernes, scuptures, estampes, tableaux anciens}, publisher = {Calmels Cohen}, address = {Paris}, year = {2003}, date = {2003}, entryorder = {2003-01-01} }
[label] => FGSD-D-047343 - André Breton : 42, rue Fontaine : tableaux modernes, scuptures, estampes, tableaux anciens, Calmels Cohen, 2003
[hierarchy] => Array
(
[0] => Array
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[href] => /coeli/FGSD/HeritageObject/0b4a13c2-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-047343 - André Breton : 42, rue Fontaine : tableaux modernes, scuptures, estampes, tableaux anciens, Calmels Cohen, 2003
[$public] =>
[$slug] => 47343
)
)
[$slug] => 47343
[href] => /coeli/FGSD/HeritageObject/0b4a13c2-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 140
)
[14] => Array
(
[display] => FGSD-D-022250 - Cento libri surrealisti, Centro Di, 1996: p. 98
[document] => Array
(
[bibTex] => @misc{Centro1996, title = {Cento libri surrealisti}, publisher = {Centro Di}, address = {Firenze}, year = {1996}, date = {1996}, entryorder = {1996-01-01} }
[label] => FGSD-D-022250 - Cento libri surrealisti, Centro Di, 1996
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/b4b630c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022250 - Cento libri surrealisti, Centro Di, 1996
[$public] =>
[$slug] => 22250
)
)
[$slug] => 22250
[href] => /coeli/FGSD/HeritageObject/b4b630c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 98
)
[15] => Array
(
[display] => FGSD-D-019886 - Dalí and his books, Generalitat de Catalunya, 1987: p. 37
[document] => Array
(
[bibTex] => @misc{Generalitat1987, title = {Dalí and his books}, publisher = {Generalitat de Catalunya}, address = {[Barcelona]}, year = {1987}, date = {1987}, entryorder = {1987-01-01} }
[label] => FGSD-D-019886 - Dalí and his books, Generalitat de Catalunya, 1987
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/ae3db7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019886 - Dalí and his books, Generalitat de Catalunya, 1987
[$public] =>
[$slug] => 19886
)
)
[$slug] => 19886
[href] => /coeli/FGSD/HeritageObject/ae3db7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 37
)
[16] => Array
(
[display] => FGSD-D-022271 - Dalí a knihy, Generalitat de Catalunya. Departament de Cultura., Mediterrània, 1992: p. 37
[document] => Array
(
[bibTex] => @misc{Generalitat1992, title = {Dalí a knihy}, publisher = {Generalitat de Catalunya. Departament de Cultura., Mediterrània}, address = {Barcelona}, year = {1992}, date = {1992}, entryorder = {1992-01-01} }
[label] => FGSD-D-022271 - Dalí a knihy, Generalitat de Catalunya. Departament de Cultura., Mediterrània, 1992
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/c9b630c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022271 - Dalí a knihy, Generalitat de Catalunya. Departament de Cultura., Mediterrània, 1992
[$public] =>
[$slug] => 22271
)
)
[$slug] => 22271
[href] => /coeli/FGSD/HeritageObject/c9b630c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 37
)
[17] => Array
(
[display] => FGSD-D-021601 - Dalí y los libros, Mediterrània, The Kobe Shimbum, 1987: p. 76 [Ed. Mediterrània / The Kobe Shimbum]
[document] => Array
(
[bibTex] => @misc{Mediterrània1987, title = {Dalí y los libros}, publisher = {Mediterrània, The Kobe Shimbum}, address = {[Barcelona], [Tokyo]}, year = {1987}, date = {1987}, entryorder = {1987-01-01} }
[label] => FGSD-D-021601 - Dalí y los libros, Mediterrània, The Kobe Shimbum, 1987
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/2fb430c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-021601 - Dalí y los libros, Mediterrània, The Kobe Shimbum, 1987
[$public] =>
[$slug] => 21601
)
)
[$slug] => 21601
[href] => /coeli/FGSD/HeritageObject/2fb430c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 76
[remarks] => Ed. Mediterrània / The Kobe Shimbum
)
[18] => Array
(
[display] => FGSD-D-019525 - Dalí et les poètes, Salvador Dalí (il.), Filipacchi, 1971: p. 23
[document] => Array
(
[bibTex] => @misc{Dalí1971, title = {Dalí et les poètes}, author = {Salvador Dalí (il.)}, publisher = {Filipacchi}, address = {Paris}, year = {1971}, date = {1971}, entryorder = {1971-01-01} }
[label] => FGSD-D-019525 - Dalí et les poètes, Salvador Dalí (il.), Filipacchi, 1971
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/453cb7c0-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-019525 - Dalí et les poètes, Salvador Dalí (il.), Filipacchi, 1971
[$public] =>
[$slug] => 19525
)
)
[$slug] => 19525
[href] => /coeli/FGSD/HeritageObject/453cb7c0-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 23
)
[19] => Array
(
[display] => FGSD-D-023333 - Dallibres, Montse Aguer i Teixidor, Distribucions d'Art Surrealista, 2005: p. 13 [Se ha utilizado otro ID para PDF. El ID23376]
[document] => Array
(
[bibTex] => @misc{Aguer2005, title = {Dallibres}, author = {Montse Aguer i Teixidor}, publisher = {Distribucions d'Art Surrealista}, address = {[Figueres]}, year = {2005}, date = {2005}, entryorder = {2005-01-01} }
[label] => FGSD-D-023333 - Dallibres, Montse Aguer i Teixidor, Distribucions d'Art Surrealista, 2005
[hierarchy] => Array
(
[0] => Array
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[href] => /coeli/FGSD/HeritageObject/e2ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023333 - Dallibres, Montse Aguer i Teixidor, Distribucions d'Art Surrealista, 2005
[$public] =>
[$slug] => 23333
)
)
[$slug] => 23333
[href] => /coeli/FGSD/HeritageObject/e2ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 13
[remarks] => Se ha utilizado otro ID para PDF. El ID23376
)
[20] => Array
(
[display] => FGSD-D-023257 - Dalí una vida de llibre = Dalí a life in books, Destino [etc.], 2004: p. 125
[document] => Array
(
[bibTex] => @misc{Destino2004, title = {Dalí una vida de llibre = Dalí a life in books}, publisher = {Destino [etc.]}, address = {Barcelona}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023257 - Dalí una vida de llibre = Dalí a life in books, Destino [etc.], 2004
[hierarchy] => Array
(
[0] => Array
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[href] => /coeli/FGSD/HeritageObject/96ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023257 - Dalí una vida de llibre = Dalí a life in books, Destino [etc.], 2004
[$public] =>
[$slug] => 23257
)
)
[$slug] => 23257
[href] => /coeli/FGSD/HeritageObject/96ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 125
)
[21] => Array
(
[display] => FGSD-D-023517 - Surrealism: two private eyes, the Nesuhi Ertegun and Daniel Filipacchi collections, Guggenheim Museum Publications, 1999: p. 17
[document] => Array
(
[bibTex] => @misc{Guggenheim1999, title = {Surrealism: two private eyes, the Nesuhi Ertegun and Daniel Filipacchi collections}, publisher = {Guggenheim Museum Publications}, address = {New York}, year = {1999}, date = {1999}, entryorder = {1999-01-01} }
[label] => FGSD-D-023517 - Surrealism: two private eyes, the Nesuhi Ertegun and Daniel Filipacchi collections, Guggenheim Museum Publications, 1999
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/9abb30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023517 - Surrealism: two private eyes, the Nesuhi Ertegun and Daniel Filipacchi collections, Guggenheim Museum Publications, 1999
[$public] =>
[$slug] => 23517
)
)
[$slug] => 23517
[href] => /coeli/FGSD/HeritageObject/9abb30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 17
)
[22] => Array
(
[display] => FGSD-D-022020 - Surrealist prints, Harry N. Abrams, 1997: p. 48
[document] => Array
(
[bibTex] => @misc{Harry1997, title = {Surrealist prints}, publisher = {Harry N. Abrams}, address = {New York}, year = {1997}, date = {1997}, entryorder = {1997-01-01} }
[label] => FGSD-D-022020 - Surrealist prints, Harry N. Abrams, 1997
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/ceb530c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-022020 - Surrealist prints, Harry N. Abrams, 1997
[$public] =>
[$slug] => 22020
)
)
[$slug] => 22020
[href] => /coeli/FGSD/HeritageObject/ceb530c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 48
)
[23] => Array
(
[display] => FGSD-D-023457 - Persistence and memory : new critical perspectives on Dalí centennial, Bompiani, 2004: p. 82
[document] => Array
(
[bibTex] => @misc{Bompiani2004, title = {Persistence and memory : new critical perspectives on Dalí centennial}, publisher = {Bompiani}, address = {[Milà]}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023457 - Persistence and memory : new critical perspectives on Dalí centennial, Bompiani, 2004
[hierarchy] => Array
(
[0] => Array
(
[href] => /coeli/FGSD/HeritageObject/5ebb30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023457 - Persistence and memory : new critical perspectives on Dalí centennial, Bompiani, 2004
[$public] =>
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)
)
[$slug] => 23457
[href] => /coeli/FGSD/HeritageObject/5ebb30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 82
)
[24] => Array
(
[display] => FGSD-D-023227 - Dalí, Bompiani, 2004: p. 207 [Se ha utilizado otro ID para PDF. El ID23228]
[document] => Array
(
[bibTex] => @misc{Bompiani2004, title = {Dalí}, publisher = {Bompiani}, address = {[Milà]}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023227 - Dalí, Bompiani, 2004
[hierarchy] => Array
(
[0] => Array
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[href] => /coeli/FGSD/HeritageObject/78ba30c1-42ec-e411-9471-00155d647f0b
[label] => FGSD-D-023227 - Dalí, Bompiani, 2004
[$public] =>
[$slug] => 23227
)
)
[$slug] => 23227
[href] => /coeli/FGSD/HeritageObject/78ba30c1-42ec-e411-9471-00155d647f0b
[$public] =>
)
[page] => 207
[remarks] => Se ha utilizado otro ID para PDF. El ID23228
)
[25] => Array
(
[display] => FGSD-D-074687 - Dali : poetics of the small, 1929-1936, Meadows Museum, 2018: p. 112 [Se ha utilizado otro ID para PDF. El ID74686]
[document] => Array
(
[bibTex] => @misc{Meadows2018, title = {Dali : poetics of the small, 1929-1936}, publisher = {Meadows Museum}, address = {Dallas}, year = {2018}, date = {2018}, entryorder = {2018-01-01} }
[label] => FGSD-D-074687 - Dali : poetics of the small, 1929-1936, Meadows Museum, 2018
[hierarchy] => Array
(
[0] => Array
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[label] => FGSD-D-074687 - Dali : poetics of the small, 1929-1936, Meadows Museum, 2018
[$public] =>
[$slug] => 74687
)
)
[$slug] => 74687
[href] => /coeli/FGSD/HeritageObject/2e979b59-f21e-e911-b03d-00155d64a700
[$public] =>
)
[page] => 112
[remarks] => Se ha utilizado otro ID para PDF. El ID74686
)
[26] => Array
(
[display] => p. 295
[page] => 295
)
)
[$metadata] => Array
(
[updatedAt] => 2026-06-17T10:47:42.765295775Z
[self] => Array
(
[href] => /coeli/FGSD/HeritageObject/OG_CLASSIFICACIO_0186
)
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[label] => C089 - Le Revolver à cheveux blancs [LE REVOLVER À CHEVEUX BLANCS] [Book], Salvador Dalí i Domènech, André Breton, Éditions des Cahiers Libres, 1932
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[webText] => André Breton dedicated his collection of poems, Le Revolver à cheveux blancs, to Paul Éluard. The first ten copies were illustrated with a frontispiece by Salvador Dalí, reproduced in rotogravure and etching on Japanese paper. According to the colophon, the book was printed on 25 June 1932, at Imprimerie Union, for the Paris imprint Éditions des Cahiers Libres.
This copy has markings along the bottom margin of the plate, the inscription ‘imprimé par Lacourière’ (printed by Lacourière), and the artist’s initials on the bevel. It is the copy belonging to the illustrator, Salvador Dalí, and has a dedication from André Breton on the half-title page: ‘To Salvador Dalí / to the great master of enchantments / whom I must see with my own eyes / whom I adore / and who is the being that possesses all / of my power of wonder / from the depths of my heart / your friend / André Breton’. (1) Dalí’s print, imbued with mystery and eroticism, seems to capture the poetic essence of the book, whose lyrical development is conceived as a ‘natural itinerary of the loving embrace’. (2)
Le Revolver à cheveux blancs is part of a set of three books of surrealist poetry published simultaneously by Éditions des Cahiers Libres under the motto ‘Le sujet de ce libre est un être mobile’ (The subject of this book is a mobile being). (3) Each of the other two volumes in the set, Paul Éluard’s La Vie immédiate and Tristan Tzara’s Où boivent les loups, has a frontispiece by Max Ernst printed by Roger Lacourière.
__________
(1) ‘A Salvador Dali / au grand maître des charmes / à qui je dois de voir de mes yeux / ce que j'adore / et qui est l'être disposant entre tous / de ma puissance d'émerveillements / du plus profond du coeur / son ami / André Breton.’
(2) Bonnet, M. (ed.), André Breton Oeuvres complètes II, Éditions Gallimard, 1992, p. 1336. Bonnet quotes Christine Martineau-Geniez, for whom the poem is ‘calquée sur l’itinéraire natural de l’étreinte amoureuse’ [modelled on the natural course of an amorous embrace’].
(3) Op.cit., p. 1312-1313. Bonnet notes that the three books were published under the same rubric: ‘Le sujet de ce libre est un être mobile’.
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[page] => 135
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[display] => FGSD-D-023457 - Persistence and memory : new critical perspectives on Dalí centennial, Bompiani, 2004: p. 85 [Dibujo y grabado]
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[page] => 198
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[display] => FGSD-D-022635 - Dali exhibition 1999, NTV Europe B.V., 1999: p. 168
[document] => Array
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[label] => FGSD-D-022635 - Dali exhibition 1999, NTV Europe B.V., 1999
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[page] => 168
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[display] => FGSD-D-021527 - Salvador Dalí, The IMS Press, 1954: p. 64
[document] => Array
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[bibTex] => @misc{TheIMS1954, title = {Salvador Dalí}, publisher = {The IMS Press}, address = {Cleveland [Ohio]}, year = {1954}, date = {1954}, entryorder = {1954-01-01} }
[label] => FGSD-D-021527 - Salvador Dalí, The IMS Press, 1954
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[page] => 64
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[display] => FGSD-D-054858 - Salvador Dalí : a guide to his works in public museums, The Dalí Museum, 1973: p. [no pagination]
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[display] => FGSD-D-019870 - Salvador Dalí : exhibition - Japan 1964, Mainichi Newspaper, 1964: p. 50
[document] => Array
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[label] => FGSD-D-019870 - Salvador Dalí : exhibition - Japan 1964, Mainichi Newspaper, 1964
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[page] => 49
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[label] => FGSD-D-019832 - Salvador Dalí, 1904-1989, Gerd Hatje, 1989
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[href] => /coeli/FGSD/HeritageObject/783db7c0-42ec-e411-9471-00155d647f0b
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[page] => 416
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[label] => C181 - L'Enfant-sauterelle [L'ENFANT-SAUTERELLE] [prints (visual works)], Salvador Dalí i Domènech, (M. Czar o M. Cazou), Les Sources, París, Roger Lacourière, 1933
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[webText] => The burin engraving L’Enfant-sauterelle originated in an India ink and pencil drawing by Salvador Dalí. The title of this first limited edition of an individual print by the artist refers to his childhood and the phobia of grasshoppers that he recounts in his autobiography, The Secret Life (1942). (1) The existing documentation indicates that the print was made by Roger Lacourière in Paris between 1932 and 1933. The sharpness of the print is due to the technique used, burin engraving.
The work is closely related to several of Dalí’s paintings from the same period, in particular the oil on wood from c. 1933, Moi-même à 10 ans quand j’étais l’enfant-sauterelle (complexe de castration) (Cat. P 208).
__________
(1) Dalí, S., The Secret Life of Salvador Dalí, New York, Dial Press, 1942, pp. 128-131.
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[label] => C004 - Invitation au souper de la Société du Roman Philosophique [INVITATION AU SOUPER DE LA SOCIÉTÉ DU ROMAN PHILOSOPHIQUE] [Brochure], Salvador Dalí i Domènech, A.R.P., Atelier Lacourière et Frélaut, 1933
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[webText] => This print illustrates a commemorative booklet printed in honour of ‘Citizen Sade’ (the Marquis de Sade), produced for a dinner held on 2 December 1933, the 119th anniversary of de Sade’s death. Dalí dedicated the preliminary drawing, in India ink and pencil, to Gala with the inscription ‘Dessein [sic] especialement fait pour Gala Salvador Dalí 1932’ (drawing made especially for Gala). This drawing served as the basis for the commission. Several etching proofs document the printmaking process, showing how the plate was finally cut to faithfully recreate the original drawing and reproduced in rotogravure with etching overprints, adapting to the format of the pamphlet.
The considerable interest that Dalí’s illustration aroused among the members of the Société du Roman Philosophique is revealed in a letter to the artist from the writer and publisher Maurice Heine, dated 31 October 1933, in which he communicated the general interest in learning about his work and satisfying the curiosity of his colleagues. (1)
The date of the illustration coincides with the period in which Heine devoted himself to studying, editing and publishing the work of the Marquis de Sade. Between 1931 and 1935, he transcribed the microscopic handwriting of the manuscript of Les 120 Journées de Sodome, written on a twelve-metre scroll during de Sade’s imprisonment in the Bastille in Paris in 1785. The commemorative booklet was addressed to the ‘active Citizens’ of the Société du Roman Philosophique association and extolled the republicanism of de Sade, who had been appointed secretary of the Piques in 1792, at the height of the French Revolution. Sade died on 12 Frimaire an XXIII, as 2 December 1814 was dated in the Republican calendar in use at that time. (2)
__________
(1) ID39174, CED, Fundació Gala-Salvador Dalí.
(2) The French Republican calendar associated the days of the year with plants, animals, minerals or tools, and 12 Frimaire corresponds to the horseradish, Armoracia rusticana.
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[label] => FGSD-D-073786 - Catalogo di opere grafiche : Salvador Dalí, Librex, 1984
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[label] => FGSD-D-019832 - Salvador Dalí, 1904-1989, Gerd Hatje, 1989
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[display] => FGSD-D-015619 - Salvador Dalí: obra gráfica, ciclos literarios, Casa del Monte de Piedad, 1982: p. 43-57
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[label] => FGSD-D-015619 - Salvador Dalí: obra gráfica, ciclos literarios, Casa del Monte de Piedad, 1982
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[page] => 43-57
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[display] => FGSD-D-020031 - Dalí verdadero / grabado falso : la obra impresa 1930-1934, Mason, Rainer Michael, IVAM. Centre Julio González, 1992: p. 25-49
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[label] => FGSD-D-020031 - Dalí verdadero / grabado falso : la obra impresa 1930-1934, Mason, Rainer Michael, IVAM. Centre Julio González, 1992
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[page] => 25-49
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[display] => FGSD-D-015744 - Vingt ans d'activité, Skira, Albert, Albert Skira, 1948: p. 67 [sugerencia de René Crevel a Skira]
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[page] => 67
[remarks] => sugerencia de René Crevel a Skira
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[display] => FGSD-D-016166 - Les Peintres et le livre, Benno Schwabe, 1957: p. 195 [Tirada y precio]
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[label] => FGSD-D-016166 - Les Peintres et le livre, Benno Schwabe, 1957
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[page] => 195
[remarks] => Tirada y precio
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[page] => 38
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[display] => FGSD-D-015622 - Dalí, Museum Boymans-van Beuningen, 1970: p. 161 [Explicación Dalí sobre referencias a Angelus de Millet en C de M]
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[label] => FGSD-D-015622 - Dalí, Museum Boymans-van Beuningen, 1970
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[display] => FGSD-D-021556 - Salvador Dalí, 200 gravures, Ville de Paris (Marie annexe du 5e arrondissement), 1982: p. 2
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[display] => FGSD-D-024250 - Dalí : afinidades electivas, Generalitat de Catalunya. Departament de Cultura., 2004: p. p. 352, p. 367-414
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[label] => FGSD-D-021908 - Dalí à Clermont-Ferrand, Musée Bargoin, Pierre Argilet, 1989
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[$slug] => 21908
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[display] => FGSD-D-022207 - Livres modernes illustrés, Librairie André Cottet, 1966: p. 24
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[label] => FGSD-D-022207 - Livres modernes illustrés, Librairie André Cottet, 1966
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[page] => 24
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[display] => FGSD-D-015748 - A new introduction to Salvador Dalí, A. Reynolds Morse, Reynolds Morse, 1960: p. 61 [p. 60 dibujo asociado]
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[display] => FGSD-D-021699 - Dalí. Arquitectura, Fundació Gala-Salvador Dalí, Fundació Caixa de Catalunya, 1996: p. 199
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[display] => FGSD-D-016524 - I Dalì di Salvador Dalì, Gianni Tassinari, 1984: p. 298-299
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[label] => FGSD-D-023257 - Dalí una vida de llibre = Dalí a life in books, Destino [etc.], 2004
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[page] => 102-103, 129
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[84] => Array
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[display] => FGSD-D-023518 - Surrealism: two private eyes, the Nesuhi Ertegun and Daniel Filipacchi collections, Guggenheim Museum Publications, 1999: p. 462-465
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[page] => 462-465
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[85] => Array
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[display] => FGSD-D-023335 - It's all Dalí, Museum Boijmans Van Beuningen, 2005: p. 300 [Dibujos preparatorios FGSD]
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[label] => FGSD-D-023335 - It's all Dalí, Museum Boijmans Van Beuningen, 2005
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[page] => 300
[remarks] => Dibujos preparatorios FGSD
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[86] => Array
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[display] => FGSD-D-019870 - Salvador Dalí : exhibition - Japan 1964, Mainichi Newspaper, 1964: p. 49, 51-53, 56 [celuloides y dibujos preparatorios ]
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[label] => FGSD-D-019870 - Salvador Dalí : exhibition - Japan 1964, Mainichi Newspaper, 1964
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[$slug] => 19870
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[page] => 49, 51-53, 56
[remarks] => celuloides y dibujos preparatorios
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[87] => Array
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[display] => FGSD-D-053055 - Salvador Dali "Hommage à Albrecht Dürer" : gravures, Hautil, 1971: p. 20-23
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[label] => FGSD-D-053055 - Salvador Dali "Hommage à Albrecht Dürer" : gravures, Hautil, 1971
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[$slug] => 53055
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[$slug] => 53055
[href] => /coeli/FGSD/HeritageObject/7e9672c2-42ec-e411-9471-00155d647f0b
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[page] => 20-23
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[88] => Array
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[display] => FGSD-D-024214 - Salvador Dalí : Les Chants de Maldoror, 1934, Distribucions d'Art Surrealista (DAS), 2010: p. 21-127
[document] => Array
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[bibTex] => @misc{Distribucions2010, title = {Salvador Dalí : Les Chants de Maldoror, 1934}, publisher = {Distribucions d'Art Surrealista (DAS)}, address = {[Figueres]}, year = {2010}, date = {2010}, entryorder = {2010-01-01} }
[label] => FGSD-D-024214 - Salvador Dalí : Les Chants de Maldoror, 1934, Distribucions d'Art Surrealista (DAS), 2010
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[$slug] => 24214
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[$public] =>
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[page] => 21-127
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[89] => Array
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[display] => FGSD-D-023524 - Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, Hatje Cantz, 2006: p. 66-67
[document] => Array
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[bibTex] => @misc{Hatje2006, title = {Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier}, publisher = {Hatje Cantz}, address = {Ostfildern}, year = {2006}, date = {2006}, entryorder = {2006-01-01} }
[label] => FGSD-D-023524 - Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, Hatje Cantz, 2006
[hierarchy] => Array
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[0] => Array
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[href] => /coeli/FGSD/HeritageObject/a0bb30c1-42ec-e411-9471-00155d647f0b
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[$public] =>
[$slug] => 23524
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[$slug] => 23524
[href] => /coeli/FGSD/HeritageObject/a0bb30c1-42ec-e411-9471-00155d647f0b
[$public] =>
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[page] => 66-67
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[90] => Array
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[display] => FGSD-D-020178 - Der Surrealismus : 1919 - 1939, Gaëtan Picon, Skira, Wasmuth, 1988: p. 21
[document] => Array
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[bibTex] => @misc{Picon1988, title = {Der Surrealismus : 1919 - 1939}, author = {Gaëtan Picon}, publisher = {Skira, Wasmuth}, address = {Tübingen, Genève}, year = {1988}, date = {1988}, entryorder = {1988-01-01} }
[label] => FGSD-D-020178 - Der Surrealismus : 1919 - 1939, Gaëtan Picon, Skira, Wasmuth, 1988
[hierarchy] => Array
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[0] => Array
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[$slug] => 20178
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[$slug] => 20178
[href] => /coeli/FGSD/HeritageObject/d23eb7c0-42ec-e411-9471-00155d647f0b
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[page] => 21
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[91] => Array
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[display] => FGSD-D-023682 - Salvador Dalí: an illustrated life, Tate Publishing, Fundació Gala-Salvador Dalí, Sociedad Estatal de Conmemoraciones Culturales - Ministerio de Cultura, 2007: p. 95
[document] => Array
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[bibTex] => @misc{Tate2007, title = {Salvador Dalí: an illustrated life}, publisher = {Tate Publishing, Fundació Gala-Salvador Dalí, Sociedad Estatal de Conmemoraciones Culturales - Ministerio de Cultura}, address = {[Madrid], [Figueres], London}, year = {2007}, date = {2007}, entryorder = {2007-01-01} }
[label] => FGSD-D-023682 - Salvador Dalí: an illustrated life, Tate Publishing, Fundació Gala-Salvador Dalí, Sociedad Estatal de Conmemoraciones Culturales - Ministerio de Cultura, 2007
[hierarchy] => Array
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[0] => Array
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[$public] =>
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[$slug] => 23682
[href] => /coeli/FGSD/HeritageObject/3dbc30c1-42ec-e411-9471-00155d647f0b
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[page] => 95
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[92] => Array
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[display] => FGSD-D-023249 - Salvador Dalí i Federico García Lorca : la persistència de la memòria, Viena, Generalitat de Catalunya. Departament de Cultura., 2004: p. 128
[document] => Array
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[bibTex] => @misc{Viena2004, title = {Salvador Dalí i Federico García Lorca : la persistència de la memòria}, publisher = {Viena, Generalitat de Catalunya. Departament de Cultura.}, address = {Barcelona}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }
[label] => FGSD-D-023249 - Salvador Dalí i Federico García Lorca : la persistència de la memòria, Viena, Generalitat de Catalunya. Departament de Cultura., 2004
[hierarchy] => Array
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[$public] =>
[$slug] => 23249
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[$slug] => 23249
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[page] => 128
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[93] => Array
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[display] => FGSD-D-021526 - Dalí : peintures, sculptures, dessins, [Salon de Montrouge], 1977: p. 2
[document] => Array
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[bibTex] => @misc{[Salon1977, title = {Dalí : peintures, sculptures, dessins}, publisher = {[Salon de Montrouge]}, address = {[Montrouge]}, year = {1977}, date = {1977}, entryorder = {1977-01-01} }
[label] => FGSD-D-021526 - Dalí : peintures, sculptures, dessins, [Salon de Montrouge], 1977
[hierarchy] => Array
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[0] => Array
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[label] => FGSD-D-021526 - Dalí : peintures, sculptures, dessins, [Salon de Montrouge], 1977
[$public] =>
[$slug] => 21526
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)
[$slug] => 21526
[href] => /coeli/FGSD/HeritageObject/e5b330c1-42ec-e411-9471-00155d647f0b
[$public] =>
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[page] => 2
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[94] => Array
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[display] => FGSD-D-023409 - Dalí aranykor = Dalí golden age, Mücsarnok Kunsthalle, 2005: p. s.n.
[document] => Array
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[bibTex] => @misc{Mücsarnok2005, title = {Dalí aranykor = Dalí golden age}, publisher = {Mücsarnok Kunsthalle}, address = {Budapest}, year = {2005}, date = {2005}, entryorder = {2005-01-01} }
[label] => FGSD-D-023409 - Dalí aranykor = Dalí golden age, Mücsarnok Kunsthalle, 2005
[hierarchy] => Array
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[$slug] => 23409
[href] => /coeli/FGSD/HeritageObject/2ebb30c1-42ec-e411-9471-00155d647f0b
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[page] => s.n.
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[95] => Array
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[display] => FGSD-D-022020 - Surrealist prints, Harry N. Abrams, 1997: p. p. 24, p.50 i p.51
[document] => Array
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[bibTex] => @misc{Harry1997, title = {Surrealist prints}, publisher = {Harry N. Abrams}, address = {New York}, year = {1997}, date = {1997}, entryorder = {1997-01-01} }
[label] => FGSD-D-022020 - Surrealist prints, Harry N. Abrams, 1997
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[$slug] => 22020
[href] => /coeli/FGSD/HeritageObject/ceb530c1-42ec-e411-9471-00155d647f0b
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[page] => p. 24, p.50 i p.51
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[96] => Array
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[display] => FGSD-D-030563 - Salvador Dalí, an exhibition, The Cleveland Museum of Art, 1947: p. nº45-68
[document] => Array
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[bibTex] => @misc{TheCleveland1947, title = {Salvador Dalí, an exhibition}, publisher = {The Cleveland Museum of Art}, address = {Cleveland}, year = {1947}, date = {1947}, entryorder = {1947-01-01} }
[label] => FGSD-D-030563 - Salvador Dalí, an exhibition, The Cleveland Museum of Art, 1947
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[$public] =>
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[$slug] => 30563
[href] => /coeli/FGSD/HeritageObject/3cd630c1-42ec-e411-9471-00155d647f0b
[$public] =>
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[page] => nº45-68
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[97] => Array
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[display] => FGSD-D-015534 - Le Mythe tragique de l'Angélus de Millet : interprétation "paranoïaque-critique", Salvador Dalí, Jean-Jacques Pauvert, 1963: p. 94 [p.96 dib.associado Homage Millet]
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[bibTex] => @misc{Dalí1963, title = {Le Mythe tragique de l'Angélus de Millet : interprétation "paranoïaque-critique"}, author = {Salvador Dalí}, publisher = {Jean-Jacques Pauvert}, address = {Paris}, year = {1963}, date = {1963}, entryorder = {1963-01-01} }
[label] => FGSD-D-015534 - Le Mythe tragique de l'Angélus de Millet : interprétation "paranoïaque-critique", Salvador Dalí, Jean-Jacques Pauvert, 1963
[hierarchy] => Array
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[label] => FGSD-D-015534 - Le Mythe tragique de l'Angélus de Millet : interprétation "paranoïaque-critique", Salvador Dalí, Jean-Jacques Pauvert, 1963
[$public] =>
[$slug] => 15534
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[$slug] => 15534
[href] => /coeli/FGSD/HeritageObject/8797e8b6-42ec-e411-9471-00155d647f0b
[$public] =>
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[page] => 94
[remarks] => p.96 dib.associado Homage Millet
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[98] => Array
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[display] => FGSD-D-053723 - 1 pàgina de Minotaure, any 1, núm. 3-4, 12 de desembre 1933, [Facsímil], Minotaure, 01/1924: p. s. p. [Primer estado aguafuertes]
[document] => Array
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[bibTex] => @misc{Minotaure1924, title = {1 pàgina de Minotaure, any 1, núm. 3-4, 12 de desembre 1933,}, publisher = {Minotaure}, year = {1924}, date = {01/1924}, entryorder = {1924-01-01} }
[label] => FGSD-D-053723 - 1 pàgina de Minotaure, any 1, núm. 3-4, 12 de desembre 1933, [Facsímil], Minotaure, 01/1924
[hierarchy] => Array
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[0] => Array
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[href] => /coeli/FGSD/HeritageObject/cd1c79e7-4fee-e411-9471-00155d647f0b
[label] => FGSD-D-053723 - 1 pàgina de Minotaure, any 1, núm. 3-4, 12 de desembre 1933, [Facsímil], Minotaure, 01/1924
[$public] =>
[$slug] => 53723
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[$slug] => 53723
[href] => /coeli/FGSD/HeritageObject/cd1c79e7-4fee-e411-9471-00155d647f0b
[$public] =>
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[page] => s. p.
[remarks] => Primer estado aguafuertes
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[99] => Array
(
[display] => FGSD-D-018935 - Dalí und die Bücher, Generalitat de Catalunya. Departament de Cultura., 1983: p. 38-39
[document] => Array
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[bibTex] => @misc{Generalitat1983, title = {Dalí und die Bücher}, publisher = {Generalitat de Catalunya. Departament de Cultura.}, address = {[Barcelona]}, year = {1983}, date = {1983}, entryorder = {1983-01-01} }
[label] => FGSD-D-018935 - Dalí und die Bücher, Generalitat de Catalunya. Departament de Cultura., 1983
[hierarchy] => Array
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[$public] =>
[$slug] => 18935
)
)
[$slug] => 18935
[href] => /coeli/FGSD/HeritageObject/fa39b7c0-42ec-e411-9471-00155d647f0b
[$public] =>
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[page] => 38-39
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[100] => Array
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[display] => FGSD-D-051131 - Salvador Dalí. Graphik-Folgen, Schleswig-Holsteinischer Kunstverein, 1972: p. nº2
[document] => Array
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[bibTex] => @misc{Schleswig-Holsteinischer1972, title = {Salvador Dalí. Graphik-Folgen}, publisher = {Schleswig-Holsteinischer Kunstverein}, address = {Kiel}, year = {1972}, date = {1972}, entryorder = {1972-01-01} }
[label] => FGSD-D-051131 - Salvador Dalí. Graphik-Folgen, Schleswig-Holsteinischer Kunstverein, 1972
[hierarchy] => Array
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[label] => FGSD-D-051131 - Salvador Dalí. Graphik-Folgen, Schleswig-Holsteinischer Kunstverein, 1972
[$public] =>
[$slug] => 51131
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)
[$slug] => 51131
[href] => /coeli/FGSD/HeritageObject/cc5813c2-42ec-e411-9471-00155d647f0b
[$public] =>
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[page] => nº2
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[101] => Array
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[display] => FGSD-D-072483 - Atelier Lacourie`re-Frelaut ou 50 ans de gravure et d'imprimerie en taille-douce : 1929-1979, Muse´e d'Art Moderne de la Ville de Paris, 1979: p. nº. 84 [indica 44 planchas al aguafuerte]
[document] => Array
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[bibTex] => @misc{Muse´e1979, title = {Atelier Lacourie`re-Frelaut ou 50 ans de gravure et d'imprimerie en taille-douce : 1929-1979}, publisher = {Muse´e d'Art Moderne de la Ville de Paris}, address = {Paris}, year = {1979}, date = {1979}, entryorder = {1979-01-01} }
[label] => FGSD-D-072483 - Atelier Lacourie`re-Frelaut ou 50 ans de gravure et d'imprimerie en taille-douce : 1929-1979, Muse´e d'Art Moderne de la Ville de Paris, 1979
[hierarchy] => Array
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[label] => FGSD-D-072483 - Atelier Lacourie`re-Frelaut ou 50 ans de gravure et d'imprimerie en taille-douce : 1929-1979, Muse´e d'Art Moderne de la Ville de Paris, 1979
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[$slug] => 72483
[href] => /coeli/FGSD/HeritageObject/b9a61ec4-e654-e711-b00a-00155d642705
[$public] =>
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[page] => nº. 84
[remarks] => indica 44 planchas al aguafuerte
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[102] => Array
(
[display] => FGSD-D-074687 - Dali : poetics of the small, 1929-1936, Meadows Museum, 2018: p. 132
[document] => Array
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[bibTex] => @misc{Meadows2018, title = {Dali : poetics of the small, 1929-1936}, publisher = {Meadows Museum}, address = {Dallas}, year = {2018}, date = {2018}, entryorder = {2018-01-01} }
[label] => FGSD-D-074687 - Dali : poetics of the small, 1929-1936, Meadows Museum, 2018
[hierarchy] => Array
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[$slug] => 74687
[href] => /coeli/FGSD/HeritageObject/2e979b59-f21e-e911-b03d-00155d64a700
[$public] =>
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[page] => 132
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[103] => Array
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[display] => FGSD-D-022871 - Surrealismus 1919 - 1944 : Dalí, Max Ernst, Magritte, Miró, Picasso..., K20 Kunstsammlung Nordrhein-Westfalen, Hatje Cantz, 2002: p. 219
[document] => Array
(
[bibTex] => @misc{K20Kunstsammlung2002, title = {Surrealismus 1919 - 1944 : Dalí, Max Ernst, Magritte, Miró, Picasso...}, publisher = {K20 Kunstsammlung Nordrhein-Westfalen, Hatje Cantz}, address = {Ostfildern-Ruit, Düsseldorf}, year = {2002}, date = {2002}, entryorder = {2002-01-01} }
[label] => FGSD-D-022871 - Surrealismus 1919 - 1944 : Dalí, Max Ernst, Magritte, Miró, Picasso..., K20 Kunstsammlung Nordrhein-Westfalen, Hatje Cantz, 2002
[hierarchy] => Array
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[webText] => The 1934 edition of Les Chants de Maldoror illustrated by Salvador Dalí was commissioned by the Swiss publisher Albert Skira during the artist’s Surrealist period. The thirty rotogravures and twelve vignettes that accompany the text reveal the profound affinity between the young artist and the doomed poet Isidore Ducasse, self-proclaimed Comte de Lautréamont (1846-1870), who died in obscurity at the age of twenty-six.
Lautréamont’s most famous work, Les Chants de Maldoror, was admired by the Surrealists both for its spirit of rebellion against society and for the originality of its poetic language. The rhythmic and lyrical structure of the text finds its visual equivalent in the repetitive and symbolic associations in Dalí’s prints. The final edition, a masterpiece of Surrealist illustration, is considered a seminal work in the artist’s career.
The numerous proofs preserved in Dalí’s estate document the long process of creation and evolution of the prints, which were printed in Paris by Roger Lacourière (engraving) and Philippe Gonin (typography).
However, the publisher’s financial difficulties in 1934 affected production, with the final print run reduced to some 120 copies, instead of the intended 210 copies referred to in the colophon.
A second edition of Les Chants de Maldoror, to complete the printing of copies pending since 1934, was finally published in 1973.
[$slug] => LES CHANTS DE MALDOROR
[distinguishingFeatures] => Copy no. 52, with 30 main prints.
To illustrate the process of creating this edition, a set of preliminary proofs has been included with this copy. These come from the portfolio of the period that Dalí used and that he kept in his studio in Portlligat.
The set of proofs shows the development of the image, referencing different states and versions, until reaching the final print.
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[label] => C091 - Onan [ONAN] [Book], Salvador Dalí i Domènech, Georges Hugnet, Éditions Surréalistes, Roger Lacourière, Imprimerie Grou-Radenez, 1934
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[webText] => Onan, a volume of poems by Georges Hugnet (1906-1974), was published by Éditions Surréalistes in Paris in 1934. Of the total print run, seventy-seven copies were illustrated with a frontispiece by Salvador Dalí, reproduced using rotogravure and printed by Ateliers Lacourière. According to the colophon, the book was printed on 10 June 1934, at the Grou-Radenez printing house.
The book's title refers to an episode from Genesis (Old Testament). Onan, a rebellious character, is condemned to death by divine justice for wasting his seed and refusing to marry his brother Er's widow. (1) In this rotogravure, Dalí reflects his affinity with Hugnet’s verse, marked by sexual desire, loneliness, and exclusion. On a plate laden with ‘spasmo-graphisms,’ the artist inscribed the phrase: ‘“ESPASMO-GRAFIFISME” [sic] OBTENU AVEC LA MAIN GAUCHE PENDANT / QU’AVEC LA MAIN DROITE JE ME MASTURBE JUSQU’AU SANG / JUSQU’AU L’OS JUSQU’AU HÈLICES [sic] DU / CALICE’’ (‘Spasmo-graphism obtained with the left hand while / with the right hand I masturbate to the blood / to the bone to the helices of the / chalice’).
The theme of onanism, present in the artist’s pictorial work since 1927, appears in a veiled form in Apparatus and Hand (Cat. P 195) and is openly addressed in his poem The Great Masturbator and in the oil painting Face of the Great Masturbator (Cat. P 235), both from 1930.
__________
(1) King James Bible, Genesis 38:9-10: ‘And Onan knew that the seed should not be his; and it came to pass, when he went in unto his brother's wife, that he spilled it on the ground, lest that he should give seed to his brother.’
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[label] => CFE006 - Fantastic beach scene [FANTASTIC BEACH SCENE] [prints (visual works)], 1935
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[webText] => The print reflects the close relationship between Salvador Dalí and the English poet Edward James, who met in Palamós, on the Costa Brava, during the summer of 1935, at Mas Juny, the country house of the internationally acclaimed Catalan painter Josep Maria Sert i Badia (1874-1945).
The dedication ‘To Edward James,’ along with the composition of the print – which incorporates motifs inspired by Les Chants de Maldoror and the landscapes of the Catalan coast – suggests that its creation dates from the beginning of the deep friendship between the two in the years in which Edward James was Dalí’s patron [see OG 020].
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[webText] => The book Grains et Issues – subtitled Rêve Expérimental – by the Romanian poet Tristan Tzara (1896–1963), one of the founders of the Dada movement, was published in Paris by Les Éditions Denoël et Steele. According to the colophon, the book was printed on 20 February 1935, at the Imprimerie Charles Bulens. The volume includes a frontispiece by Salvador Dalí, reproduced in rotogravure and etching on the first fifteen copies, and a dedication on the half-title page to Louis Broder, a prominent figure in the publishing world of the time.
Analogous to Dalí’s paranoiac-critical method, Tzara proposes that delusional activity should consciously replace poetic inspiration. In his narrative, the author describes ‘a lyrical superstructure, whose elements derive from the structure itself and which, as soon as it is realised, acts upon this from the height of its newfound power. It knows how to develop its virulence at times, to the point of undermining the meaning of this structure, corrupting it, raising it up, and destroying it in its essence’. Tzara’s text finds its visual counterpart in Dalí’s print, whose accelerated rhythm recalls the drawings he made during his first visit to the United States in November 1934. However, the destructive undertone perceived in the work is consonant with the European climate of the time, to which Tzara also alludes in his text.
__________
(1) See p. 213.
(2) TZARA, Tristan. Grains et issues − Rêve expérimental. Paris : Denoël et Steele, 1935, p. 210.
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The eccentric British philanthropist and poet Edward Frank Willis James (1907–1984), a collector of Surrealist art, met Dalí in 1935 [see OG 026] and became one of his principal patrons.
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[label] => C093 - Cours naturel [COURS NATUREL] [Book], Salvador Dalí i Domènech, Paul Éluard, Editions du Sagittaire, Henri Jourde, 1938
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[webText] => The book of poems Cours naturel by Paul Éluard (1895–1952), was published by Éditions du Sagittaire in Paris in 1938 and is dedicated to Nusch, Éluard’s wife. It contains a frontispiece by Dalí, reproduced in etching on the first fifteen copies, printed on Chine and Hollande paper. According to the colophon, printing of the book was completed on 10 March 1938, at the Henri Jourde works in Paris.
In the handbill for Cours naturel André Breton wrote: ‘To release, to deliver at the height of life and consciousness, as a great poet can at the age of twice twenty, not only the words of the still-savage tribe from their impure meanings but also human acts from what they possess of arbitrariness, irreparable combustion, and at the very least, vanity, in the great shimmering of midday on the wing of the “flaming” butterfly, against all odds and despite the immense pity of this time, deaf to the heart-rending cries that come from Republican Spain and from many other places, from this time – our time! – burying itself beneath the ruins of liberty and hope for the best, as well as of the most basic justice and dignity; to release, to liberate, to cause to shine forth what remains and will forever remain intact in the depths of the heart […] by a COURS NATUREL that nothing can interrupt…’ (1)
This copy, number 7, printed on Hollande paper, includes a dedication on the title page ‘à Louis Broder / qui aime les libros / encore plus que moi, / Paul Éluard’ (To Louis Broder / who loves books / even more than I, / Paul Éluard). The flyleaf also features a bookplate by the French artist Benjamin Vautier.
__________
(1) Bonnet, M. (ed.), André Breton Oeuvres complètes II, Paris, Editions Gallimard, 1992, p. 1220: ‘Délier, délivrer au faîte de la vie et de la conscience, comme un grand poète le peut à deux fois vingt ans, non seulement de leurs sens impur les mots de la tribu encore sauvage mais aussi les actes humains de ce qu’ils comportent d’arbitraire, de combustión irréparable et à tout le moins de vanité, dans le grand poudroiement de midi sur l’aile du papillon « flambé », envers et contre l’immense pitié de ce temps sourde aux cris déchirents qui viennent de l’Espagne républicaine et de plusieurs ailleurs, de ce temps, − le nôtre! − s’ensevelissant sous les ruines de la liberté et de l’espoir du mieux aussi bien que de la justice et de la dignité les plus élémentaires ; délier, délivrer, faire étinceler ce qui subsiste et subsistera à jamais d’intact au plus profond du coeur […] par un COURS NATUREL que rien ne peut interrompre…’.
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Estudi de nu femení en repòs
Salvador Dalí i Domènech
1923-24
Il·lustració per “l’oncle Vicens”
Salvador Dalí i Domènech · Salvador Dalí i Domènech · Salvador Dalí i Domènech
1924 – 1925
Cap de noia
Salvador Dalí i Domènech · Salvador Dalí i Domènech · Salvador Dalí i Domènech
1924
Sense títol. Retrat del pare
Salvador Dalí i Domènech · Salvador Dalí i Domènech
c. 1924
Parella “Venus i mariner”
Salvador Dalí i Domènech · Salvador Dalí i Domènech · Salvador Dalí i Domènech
c. 1925
Retrato de mi padre
Salvador Dalí i Domènech · Salvador Dalí i Domènech · Salvador Dalí i Domènech
1924
Retrat d’Anna Maria Dalí i el seu pare
1924 – 1925
Cap de noia
Salvador Dalí i Domènech · Salvador Dalí i Domènech · Salvador Dalí i Domènech
1924
Mariners
1925
Pepin Vello
Salvador Dalí i Domènech · Salvador Dalí i Domènech
1925
Ex-libris Puig Pujades
Salvador Dalí i Domènech · Salvador Dalí i Domènech · Salvador Dalí i Domènech
1925
Mujer
Salvador Dalí i Domènech · Salvador Dalí i Domènech · Salvador Dalí i Domènech
1925
Second Manifeste du Surréalisme
1930
La Femme Visible
Salvador Dalí i Domènech · Salvador Dalí i Domènech · Éditions Surréalistes · Roger Lacourière · Ducros et Colas
1930
L’Immaculée Conception
Salvador Dalí i Domènech · André Breton · Paul Éluard · Éditions Surréalistes
1930
Artine
Salvador Dalí i Domènech · René Char · Éditions Surréalistes · Ducros et Colas
1930
André Breton, Le Tamanoir
1931
Le Revolver à cheveux blancs
Salvador Dalí i Domènech · André Breton · Éditions des Cahiers Libres
1932
Cadavre exquis
Salvador Dalí i Domènech · Pablo Picasso
1933 – 1934
Objet cannibaliste
1933
L’Enfant-sauterelle
Salvador Dalí i Domènech · (M. Czar o M. Cazou), Les Sources, París · Roger Lacourière
1933
Invitation au souper de la Société du Roman Philosophique
Salvador Dalí i Domènech · A.R.P. · Atelier Lacourière et Frélaut
1933
Les Chants de Maldoror
Salvador Dalí i Domènech · Isidore Ducasse, comte de Lautréamont · Albert Skira · Roger Lacourière · Philippe Gonin
1934
Onan
Salvador Dalí i Domènech · Georges Hugnet · Éditions Surréalistes · Roger Lacourière · Imprimerie Grou-Radenez
1934
Fantastic beach scene
1935
Grains et Issues
Salvador Dalí i Domènech · Tristan Tzara · Les Editions Denoël et Steele · Imprimeries Charles Bulens
1935
Crânes mous et harpe crânienne
Salvador Dalí i Domènech
1935
Cours naturel
Salvador Dalí i Domènech · Paul Éluard · Editions du Sagittaire · Henri Jourde
1938
LA DIVINE COMÉDIE
LA VIE EST UN SONGE
LES SONGES DRÔLATIQUES DE PANTAGRUEL
DIX RECETTES D’IMMORTALITÉ
MOÏSE ET LE MONOTHÉISME
HOMMAGE À QUEVEDO
RHINOCÉROS
MOI AUSSI J’AI CONNU L’EMPEREUR
ARTISTES HISTÒRICS
MYTHOLOGIE
CEL DE L’EMPORDÀ
ULL DE TEMPS AMB RAÏMS D’IMMORTALITAT
SUITE MYTHOLOGIQUE NOUVELLE
(Cartell W.F.U.N.A)
SAINTE ANNE
St. GEORGE AND THE DRAGON
LA DÉROUTE DE SAN ROMANO